An Inner Journey in Second Life

Nitroglobus Roof Gallery: Inner Journey

“You will not find art in this exhibition,” Marie (mariajo60), aka Pepa Cometa, states disarmingly of her exhibition, Inner Journey, now open at Nitroglobus Roof Gallery. She claims she is not an artist, but rather regards herself as a traveller, a witness to all that is to be found in Second Life.

On the strength of Inner Journey, I have to say that I disagree with Pepa’s assessment of herself as an artist. The twelve images she has selected for display at Nitroglobus are most assuredly artistic. Entirely “raw” shots of Second Life, they are entirely without cropping or post-processing: they are presented precisely as Pepa sees the scenes on her screen. As such, they are beautifully framed and composed.

Nitroglobus Roof Gallery: Inner Journey

The images present something of a personal view of Second Life, and the fact the images haven’t been additionally processed deepens their personal nature and attractiveness. There is also an air of melancholy  – or at least of introspection – within many of the pictures. This is particularly evident in Life Revolves, Rain in My Fairy Tale, Furillen in Blue, The Windows of My Kingdom, Hey You – the One in the Box. and, perhaps, Wet Sand. Others among the set suggest love, innocence, and perhaps childhood memories.

Each of these images conveys a story. Obviously, each story is personal to Pepa – but so too does each speak to visitors. This is another marvellous exhibition, one in which it is a delight to spend time at, savouring each of the images. Kudos to both Pepa and Dido.

Nitroglobus Roof Gallery: Inner Journey

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Melusina’s Absences in Second Life

Nitroglobus Roof Gallery: Absences

“Absence,” Melusina Parkin states in introducing her exhibition, Absences, at Nitroglobus Roof Gallery, “is a negative concept: it means that something should be there and it doesn’t. So, when we look at an empty place – a room, a seashore, a road or even a chair – we can’t avoid thinking of something or somebody who has been or will be there. That’s even more true when a world, including nature and landscape, is entirely made by humans, like Second Life.”

Absences is a set of twelve images on this theme, presented in Melusina’s familiar approach of offering a macro-like study, each scene a single point of focus – a beginning, not an entire story. Rather than the entire room, we are instead given an empty hanger on a hook, deserted chairs at a table, a glimpse of an empty couch facing windows without a landscape, the rumpled sheets on one side of the vacated bed, and so on. All suggest a story, of a presence lost but still felt; of  time when two were once one, but now only the one remains, the observer, the keeper of memories.

Nitroglobus Roof Gallery: Absences

But are the absences we see permanent – the result of the ending of a relationship or the passing of someone close to us? Or are they temporary –  the absence felt when a lover is away for an extended period, or who has just departed for a time and with the promise of reunion in the future? Or are they the absence created by changing circumstances – the empty room symbolic of possessions packed and gone, in transit to a new home while we remain, recalling all that has happened in the now deserted spaces – and the promise of new beginnings when next we see those possessions in their new home?

“I’m not completely aware of these thoughts when I take a photograph,” Melusina notes. “But when a detail, a colour shade, a light catches my eye and pushes me to freeze it in a photo, I think it happens ’cause they suggest me an atmosphere that any word, any human presence could better express.”

Nitroglobus Roof Gallery: Absences

And here is where the power of these pieces resides. Because they are each so focused, so macro in content, there is no sense  that we are being particularly directed to view any of them one way or another. Instead, each is but an opening word or line, awaiting its story to be told.

In this, we become not so much observers of each image, but playwrights, sharing each canvas with Melusina, writing stories of ending and beginnings unique to each of us, filling the page she offers us through each image. Because, and as she notes, the blank page holds so much more power than the sheet upon which words have already been written. And so these images, as evocative as they are, are made even more meaningful to each of us through our involvement in the narratives that flow from them.

Nitroglobus Roof Gallery: Absences

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Black and White Women in Second Life

Nitroglobus Roof Gallery: Black and White Women

Now open at Nitroglobus Roof Gallery, curated by Dido Haas, is Black and White Women, and exhibition of photography by Christower Dae.

“Chris likes to explore, experiment, is curious and loves making pictures. Photography for Chris is immortalizing avatars in ambiguous attitudes,” Dido states in the liner notes for the exhibition. “His dedication to the avatar portraits, to the capture of those expressions that a skin can offer by giving (according to many people) a soul to the avatar and its personality begins.”

Nitroglobus Roof Gallery: Black and White Women

The result is a series of stunning avatar portraits presented in black and white, focusing on the female face. Presented in the familiar large format for Nitroglobus. However, these are no ordinary portraits. Each offers a considered, unique moment in time captured in the life of each subject; that all are presented in black and white services to heighten the beauty within it.

Each of the images is perfectly framed to offer a story; what that story might be is left entirely up to us: there are no visual clues within the pictures themselves; those which do offer any background do so in soft focus, ensuring attention remains on the face before us. Shown in close up, every detail of each face is presented to us: the brush of freckles across a cheek, the reflection of light within an eye, the spread of eyelashes, the fullness of lip – all are beautifully captured and rendered.

Nitroglobus Roof Gallery: Black and White Women

I’ve seen many images of avatars in Second Life, both through exhibitions and via Flickr, but Black and White Women is one of the more remarkable sets of such studies I’ve seen. The natural cast to each is – to repeat myself – genuinely unique. This is an eye-catching exhibition, one I recommend visiting.

Nitroglobus Roof Gallery: Black and White Women

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A Million Freckles in Second Life

Nitroglobus Roof Gallery: A Million Freckles
Nitroglobus Roof Gallery: A Million Freckles

“To be honest this exhibition was initiated because the January artist  I invited to exhibit her work at Nitroglobus couldn’t make it,” Dido Haas says in the introduction to an exhibition of her own photography, A Million Freckles, at the Nitroglobus Roof Gallery she curates. “I started making a few works and gradually got inspired. Hope you appreciate. It’s rather revealing I must admit, to show so much of your pixel skin.”

The result is 14 large format monochrome images which might be described as minimalist – as Dido notes, there is little use of background or props – which are sensual (nudity is apparent in some, so the exhibition might be considered NSFW in places), personal, revealing and engaging.

Nitroglobus Roof Gallery: A Million Freckles
Nitroglobus Roof Gallery: A Million Freckles

Within the liner notes, Dido describes a conversation she had with a visitor who the gallery as she completed hanging the images. He asks her if her goal is to attract attention / admiration (presumably for herself rather than her work), and why she didn’t use a model. Her replies to the questions are that she’s not sure if attaining attention / admiration for herself is her goal, and that she doesn’t feel her abilities to frame and express moods and feelings through the use of a model.

I’d tend to agree with Dido on both counts. While these are undoubtedly refined and attractive images of self, it is the mood they evoke which attracts and engages, rather than necessarily how Dido reveals her body within each image. And while, give the use of pose systems, etc., could facilitate the same selection of photos on display, the fact that they are revealing Dido herself makes the expressions of mood and emotion within each of them that much deeper. more unique to her – and thus our own response is deepened knowing it is her revealing / exposing her own moods and sensuality.

Nitroglobus Roof Gallery: A Million Freckles
Nitroglobus Roof Gallery: A Million Freckles

A Million Freckles will remain open through January.

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