Month: December 2020

Cica and Bryn’s White Veil in Second Life

Posted on by Inara Pey
White Veil, December 2020 – snowballs are a rollin’,rollin’, rollin’

Cica Ghost and Bryn Oh have once again teamed up to provide a little  light-hearted winter fun for those who feel like a little bit of a challenge with some avatar exercise.

White Veil, located on a snow-covered Homestead region under the patronage of Clementine Rosca, challenges visitors to make their way over wooden boards to a snowy valley between high peaks that winds up to where a strange tower twists its way up into the sky – and then climb the curving ramp of  said tower to reach the room at the top.

White Veil, December 2020 – will the magnets help or hinder you?

Sounds simple enough, doesn’t it? And it is – except for the gigantic snowballs that periodically rain from the sky to roll at random down the valley to sweep-up all that lies in their path. They are invariably followed by one true monster of a snowball that rumbles down the tower’s ramp to join its smaller brethren as they tumble down the valley.

Should you get caught by any of these great balls of snow, then you’re toast – or at least, you’re teleported back to the start line to try again. Nor are the snowballs alone in trying to hinder you. There are also white blocks lie  scattered around which, if you get too close will attempt to bounce you in the air, whilst blue bullets may be pelted at you from the tower’s open walls to try to delay you.

White Veil, December 2020, – meet the penguins

But, there is also assistance to be had. Scattered along the path are blue disks. Step on one and you’ll be enclosed in your own personal force-field for a time, impervious to snowballs blocks and bullets – just keep moving with the force field in order for it to benefit you the most. Magnets hanging over the curving ramp of the tower might also assist you by dragging you to them, and so up the slope – but they also might hinder, as once caught by one, it can be difficult to get free!

Nor is this all; while the goal is to reach the room at the top of the tower and witness the strangely garbed individual awaiting you there, so to are there opportunities to leave the valley and explore the lands beyond, occupied as they are by groups of Cica’s penguins, whilst pieces of Bryn’s art might also distract you.  Also to be found at the tower’s top is a narrow, snow-covered walkway leading to a flying chair; use the arrow and page Up / Down keys to manoeuvre it once seated.  A second narrow snowy walk can take you to a lonely television, whilst keeping an eye out for snow white pose balls might get you literally climbing the walls.

White Veil, December 2020 – having reached the top of the tower, I opted to take the flying chair back down, avoiding the snowballs

To experience the fun of White Veil, simply teleport over and then accept the experience associated with it (if you are a regular visitor at Bryn’s Immersiva, and have accepted the experience there, then you are actually all set). When you’ve done so, note the instruction about using Always Run (CTRL-R – although in places you might want to toggle it on / off. And for an added bit of fun, you could also try your hand at decoding the message in the region’s About Land description. It’s not hard, but all I’ll  say here is that it gives warning about the state of mind of certain flightless waterfowl …

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2020 SUG meeting week #50

Posted on by Inara Pey
Hidden Lake, October 2020 – blog post

The following notes were taken from the Tuesday, December 8th Simulator User Group (SUG) meeting.

Server Updates

Refer to the server deployment thread for the latest news and updates.

The week sees a series of deployments between Monday and Wednesday:

  • On Monday, December 7th, the simulators on the SLS Main channel were updated to simulator release 553168 contacting “some internal tweaks”.
  • On Tuesday, December 8th, the RC channels were updated to simulator release 553176, which again contains “some internal tweaks”.
  • If all goes will with the RC deployment, 553176 will be deployed to the SLS Main channel on Wednesday, December 9th.

Commenting on the week’s deployment, Rider Linden said:

So. We’re just about done with the tight sequence of rolls. Tomorrow [Wednesday  8th] we should be doing the main channel again, and then all will be right with the world. We are hoping that that is the final roll of the year. In January we should be back onto our regular Tuesday/Wednesday schedule. We know that the packed schedule has been disruptive over the last week, so thank you for being patient with us.

While there are no planned deployments between the end of this week and year-end, it is likely all regions will be restarted before the holiday break at the Lab to “keep things fresh”.

SL Viewer

The Start of the week has seen no change to the current crop of official viewers, leaving them as follows:

  • Current release viewer version 6.4.11.551711, formerly Cachaça Maintenance RC viewer promoted on November 12 – No Change.
  • Release channel cohorts:
    • Dawa Maintenance RC Viewer, version 6.4.12.553053, released December 3.
    • Custom Key Mappings project viewer, version 6.4.12.552100, November 12.
  • Project viewers:
    • Project Jelly project viewer (Jellydoll updates), version 6.4.12.552224, December 4.
    • Simple Cache project viewer, version 6.4.11.551403, issued on November 12.
    • Legacy Profiles viewer, version 6.4.11.550519, October 26.
    • Copy / Paste viewer, version 6.3.5.533365, December 9, 2019.
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, November 22, 2019.
    • 360 Snapshot project viewer, version 6.2.4.529111, July 16, 2019.

In Brief

  • Map tiles are still not being regularity updated, however the Lab both identified the cause of the issue and a possible fix, however, it now seems probable this will not be deployed until after the holiday break.
  • LL have suggested that the Map system might be looked at in the future, with a request being made as to what people would like to see, were such a project to go ahead. Some of the suggested made at the meeting included:
    • The ability to add a logo over regions, rather than having to make one from prims (allowing for constraints that would be required to prevent abuse (such as having an expanded set of iconography?).
    • Allow the map to ignore region surrounds so the terrain can be seen on the map, rather than the map tile being a blank coloured square.
    • Heat maps showing traffic over varying time periods, a-la the old Metabolt client.
    • Better zoom capabilities.
    • Indicators / textures for showing whether the region is currently in daylight or night-time.
  • Work is continuing to try to improve the teleport issues some are experiencing.

A Silent Night in Second Life

Posted on by Inara Pey
Silent Night, December 2020 – click any image for full size

Early in December, Caitlyn and I visited Silent Night, a Homestead region design by Nessa  Nova of Lost Unicorn fame. As you might expect given the region’s name, it is a winter / Christmas setting – one that is eye-catching in the simplicity of its setting, carrying a natural beauty together with little touches of detail and humour than encourage visitors to explore.

Ringed by mountains, the region sits under a starlit sky across which the ribbon of the Milky Way has been thrown, a bridge of light and colour that spans the gap between two peaks, a gibbous Moon peeping at it from over the shoulder of another high mountain.

Silent Night, December 2020

Heavy in snow, the mountains shield the land from the rest of the world, a spur line of a railway cutting through the roots of the high peaks to bring a steam train hissing into the local station, the tunnel through which it has travelled seeming the one link between this place and the world at large. However, the train coming into the station is no ordinary service; it appears to be powered by the magic of the season: its coal tender empty of everything other than toys, presents and a Christmas tree glowing with lights.

The station is the region’s landing point, and from here, across the end of the line, a path winds past Babba’s Café where a hot drink can be enjoyed should the snow prove a little too much – and snow there is aplenty across the region. It  lies deep on the ground, has frosted the trees, and sits upon roofs and on benches as it falls softly from the sky.

Silent Night, December 2020

Beyond the end of the path, rutted tracks cut through the snow, marking routes that might be explored, whilst the heart of the region is given over to frozen lake where skating might be enjoyed around a tall, decorated tree at its centre, holding aloft a shining star.

The frozen lake is not the only place for skating, however. A Short walk across the snow from the café is a more formal rink, festooned with lights of its own, a snowman waiting to greet visitors and offer them skates.

Silent Night, December 2020

Elsewhere, a winding track runs back from one of the two piers that stretch out into the frozen waters of the Lake. It curls  through woodlands, passing under the high arch of rock curving out from the arms of a mountain, to lead the way to a cosy cottage to the north-east of the land.

To the south of the lake, a tongue of snow-covered land extends out into the frozen water. It shelters a heart-shaped tree guarded by a peacock and rabbits, where a fairy is waiting to offer couples the opportunity to dance. The path to it passes around the west side of the lake, offering the chance to visit a carousel and a little camp fire (one of three waiting to be found), whilst another little café offers food and drink.

Silent Night, December 2020

Simple in presentation, rich in contents – not everything is described here – and ideal for photography and winter romance, Silent Night is an engaging and attractive visit.

SLurl Details

Sensation & Perception in Second Life

Posted on by Inara Pey
Nitroglobus Roof Gallery – Sensation and Perception, Monique Beebe, December 2020

Monique Beebe returns to Nitroglobus Roof Gallery, curated by Dido Haas for the gallery’s final exhibition of 2020, entitled Sensation & Perception.

Monique – Moni to her friends – is one of my favourite artists when it comes to narrative avatar studies;  her work is richly evocative, sometimes provocative, and always fascinating to read and admire. Such is the richness of her work, Moni has been a semi-regular at Nitroglobus over the last few years, and it is always a pleasure to see her work there. However, for this exhibition, she presents something a little bit different; a series of images that challenge her and those of us who view them, as she explains:

The aesthetic experience is more a matter of emotion and feeling (sensation) than of the subjective image which we create in our heads of what we see (perception). In other words you can be ‘touched’ by an image, a feeling you have, before you interpret the story shown on the image …
In that same way this exhibition Sensation & Perception is made. It’s not like my usual artwork where I try to capture emotions in a face. This time I moved outside of my comfort zone to create art that I leave to the observer to respond to through their own sensations and perceptions.

– Monique Beebe on Sensation and Perception

Nitroglobus Roof Gallery – Sensation and Perception, Monique Beebe, December 2020

The result is a series of avatar studies, some of which might be considered not suitable for work (NSFW), others of which are richly layer via post-processing to offer a finish that is very different to many of Moni’s previous works, and which by doing so, particularly evoke sensations on a physical level as well as visuals by suggesting we might actually run fingers over their uneven surfaces in order to appreciate them through our sense of touch.

As per the title of the exhibition, all of the pieces presented generate an initial response that is guided by our senses – that initial wash of emotional response that may see us drawn to one image whilst perhaps stepping back from another. But so too, they challenge us to look again, to view them more deeply, and allow our perception to see past our initial reactions and let each piece tell its story as we study it more deeply. Again, as Moni notes:

Everybody has a different sense or perception: for instance when we see an image of a face with wrinkles we can get touched by the emotion of that face and we automatically assume it is an old person we see. But maybe we also see something different in it, like a person who went trough a lot, who suffered and/or lived in pitiful circumstances.

– Monique Beebe on Sensation and Perception

Nitroglobus Roof Gallery – Sensation and Perception, Monique Beebe, December 2020

This makes Sensation & Perception one of the most engaging exhibitions by an artist who has a deserved reputation for producing art that engages the eye and mind.

SLurl Details

2020 viewer release summaries week #49

Posted on by Inara Pey
Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, December 6th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Current release viewer version 6.4.11.551711, formerly Cachaça Maintenance RC viewer promoted on November 12th – No Change.
  • Release channel cohorts:
    • Dawa Maintenance RC Viewer, version 6.4.12.552224, released December 3rd.
  • Project viewers:
    • Project Jelly project viewer (Jellydoll updates) updated to version 6.4.11.551213 on December 4th.

LL Viewer Resources

Third-party Viewers

V6-style

  • No updates.

V1-style

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

Space Sunday: returns and a collapse

Posted on by Inara Pey
The Hyabusa2 sample return capsule, measuring just 40 cm across, lies amidst the scrub of Woomera, southern Australia, carrying samples from asteroid 162173 Ryugu. Credit: JAXA via AP

On Saturday, December 5th (Sunday December 6th local time in Australia), Japan’s Hyabusa2 successfully returned samples gathered from the asteroid 162173 Ryugu.

It marked the culmination of a six-year mission to reach the asteroid, gather samples and then make a return to Earth – although as I mentioned in my last Space Sunday update, the return of the samples does not mark the end of the road for Hyabusa2.

Travelling at 43,190 km/h – too fast to enter orbit – the spacecraft released the 40 cm sample return capsule on the night of Friday December 4th, 2020, whilst still some 220,000 km away. With its cargo duties  discharged, Hyabusa2 performed an engine burn to start it on its way for a rendezvous with asteroid (98943) 2001 CC21 in 2026, before flying on to meet with 1998 KY26, in 2031.

With no means to slow down, the sample capsule slammed into the upper reaches of Earth’s  atmosphere at 17:28 GMT on Saturday, December 5th (the earlier  hours of Sunday December 6th in Japan and Australia). Following re-entry, that helped the capsule to slow to supersonic speeds, the capsule dropped to an altitude of 10 km before deploying its landing parachute, touching down in Australia at 17:47 GMT (04:17 a.m. local Australian time on December 6th), JAXA officials said.

Radio tracking systems deployed around the expected landing site were able to follow the capsule down allowing its landing point to be triangulated accurately so that recovery helicopters could quickly move in and retrieve the capsule and its cargo.

Following recovery, work started on capsule assessment and preparations to transfer it to the Japanese Space Agency’s (JAXA) Extraterrestrial Sample Curation Centre, a purpose-built facility designed to house and study cosmic material brought home by space missions. Here some of the samples – believed to measure just a few grams – will be studied by Japanese scientists, and some will be distributed to laboratories around the world, where scientists will study it for clues about the solar system’s early days and the rise of life on Earth.

The mission marks only the second time a dedicated sample return mission has brought samples of an extra-terrestrial body back to Earth, the first being the original Hyabusa mission, which returned samples from asteroid 25143 Itokawa in 2010. However, it will not be the last. China’s Chang’e 5 mission will shortly be on its way back to Earth with samples gathered from the Moon (see below for more), and NASA’s OSIRIS-REx will be returning samples from asteroid from 101955 Bennu in 2023.

Arecibo Collapses

When it came, it came suddenly and without warning – yet purely by chance, a drone was on hand to capture the event as it happened.

Cable break: a still from video footage recorded at the moment one of the two remaining primary cables supporting the 900-tonne receiving platform snapped, bringing about the destruction of the Arecibo radio astronomy telescope. Credit: UCF / NSF

I recently wrote about the fact that, having lost a primary and secondary support cable that were helping to keep its receiving platform aloft, the Arecibo observatory had been declared unsafe and was to be decommissioned, the replacement of the primary load-bearing cables – one of three in total – being determined to be both difficult and dangerous.

Due to the risk of the 900-tonne receiving platform collapsing onto the dish, built into a hilltop karst sinkhole, it had been hoped the telescope could be decommissioned and dismantled, possibly through the use of controlled demolition, sooner rather than later, lest further cables – including one of the two remaining primary cables – gave way.

But on December  1st, before decommissioning plans could be finalised, one of the remaining suffered a catastrophic failure, sending the receiving platform plummeting into the telescope’s 305-metre diameter dish.

The event took place shortly before 07:30 in the morning, local time – and by chance, engineers were monitoring the telescope’s cable system from the main control room and via an aerial drone positioned above the cable housings on the receiving platform when the cable failed. As a result, the entire collapse was caught on camera from two locations – although the drone had to be hastily moved away from the receiving platform as the collapse started.

Swinging towards the ground on the remaining support cables, the receiving platform disassembled as it fell, the bulk falling the 150m into the aluminium dish, the support frame swinging to smash into the the side of dish, the trailing cables also doing considerable damage. Such was the force of the failure, the mass of the platform tore away the top section of one of the support towers and brought about the complete collapse of another.

Continue reading “Space Sunday: returns and a collapse” →