Nikira Naimarc is a budding machinima maker who contacted me about her first film, Jenny’s Holy Night, asking me if I’d like to watch it.
When most of us would consider entering machinima cautiously, perhaps with a piece of a few minutes duration to test the waters publicly, Nikira went for something far more ambitious. At little under 20 minutes in length, Jenny’s Holy Night easily qualifies as a mini movie. And it is a moving piece.
“It is a Christmas video, Nikira told me, when she contacted me. “It’s based on Hans Christian Andersen’s story, The Little Match Girl. We premièred in November, and I’ve had very positive feedback.”
First published in 1845, The Little Match Girl is the sad tale of a poor little girl attempting to sell matches on New Year’s Eve. Ignored by the passing people, she is too afraid to go home lest her father beats her. Instead, she sleeps in the cold, dreaming of better times – times she may never see.
For Jenny’s Holy Night, Nikira has updated the story to a modern setting and has moved it to the days leading up to Christmas, with the little girl now an orphan trying to sell little Christmas wreaths she has made to unsympathetic shoppers, concerned only with their own needs.
Made with the support of Die Villa video, who have also made available on YouTube through their channel, Jenny’s Holy Night is a poignant tale. It is a reminder that “the season of giving” can be especially hard for those who don’t have the luxury of having the money to give in order to receive what they need; that that all too easily exist unseen and outside of the excitement of the holiday season – until it is too late.
Please take the time to watch the film below, and if you appreciate it, do consider leaving a comment for Nikira here or on the film’s YouTube page.
Now open at CKB Art Gallery curated by Ceakay (CK) Ballyhoo is The Haze. It is the latest installation in a series of living stories featuring art and focused on the adventures of a principal character, whose journey we are invited to follow in words, images and settings. For The Haze, CK returns to her own character of Ellie, who featured in A Watercolour Wander (read here for more) and The Forest Beyond (read here for more) in a collaborative story developed with 2D and 3D artist Silas Merlin.
“It was an offer I couldn’t refuse,” CK says of the installation. “An offer from Silas to use his new builds and sketches to form a story. Using Silas’s new digital sketches and the ruins and creatures he has created, a world started to form, darker than anything we’ve either done before, the story turned into a nightmare: Ellie’s nightmare.”
The result is a full region installation far removed from the green and pleasant lands of the first two instalments of Ellie’s dreamworld adventures. Instead, visitors find themselves in a desert-like, ghostly landscape, heavy with a dusty haze (I recommend exploring using the default windlight). Instructions on following the story can be found at the landing point – and should be read. In short, look for the little illuminated STORY stones set on the ground along the way, each one presents a chapter in the unfolding nightmare.
Another difference between this and Ellie’s previous adventures is that not only are the chapters presented in note card form when the stones are clicked, but approach a stone will trigger it being read to you – just have local sounds enabled (*not* the audio stream) to hear the readings. These readings can actually overlap one another, depending on how many are playing when you visit, and where you are in relation to the different stones. This might annoy some; for me, they actually added extra ambience: whispering ghostly voices, overlapping but each telling a story – if you listen carefully and focus on just one of the voices.
The setting, with its deserting buildings, twisted trees, creatures and ruins, presents an eerie landscape, barren despite the trees – which appear a sickly yellow-green, rather than the usual robust green of fir-trees. It’s a haunting place in which scenes loom up at you. They can seem disjointed, sudden – and very nightmare-like for doing so. Amidst all the rocks and fir-trees, seemingly dead trees also sit, their branches denuded of leaves, left to form easels on which groups of Silas’ drawings sit. These also have little STORY stones alongside of them which, when touched, will deliver background notes on a scene to you in note card form, adding further depth the the story.
Silas’ art is as captivating as ever – and there is a lot to see from buildings to gnomes to creatures to rocks (someone them resembling creatures) to people awaiting discovery. The 2D art forming the background stories is cleverly presented and offers an illustrative style reminiscent of a storybook – so thoroughly in keeping with the setting. He and CK have created an immersive tale, one which invites exploration – and be sure to keep an eye out for the Boogeyman and also the dragon rezzer – the latter will allow you to fly up to the higher reaches of the setting, unreachable by foot, and essential to the story.
Also when visiting, don’t miss the UP teleport at the landing point – it will take you to a sky gallery where you can find CK’s own art, more from Silas as well as from other artists, all taken from CK’s personal collection.
At the end of September, Gentle Heron sent me a note card concerning a study being carried out by millay Freschi focused on our relationships with our avatar, other SL users, the group we belong to, and so on. The survey is still open, and millay is still seeking people willing to participate (a link to the survey is at the end of this article). Also included in the note card was feedback from millay on her initial findings from the survey, which also offered me the chance to chat in more detail with millay about her work and plans for the study.
In the physical world, millay is Amy E. Cross, a PhD candidate in an Interdisciplinary Programme at the University of Maine, and the study forms a core part of her dissertation. “I’m compiling information and research on the components of the avatar and how they affect our lives,” she told me earlier in November. “Specifically, I’m looking at social movements as that’s been my experience in SL; but the avatar components are the brunt of the research.
“I believe that I had 500 or so respondents when I talked about my initial findings in September. That number has now risen to over 900, and my dream is to have 3,000 respondents by the time I close the survey. I would like to get an honest look at how we view ourselves, our interactions and the place itself. As a part of this, I’m also conducting interviews with people willing to talk about themselves.”
millay’s research is being overseen by Dr. Kristina Nielson of the University of Maine, and those participating in the study must be at least 18 years of age, and able to answer 47 questions on a range of subjects relation to their physical and digital selves. It should take around 30 minutes to complete.
“It really is an exploratory study,” millay says of it. “I want to use the information to provide a solid foundation – a baseline of experiences and responses – for researchers Second Life, so I tried to create a survey that would convey a lot of information without overwhelming the respondents. I’ll be expanding on it through the interviews I mentioned, together with observations and my own experience within SL.”
And millay does have considerable Second Life experience herself. “I didn’t actually just come here as a researcher,” she says. “I first arrived in 2007 as a physics major with an eye on maybe becoming an astronaut, drawn to Second Life simply out of curiosity, but once in-world, I was hooked!
“In 2008, I started the Four Bridges Project after working with Amnesty USA, which convinced me that peace and reconciliation studies were more in line with what I want to do.” She chuckles and adds, “I realised as well that my chances of becoming an astronaut were pretty slim!”
She continues, “As I was deciding on my graduate studies focus, I thought about who we are in this community and how what we do here, in Second Life, matter out there. So my Masters focused on virtual technology in education with a slant towards civic engagement and peace studies. My dissertation focuses on how our avatar components might play a role in virtual social activism.”
Turning to her preliminary findings, millay said, “Even in September the results were interesting, and educational for me! For example, most of the respondents at that time said they came to Second Life out of curiosity; I actually wish I had worded that response differently, as I’d like to know what gave rise to that curiosity. I’ll be so much better at the next survey! Of the 500+ responses I’d had at that time, 25% said that they came in to meet people, and 70% said they had met an SL contact in the physical world.”
Given the number of avatar profiles which carry statements like “SL is SL and RL is RL, I don’t mix the two”, this latter statistic might seem surprising; but it also might indicate an interesting bias in the nature of those taking the survey. While entirely anonymous, the questions do delve into our physical world lives; this could make it more appealing to those willing to be more open about their off-line selves than those who see a clear demarcation between “real life” and Second Life. By extension, those completing the survey may be far more comfortable with physical world meetings than might otherwise be the case.
It is because of the risk of bias within the results that millay would like to a broader cross-section of Second Life residents participate in her research. “For example,” She says, “Around 80% of the respondents up to the end of September 2017, have been in-world for six years or longer, with 40% over 10 years. While I know this is meaningful because it gives the survey a picture of a history in a way, I would dearly like to see more people who have been in-world for less than five years take the survey.”
She adds, “One of the more surprising results for me was on the subject of alts. I have several alts, probably seven or eight, which I use for money management, privacy, inventory management, and so on. But 44% of those responding up to the end of September say only have ONE avatar, I can’t even imagine! In fact, 88% are between 1 and 3. Of those with alts, 95% have a “main” avatar, and 55%, use their alt for privacy.
The survey is yielding a lot of information about people’s on-line and off-line selves and how they may (or may not) mutually inform one another, that it could lead to several additional investigations. “For example,” millay notes. “75% of respondents said that their avatars are helpful to others. That number went down to 60% with regard to their off-line personalities. I wonder why that is, and if this shouldn’t be examined more closely – The peaceful warrior in me says ‘yes!'”
Once she has completed her dissertation, millay plans to publicly share it and her findings. All things being equal I’ll be discussing her findings in a lot more details once she has published, and also exploring more about the Four Bridges Project in more detail.
“In short, Four Bridges is a virtual sustainable global community model founded on the four principles of respect for nature, universal human rights, economic and social justice, and a culture of peace,” millay told me as we briefly discussed the project. “Members, who include fifteen organisations from sectors such as education and non-profits as well as individuals, share resources: space, venues, media, technology, as well as knowledge and skills.
“We had two regions in-world, but I actually closed them so that I could focus on my dissertation,” millay notes. “But we’ll be reopening in 2018, probably February.”
millay is looking to close her survey on or around December 15th, although it will remain available through until the end of the year. So, I’d encourage anyone interested in helping millay in her research to hop over to the Four Bridges website sooner rather than later. There is a comprehensive lead-in providing additional information, together with a link to the survey itself – and remember, it is completely anonymous.
With thanks to millay Freschi for her time, and Gentle Heron for the heads-up, and apologies to both for the delay in getting this article to print.
As a part of the SL14B celebrations marking Second Life’s anniversary in June 2017, Linden Lab hosted a special in-world shopping event, which proved to be a success among designers and consumers alike.
Given that success, the Lab is now planning a similar event for the Christmas / New Year holiday season, and has put out a call to designers interested in participating.
The announcement, posted by Xiola Linden on Tuesday, November 14th, indicates that the event will run from Friday, December 15th, 2017 through to Monday, January 1st, 2018, and states in part:
This event … is an opportunity to introduce new customers to your brand. We are looking for merchants willing to offer a discount on some of their items (think Black Friday and Cyber Monday deals!) and possibly provide a little non-exclusive gift to holiday shoppers.
Those designers interested in participating in the event are invited to complete the application form (embedded below, and also available here, for those preferring the direct link). Note that submissions must be made no later that 23:59 SLT on Monday, November 27th, as the cut-off for applications will be 00:01 on Tuesday, November 28th.