Lab Gab 27 summary: Relay for Life

via Linden Lab

The 27th edition of Lab Gab live streamed on Friday, June 5th, and featured members of the Second Life Relay for Life team Stingray9798 Raymaker, Trager Alter, MamaP Beerbaum, and Nikki Mathieson, to mark the 2020 Relay weekend (which you can read about here). They were interviewed by co-hosts for the session, Strawberry Linden and Patch Linden.

The official video of the segment is available via You Tube, and is embedded at the end of this article. The following is a summary of the key topics discussed and responses to questions asked.

About the RFL Team

  • Trager Alter has been directly involved in Relay for Life of SL since 2017 after being introduce to Stingray by MammaP. He’s been directly involved in Relay Refresh – telling the stories of people who have faced and survived cancer.
  • MammaP became involved with Relay for Life of Second Life at a time when her father was suffering from cancer. It gave her the opportunity to do something practical to help raise money for cancer research whilst simultaneously caring doe her father in the physical world.
  • Nikki Mathieson joined SL alongside of MamaP, and became enamoured with the platform, the opportunities it offers, and realised that it offered huge potential for Relay for Life, and became involved in RFL of RL for that reason.
  • Stingray came to SL through the American Cancer Society, having been the manager for RFL’s on-line content. He was asked to look into RFL activities in SL as a result of RFL of SL volunteers working with ACS’s Innovations Team, and everything had reached a point where the Innovation Team were ready to hand it over to the ACS Relay Team, and he was asked to take the lead, so becoming the official liaison between RFL of SL and ACS.
Strawberry Linden (seated left) with (standing) Trager Alter (l), and Stingray9798 Raymaker (r), (seated)Nikki Mathieson (c) MamaP Beerbaum (r)

What is the Relay Weekend?

  • Every year, Relay for Life raises money for the work of the American Cancer Society via a season of events. Many of these are run by individual Relay Teams formed by Second Life residents, and some are “mega events” (such as the Home and Garden Expo, Fantasy Faire, the Sci-Fi Convention, Making Strides Against Breast Cancer and Xmas Expo).
  • The Relay Weekend is the culmination of those events held during the core Relay season (February to June), where all the teams, large and small come together alongside the RFL track, each team with its own parcel to promote the work in providing care, support and treatment for sufferers of cancer in all its forms and their families and carers.
  • The event carries the ideal of Relay events in the physical world by having members of each team take turns to walk around an in-world track for the full 24 hours of the event. This is to symbolise two things:
    • When someone is dealing with cancer, they are no doing it alone, there are others who can support them and be with them.
    • The 24-hour aspect is recognition that cancer never sleeps, and the quest for cures to it cannot rest either.
  • The camp sites and themed regions all offer opportunities to socialise, to make friends and to learn more about cancer and how it can affect lives, be treated, etc., and the role of the ACS in all of this.

How does the Weekend Differ from Physical World RFL Events?

  • Abbreviated history of Relay:
    • In May 1985, Dr. Gordon Klatt, a colorectal surgeon from Tacoma, Washington, raised money for ACS by walking around the track at Baker Stadium at the University of Puget Sound for 24 hours, covering approximately 83 miles around the track.
    • Throughout the night, friends paid $25 to run or walk 30 minutes with him.
    • After this event, Klatt thought about how other people could participate in a similar event in their own community. He recruited a small team of people to host the City of Destiny Classic 24-Hour Run Against Cancer, and from this Relay for Life grew.
  • Relay for Life events now take place in some 30 countries around the world.
  • Events generally comprise:
    • A Survivor Lap, which starts the Relay event.
    • An Opening Lap, in which all the participants take a lap around the track
    • A Luminaria Ceremony, usually with a candlelight vigil
    • A “Fight Back” Ceremony, in which participants pledge to take specific actions against cancer.
  • The SL Relay Weekend comprises the same format and key activities. But differs in execution:
    • It does not require so much central logistical organisation and management.
    • It does however, require far more infrastructure coordination.
    • It is effectively a bigger event, both in terms of virtual vs. physical size (the 2020 track, for example, equates to some 6 miles), and in terms of the numbers of people participating.
    • Teams are able to do more than “just” camp and walk the track: they can directly support fund-raising by organising and running their own mini-events and activities.
    • It is a fully international event.

What is the Luminaria Ceremony?

  • It is the hour of the event (started at 21:00 on the Saturday of the Relay Weekend, roughly half-way through the weekend.
  • At that time, the track is darkened, and everyone in the Relay Regions are asked not to engage in open text or voice chat but to walk the track in silence or stand to one side.
  • During the hour, the names of those to be remembered, as submitted by the Luminaria Dedication Form that has been available for some time before each Relay Weekend, are read out over the event audio channel (which can be best listened through via the T1 Radio pop-up media player).
  • It is a time for people to reflect on how cancer has touched them personally, to recall those they’ve lost to the disease, or someone who is facing it as a part of their life, or someone who has seen it enter remission.
  • Also honoured throughout the weekend are the names hovering above the Luminaria lanterns that line either side of the track, and through which residents can make a donation to RFL of SL (minimum L$50) and add a name / dedication.

How Has the SARS-C0V-2 Pandemic Affected ACS?

  • Like most non-profit organisations world-wide, ACS relays on large-scale, multi-people fund-raising events, with Relay For Life being the largest annual event for ACS, with the primary RFL fund-raising period world-wide being April-May.
  • SARS-CoV-2 has therefore significantly impacted RFL both as the ACS’ main means of raising funds, and the amount of funds overall that are flowing into the organisation on a daily basis.
  • RFL of SL and Second Life users – and their families and friends – are therefore critical to the mission of ACS, by:
    • Engaging in events such as the Relay Weekend and donating money.
    • And / or by visiting RFL of SL page at the RFL website and making a donation.
  • ACS and Relay teams around the world have recognised that RFL of SL is now the spear of fund-raising efforts.
  • Second Life users have rallied to this call, at the time of writing, RFL of SL has raised around US $275,000.
    • Overall, RFL of SL has raised some US $4 million (around L$1 billion) during the years it has been operating.

RFL of SL Events

  • RFL of SL comprises a range of events, most of which take place during the core in-world fund-raising season between February and June each year.
    • This period includes the majority of the mega events (Home and Garden, Fantasy Faire, Sci-Fi Convention and the Relay Weekend.
    • There are also all the team events held across SL.
    • There is also the Xmas Expo and Making Strides Against Breast Cancer in October, which is to be expanded to have its own Renaissance mega event.
  • In terms of fund raising, Fantasy Faire remains the biggest mega event for in Second Life, with Making Strides also a focused and effective fund-raiser.
  • Outside of these, mega and large events tend to evolve and change. There used to be a major RFL of SL clothing / fashion event, for example, and when breedables became very popular in SL, there was a dedicated Breedables Fair.
  • The days of relay has also proved popular among communities wishing to support RFL / ACS. This started as the 5 days of relay in 2019  and had to be expanded to the 10 days of relay in 2020 to accommodate everything.

Where Do All the Donations Go?

  • Kiosks for RFL of SL are set up to allow events and teams see how much they have raised and contributed.
  • When a donation is made, it briefly goes to the kiosk holder account, but then is immediately paid out of that account and into the ACS fund account.
  • RFL of SL merchant vendors work on the same principle of payment in, then immediate transfer of the amount to the ACS fund raising account.
  • Funds are cashed out from the ACS L$ account in s similar manner: they are converted to US dollars and then process credited to ACS, not to any intermediary account.
  • When the funds are received by ACS, there is a certain amount that has to cover expenses (e.g. the running costs associated with having a presence in SL), but all other funds beyond this go directly to supporting ACS in its various missions.
  • Some of the money raised may be directed at a specific programme, as is the case with Making Strides, Fantasy Faire and the Xmas Expo:
    • Money raised by Making Strides goes directly to the ACS breast cancer mission.
    • In 2018 / 2019 funds raised be Fantasy Faire went directly into the Kenyatta National Hospital Hope Hostel in Kenya (see here for an initial report on this project from 2018).
    • This year, the US $75,000 raised by Fantasy Faire is reserved for use in the ACS global mission.
    • Similarly, the funds raised by the Christmas Expo are earmarked for the ACS child cancer programme.
  • Funds not earmarked for specific missions / programmes is referred to as “purple money” and goes towards the ACS cancer research mission in the United States. ACS is believed to be the largest funder of cancer research in the world outside of the US government.
  • Within SL, the funds pay for ACS island and all the resources, facilities and support than can be offered through the island directly to cancer sufferers and cancer care workers in-world, the Cancer Survivors support group, etc.

How Can SL Communities Get Involved and Help?

  • Individuals can attend RFL of SL events and donate through kiosks, make purchases (where available), etc.
  • Out-world donations can be made through the RFL of SL web page.
  • Those wishing to form a Relay Team, run an event, etc., should go the American Cancer Society Island, or contact Stingray and the rest of the team participating in this Lab Gab session.
  • Those wishing to help can join the Relay for Life Volunteers in-world group.

Stand for Justice in Second Life

Stand for Justice

No-one of decent mind and standing could have reacted with anything other than horror at the killing of George Floyd, and with a deepening since of upset and outrage at both the degree of oppression demanded by some in positions of authority have called for and the degree of violence exhibited by office of the law, in response to the – and this has to be said – predominantly peaceful demonstrations that have followed in its wake.

What we have seen and continue to see, is a laying bare of social injustice that has persisted for far too long. It has rightly resulted in a global response in condemning all acts of racism, divisiveness, brutality and hatred and those who enact or promote them. A response that will, one can only hope, bring about genuine, beneficial and lasting change for the better for all who currently face such discriminatory treatment as a part of their daily lives.

On June 5th, 2020, Linden Lab added their voice in both condemnation of all such acts, with a statement of support for Black Lives Matter, one that includes the very practical and welcome move of donating US $30,000 equally between the American Civil Liberties Union (ACLU), National Association for the Advancement of Coloured People (NAACP) and the Southern Poverty Law Centre (SPLC).

Second Life residents can also provide support for bringing about change whilst also assisting in raising funds for Black Lives Matter and associated / related campaigns, by attending the Stand for Justice event, which opened its doors on June 5th, 2020 and will remain open for as long as possible with the support of SL merchants.

Stand for Justice is a fundraising effort dedicated to raising funds for the charities Black Lives Matter, Black Visions Collective, Campaign Zero, the National Police Accountability Project, and a Split Bail Fund benefiting 38+ bail funds across the United States. It is supported by a website where details of the event and the charities and organisations the event is supporting can be found, together with information on the organisers, together with contact details.

Currently, over 100 SL brands and stores have joined the event, and there is room for expansion should more wish to join, with 100% of all sales to be donated equally among the supported charities and organisations.

To ensure transparency, an avatar account specifically for the event has been created – StandforJusticeSL Resident – and is being used to hold all funds raised. A running total of funds raised is being kept, and all donations, when made will be accompanied by a breakdown of funds paid with screenshots and receipts.

Please do take the time and the opportunity to visit Stand for Justice and show support for your fellow citizens of the physical world by making one or two purchases.

Useful Links

 

Raging Graphix Gallery: Etamae and I

Raging Graphix Gallery

Opening on Saturday, June 6th, 2020 at Raging Bellls’ Raging Graphix Gallery is an exhibition that I’m both delighted and honoured to be sharing with the extraordinary talent of Etamae, and which is entitled A Celebration of the Arts, but which might also have be called The Brits Are Coming!, as Etamae – Eta to her friends – also hails from the UK 🙂 .

In truth, Eta is an extraordinary digital artist. her work, whether landscape or avatar  is both unique and distinctive in its presentation. Using digital technique and Second Life capabilities such as Advanced Lighting, Eta never fails to produce utterly captivating pieces that never fail to hold the eye.

Raging Graphix Gallery: Etamae

My photography and art is exclusive to SL, taken from the things she has seen and loved which have inspired her to transform them into something else – not more, nor better – simply different. As an avid SL traveller, I truly enjoy the inventiveness our double click world inspires.

Mesh creators like Mistero Hfeng, Bryn Oh, Toysoldier Thor, CioTToLiNa Xue, Theda Tammas, Tralala Loordes, Cherry Manga, Meilo Minotaur, Maru Kado, Safar Fiertze, Tansee and Harry Cover to name just a few provide me with subject matter and inspiration, and I hope you enjoy my work as much as I enjoyed creating it.

– Etamae

Raging Graphix Gallery: Etamae (r) and Yours Truly (l)

For my part, I remain genuinely flattered that people find my work worthy of a focused exhibition. As I’ve mentioned in the past, I don’t regard my images as art, but rather as illustrations for this blog; I don’t pretend to understand anything more than some of the basics of photography, and my post-processing skill – although they have grown somewhat over the years – remain limited when it comes to present any of them as “art”.

The Exhibition space is on the upper floor of the gallery, giving visitors the opportunity to appreciate Raging’s own art on the ground floor, adding a further attraction to any visit.

Raging Graphix Gallery: Yours Truly

The official opening for A Celebration of the Arts is 11:00 SLT on Saturday June 6th, and Eta and I hope you’ll join us. If not, I certainly hope you’ll visit the exhibition during the month it is open; my thanks to Raging for the invitation and opportunity to present at her gallery.

SLurl Details

Raging Graphix Gallery (Heatherwood, rated Moderate)

 

 

 

A Parisian delight in Second Life

Paris for Ara, June 2020 – click any image for full size

Occupying a Homestead region, Paris for Ara has been designed by Trouble Dethly as a tribute to both the capital of France and to he SL partner AraceliSoto. Intended for photography, it captures much of the romantic heart of that city, whilst – with one notable exception – avoiding the usual focuses of attraction to be found within the heart of that city.

Paris for Ara, June 2020

That one exception is the wrought-iron lattice tower that bears the name of its engineer: Gustave Eiffel. Built for the 1889 World’s Fair, Eiffel’s design was initially disliked by many in the French art and intellectual communities for its modernity. Nevertheless it became, and remains, one of the world’s great cultural icons, and the most-visited paid monument in the world.

Often seen as a romantic setting for marriage proposals in the physical world, here the tower stands on a small island to the north of the region and connected to it by a bridge, the water beneath the bridge mindful of the Seine, the gardens beneath the tower suggestive of the Champ de Mars.

Paris for Ara, June 2020

Facing this north side island, the rest of the build offers not the broad avenues oft photographed or considered when thinking about Paris, but rather the narrower cobbled streets that pass through the city’s older blocks. Streets that so often offer hidden charms, be they little cafés in which one can shelter from a change in weather or to escape the broader noise of the city, through to places where a meal can be enjoyed alfresco, or corners where street artists ply their trade from mime to paintings of all kinds – including, perhaps those of people who have paid to sit and have their portrait painted.

Paris for Ara, June 2020

Most of the buildings around these little streets and alleys are shells or façades – but this doesn’t matter. The aim of this build is to capture the romance of Paris, and in this it does so admirably, the relatively small size of the build definitely adding to this. As a place designed for photography – notably avatar-centric images – it has multiple places suitable for this task, from sitting and enjoying the aforementioned alfresco meal or posing alongside the mime artist or one of the cats and dogs dotted around the streets, to simply sitting on one of the many benches or  in the gardens of little cosy fair.

For those who want to take the romance further, there are two fee-payable fine dining options that are available. These offer (I believe) private use of the region for an average of 50-60 minutes for parties of two or more. Those interested can click on the Eiffel Tower sign boards at the street dining area or at the tower itself to obtain a link to the on-line booking form.

Paris for Ara, June 2020

Capturing the essence of Paris and highly photogenic, Paris for Ara makes for a gentle, pleasing visit.

SLurl Details

Second Pride 2020: TOGETHER in Second Life

Second Pride 2020

SL Pride, the event celebrating diversity organised by and on behalf of Second Life’s LGBTQ+ community officially opens on Friday, June 5th, 2020 at 14:00 SLT, and runs through until Sunday, June 14th.

With entertainment and activities through the week, this year’s event has the theme TOGETHER, which the organisers define as: Together in Unity; in Life; in Health; in Harmony; in Spirit; in Love; in Power; in Strength; in Mind; in Body and in Peace. Given the situation in the United States at present, the event also stands in support of, and in solidarity with, Black Lives Matter.

Second Pride 2020

Once again, the event is centred on a city-like region setting, a central park within it offering the event space. Surrounding this is an elevated train line designed by Jogi Schultz (yogijo), who also supplies the buildings below the elevated rails that house shops, galleries, social spaces, the Community Resource Centre. Among these can also be found further event areas (such as the Men in Motion stage), beyond which sits a façade of high-rise buildings representing the Manhattan skyline.

As with the 2019 event, a funfair sits to the west of the region, whilst to the north-east there is a Welcome Area for newcomers reaching the event directly from the Second Pride website and Community Gateway. This offers fun and comprehensive introduction to Second Life and the viewer. In particular, this Welcome Area offers a place where members of the LGBTQ+ community can find a home and a place from which they can explore the wider opportunities within Second Life.

SL Pride 2020

A full schedule of activities for the the event can be found on the Second Pride website, as is a list of sponsors for this year’s event. Note that while the entertainment schedule opens in List view, for ease of reference, you can change it to a Day view via the drop-down at the top right of the page.

In addition, the website also supports a Get Social option, which allows people to interact with one another. Those joining it can create extended profiles, upload profile pictures, join an activity stream (similar to Facebook), connect with friends, private message one another, and so on. Click the Get Social! in the website’s menu bar to get started.

Second Pride 2020

Donations from the event will go to the Trevor Project. Founded in 1998 by the creators of the Academy Award®-winning short film TREVOR, The Trevor Project is the leading national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender, queer & questioning (LGBTQ) young people under 25.

So, be sure to make time to visit SL Pride during the coming week, share in the entertainment, see the art, tour the region – and donate to the Trevor Project.

SLurl and Link Details

2020 Content Creation User Group week #23 summary

The Beguiled Art Gallery and Studio, May 2020 – blog post

The following notes were taken from my audio recording and chat log of the Content Creation User Group (CCUG) meeting held on Thursday, June 4th 2020 at 13:00 SLT. These meetings are chaired by Vir Linden, and agenda notes, meeting SLurl, etc, are are available on the Content Creation User Group wiki page.

Unfortunately, Vir was on a replacement computer for this meeting, and the audio quality was exceptionally bad in the early part of the meeting, making comprehension both in the meeting and when playing back my audio recording very difficult.

Terrain

  • LL has long acknowledged that terrain texture quality in Second Life is not overly great by today’s graphics standards.
  • There is no defined project to update terrain textures as yet, but Vir took the opportunity to take feedback on ideas for what might be included. Some of this comprised:
    • Better texture density for crisper textures.
    • Texture layering to allow for roads / paths, etc.
    • Support for higher resolution textures.
    • Splat maps for textures and for normal and specular support.
  • Voxel support was requested, but this is seen as a much larger project than terrain texturing, we Linden Lab to go that route, and it is certainly not something on the cards for the foreseeable future.

Jelly Dolls / Avatar Rendering

  • Vir continues to work on this and has (I believe) a viewer with some of his ideas included available for internal testing or review at the Lab.

Project Muscadine (Animesh Follow-On)

Project Summary

Currently: offering the means to change an Animesh size parameters via LSL.

Current Status

  • Still officially on hold.
  • Attach points support has been requested and could be a “next step”.
  • However, when work is resumed, the emphasis will be on fixing the identified bugs around the LSL parameter setting process

In brief

  • EEP: LL are still looking to correct:
    • Specularity (shininess) issues – see BUG-228781 and BUG-228581. One of these issues is now fixed internally to the Lab, the other is “in progress”. When deployed, should see behaviour return to pretty much how it was pre-EEP, how where the fixes will fit in viewer updates is still TBD.
    • Issues with the environment settings for Mainland. This has proven harder to fix. It appears that the wrong environment settings were baked into the Mainland regions, and the most direct means of correcting this is by manually correcting them.
  • The EEP issues – which arguably show things as they *should* appear, but which in doing so “break” content (hence trying to get the “fixes” in s that assets don’t have to be corrected & re-uploaded, etc.), sparked a discussion on how indicated changes to the rendering pipeline will be handled. Essentially these will be “opt in” for content created after any updates are deployed; old content will be “opt out”, to avoid breakage.
  • Next meeting: Thursday, June 18th, 13:00 SLT.