A different Saint Tropez in Second Life

The Incredible 4 – click any image for full size

Hear or read the words “Saint-Tropez”, and the chances are your thoughts will turn to the French Riviera, blue Mediterranean waters, yachts and sun-kissed bodies. While there is a beach at Saint Tropez in Second Life, it’s probably not the kind you’re going to want to spend time visiting for a spot of sunbathing; nor is the boat lying next to it the kind of vessel which adds sleek lines and glittering decks to the scene.

Here, however, is something entirely different. A region with a very coastal feel to it as well it is a life style away from its physical world namesake. While it may have a little beach of its own, this is no Mediterranean playground with gleaming yachts and golden sands promising sun-bronzed looks. Which is not to say it is any the less interesting to visit. Rather the reverse: Siant Tropez has a defined look and feel of its own which make it an interesting curio to visit.

The Incredible 4

The work of Sugar (Sugar Planer) and Lea (Lea Pienaar), together with Lindus Lyne, the region operates under the name of The Incredible 4, presumably on account of it being divided into four quarters, all of which flow together to give a feeling they are all part of the same stretch of coastline somewhere in the world. There is no set landing point; any visit via map or search will drop you pretty centrally in the region, so where you wander is pretty much up to you.

To the south-east sits Crossroads Bar, operated by Lindus Lynes. It’s the only part of the region sitting under its own parcel-based windlight setting, which casts in under a darkening twilight sky. A home for blues, blue rock, southern rock and rock, the bar offers both indoor and outdoor music venues. One of the latter sits just across the road, while the other is located a little further away, in the south-east corner of the region, which it shares with outdoor cuddle spots reached via an old wooden bridge.

The Incredible 4

Running across the northern side of the region, and reached via either a winding paved road or a dirt track (I recommend the latter when exploring the region for the first time), is a more urbanised area, albeit own of distinctly two halves. The the east is little town centre well past its prime, but attempting to put a brave face on things. Two gay little shops smile brightly at visitors along one of the streets, while along another houses with a distinctly Mediterranean look offer splashes of colour with their tiled roofs and blooming windows boxes. Even so, it’s hard not escape the feeling this is a place well past its prime – as testified by the row of empty houses to the north, and the uninspired bulk of old apartment houses to the south.

West of this thing become more open, the buildings seemingly fresher.  Two large town houses stand here, together with a little row of apparently thriving businesses. A great steam loco sits in a siding, looking like a local attraction designed to entice those passing through to stop and explore, rather than being a working engine. But even here, the signs of time passing cannot be entire ignored. Roads are closed, the beach is looking grubby – something not helped by the carcass of an old fishing boat lying half-sunken nearby.

The Incredible 4

Through all of this, the main road of the region winds, drawing everything together into a continuous whole. And you follow it around and through the region, the feeling is not so much of simply going in a circle around a square region, but you’re travelling along a stretch of coastline.

And just like a journey through and unknown land, The Incredible 4 offers a slice of the surprising. Follow the road back towards the Crossroads Bar and then turn right onto a woodland path before you get to the bar itself, and you be led to a little slice of Scandinavia. Here, on a rugged corner of coastline sit two houses, screened from the rest of the region by trees and rocky outcrops, the area comes as a rural retreat from the more urban feel of the rest, and coming across it is like arriving at the unexpected while on a long road-trip.

The Incredible 4

And this is the defining beauty of The Incredible 4 / Saint Tropez. Yes, a large part of the region might sound run-down and a little dreary, but it actually has a genuine beauty of its own. The meandering road, the footpaths and trails all serve to bring the various aspects of the region together as a living whole. It makes for an intriguing exploration, particularly given the various opportunities for back-story narrative which present themselves (just what is the town house in the north-west corner of the region all about?). As such, you might well be pleasantly surprised by a visit, as Caitlyn and I were.

SLurl Details

The Endless in Second Life

The Endless

The Endless is the title of an ensemble exhibition of art curated by Angelika Corral and Sheldon B as a part of their DaphneArt presentations. It features works by Ariel Brearley, Awesome Fallen, Kiki, Maloe Vansant, Nevereux, Paola Mills and Whiskey Monday, and it is a display where the art space itself might be considered as much a part of the exhibition as the images and pieces themselves.

Located high above ground, the exhibition space a place of geometries and reflections. A large grid forms the main platform crossed – literally – by two footpaths. At one end of this grid is a tiered seating area, split along one axis to presented a mirrored arrangement. Facing this, at the far end of the grid, sits a black hemisphere. set between the two are four cubes and two pyramids, neatly arrayed in two sets of three – again as if reflecting one another – either side of the path running from the seating area to the hemisphere. All of these elements  – seating, cubes, pyramids and hemisphere are additionally “reflected” by copies beneath the grid, mirroring their placement.

The Endless: Paola Mills

I’m not entirely clear on the significance of this arrangement beyond the idea that when placed correctly, two mirrors can give a sense of infinity through their endless reflections of one another, which might appear to echo the title of the exhibit. However, what I can say is, the design – by Sheldon B – is highly effective and eye-catching.

The work of the seven invited artists can be found within the various cubes, pyramids and hemisphere, which alternate in exterior finish between whites and black. Each artist presents at least one work, with not offering more than three. These again continue to mirrored them – each piece seemingly “reflected” in the floor of its display space.

The Endless: Awesome Fallen

The themes for the pieces are varied in style and tone. Again, I’m unclear as to the central theme (if there is one) – the DaphneArts website was down at the times of my visits, and the invitation I received to visit the exhibition was sans curator’s notes. Suffice it to say, there is a certain edge to all the pieces, be it sensuous, thought-provoking, nudity or a discomfiting reminder or two of out own mortality.

Certainly, each display is eye-catching, evocative (or provocative), emotive and variously attractive.  However – and for once – I’ll leave it to you to visit The Endless for yourself and discern your own understanding of the pieces and the exhibition as a whole. Which should not be taken to mean I’m being dismissive of it in any way. Rather, this is an ensemble of work and setting which deserves direct viewing and interpretation, rather than being filtered by my thoughts.

The Endless: Nevereux

SLurl Details

The Endless (Isle of Seduction, rated: Adult)

DJ Aid for Feed A Smile in Second Life

DJ Aid is a further in the series of monthly event organised by Rossini Events in support of Feed A Smile.

Taking place over eight hours on Friday, April 14th, 2017, the event will feature music from seven Second Life DJs and will be topped-out by vocalist Collin Martin.

For the event, Rossini Events are “coming home”, so to speak, to Kenya itself, in the form of the Feed A Smile Kenya area at  their headquarters at Lavender Fields.

The music will be played amidst the model of the Nakuru school Feed Smile, through its parent organisation, Live and Learn Kenya (LLK), is in the process of building. The model, build for LLK / Feed A Smile by RAG Randt, is a superb setting, reminding us all of the work LLK / Feed A Smile does in supporting underprivileged children in Nakuru.

The line-up for DJ Aid is, at the time of writing, as follows. All times SLT:

12:00 noon
DJ Pepper Curie (Muddy’s Music Cafe, Back Alley Blues)
1:00pm
Ana Alchemi (Muddy’s Music Cafe)
2:00 pm
DJ Jaxssin (Purple Gator, Floyds Bar)
3:00 pm
DJ Valeri Rossini (Muddy’s Music Cafe)
4:00 pm
DJ Laurendawn (Muddys Country)
5:00 pm
DJ Noel (Wet Willies, Back Alley Blues, Junkyard Blues)
6:00 pm
DJ Tril (Big Daddys, Black Horse Country)
7:00 pm
Collin Martin singing live.

This event follows on from Rossini Event’s successful music marathons in January, February and March on behalf of Feed A Smile, and details on the DJs and artist involved can be found on the Rossini Events website.

Event location: Feed A Smile Kenya, Lavender Fields

About Feed A Smile

Feed A Smile is a programme run by Live and Learn Kenya (LLK) to provide nutritious warm lunches for over 400 children every day, paid for entirely from donations to the project. It is part of a broader programme managed by LLK, which includes finding sponsors to finance the education of children in Kenya, helping to provide them with everything they need: uniforms, shoes, text books, school supplies, etc., and the building of the Nakuru school, Kenya.

In addition, the organisation also provides medical and dental care for children, including check-ups and vaccinations. 100% of the donations received by LLK are transferred directly to Kenya to care for children, provide education, medicine, food, shelter and foster care. Nothing is lost to salaries, fees or administrative costs at LLK.

About Rossini Events

Rossini Events was established in July 2016 – a collaboration between MichaelJ Rossini and Valeri Carissa organising private and public events in Second Life. Rossini Events especially prides itself on charity fund-raising, with monthly events supporting Feed a Smile, Relay for Life and Making Strides. To date, Rossini Events has raised L$240,000 for these charities. Everyone involved in Rossini Events donates their time free of charge, and every penny raised goes directly to the charity concerned. For further information, please contact MichaelJ Rossini in-world, or email to michaeljrossini-at-gmail.com.

Dathúil: Lulu Jameson’s magic in Second Life

Lulu Jameson – Dathúil Gallery

Sunday, April 9th saw the opening of an exhibition of Lulu Jameson’s photography at Dathúil Gallery, curated and operated by Max Butoh and Lυcy (LucyDiam0nd). Apparently untitled, it offers just under 30 pieces of Lulu’s work bound together with a quote from Roald Dahl:

And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it.

Lulu Jameson – Dathúil Gallery

The quote very much sets the tone for the pieces on offer. While the majority might appear to be avatar studies (one or two of which touch upon the NSFW boundary), the majority of them actually offer much more than this – although a careful eye – and a willing ear – is required to fully appreciate all that each image might have to say.

These are pieces which each tell a story – that’s guaranteed to get my attention, given my love of narrative. However, each story is in two distinct parts. The first comes when looking at it on your own. Each piece demonstrates an extraordinary use of tone, colour, depth of field, perspective, angle, and so on, in various combinations to make each piece harness our attention. Then within each of them is the story itself, conveyed through the emotions we see and sense:  love or loneliness; wonder, joy or sharing; regret, loss, contemplation or reflection; desire or passion.

Lulu Jameson – Dathúil Gallery

It’s an evolving narrative; one which grows as we take in more of the detail, focusing down while at the same time considering the whole. These are pictures that feel alive, as if responding to our appreciation.

The second part of the narrative comes from the artist as he directs our thoughts in examining his work. It is achieved in on or two ways, depending on the picture. The first and most obvious, common to all the pieces, is the name. Carefully chosen, the title of each paces draws our response in a certain direction. The second – and only present with some of the pieces – is through an audio link in the form of a volume button, which takes us to a song or poem on YouTube. Some of these reinforce initial impressions gained directly or through considering the title of an image, other carry our response and thoughts in an entirely new direction, encouraging a reconsideration of the picture and the story it may want to tell.

Lulu Jameson – Dathúil Gallery

This is a truly fascinating and magical exhibition. Lucy and Max have never really missed a beat with the exhibitions at Dathúil.  However, Lulu has provided something very special with this one; the mix of visual and aural art is perfect. And if you have an eye for detail – keep a look out for Lulu’s cat in the gallery 🙂 .

SLurl Details

SL project updates 2017 15/1: server, viewer

Sky Gardens, Holly Kai Park

Server Deployments

As always, please refer to the server deployment thread for the latest information.

  • The was no Main (SLS) channel deployment or re-start on Tuesday, April 11th.
  • On Wednesday, April 12th, the three RC channels should all receive a new server maintenance package which includes:
    • Several internal fixes and two new internal logging modes
    • Another adjustment to fix issues with off-line IM and Group Notice delivery reliability
    • Fixes an issue where large numbers of objects could be returned after a rolling restart.

It had been indicated that the new server OS build could be deployed to an RC this week. Whether this would be a “full” RC (BlueSteel, Magnum or LeTigre) or perhaps to a limited channel (as is the case with the increase avatar capacity updates, which are on McRib),  was made clear. More on this later in the week, maybe.

SL Viewer

The recent Voice RC, version 5.0.4.324770 was withdrawn some time on Monday, April 10th / Tuesday April 11th as a result of suffering a high crash rate.

The AssetHTTP project viewer was promoted to RC status with the release of version 5.0.4.325144 on Monday, April 10th.

This leaves the remainder of the current viewer list as:

  • Current Release version: 5.0.3.324435, dated March 13th – snapshots to e-mail hotfix download page, release notes
  • Release channel cohorts:
  • Project viewers:
  • Obsolete platform viewer version 3.7.28.300847 dated May 8th, 2015 – provided for users on Windows XP and OS X versions below 10.7.

The Lab’s most recent board members

In mid-March 2017, Linden Lab introduced a new member of the board of directors via a press release.

William “Bing” Gordon is a man with impressive credentials. The Chief Product Officer of Kleiner Perkins Caufield & Byers (KPCB), where he serves as an advisor and General Partner, Gordon worked with Electronic Arts for 26 years from its founding in 1982, driving the company’s branding strategy with EA Sports, developed EA’s pricing strategy for package goods and on-line games, created EA’s studio organization, and contributed to the design and marketing of many EA franchises, including John Madden Football, The Sims, Sim City, Need for Speed, Tiger Woods Golf, Club Pogo and Command and Conquer. As well as EA and KPCB, he has He has served on the boards of public companies Amazon and Zynga, and was a founding director at Katango (acquired by Google 2011), ngmoco (acquired by DeNA 2010) and Audible (acquired by Amazon in 2008).

William “Bing” Gordon

One of the acknowledged experts in computer gaming, Bing Gordon was awarded the Academy of Interactive Arts & Sciences’ Lifetime Achievement Award in 2011, and he held the game industry’s first endowed chair in game design at The University of Southern California’s School of Cinematic Arts. He is a robust thinker and, unlike many in the tech industry, retains a level head when it comes to the subject of VR – in 2015, he spoke to Fortune.com about the risks involved for companies leaping into the emerging VR market.

In joining Linden Lab, Gordon will will advise on strategy, product, marketing and other issues as Linden Lab continues to improve Second Life and brings to market its new platform for user-created social VR experiences, Sansar – with the Lab particularly emphasising the latter for understandable reasons, CEO Ebbe Altberg noting:

We’re honoured to have Bing join our board of directors and work with our team,” said Ebbe Altberg, CEO of Linden Lab. “He’s helped to bring to life some of the most influential entertainment experiences in recent memory, and as we prepare to open Sansar for all creators, his insights, expertise, and counsel will prove invaluable.

Bing Gordon isn’t the only relatively recent appointee to the Lab’s board of directors. He joins Mark Britto, in adding his name to LL’s board. Britto is most recently the founder/chairman of Boku, Inc., a mobile on-line payments company he founded in 2009 and which now is the leading name in mobile payments, servicing 50 countries through more than 200 carrier partners. Mr. Britto also serves on the Boards of Angieslist, PayNearMe and Sonder.

Mark Britto

After starting his career in banking, Britto co-founded Accept.com, a peer-to-peer payments company which was purchased by Amazon in 1999, where it became the primary backbone of Amazon’s global payments platform. Britto himself worked for Amazon as a Senior Vice President of Worldwide Services and Sales, prior to departing the company to take over the helm of Ingenio, a communication and e-commerce platform acquired by AT&T in 2007, and more recently re-established as an independent company in May 2013.

From this, it is clear that Britto has a wealth of experience in developing and managing payment services which would appear to be of particular merit to Linden Lab as they continue to operate their micro-currency systems for Second Life and Sansar, together with their Tilia Inc., subsidiary.

Interestingly, Mark Britto joined the Lab’s board in August 2016. However, his biography notes only appeared on the company’s leadership page in April 2017, when it was updated with Bing Gordon’s details.

Together, Mark Britto and Bing Gordon join Jed Smith, Bill Gurley and Dana L. Evan as serving members of the board at Linden Research Inc.