VWBPE 2024 What’s up With the Lab: Grumpity, Kali and Signal Linden

via VWBPE

Update: March 16th, 2024: Regarding SL Voice and capabilities, as mentioned in the latter part of this summary, please also refer to: 2024 week #11: SL TPVD summary: new approach to voice in SL for information on the new WebRTC for Voice in SL.

On Thursday, March 14th, 2024 Grumpity Linden, the Lab’s Senior Vice President of Operations, along with Kali and Signal Linden joined Phelan Corrimal for the annual Above the Book session at the Virtual Worlds Best Practice in Education (VWBPE) conference, entitled What’s Up At the Lab.

The function of the session is to explore what’s “new” at Linden Lab  / with Second Life and their impact on educators and non-profit organisations using the platform.

The following is a summary of the session covering the core topics raised. The notes provided have been taken directly from the official video of the session, which is embedded at the end of this article. Time stamps to the video are also provided to the relevant points in the video for those who wish to listen to specific comments.

Notes:

  • This is a summary, not a full transcript, and items have been grouped by topic, so may not be presented chronologically when compared to the video.
  • Timestamps are included to allow a direct jump to a subject / comment.

A Little Background

Grumpity Linden: is responsible for the Second Life Product and Engineering teams. She originally started at LL whilst working for The Product Engine, and was involved in the development of Viewer 2 (as designed by 80/20 Studio), prior to joining LL full-time in 2014. Her role covers all aspects of product development and platform engineering, and as well as having a strong technical background, she also brings a strong element of interpersonal skills and psychological expertise to the Lab’s management team via her studies at the Johns Hopkins University.

Kali Linden: is now a Director of Engineering at the Lab, reporting into Grumpity, specifically focused on the Lab’s web properties (e.g. lindenlab.com, secondlife.com, the Marketplace, etc.) and associated UI and API design. She has a keen focus on matters pertaining to content creation and also in working in the non-profit sphere, describing herself as a “Nonprofit-preneur” as well as a “Nerd-Gamer”.

Signal Linden: is the Director of the Second Life Server and Viewer engineering and development teams. He has been involved with Second Life since 2008, and joined Linden Lab in 2015 by way of the likes of Amazon. He is a strong believer in the potential of virtual worlds, and a keen proponent of open-source software and collaborative development. He has perhaps most recently been visible as the communicator of, and driving force behind, the Lab’s moves to the use of Github to manage viewer development and issue tracking for their engineering and development environments.

Product Development Path

The glTF™ Roadmap

[Video: 4:43-19:26]

  • When SL introduced mesh import (2011), the COLLADA (Collaborative Design Activity) interchange file format  interactive 3D applications was selected for use within SL for importing mesh models to the platform. This decision was based on its widespread (at the time) use and recognition as an international standard (ISO/PAS 17506).
  • Since then, content creation and the industry have moved on, and the glTF (graphics library Transmission Format) has been developed over the last decade by the Khronos Group (also responsible for COLLADA), as  a standard file format for three-dimensional scenes and models. Recognised and adhered to through the industry, it is the specification of choice for Second Life to move to using.
  • Linden Lab views glTF adoption as a combination of:
    • Making the platform more accessible to a wider pool of content creators (as in theory, content made for X or Y in adherence to the core glTF specification (currently version 2.0 (no extensions) for SL) could be dropped directly into SL “as is” subject to licensing)
    • Making the actual import and use of glTF objects and scenes adhering to the specification pretty much a drag-and-drop capability.
  • While the techniques involved in glTF content production may be more complex, it is hoped that by adhering to the specification, content creators and users in SL will have great access to more accurate documentation to support the learning process, and have access to a broader set of libraries / tools presenting the means for that drag-and-drop capability with items and objects arriving in SL and looking vastly different to how they appear in authoring tools.
  • Physically based rendering (PBR) for materials was the first step in glTF adoption, and required a large-scale overhaul of the SL rendering engine. With its deployment and update, LL are now looking to to build out glTF support and capabilities.
  • Notably, the work now allows LL the opportunity to investigate  – and potentially implement – the support of  importing of entire glTF scenes (object, scripts, animations, etc., as noted above) into SL and have them stored as a recognisable asset.
    • This requires another significant overhaul of SL to support glTF hierarches, and so is liable to be a long-term project.
    • However, work on scene import and its associated requirements is due to start around mid-2024.
  • Note: this conversation included the export of glTF scenes from SL to elsewhere. As Linden Lab are still investigating requirements for permissions, etc., plus determining what will be required to allow scene import, no definitive answer on this could be given at this point, and so I’ll do no more than mention it here. Please refer to the video below if interested in the conversation.

SL Mobile

[Video: 30:02-36:28]

  • SL Mobile remains in closed Alpha testing (Premium Plus users only) and the current testing is generating a lot of feedback.
  • The initial focus was on rendering – with work still on-going – to ensure scenes and avatars could be rendered with a fidelity similar to that of the viewer and robustly.
  • This saw limited functionality in other areas to start with, but the functionality is being built out, and will continue to be built out and enhanced. Recent updates include:
    • Start a new chat from any chat screen
    • On the Nearby Chat screen, see how many people are nearby.
    • Streaming audio support.
  • As the functionality is built out, LL plan to start looking more broadly at Mobile use-cases (e.g. bringing-in new users, which requires considering a set of capabilities – signing-up, getting in-world, making connections, etc.) which are different to many of those sought by existing users (e.g inventory sorting).
  • Some capabilities found in the viewer will not be available in Mobile “for a while” (e.g. building), and core capabilities required for content creation (e.g. mesh importing) may well remain bound to the desktop.
  • That said, basic object interactions – sitting on objects, driving vehicles, etc., – will be supported.
  • In terms of broadening the existing SL Mobile user base, the hope is to do so “in the first half” of 2024.
    • More widespread usage does require more thought around interactions with third party environments (app stores, Tilia for L$ management, etc.) before such expansion can take place.

On-Boarding New User Experience

[Video: 36:40-42:34]

  • With the introduction of the Senra avatars in 2023, LL added a web-based avatar customisation flow as a part of the on-boarding process. This process continues to be refined, wit the idea remaining that new users will start with Senra and its available clothing and accessories (LL supplied or via user creators), but eventually move to other systems.
  • However, it is recognised that in-world avatar customisation is “hard”, so to further assist in new users gaining familiarity with in-world avatar customisation, LL are – as has been suggested by existing users – looking to implement a similar, easy-to-understand flow to customising avatars in-world.
    • This does require a series of back-end changes to systems to be made, so will still be a while in come.
    • It will, by necessity, given the huge range of options available in avatar customisation, be somewhat constrained it terms of trying to build a more complex look, but it should allow use users to make changes to their avatar and produce a good result.
  • As a part of the on-boarding process, LL is looking to improve the registration API that is provided to Community Gateways for on-boarding users directly. No firm decisions on what might be updated and why, but the Lab is interested in hearing from Gateway Communities, those using the Reg API on the changes they would like to see. suggestions via the Second Life Feedback Portal.

General

  • Scripting [Video: 19:27-24:52]:
    • The last two years have seen LL become more responsive to requests for more scripting capabilities and functionality.
    • The plan is to continue with this, and those with specific requests – even if made in the past – are asked to use the Scripting Requests board on the Second Life Feedback Portal to do so.
    • Interoperability with external API (e.g. web APIs) is often being considered on a request basis.
  • Voice in Second Life [Video: 24:56-29:50]:
    • It is acknowledged that SL’s voice capabilities (powered by Vivox) have been largely unchanged since their introduction in 2007 (and Vivox has long since ceased active support on Linux).
    • LL are looking to improve Voice capabilities in SL with technologies which will enable the addition of new functionalities – such as new capabilities in-world such as adding scripted control of voice capabilities.
    • As with PBR and glTF, the work currently under consideration for Voice in SL would be foundational as / when decisions are made and projects start rolling, allowing capabilities and options to be built up over time.
  • Marketplace [Video: 42:40-43:56]:
    • In line with the work on SL Mobile, the Marketplace / web team are working on trying to make the Marketplace responsive on Mobile, enabling shopping via ‘phone or tablet and also improving the MP’s appearance on the viewer’s in-built browser.
    • Marketplace Search is also going to see further improvements (e.g. additional filtering).
    • Also see my more recent Web User Group summaries.
  • Feedback move from Jira to Github  / Canny [Video: 44:14-48:30]:
    • The decision to move away from Jira was primarily due to Atlassian (who produce the Jira software) changing their licensing model, making an open-ended system available to all SL users prohibitively expensive for the Lab.
    • Github Issues was selected as the core replacement tool due to it both it being a good collaborative tool or developers and users, and it is a key tool used within the likes of viewer (open-source and simulator code development.
    • Canny was settled on for the general user-facing front-end the Feedback Portal) as it has “good” integration with Github, and has a range of tools which allow information to be grouped and displayed (e.g. Marketplace bug / issues; viewer bug reports, projects such as Combat 2.0, etc.).
    • It also allows for a wider range of feedback to be given, and for prioritising work in terms of popularity of ideas, identifying issues that can be widely beneficial and rapidly implemented, etc.
    • The Feedback Portal provides general user access to tickets; those with Github accounts (e.g. open source or third-party viewer developers) can access the Github issues side of the system (with some security / sensitive data exceptions) via their Github accounts.
    • The switch-over was completed in mid-February 2024.

The VWBPE 2024 conference in Second Life

via VWBPE

The 2024 Virtual Worlds Best Practice in Education (VWBPE) conference takes place between Thursday, March 14th and Saturday March 16th, 2023 inclusive. A grass-roots community event focusing on education in immersive virtual environments, VWBPE attracts 2200-3500 educational professionals from around the world each year. It’s primary goals are to foster discussion on, and learning about educational opportunities presented through the use of such virtual spaces, a defining core values and best practices in doing so, including:

  • Helping to build community through extension of learning best practices to practical application of those ideas and techniques;
  • Providing networking opportunities for educators and the communities that help support education; and
  • Offering access to current innovations, trends, ideas, case studies, and other best practices for educators and the communities that help support education.

In the context of the conference, a “virtual environment” is an on-line community through which users can interact with one another and use and create ideas irrespective of time and space. As such, typical examples include Second Life, OpenSimulator, Unity, World of Warcraft, Eve Online, and so on, as well as Facebook, LinkedIn, Twitter, Pinterest or any virtual environments characterised by an open social presence and in which the direction of the platform’s evolution is manifest in the community.

Every year, the event has an over-arching theme. For 2024 this is Mythic Origins, which the organisers describe thus:

Mythic stories can provide a way to engage students in critical thinking and analysis, as well as developing their creativity and imagination. Mythic origins can provide students with a deeper understanding of their own cultural heritage and how it has evolved over time. It allows us to explore the origins of our socially constructed myths and legends that have inspired educators and their various works.
Join us as we all share experiences and successes in how virtual technologies used in the classroom have helped shape education for the better.
VWBPE 2023 – The Main Auditorium

Programme

As with previous VWBPE conferences, this year’s event includes speakers, workshops, presentations, social activities and more.

The best way to find out what is going on over the three days of the conference is through the VWBPE programme page,  However, here are some of the highlights of major events (note: all times SLT and held at the main auditorium unless otherwise stated):

  • Thursday March 14th:
    • 08:00-08:50: Kick-off event at the VWBPE Gateway.
    • 12:00 Noon-12:50: What’s Up at the Lab?
    • 13:30-14:00: The VWBPE Parade, commencing at the VWBPE Gateway.
    • 16:00-17:00: Keynote Address: Mythic Origins of Metaverse Myths – Wagner James Au.
  • Friday March 15th:
    • 08:00-08:50: Keynote Address: The Hero’s Journey of Learning Transformation in the Digital Age – Nellie Deutsch (Ed.D) / Nellie Homewood
  • Saturday March 16th:
    • 18:00-19050 SLT: Closing ceremony.

If you cannot get in-world to attend any of these or the other major talks and presentations at the conference, note that you can watch them via You Tube – check the VWBPE website for the full schedule of live streams.

WWBPE Wetlands Visitor Centre

Region Themes and Facilities

For 2023, the conference returns from space, where it has been for the past couple of years, to a more Earthly setting, presenting a series of biomes in which events will be held and people can explore and play. These comprise:

  • Canopy Biome (Canopy Point): a canopy biome is a forestry ecosystem characterised by a dense layer of vegetation at the top (the canopy), under which can be found a diverse forest ecosystem.
  • Rainbow Basin: an ecosystem found within a basin or depression within the Earth’s surface, often characterised by wetlands, rivers, lakes, with the environment ranging from dry through to very wet.
  • Jungle Habitat: a tropical forest environment generally characterised by high levels of rainfall and warm, humid temperatures. These are often among the most biodiverse ecosystems on the planet.
  • Meadow Biome (Floating Meadows): a meadow biome is characterised by a mix of forest and meadow habitats, generally in temperate zones with moderate temperatures and rainfall.

The four regions form a square and feature the main auditorium straddling there adjoining corners. They are supported by:

  • Grasslands Biome – home to the VWBPE Gateway.
  • Badlands Biome (Badlands Wild): badlands are characterised by their rugged, eroded landscape, featuring ravines, canyons and buttes. They tend to be semi-arid in nature. Here they are also home to the Rock Theatre Workshop.
  • Wetlands Marsh: an ecosystem characterised by a combination of shallow water, emergent vegetation and saturated soils. Here they are also home to several of the VWBPE social venues.
  • Desert Hinterlands: a region receiving very little rainfall, resulting in a dry, arid environment, often with high daytime temperatures and very low night temperatures. Home to the Oasis Lecture Theatre and The Ruins Workshop.
  • Tundra Expanse: a cold, treeless biome form in the Arctic and Antarctic regions, characterised by low temperatures, strong winds and little precipitation and vegetation limited to shrubs, mosses, lichens and the like, the ground being generally frozen. Home to the Quadrivium and the Hearth Lecture Theatre.

The VWBPE Gateway

At the VWBPE Gateway you can find information on the conference – including the schedule for the day, a Swag Bag which includes the conference teleport HUD for easy access to all locations and venues, information on the biomes comprising the conference regions, and more. And, of course, VWBPE volunteers are on hand to answer your questions!

Core Facilities and Locations

Within these regions the following core facilities for the conference can be found – but please refer to your conference Swag Bag (and teleport HUD!) for full  information on all locations and facilities at this year’s conference.

VWBPE 2023: The Hearth

To keep up-to-date with the conference, be sure to check the VWBPE website daily.

Additional Links

VWBPE 2023: Grumpity & Patch Linden – What’s Up at the Lab? – a summary

via VWBPE

On Thursday, March 23rd, 2023 Grumpity Linden, the Lab’s Vice President of Operations and Patch Linden, the Lab’s Vice President of Product Operations, both of them members of the company’s management team, attended the 2023 Virtual Worlds Best Practice in Education (VWBPE) conference to discuss Second Life.

The following is a summary of the session covering the core topics raised. The notes provided have been taken directly from the official video of the session, which is embedded at the end of this article. Time stamps to the video are also provided to the relevant points in the video for those who wish to listen to specific comments.

Notes:

  • This is a summary, not a full transcript, and items have been grouped by topic, so may not be presented chronologically when compared to the video.
  • Timestamps are included to allow a direct jump to a subject / comment.

A Little Background

Grumpity Linden: heads up Second Life Product team, where she has overseen a shift to growth, a stronger, more balanced economy, movement towards better community cohesion, and an overall forward-looking approach. She originally started at LL whilst working for The Product Engine, and was involved in the development of Viewer 2 (as designed by 80/20 Studio), prior to joining LL full-time in 2014. As the Vice President of Product, she is responsible for coordinating the various teams involved in bringing features and updates to Second Life, liaising with legal, financial and compliance to ensure features and capabilities meet any specific requirements in those areas, and so on; work which can involve looking at specifics within various elements of the overall SL product, such as UI design and layout, etc.

Patch Linden: originally a Second Life resident and business owner who joined the platform in 2004, and became a Linden in September 2007. He worked across a number of teams within the company – notably within the support and product spheres, and is responsible for developing the Land Operations team, and more recently setting-up the company’s support office in Atlanta, Georgia. Since 2019, he has been Vice President, Product Operations.

The Environment at the Lab and Use of SL

A general discussion on working at L:inden Lab – the environment / atmosphere -, on how often Lindens log into SL (and how some specifically do so using alts as well as their Linden accounts), etc. Please refer to the first 15  minutes of the video for details.

Product Development Path

SL Mobile

[Video: 15:42-23:40]

See also: Lab Gab summary: Grumpity, Mojo & Patch – SL Mobile, land, bots & more, March 2023.

  • A re-iteration that LL are working on a fully immersive Mobile solution for both Android and iOS.
  • Limited feature set beta in development, aimed primarily at existing users rather than trying to support the New User Experience (NUX).
  • The first release will be “broad but shallow” – rendering the world, teleporting, using chat, with the focus on getting as high a quality of rendering as possible.
    • Dealing with user-generated content (in-world and worn on avatars) which is largely unoptimised for a run-time environment like Second Life has been a challenge on the rendering side.
  • Capabilities such as complex interactions with in-world objects, the inclusion of Voice and similar will be added over time as the app is iteration on and enhanced. However, streaming audio (music) is liable to be implemented ahead of any Voice support.
  • However, while the capabilities will be iterated on over time, Mobile is not intended to offer full parity in terms of functionally as the full viewer.
  • [Video: 47:38-48:36] The initial BETA release of the Mobile app will likely not be before the last quarter of 2023.

NUX and New Starter Avatars

[Video: 23:48-28:40]

See also: Lab Gab summary: Grumpity, Mojo & Patch – SL Mobile, land, bots & more, March 2023.

  • LL is working on improving the whole user on-boarding and new user experience (NUX) path for those coming into SL for the first time.
  • This work includes new “full mesh”, one piece (head, body, hands, feet) avatars (previewed at SL19B), which will be supported by a full complement of clothing and accessory options
A preview version of the new, single mesh (head-to-toe) avatar, which will use by mesh clothing and Bakes on Mesh, and be open for creators to design clothing and accessories
  • The NUX process will involve smoother on-boarding from the web (sign-up, etc.) and include viewer-side changes to make getting started with SL easier and more intuitive, and making it easier for those coming into SL to get a good start.
  • The first part of this work to surface is likely to be the updated sign-up workflow and on-boarding from the web (including selecting one of the new avatars and carrying out some customisation at that point – thus avoiding the need to get into the complexities of using Inventory, etc., within the viewer).
  • The second part of the work “later on” will simplify the avatar customisation process within the viewer, and it is hoped the third-party viewer community will build on this work as well.
  • The new avatars, coupled with the new on-boarding path, are seen as a mean for communities leverage / user SL to develop their own on-boarding paths using the RegAPI to bring their particular audiences / users into the platform.
    • This could potentially extend down to the level of communities providing specific outfits / clothing for the users they are bringing into SL (e.g. a selection of uniforms or similar for a military role-play group; t-shirts and hoodies with a school or college logo on them for an educational group, etc.).
  • This will be leveraged by Mobile so that users coming into SL via the Mobile option will be able to customise their avatars through the on-boarding process.

PBR Materials and Puppetry

[Video: 31:41-35:40]

See also: Lab Gab summary: Grumpity, Mojo & Patch – SL Mobile, land, bots & more, March 2023, my Content Creation User Group meeting summaries and my Puppetry Project user group meeting summaries.

  • The next set of capabilities to be deployed will be the Physically Based Rendering materials capabilities and reflection probes.
    • The core of this work is to support a new approach to material maps / surfaces either directly on products developed for SL by content creators or which can be used modify personal items and creations. They are designed to give objects a sense of physical world lighting and reflection, drawing on the Khronos glTF 2.0 specification.
    • This work represents a significant technical step forward in graphical rendering for SL (in the order of 10 years), and will take a step towards facilitating things like dynamic planar mirrors which can reflect avatars in-world (with some constraints around the capability).
    • Documentation and materials in support of the PBR Materials and reflection probes is in the process of being developed.
  • Animation imports is a project that is in the pipeline, but is currently more an offshoot of the Puppetry Project.
  • The Puppetry Project is in progress, but has expanded beyond the original outline, and can be regarded as “coming soon™”. This work includes motion capture from devices as basic as a web camera, as well as potentially supporting more capable hardware, and broadcasting / streaming the results in-world in real time (so you can wave you avatar’s hand, beckon someone – even potentially reach out and pick up an object, etc.).
  • More information on the PBR work and what follows it, and the Puppetry Project will be made available as this work continues.

SL20B – The 20th Anniversary

[Video: 29:15-31:40]

See also: SL20B: theme, music festival & performer applications, March 2023.

via Linden Lab
  • SL20B is anticipated as being a “very large event”, given it is the 20th anniversary, with the event regions almost doubling in number.
  • When the exhibitor applications are opened, communities and groups from across SL are encouraged to apply and take part in the event.
  • As well as performances and entertainment, SL20B will open up for panels, talks and discussions, applications for which will also be opening soon.

Upcoming / Future Work

[Video: 36:08-42:32]

Translation tools

LL note that the current translation tools within the viewer are getting long in the tooth, so there will be a project to make sure they are properly supported. After that, it is hoped a project can be put together to move translation server-side. The specification for this work is still being developed internally at the Lab, and more details may be available for public consumption in the future.

Family Names

  • Linden Lab has long run a Custom Name Programme, allowing qualified users to pay for personalised avatar names.
  • This is being expanded to allow the introduction of a new subset of custom last names: Family Names.
  • Family Names will allow a user to purchase into a last name, and then elect / allow a certain number of accounts to use that last name.
  • This capability is something that has been requested by users, and is seen as having a number of use-cases.
  • Further information on Family Names will be made available as and when the capability is ready to be released.

Streaming Solution Option

  • Aside from the Mobile app, LL is looking at a streaming capability for Second Life (that is, running a viewer instance on a cloud server and streaming the results to a browser).
  • If developed, it would “come in at a more reasonable price-point” than past efforts (SL Go and Bright Canopy).
  • Even so, it would not be intended to be a means for day-to-day access to Second Life, but more something that could benefit specific communities / events / activities.
  • LL may well take further steps to solicit wider feedback on this idea.

General Q&A

[Video: 42:40-46:36]

  • Will there be a payable “lifetime account” option? “Maybe. Time will tell”.
  • Is the Education Discount still available – Yes.
  • Will the new features being developed prevent users on older hardware from using SL? Not necessarily – although very , very old hardware may not be able to run some of the newer features, so may have to rely on “legacy” modes (where available).

The VWBPE 2023 conference in Second Life

via VWBPE

The 2023 Virtual Worlds Best Practice in Education (VWBPE) conference takes place between Thursday, March 23rd and Saturday March 25th, 2023 inclusive. A grass-roots community event focusing on education in immersive virtual environments, VWBPE attracts 2200-3500 educational professionals from around the world each year. It’s primary goals are to foster discussion on, and learning about educational opportunities presented through the use of such virtual spaces, a defining core values and best practices in doing so, including:

  • Helping to build community through extension of learning best practices to practical application of those ideas and techniques;
  • Providing networking opportunities for educators and the communities that help support education; and
  • Offering access to current innovations, trends, ideas, case studies, and other best practices for educators and the communities that help support education.

In the context of the conference, a “virtual environment” is an on-line community through which users can interact with one another and use and create ideas irrespective of time and space. As such, typical examples include Second Life, OpenSimulator, Unity, World of Warcraft, Eve Online, and so on, as well as Facebook, LinkedIn, Twitter, Pinterest or any virtual environments characterised by an open social presence and in which the direction of the platform’s evolution is manifest in the community.

Each year, the event has a central theme, which for 2023 the organisers describe thus:

Our theme for the VWBPE 2023 conference explores the concepts behind our Uncommon Realities. Learning from each other’s perspectives in how we visualize challenges, the skills we bring to bear in working through alternatives, prototyping solutions, and the personal meaning we find in interpreting the results of our efforts.
We face unparalleled challenges in the world today. Embracing our uncommon realities can be a source of inspiration to bring people together. To tell our own stories. To show people our strengths. And to inspire others to not be afraid of being different. More importantly, it allows us to explore a profusion of ideas we may never have thought of if not for our willingness to share and be seen.

– From the introduction to VWBPE 2023

VWBPE 2023 – The Main Auditorium

Programme

As with previous VWBPE conferences, this year’s event includes speakers, workshops, presentations, social activities and more.

The best way to find out what is going on over the three days of the conference is through the VWBPE programme page,  However, here are some of the highlights of major events (note: all times SLT and held at the main auditorium unless otherwise stated):

  • Thursday March 23rd:
    • 08:00-08:50: Kick-off event at the VWBPE Gateway.
    • 09:00-09:50 SLT: Keynote address – Dr. Tom Boellstorff  (Tom Bukowski in SL): Making the Metaverse a Common Reality.
    • 12:00 Noon-12:50: What’s Up at the Lab? With Grumpity and Patch Linden.
    • 13:30-14:00: The VWBPE Parade, commencing at the VWBPE Gateway.
  • Friday March 24th:
    • 08:00-08:50 SLT: Keynote address – Dr. Stylianos Mystakidis (Stylianos Ling in SL), Hellenic Open University, Greece: Metaverse: Pandora’s Pithos or Panacea for Education? 7+1 Uncommon Truths about the Edu-Metaverse.
    • 12:00 Noon-12:50: Keynote address = Alexandra Humphreys (heddwen1 in SL): Playing with Reality: Gamifying Education in the COVID-19 Pandemic.
  • Saturday March 25th:
    • 18:00-19050 SLT: Closing ceremony.

If you cannot get in-world to attend any of these or the other major talks and presentations at the conference, note that you can watch them via You Tube – check the VWBPE website for the full schedule of live streams.

WWBPE Wetlands Visitor Centre

Region Themes and Facilities

For 2023, the conference returns from space, where it has been for the past couple of years, to a more Earthly setting, presenting a series of biomes in which events will be held and people can explore and play. These comprise:

  • Canopy Biome (Canopy Point): a canopy biome is a forestry ecosystem characterised by a dense layer of vegetation at the top (the canopy), under which can be found a diverse forest ecosystem.
  • Rainbow Basin: an ecosystem found within a basin or depression within the Earth’s surface, often characterised by wetlands, rivers, lakes, with the environment ranging from dry through to very wet.
  • Jungle Habitat: a tropical forest environment generally characterised by high levels of rainfall and warm, humid temperatures. These are often among the most biodiverse ecosystems on the planet.
  • Meadow Biome (Floating Meadows): a meadow biome is characterised by a mix of forest and meadow habitats, generally in temperate zones with moderate temperatures and rainfall.

The four regions form a square and feature the main auditorium straddling there adjoining corners. They are supported by:

  • Grasslands Biome – home to the VWBPE Gateway.
  • Badlands Biome (Badlands Wild): badlands are characterised by their rugged, eroded landscape, featuring ravines, canyons and buttes. They tend to be semi-arid in nature. Here they are also home to the Rock Theatre Workshop.
  • Wetlands Marsh: an ecosystem characterised by a combination of shallow water, emergent vegetation and saturated soils. Here they are also home to several of the VWBPE social venues.
  • Desert Hinterlands: a region receiving very little rainfall, resulting in a dry, arid environment, often with high daytime temperatures and very low night temperatures. Home to the Oasis Lecture Theatre and The Ruins Workshop.
  • Tundra Expanse: a cold, treeless biome form in the Arctic and Antarctic regions, characterised by low temperatures, strong winds and little precipitation and vegetation limited to shrubs, mosses, lichens and the like, the ground being generally frozen. Home to the Quadrivium and the Hearth Lecture Theatre.

The VWBPE Gateway

At the VWBPE Gateway you can find information on the conference – including the schedule for the day, a Swag Bag which includes the conference teleport HUD for easy access to all locations and venues, information on the biomes comprising the conference regions, and more. And, of course, VWBPE volunteers are on hand to answer your questions!

Core Facilities and Locations

Within these regions the following core facilities for the conference can be found – but please refer to your conference Swag Bag (and teleport HUD!) for full  information on all locations and facilities at this year’s conference.

The Teleport HUD

As noted above, the VWBPE teleport HUD is the best way of getting around the facilities. It can be obtained via the Swag Bag giver at the VWBPE Gateway and is delivered to inventory in a folder. Open the folder and right-click → ADD the HUD. Note that you will need to grant teleport permissions for it to work.

VWBPE 2023 – Teleport HUD

By default, the teleport HUD attaches to the bottom left of the viewer window, with a single button – SHOW – available. Clicking this will expand the HUD to show:

  • Buttons for teleport to venues and locations within the conference regions. Click on these will either teleport you directly to the destination (Gateway and Lest We Forget), or open a sub-menu of destination options (e.g. Auditorium access points, talks and presentations venues, etc.).
    • Note that after being teleported to a location, the HUD will automatically minimise itself.
  • Four buttons to the right: visit the VWBPE website (VWBPE logo button); MAIN – return to the main set of teleport option buttons; HELP – receive a note card on how to use the HUD; HIDE – minimise the HUD.
VWBPE 2023: The Hearth

To keep up-to-date with the conference, be sure to check the VWBPE website daily.

Additional Links

VWBPE 2022: Patch Linden – What’s Up at the Lab?- a summary

via VWBPE

On Thursday, March 31st, 2022 Patch Linden, the Lab’s Vice President of Product Operations and a member of the company’s management team, attended the 2022 Virtual Worlds Best Practice in Education (VWBPE) conference in the first of three special events featuring representative from Linden Lab.

The following is a summary of the session covering the core topics raised. The notes provided have been taken directly from the official video of the session, which is embedded at the end of this article. Time stamps to the video are also provided to the relevant points in the video for those who wish to listen to specific comments.

Notes:

  • This is a summary, not a full transcript, and items have been grouped by topic, so may not be presented chronologically when compared to the video.
  • Timestamps are included to allow a direct jump to a subject / comment.

Management Items

On the Passing of Ebbe Altberg and the CEO Position

[Video: 1:47-3:55]

  • Still very much missed by the team.
  • Brad Oberwager noted the dynamic between Grumpity Linden (VP of Product), Brett Linden (VP of Marketing), Patch and now Mojo Linden (VP of Engineering), and decided to work with them as a management team, rather than bringing in a new VP.

Philip Rosedale’s Role

[Video 32:23-34:45]

  • Philip Rosedale’s role is purely advisory. He is not at the Lab full time, but he is a resource the management team can call on when broader strategies are being discussed.
  • The management team maintain the day-to-day management and development of Second Life.

On Tilia and Its Role

[Video: 34:55-39:15]

  • Grown out of the need to properly regulate money handling and the operation of a virtual currency, Tilia has grown into a product set in its own right.
  • It still plays a central role with Second Life in terms of handling fiat money and transferring Linden Dollars to fiat money amounts.
  • However, it is a separate entity, and specialises in all regulatory and compliance matters in dealing with fiat money transactions. As such it free the SL management team to focus on Second Life and its services for users.

Product Development Path and the AWS Architecture

[Video: 4:23-18:12]

  • A lot of under-the-hood work to optimise the use of AWS hardware and infrastructure – simulator performance improvements.
  • General improvements:
  • Starting work of new “event” regions capable of running with 100-150 avatars within them, with a hoped-for target of 200.
    • These regions have had some testing at various shopping events, and work is continuing to test and compare these environments.
    • Seen as offering a route to true auditorium-style events as well as supporting shopping style events.
    • Things like cost and additional features for this product have yet to be determined, so these regions are not generally available at this time.
    • There are still issues to be resolved. For example, tests revealed that if a region took more than around 175 avatars, the memory use within the simulator / server the region was on would start to exponentially rise with each additional avatar.
    • These regions might possibly be available to support RFL events.
    • [Video 47:46-48:22] Once available, these “event” regions will be offered to educators at the current educational discount.
    • [Video 49:40-51:21] These new “event” regions will not see any increase in either region size or in Land Capacity limits. Should Land Capacity ever change, it will be globally scaled for products.
  • A lot of the work in leveraging AWS and developing the new “event” region product have both led to the discovery of additional areas where work needs to be carried out, and this is an ongoing process.
  • The breadth of product offerings provided by AWS are constantly being analysed to see if they might be leveraged for use by Second Life.
    • However, some of this might be limited, or required more engineering work. For example, text-to-speech / real-time translation are options AWS can provide, but leveraging them would require extensive viewer-side engineering to leverage what are essentially server-based tools.
  • [Video: 44:21-47:21] Two major efforts at the moment are geared at growing the user base. These comprise:
    • A further redesign of the new user on-boarding process and new user experience, part of which can be seen with the revamp of the welcome islands launched in 2021.
    • A review of the avatar system / avatars supplied by LL for new users.
    •  For those who use the RegAPI, these changes will, it is hoped, “revolutionise” bringing users in SL.
    • These are both part and parcel of an overall drive to increase the Second Life user base over the next few years (Patch’s personal target being to double the number of active avatars in-world).
    • A benefit here of being on AWS is that Second Life is now entirely “elastic” and can group as required.

On Mobile

[Video: 18:32-23:05]

  • Mobile / lightweight strategies are still very much part of the work that is on-going at the Lab.
    • The dedicated Mobile offering (initially iOS) is still very much a focus.
    • A streaming option is also being considered – but streaming is very much a moving target in terms of technology and capabilities, so this is very much a longer-term project. However:
      • It potentially offers a higher-fidelity experience with graphics, etc.
      • It is in active development and experimentation.
      • Costs will be a factor, however, and such a service is unlikely to be something that would be folded-in to, say, some Premium subscription, simply because stream costs are so variable in terms of data load, etc.
  • [Video 42:59-44:20] It is hoped that in offering a mobile solution, LL will be able to increase SL’s exposure to audiences and help grow the user base.

Support

[Video: 24:45-32:15]

  • Front-line support has been increased by 4 people.
  • A new scripted support bot has been deployed that utilises AI to tackle support questions, rather than operating programmatically.
    • Can understand plain English questions and leverages the Knowledge Base.
    • Can carry out basic support functions, such as restarting a region on receipt of a recognised request.
    • Also includes (or will include as the capability is being developed) to help with things like filing Abuse Reports.
  • New support options are being introduced (notably as a part of Premium Plus, but no specifics).

In General

  • [Video: 39:24-42:57] On Meta and virtual spaces: Meta has put a huge spotlight on the metaverse business. Feels that at the end of the day, Meta will be just one of a number of virtual worlds / environments, and that others like Second Life can benefit out of the “all boats rise” adage.
  • Some passing mention of Premium Plus but no real specifics worth noting.

Previewing the VWBPE 2022 conference in Second Life

via VWBPE

The 2022 Virtual Worlds Best Practice in Education (VWBPE) conference takes place between Thursday, March 31st and Saturday April 2nd, 2022 inclusive. A grass-roots community event focusing on education in immersive virtual environments, VWBPE attracts 2200-3500 educational professionals from around the world each year. It’s primary goals are to foster discussion on, and learning about educational opportunities presented through the use of such virtual spaces, a defining core values and best practices in doing so, including:

  • Helping to build community through extension of learning best practices to practical application of those ideas and techniques;
  • Providing networking opportunities for educators and the communities that help support education; and
  • Offering access to current innovations, trends, ideas, case studies, and other best practices for educators and the communities that help support education.

In the context of the conference, a “virtual environment” is an on-line community through which users can interact with one another and use and create ideas irrespective of time and space. As such, typical examples include Second Life, OpenSimulator, Unity, World of Warcraft, Eve Online, and so on, as well as Facebook, LinkedIn, Twitter, Pinterest or any virtual environments characterised by an open social presence and in which the direction of the platform’s evolution is manifest in the community.

Each year, the event has a central theme, which for 2022 the organisers describe thus:

Our theme for this year is Phoenix Rising and the exploration of areas outside of our expertise that may be potentially opposed to our current outlook or world view. As educators, we are having to adjust to more than just a transition from in-person to online methodologies. We are facing urgent challenges in the areas of remote classroom management, outdated policies or policies not designed to be applied to online environments, child psychology and welfare in online environments, health and safety considerations, and personal privacy, among others. This means embracing the ability to quickly adapt to changing circumstances and innovative technologies to their best effect.

– From the introduction to VWBPE 2022

VWBPE 2022 Gateway

Programme

As with previous VWBPE conferences, this year’s event includes speakers, workshops, presentations, social activities and more.

The best way to find out what is going on over the three days of the conference is through the VWBPE programme page,  However, here are some of the highlights (note: all times SLT, and all events at the VWBPE auditorium  – landing points: Auditorium, Area 52; Auditorium, Norganon; Auditorium Skywall – unless otherwise stated):

  • March 31st:
    • 08:00-08:50: Kick-off event at the VWBPE Gateway.
    • 11:00-11:50 SLT: What’s up at the Lab? with Patch Linden and hosted by Kevin Feenan (Phelan Corrimal), VWBPE Director; Rockcliffe University Consortium.
  • April 1st:
    • 08:30-08:50 SLT: Keynote address – Randall Sadler, Professor of Computer-Assisted Language Learning Telecollaboration (incl. Virtual Worlds and Virtual Reality
  • April 2nd:
    • 18:00-19050 SLT: Closing ceremony.

If you cannot get in-world to attend any of these or the other major talks and presentations at the conference, note that you can watch them via You Tube – check the VWBPE website for the full schedule of live streams (also available on YouTube).

The VWBPE Spaceport and (foreground) the Rings of Saturn, start of the Phoenix Egg Hunt

Conference Facilities

For 2022, the conference uses the same as the past two years, with some additional twists. The following is a quick run-down of some of core facilities.

  • The VWBPE Gateway: located on the ground level, the Gateway offers a main landing point for in-coming visitors, complete with a swag bag for arrivals available through several givers.
  • The VWBPE Auditorium: with three access points (Auditorium, Area 52; Auditorium, Norganon; Auditorium Skywall), the auditorium is an asteroid that has a cloud of debris floating before it – just click one of the little rocks and take a seat!
  • The VWBPE Social Spaceport: the spaceport is the main entertainment centre for the conference, and offers rides and freebies and opportunities to relax.
  • Social events at this year’s conference features a number of special activities, including:
    • The Gallery 360 Photo Event.
    • Moonwalk on Koray – defy gravity with this walk around a moon.
    • Phoenix Exhibit Hunt – find the phoenix eggs among the exhibits.
    • Rocket Ride – fly a rocket through asteroid fields, past the moons of Lyra Prime, through a worm hole, and landing at the docks of the Lyra Prime spaceport.
    • And more – details in the information packs available at the Gateway!

The conference also includes lecture and workshop spaces and locations for presentations, all of which can be accessed via the teleport HUD and the gateway teleport kiosks.

The Teleport HUD

As noted above, the VWBPE teleport HUD is the best way of getting around the facilities. It can be obtained via the swag bag givers at the VWBPE Gateway and is delivered to inventory in a folder. Open the folder and right-click → ADD the HUD. Note that you will need to grant teleport permissions for it to work.

VWBPE 2022 Teleport HUD

By default, the teleport HUD attaches to the bottom of the viewer window, with three buttons available (Help and Detach are self-explanatory).

Click the Main button to display the full HUD (which can be minimised again by clicking the Hide button, displayed when the HUD is fully in view). This comprises two sections:

  • On the left, a display of primary options (shown above). Clicking on any of the buttons in this section will  following: display a further list of options (teleport or web page links). Use the Main button to return to the primary set of options again, when required.
  • One the right, a changing display of event sponsors – clicking on a name displayed in this section will display a link in the viewer’s top right corner to an associated web browser page about the sponsor.

The primary set of options comprise the following (note: at the time of testing, Special and Administration were both blank, and so are ignored below):

  • Teleport to Gateway: go directly to the VWBPE gateway station, where you can grab freebies (if you’ve not already done so) and use the teleport kiosks inside the main building, meet with friends, etc.
  • Stations: displays buttons for all of the conference facilities except the main auditorium. Click one of the buttons to be teleported to the named location.
  • Auditorium: displays the three teleports to the main auditorium.
  • Social: displays the teleport to the space station and other social elements.
  • Exhibits: teleports to the conference exhibition spaces.
  • Sponsors: displays a set of teleports to the exhibition spaces of the conference’s major sponsors.
  • Post-Conference Survey: offers a link in the viewer’s top right corner to an associated web browser page, where attendees can offer feedback on the conference.
VWBPE 2022 Main Auditorium – pull up an asteroid as take the weight off of your space suit boots!

To keep up-to-date with the conference, be sure to check the VWBPE website daily.

Additional Links