This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Current Release version 22.214.171.1245003 and dated January 22nd, promoted January 27th, formerly the Xanté RC viewer, – No Change.
Release channel cohorts:
The EEP RC viewer updated to version 126.96.36.1996347 on February 11th
Love Me Render RC viewer updated to version 188.8.131.526179 on February 10th.
Having opened at the Itakos Project, curated by Akim Alonzo, on Sunday, February 16th, Milena Carbone’s Agape in Pace is a fascinating exploration of art, love, hate, religion, politics – all of which might be summed up as the human condition – and reflections on quantum field theory – specifically the quantum vacuum state and the Casimir effect.
Spread over two floors of the gallery space, the exhibit presents a mix of images and text panels, which together present a layered, nuanced story.
Initially, the exhibition was inspired by the strangeness of the quantum vacuum: a vacuum that was the result of interactions of matter, antimatter and quantum fields that cancel each other out. The image of the Agape and Lilith twins represented the course of matter and antimatter that arises and rejoins almost simultaneously to disappear in the peace of emptiness.
As my work progressed, I drifted towards the two parallel stories: of Agape, oriented towards love and the search for peace; and of Lilith, oriented towards hatred of the other and the search for destruction. These are two postures towards the world. Not just the world of humans, but of all forms of life and the mystery of our existence. The two stories inevitably unite in death and forgiveness.
– Milena Carbone, describing Agape in Pace
The stories of Agape and Lilith are told on the lower floor of the exhibition, Agape to the left and Lilith to the right as you face the hall. Each can be followed individually, while each acts as a reflection of the other. Neither can actually exist without the other, yet should they ever meet, they will mutually annihilate one another violently and completely. But while they stay apart each might continue indefinitely, as symbolised by the mirror-like triptych at the end of the hall.
Further nuance is added through the examination quantum field theory. The popular idiom life doesn’t exist in a vacuum tells us that everything is in relation to it’s context; thus, neither Agape nor Lilith exist alone; they are intertwined – love and hate, light and dark – each giving life to the other; neither occupies a vacuum, and together, whilst never touching, they operate as an example of the Casimir Effect: their very existence as individuals means that between them, they generate a non-zero energy that effects the space (or others) around them.
On the upper level, the exhibition, Milena both continues her examination of the human condition whilst offering her own examination of Agape in Pace. In doing so, she offers insight into her creative process and her use of layering in her art as a part of her storytelling. Here as well, there are nuances and reflections on the nature of life and existence, religion, and an understanding of our place in the universe – indeed, the idea that life itself is a reflection of the physical forces at work throughout the cosmos.
Provocative in stimulating the grey matter, attractive in its art presentation, and ending on a pointed commentary on both the small-mindedness we are all too often witnessing in modern politics and our tiny presence in a cosmos that small-mindedness presumes we own, Agape in Pace is a captivating exhibition.
Surrounded by tall green mountains and with fir trees in places lining its shore, Lake NumB sits hidden from the rest of the world, its waters a colour suggestive of great depth. It lies within with the hills uninterrupted save for a single, sinuous island that appears to be swimming through the blue waters from east to west, the narrow stripe of a stream running through it from end-to-end along its green back.
Designed by Num Bing, this homestead setting is stunning in its simplicity and beauty, and offered to visitors because – to use Num’s words:
I wanted to create a little spot… a stream banked with nature… with photo & relaxation spots… so here we are… wander & enjoy…
The landing point is on a wooden bridge spanning the stream towards its western end. To the south of this, a carpet of grass sits between water’s edge and stream to provide a access to two greenhouses. The first, and nearer of these, is a near-pristine structure tucked into a grove of fir trees and offering a quiet retreat – one of several throughout this meandering isle.
The second greenhouse sits further east, where the land rises very slightly between curtains of rock. It is older than the first, its frame now without glass but with net curtains hanging on one side. It offers a large tub of water as an escape for one our two people, the water warmed by copper coils absorbing the heat from a naked fire sitting alongside it. Nearby, grassy steps lead down to a deck sitting over the waters of the north shore, while to the south a second bridge offers way back to the path that runs between it and the landing point.
Beyond this, the island continues east, the land lined with trees, shrubs and flowers and grass paths encourage explorers forward to discover all the hidden delights to be found. And these delights are many: places to sit, decks over the water, little glades, and an out-thrust of land that offers a formal garden with checker board pebbles, trimmed hedgerows and topiary.
Extending out into the lake, the garden looks to have been artificially added to the island, and is home to another frame – for either a greenhouse or shed – that sits unfinished and provides home for an setting ready for afternoon tea complete. Entertainment is waiting to be provided by the most charming clavicytherium that came as a particular delight to me, as I had no idea one was available in SL (so kudos to Jake Vordun, its creator!).
Beautifully designed and presented, Lake NumB does precisely what Num Bing intended of it: presents a natural setting rich in places to relax and opportunities for photography (images can be submitted to the region’s Flickr group, if desired); it’s a place that works under multiple windlight options and encourages visitor to stay a while and that shouldn’t be missed.
It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.
Sunday, February 16th 13:30: Tea-Time Special: Death on the Nile
First published in 1937, Death on he Nile is one of Agata Christie’s most famous and enduring Hercule Poirot murder mysteries. The book has been the subject of multiple theatrical, film and television adaptations, most of which had by necessity condensed elements of this tale of love, jealously, and betrayal to more readily fit the requirements of their format.
Now, Seanchai Library continues to present the opportunity to enjoy the story in full – and within a setting inspired by the novel, as Corwyn Allen, Da5id Abbot, Kayden Oconnell, Gloriana Maertens, and Caledonia Skytower bring Christie’s characters once more to life for us to enjoy.
So, why not join Poirot as he cruises aboard the river steamer Karnak in a trip along the Nile – although a tour of the sights is unlikely to be high on his priorities given the state of affairs between socialite Linnet Doyle, her new husband Simon Doyle and his embittered former fiancée (and Linnet’s long-time friend) Jacqueline de Bellefort, together with a host of other interesting travelling companions; particularly when they start to turn up dead.
Monday, February 17th 19:00: Out of the Silent Planet
The first novel in C.S. Lewis’s classic sci-fi trilogy which tells the adventure of Dr Ransom who is kidnapped and transported to Mars.
In the first novel of C.S. Lewis’s classic science fiction trilogy, Dr Ransom, a Cambridge academic, is abducted and taken on a spaceship to the red planet of Malacandra, which he knows as Mars. His captors are plotting to plunder the planet’s treasures and plan to offer Ransom as a sacrifice to the creatures who live there, and his discovers that he is special as he comes from the ‘silent planet’ – Earth – a world whose tragic story is known throughout the universe…
Join Gyro Muggins for more.
Tuesday, February 18th 19:00 At the Gates of Dawn, the Writings of Ella Young
Born in Ireland in 1867, Ella Young was educated in Dublin, obtaining a master’s degree in Celtic mythology. She published her first book of poems in 1906, and her first work of Irish folklore, The Coming of Lugh, in 1909, and followed in 1910 by Celtic Wonder-Tales.
She first travelled to the United States in the early 1920s, and in 1924 she was hired by the University of California, Berkeley to replace William Whittingham Lyman Jr., who had vacated his post as “Instructor in Celtic”. Re-entering the United States in 1925, she was allegedly briefly detained at Ellis Island as a probable mental case on the grounds of her apparent belief in the existence of “fairies, elves, and pixies”.
While based in California, held the post of the James D. Phelan Lecturer in Irish Myth and Lore at the University of California, Berkeley for approximately a decade, and spent a portion of her time speaking at various universities around the country.
As a lecturer, Young was known for her colourful and lively persona, often addressing her audiences whilst wearing the purple robes of a Druid and expounding on legendary creatures such as fairies and elves, and praising the benefits of talking to trees.
Her sheer enthusiasm for, and depth of knowledge of, Celtic mythology attracted and influenced many of her friends and won her a wide audience among writers and artists in California, including poet Robinson Jeffers, philosopher Alan Watts, photographer Ansel Adams, and composer Harry Partch, who set several of her poems to music.
Two of her books, The Wonder-Smith and His Son (1928) and The Tangle-Coated Horse and Other Tales (1930) were both nominated for Newbery prizes. She published her autobiography in 1945, prior to succumbing to cancer in 1946.
The Gates of Dawn is an anthology of Young’s work, featuring her poems, prose and mythical storytelling, and will be read by Willow Moonfire.
Wednesday, February 19th, 19:00: Poetry This Year
Caledonia reads from the poems selected for recitation by the students in the program she coordinates in her home state, live on stream.
Thursday, February 20th 19:00 A Pocketful of Crows
The bonny brown girl, lives in the forest, unnamed, untamed. Her people, the “travelling folk”, have no need of towns, or houses, or linens. Nor of each other, save at occasional seasonal gatherings. The Brown Girl lives in the wild, inhabits the wild creatures when she wants to hunt in the forest, or soar through the sky.
Then one spring day, the day before May Day, she meets William, a young royal, and quickly falls in love. Though she denies being in love, and swears to remain wild, William insists on giving her a name, Malmuira, the Dark Lady of the Mountains.
“Thus are you named, my brown girl. Thus do you belong to me.”
Join Shandon Loring as he continues this tale of love, loss and revenge. Following the seasons, A Pocketful of Crows balances youth and age, wisdom and passion and draws on nature and folklore to weave a stunning modern mythology around a nameless wild girl. Also in Kitely – grid.kitely.com:8002:SEANCHAI).
Thirty years ago, in February 1990, the Voyager 1 space craft had completed its primary mission and was about to shut down its imaging system. However, before it did so, and in response to lobbying from the late Carl Sagan, celebrated astronomer, teacher, broadcaster, writer, futurist and member of the Voyager programme’s imaging team, mission managers order the spacecraft to turn its imaging system back towards Earth to take a final photograph of its former home.
Captured on February 14th, 1990, the image revealed Earth as little more than a tiny blue pixel caught in a streak of sunlight falling across the camera’s lens. Sagan immediately dubbed the image Pale Blue Dot, and it became his – and Voyager 1’s – Valentine’s Day gift to all of humanity; a last goodbye from the probe taken at a distance of 6 billion km (40.5 AU); 34 minutes later, its camera system was permanently powered down to conserve the vehicle’s power generation system.
From the moment it was published, the image became iconic: a representation of the sum total of humanity, something Sagan recognised at a time when the Cold War still dominated world politics.
Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilisation, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every ‘superstar,’ every ‘supreme leader,’ every saint and sinner in the history of our species lived there–on a mote of dust suspended in a sunbeam.
…It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.
– Carl Sagan, Pale Blue Dot, 1994
To mark the 30th anniversary of the original image, NASA issued a newly enhanced version of the image, carefully processed by a team led by software engineer and imagining specialist, Kevin M. Gill, seen at the top of this article. It once again reveals just how small and lonely our world really is. And while the Cold War has long since past, in this age of global warming and climate change, this new image of that tiny, pale blue dot and Sagan’s words remain as powerful a reminder of our fragile place in the Cosmos as they did more than two decades ago.
As an irregular – and massive – variable star, Betelgeuse goes through cycles of dimming and brightening over time. However, what has occurred over the course of the past year is without precedent in the 125-year history of observations marking the star’s behaviour.
Overall, Betelgeuse’s apparently magnitude (brightness as seen from Earth) has fallen by a factor of 2.5 (or roughly 25-30%). This has prompted speculation that the star may have exploded into a supernova – its eventual fate – and we are currently seeing the light, which takes approximately 643 years to reach us, from the run-up to that cataclysmic event. While most astronomers do not believe this to be the case, the two images do present a stunning spectacle of a star in flux.
The images were captured by the Spectro-Polarimetric High-contrast Exoplanet REsearch (SPHERE) instrument attached to the Very Large Telescope (VLT, currently the most advanced visible light telescope in the world) operated by the European Southern Observatory Captured in January and December 2019, they not only show just how much Betelgeuse has dimmed in that time, but also how it seems to have changed its shape.
Again, such changes of shape aren’t unusual for a pulsating variable star like Betelgeuse. The surface of such a star tends to be made up of giant convective cells that move, shrink and swell. However, while these pulses – referred to as stellar activity – have likely been responsible for past changes in Betelgeuse’s shape observed from Earth, they have never been anywhere as extreme as those indicated by SPHERE – although it has been acknowledged that they could also be exaggerated by a cloud of dust ejected by the star long enough ago to have cooled, and is now partially obscuring our view of Betelgeuse.
The 12th Home and Garden Expo (HGE) in support of Relay for Life of Second Life and the American Cancer Society, has formally kicked-off and will run through until Tuesday, March 3rd, 2020. Taking place across nine regions (Hope 1 through 9), together with two Linden Homes preview regions presenting the range of currently-available Linden Homes, the event offers some of the finest in home, garden, and furnishing designs available across the grid.
With multiple exhibitors taking part, the event offers something for anyone who is looking for a new home, ideas for furnishing and décor, wishing to improve their building (or other) skills, or who just wishes to keep abreast of the latest building / home trends in Second Life.
Hope 1 presents the event’s entertainment stage and kiosks for Relay for Life Second Life relay teams, with the auditorium for talks and presentation located in neighbouring Hope 3.
So, do be sure to drop in the the Home and Garden Expo, tours the houses, look at the furnishing and enjoy the entertainment – and feel free to drop a donation or two into the RFL kiosks, even if you’re not in the mood to purchase anything, and help support ACS and RFL of SL in their world-wide endeavours.