Tag Archives: Nitroglobus

A Million Freckles in Second Life

Nitroglobus Roof Gallery: A Million Freckles

Nitroglobus Roof Gallery: A Million Freckles

“To be honest this exhibition was initiated because the January artist  I invited to exhibit her work at Nitroglobus couldn’t make it,” Dido Haas says in the introduction to an exhibition of her own photography, A Million Freckles, at the Nitroglobus Roof Gallery she curates. “I started making a few works and gradually got inspired. Hope you appreciate. It’s rather revealing I must admit, to show so much of your pixel skin.”

The result is 14 large format monochrome images which might be described as minimalist – as Dido notes, there is little use of background or props – which are sensual (nudity is apparent in some, so the exhibition might be considered NSFW in places), personal, revealing and engaging.

Nitroglobus Roof Gallery: A Million Freckles

Nitroglobus Roof Gallery: A Million Freckles

Within the liner notes, Dido describes a conversation she had with a visitor who the gallery as she completed hanging the images. He asks her if her goal is to attract attention / admiration (presumably for herself rather than her work), and why she didn’t use a model. Her replies to the questions are that she’s not sure if attaining attention / admiration for herself is her goal, and that she doesn’t feel her abilities to frame and express moods and feelings through the use of a model.

I’d tend to agree with Dido on both counts. While these are undoubtedly refined and attractive images of self, it is the mood they evoke which attracts and engages, rather than necessarily how Dido reveals her body within each image. And while, give the use of pose systems, etc., could facilitate the same selection of photos on display, the fact that they are revealing Dido herself makes the expressions of mood and emotion within each of them that much deeper. more unique to her – and thus our own response is deepened knowing it is her revealing / exposing her own moods and sensuality.

Nitroglobus Roof Gallery: A Million Freckles

Nitroglobus Roof Gallery: A Million Freckles

A Million Freckles will remain open through January.

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Always Closer in Second Life

Now open at Nitroglobus Roof Gallery, curated by Dido Hass is Always Closer, a selection of personal images by Elo (elorac Paule).

Through the sixteen images on display, we are asked to join with Elo as she reviews her exploration of BDSM and discovery of submission (which might not be what you might believe it to be after reading those four letters) as a part of her in-world time. Alongside of this, they are presented as a reflection of Elo’s year, which she acknowledges has been an emotional one for her in both the physical and digital realms.

Displayed in the familiar large format used at Nitroglobus, these are sensual images presented – for the most part – in soft lighting and muted tones. Often, with photographs featuring nudity and / or adult theme like BDSM, the observer is cast into the role of the voyeur; we are given a sense of being given an illicit peek at a situation. With only a couple of possible exceptions, that’s not the case here; with these images we’re being asked to share in the emotions evoked by the images: moments of loving affinity, of vulnerability, of introspection, of surrender, and of human change.

Alongside the desire to evoke an emotional response in her audience, Elo notes that she also sees her pieces in terms of songs, and offers Affection by Cigarettes After Sex as a companion piece to this exhibit.  in walking through the gallery. For reasons I can’t fully determine, Swing Out Sister’s cover of Windmills of Your Mind Iooped its way through my head; perhaps it was a subconscious linking of Elo (who is French) to Michel Legrand, composer of the song’s score; whatever the reason, it didn’t seem inappropriate.

Accompanying the exhibition is a personal note by Elo, alluded to above, which should be read alongside of the visit. Not only does it offer further insight into the very personal aspect of her photography, it also reveals her own understanding of the true nature of “submission”, devoid of the trappings of labels such as “BDSM”: that it is effectively the expression of love between two people; the willingness for each to give their best to the other without question or hesitation.

Always Closer is a fascinating exhibition. both through the art and Elo’s own words. Introspective, intimate, personal, it  both reveals Elo’s life and journey and gives rise to contemplation of our own thoughts, feelings and – perhaps – direction, as we straddle the physical and the virtual.

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Awakening in Second Life

Nitroglobus Hall: Awakening

Nitroglobus Hall: Awakening

“I am grabbing things that appear in front of me, moments and sensations. I keep them as treasures, which are open in moments when I want to colour the silence,” Natalia Seranade says in introducing her work. “When my imagination and fantasies are flying, I mix the collected stuff with new things that appear in the moment, I never know what can appear, and I never know what will be the result. I am in another world where I am able to find what was unknown to my eyes.”

It’s a description which encapsulates her work perfectly: moments captured in time, filtered through a lens of imagination and the inspiration which occurs in the very instant of creativity to produce a striking image, often rich in emotion and subtext. And it is a description which in turn is perfectly framed by Awakening, an exhibition of Natalia’s work on display at Nitroglobus Hall, curated by Dido Haas, during September / October 2016.

Nitroglobus Hall: Awakening

Nitroglobus Hall: Awakening

Awakening is a visual interpretation of the philosophical / psychological idea that everything we see in the world, all the encounters we have, intimate, friendly, happy, unhappy, and so on, in whatever we do, are in fact a reflection of ourselves. As Natalia notes, it is perhaps best embodied on a personal level through our interactions and relationships by the saying your perception of me Is a reflection of you, my reaction to you is an awareness of me.

Within Awakening, we have an exploration of this concept. In viewing the images, colourful, striking, blended through considered use of PhotoShop, we are directly challenged to consider what is it within ourselves that drives our reactions to them, and how does our perception of the art – the individual pieces and the collective whole of the exhibition – speak to our own nature?

Nitroglobus Hall: Awakening

Nitroglobus Hall: Awakening

It’s an intriguing approach; when witnessing art – or anything we find attractive or unattractive – it is easy to externalise our reaction, as to what is right / wrong about the art (or event or person, etc.). If we consider what might be within us that drives our reaction, it is generally only on a superficial level. We rarely delve deeply into our own psyche to determine what might be working within ourselves to generate that reaction, or what may have been at work to inform any perceptions we have about art, virtual or otherwise. Within Awakening, we’re being asked to do just that.

This may not be a comfortable subject for some – but it is an intriguing one, and something which perhaps gives us greater pause in visiting this exhibit than might otherwise be the case. But just because there is a deeper potential within Awakening for introspection and questions about ourselves shouldn’t be used as a reason to not visit. Jungian considerations aside, as noted towards the top of this article, the images within Awakening beautifully exemplify Natalia’s approach to her art. They are striking pieces, rich in colour, imagery and emotion, deserving to be witnessed and appreciated.

Nitroglobus Hall: Awakening

Nitroglobus Hall: Awakening

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All_Most Real in Second Life

Nitroglobus Hall: ALL_MOST REAL

Nitroglobus Hall: ALL_MOST REAL

Now open through July at Nitroglobus Hall, curated by Dido Haas, is ALL_MOST REAL, an exhibition by MM (myster). Comprising 18 monochrome nude and avatar studies, it is an extraordinary exhibit, demonstrating both the depth of mood, feeling and sheer realism which can be achieved through Second Life photography, whilst also highlighting the extraordinarily narrow boundary which exists in our perception of what might constitute “reality”.

ALL_MOST REAL is a quest on reality and perception, and how they influence our emotions,” the artist states in introductory notes for the exhibition. “We know perceptions win over facts and reality so many times, conditioning our lives. In MM’s search for realism, could it be that the doll finally (like Pinocchio) transforms pixels into flesh?”

Nitroglobus Hall: ALL_MOST REAL

Nitroglobus Hall: ALL_MOST REAL

Of the 18 images presented here, with six from the physical world, the rest from the virtual. Together they offer a set of works not only of subtle, sensual beauty, each with its own story to tell, they also toy with our perceptions, and invite questions on the nature of reality and transformation. Where, exactly, does the avatar model cease and the human model start – and vice versa?

Which is not to say that any formal challenge is being made to visitors; there is no demand that we attempt to sort one from the other – although MM did tell me that she did ask several friends to examine the images to see if they could! Rather, as she notes in her introduction to the exhibition, it doesn’t matter if you solve the “puzzle” of which images might have been taken in which medium; it is on how they individually and collectively speak to you, and the journey they encourage you to take.

Nitroglobus Hall: ALL_MOST REAL

Nitroglobus Hall: ALL_MOST REAL

This challenge to our perceptions of the avatar / human “divide” also resonates deeper, touching on matters such as our own level of investment in our avatars; the way in which we can project our living essence into the digital through them. Thus the journey offered in studying the pictures becomes uniquely personal.

Some three months in the making, All_MOST REAL is a stunning and captivating exhibition; one which really should not be missed. Whether depicting a physical model or an avatar, the beauty and life permeating each of the images is as undeniable as it is breathtaking. Take All_Most Real 15, for example (below). Such is the natural depth and tone to the picture, it is hard to escape the feeling – the desire – that if we look long enough, the subject’s eyes will open and her lips will soften into a loving smile at us.

Nitroglobus Hall: ALL_MOST REAL

Nitroglobus Hall: ALL_MOST REAL

Highly recommended  – an  exhibition which should not be missed.

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