Reacquainting myself with a Missing Melody in Second Life

Missing Melody, May 2021 – click any image for full size

The last time I wrote about Missing Melody, the home of the Oh Deer brand by Bambi (NorahBrent) – who also designed the region – it was to report she was taking something of a leave of absence from Second Life (see: The natural beauty of Oh Deer in Second Life).

However, and as pointed out to me by Shawn Shakespeare a while ago, Bambi is now back and once again offering her region as both a home to her store and a place for people to visit and appreciate – although it has admittedly taken me a while to get back there.

Missing Melody, May 2021

Bambo has a talent for creating relaxing pastoral settings that sit well with the heart, eye and camera. In general setting, the region could be a little isle hidden among the large Wadden Islands off the north coast of Holland, if only because the field of brightly growing tulips naturally (if perhaps a little stereotypically, given the song) brings to mind thoughts of the Netherlands.

Missing Melody, May 2021

With a north-to-south orientation that runs along the region’s west side, leaving the east to open waters, the main island is split between southern beach, fields for the aforementioned tulips and for cattle. and open grasslands.

A barn sitting between the beach and the fields is the home to the Oh Deer store, a track running northwards between fields and grass, splitting into two before reaching the water channel that separates the island from a smaller, more rugged companion.

Missing Melody, May 2021

Reached via a low-slung bridge, the second island hides its secrets behind green slopes down which water flows to drop into the channel, and beneath a canopy of trees. These secrets start with the Oh Deer café – open 24/7 – while steps cut into the hillside beyond lead the way up and over the island to where an unexpected surprise awaits: a little village setting that might have been lifted from a corner of Santorini and gently place down on the island’s north side.

Missing Melody, May 2021

The path around to this little village also offers a way up to the crown of the island, where koi swim and paper boats sail in a little rocky pond that sits beside another secluded spot where visitors might pass the time.

As with all of Norah’s designs, this iteration of Missing Melody is rich in the kind of detail that encourages the eye to tarry. From the places to sit to the sheep and cattle grazing, and onwards to the façades of the little village and the sprinklers keeping to grow the crops, this iteration of the region has something to see in every direction – and even overhead; whilst the general layout and design makes it a gentle treat to explore.

Missing Melody, May 2021

So, why not hop along and take a look for yourself?

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Vita’s contrasts in Second Life

La Maison d’Aneli – Vita Theas: Chiaroscuro

Chiaroscuro is an Italian term that literally translates as “clear-dark”, although within the world of art, it is more usually referred to as “light-dark”, and references the use of strong contrasts between darker and lighter colours or shades in images, be they paintings, drawings, sketches, photographs – even video and film in the modern era – and which is intended to give a sense of volume and three-dimensional depth to an image through the use of lighter contrasts within the subject of the composition, and the broader contrast between the subject and the background.

It’s a technique that is all around us in art (just look at almost any portraiture or painting by the European painters of the Renaissance, for example or modern photographic portraiture or even graphic novels), and its use extends into visual mediums such as the stage, and more latterly, advertising, television, and film (for example, Francis Ford Coppola uses the technique extensively within The Godfather trilogy – just take a look at this still of Al Pacino from the first film in the series). However, it also doesn’t have to purely the contrast between “dark” and “light”; Andy Warhol, for example, utilised the technique extensively through his use of really bold colours contrasted against lighter tones rich in brightness.

La Maison d’Aneli – Vita Theas: Chiaroscuro

In music, Chiaroscuro again emphasises contrast, combining a brilliant sound referred to as squillo with a dark timbre called scuro to produce a sound that has considerable depth and warmth. It is perhaps most notable in its use within opera, although again, many compositions, from classical through to the modern era also use it.

I mention all of the above, because it is the richness and depth of contrast suggested by Chiaroscuro that Vita Theas embraces in her exhibition of the the same name that opened at Aneli Abeyante’s La Maison d’Aneli arts centre on Wednesday, May 26th.

Set within a space created by Vita that enhances the idea of contrasts  (dark brick wall and heavy wood roof timbers over which sits the inverted bowl of a glorious sunset itself beset with darkening clouds lit by the lowering Sun, the marvellous murals she also presents on the walls – look at the sense of movement contrasted with the relative calm of the ships beyond in the “waterfront” piece, for example), this is a collection that embraces the idea of Chiaroscuro in art, image, and life.

La Maison d’Aneli – Vita Theas: Chiaroscuro

From monochrome images – perhaps the “simplest”(if such a word might be employed) expression of the use of contrast through to avatar studies that reflect the use of chiaroscuro both in modern photographic portraiture (Lost, If Only…, Hope), to pieces evocative of classical portraits of the likes of the Dutch Masters (And Then He Was Gone), this is a collection that also celebrates the broader use of the technique in  landscape photography (where again, we might not actually be aware the technique is present) pop art (the quite brilliant Warhol-esque Seduce), and more.

These are images that also illustrate the essential vitality of life that is evident through contrast. As Vita herself notes, the interactions of light and shadows, brightness and darkness, warm and cool colours and shading, all work together to give these pieces a visual and emotional depth, a reminder that chiaroscuro isn’t just a technique, it is a part of the fabric of life. Just take a look (again) at And Then He Was Gone and both Regret and the exhibition poster; all three present a powerful sense of emotion through the contrast of pose and background, or that between the overlaid focal image and backgrounds.

La Maison d’Aneli – Vita Theas: Chiaroscuro

A truly powerful and evocative collection, Chiaroscuro offers an engaging selection of art that can be appreciated for its visual appeal and composition and for its ability to get the grey matter working.

SLurl Details

  • ChiaroscuroLa Maison d’Aneli (Virtual Holland, rated Moderate)

A peaceful Zephyr in Second Life

Zephyr, May 2021 – click any image for full size

Talia (Natalia Corvale) has an eye for creating region designs that are wonderfully attractive, rich in natural detail, and evocative of places that one might find tucked away whilst on global travels. Her designs are places I always enjoyed visiting and writing about (as evidenced by the articles in this blog), as they are always so beautifully bucolic in presentation, places guaranteed to put the eye and heart at rest.

For Zephyr, her latest setting in her homestead region of Porter Island, Talia presents a a place I confess to immediately falling in love with for its fusion of ideas.

Zephyr, May 2021

Surrounded by off-region hills coated by fir trees that suggest a northern latitude, Zephyr sits as a trio of islands, two of which are linked by a causeway. Together, they individually contain suggestions of China, Japan, and Africa that are most marvellously brought together, whilst collectively their appearance also brings to mind parts of the coastline of IndoChina to mind.

The landing point sits atop a flat-topped mesa that rises vertically from one of the region’s two larger islands. This sits to the north-east and curls away eastwards around the region’s outer limits.

Zephyr, May 2021

Watched over by a seated Buddha and sleepy pandas, its steep flanks fall away to grasslands that wash around it, and which could easily look right at home on the African plains – especially given the Africa tusker of a bull elephant standing upon them. Even the presence of a great monkeypod tree raising its head alongside the plateau doesn’t break with the African vibe that echoes here, as from a distance, it might equally be a great Umbrella Thorn.

But the fact it is a monkeypod tree reminds visitors that the core influence for the region is Asian in nature, as does the curving arm of this island as it turns to the east, its razor back line home to a Japanese styled structure. However, quite how you reach both it and the grasslands below the landing point is a little open to interpretation, preference.

Zephyr, May 2021

This is because while there is a zipline connecting the landing point to one of the highlands of  the central island, the only path from there leads either up to a bridge sling across the gap between the two plateaus or down to where the causeway connects middle and northern islands. Save jumping down from the ziplines end-point or wading through water at the foot of the downslope path, there is no clear route to get to the lowland that sit under the flanks of the two plateaus (well, you can fly of course, but that’s cheating! 🙂 ).

like those of the landing point island, the lowlands of the middle isle are dominated by a monkeypod tree. however, there is also a small bridge that spans the waters back to the north island, allowing visitors the opportunity to return to it and then make their way eastwards around its raised back.

Zephyr, May 2021

However, for those who prefer, the taller of the two rocky tables on the middle island is home to a wooden platform where comfortable seating a a good vantage point out over the islands are to be found, while the caused offers a dry route to the other northern island isle, and which sweeps around the west side of the region.

This is the largest of the three islands by area, and has much to offer that again gives hints of Africa (the elephant and the suggestion of broad savanna, the thatched hut by the water suggestive of a hide from which to observe wildlife). But then, with the sakura, the bamboo, the very Japanese styling of the little cabin across the grass from the hideaway, the sampans and monkeypods, visions of Asia also abound here.

Zephyr, May 2021

To the north, this part of the land rises to a ridgeline that is home to waterfalls that drop into the waters between the islands and another hideaway that offers a comfortable retreat as it overlooks the causeway visitors must cross from the middle isle.

Of course, the African lean to Zephyr can be excused by the fact there are precious few Asian elephants in SL – and the two featured in the region certainly look as if they are semi-domesticated and awaiting mahouts, despite clearly being African in origin – but I love the way they add that sense of fusion to the region. Elsewhere, the wildlife does lean more towards Asia with cranes, tigers, panda, parrots, etc., all of which enrich the setting, together with the lanterns that in places drift overhead, even as orca swim in the waters.

Zephyr, May 2021

And even with all this, I’ve barely scratched the surface of all the delights Talia has brought to this most idyllic of settings. So,rather than sit here reading, get your boots on and go see for yourselves! And be sure to take your cameras!

SLurl Details

  • Zephyr (Porter Island, rated Moderate)

Melu’s Kinds of Minimal in Second Life

Desideratum Gallery: Kinds of Minimal, Meulsina Parkin

May 16th 2021 saw Desideratum Gallery, operated by Péru (PERU Venom) and Algezares Magic, open its doors to its latest exhibition, featuring the work of one of my favourite artists (and a friend!) Melusina Parkin.

Melusina’s work is unique in its blending of detail, space and minimalism brought together in elegant, crafted pieces that offer a richness of narrative and emotion; pieces that offer insight into life through their framing and focus.

Desideratum Gallery: Kinds of Minimal, Meulsina Parkin

This is perfectly reflected in the perfectly-named Kinds of Minimal at Desideratum. Comprising 25 of Melu’s images, the exhibition presents visitors with a marvellously diverse collection of ideas and themes, all framed by Melu’s skill in using both open space and confined areas and / or angles to capture the attention.

These are pictures that sit as the covers of books, hinting at stories within their depths, together with comments on life and the living – although it is entirely up to us, the observers, to allow our imaginations to unwrap whatever each piece might have to say to us.

Desideratum Gallery: Kinds of Minimal, Meulsina Parkin

Take, for example, Minimal 8. Set within a room it offers a simple view of a hat and cloak, perhaps on a stand, with the hint of shadow beyond, perhaps cast by an open door, suggesting they have just been hung in place. but who might their owner be? And what is this room? A warm lounge to which they have returned after a walk outside? A place of work?  How might it be furnished? The questions are myriad, as are the stories they suggest – including whether or not the cloak and hat are indeed hanging on a stand, or whether there might yet be a figure still wearing them – and if so, who might it be?

Just along the wall is Minimal 6, a piece richly evocative for calling forth a variety of stories – and even songs (anyone for Springsteen’s 57 Channels And Nothing On?) and / or thoughts of everything from the desert mid-west of America, Roswell, trailer parks, and even nuclear testing.

Desideratum Gallery: Kinds of Minimal, Meulsina Parkin

Then upstairs is Minimal 20. Who might live on the top of the steps within the doorway  it features? And who is the figure on the top of post? A repairman who has scaled the footholds that climb it, or a local mischief-maker who has scaled the ladder we can also see in shadow form? Or is it a person at all, or just a trick of the light falling against a pole-topped transformer box or somesuch to cast a human-like shadow?

And that’s the secret to this exhibition: not only are the images exquisitely frame in their minimalist presentation, both in terms of image and in story, offering just enough for the imagination to take flight.

Desideratum Gallery: Kinds of Minimal, Meulsina Parkin

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2021 SUG meeting week #21 summary

The Divide, March 2021 – blog post

The following notes were taken from the Tuesday, May 25th, 2021 Simulator User Group (SUG) meeting. These notes relate to the core points of discussion; other topics may have ben raised without specific feedback from LL as actionable items, so  please refer to the video at the end of this report for the full meeting and all points covered.

Server Deployments

At the time of writing, there had (again) been no server deployment thread available for review. However:

  • Tuesday, May 25th saw simulator release 599669 deployed to all servers on the Main SLS channel, containing the llOpenFloater() function intended for use with Linden-owned Experiences – see my week #18 SUG summary for more.
  • Wednesday, May 26th should see the RC channels updated with a simulator release containing internal configuration changes.

SL Viewer

There have been no viewer updates to mark the start of the week. So the pipelines remain as:

  • Release viewer: Eau de Vie Maintenance viewer, version 6.4.18.558266, dated April 23rd, promoted April 29th.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • Love Me Render (LMR) 5 viewer, version 6.4.19.559046, dated May 19th.
    • Maintenance 2 RC viewer – Fernet, version 6.4.19.559726, dated May 19th.
    • Project UI viewer updated to version 6.4.19.559612, May 14th.
  • Project viewers:
    • Legacy Profiles viewer, version 6.4.11.550519, dated October 26th.
    • Copy / Paste viewer, version 6.3.5.533365, dated December 9th, 2019.
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, dated November 22nd, 2019.
    • 360 Snapshot project viewer, version 6.2.4.529111, dated July 16th, 2019.

In  Brief

  • During the CCUG meeting on May 20th, the subject of BUG-202864 ‘Change Mesh Uploader to preserve Scene File object names when a full linkset is uploaded’.
    • As noted in my summary of that meeting, the viewer had been updated to make this possible, but simulator-side changes are also required.
    • Apparently, the work had slipped through the simulator team’s net, but is now back on their radar, and will be included in an upcoming simulator maintenance update.
  • The region crossing issue when the avatar is unseated from a vehicle, but cannot move, leaving the camera only able to rotate around it, is likely to be an issue of controls failing to release – essentially, the simulator still thinks the avatar is still seated, while the viewer does not.
    • A current solution for this is to try to sit on something in the same region that also takes camera / movement controls (if possible), then standing again.
    • While it has been suggested a viewer-side “release controls” button in the viewer could fix this, it runs the risk of breaking other controls (such as experiences). The ideal solution therefore, is for a simulator-side “fix” to be implemented – although this may take a while.
  • People are continuing to see assorted teleport issues (e.g. failures within Experiences, and single failures requiring a re-log in order to re-enable teleports anywhere). LL  are aware of these issues.
  • BUG-225742 ‘Server side physics shape reverts to “Convex Hull” for un-analysed meshes with “Prim Physics” connected to linksets with subcomponents animated with llTargetOmega / PRIM_OMEGA parameters upon server restart’, has been a long-standing issue. LL has been looking at the problem, but it is proving difficult to ascertain the root cause.

Video

The following video of the meeting is courtesy of Pantera Północy.

A little Swedish summer in Second Life

Noweeta, May 2021 – click and image for full size

Back in December in 2020, I dropped into Kaja Ashland’s Snoweeta, a charming winter build engaging in its simplicity as it offered a glimpse of Skåne, the southern most county (or län) of Sweden (see A Little Swedish Inspiration in Second Life).

I recently made a recent return to the region at the suggestion of Shawn Shakespeare, who informed me the region has now lost the snow present at the time of my first visit to offer a taste of summer. With the passing of the snow, the “S” has gone from the setting’s name, allowing it to once again become Noweeta.

Noweeta, May 2021

The arrival of summer has brought with it gentle changes to the setting that further enhance it and offer a further reason for a visit, whilst keeping many of the features present back in December 2020, their presence giving the region a depth of place.

At the time of my first trip to the region, I wondered if Kaja has based the setting on an actual location within Skåne, given it apparently sits between the small Baltic townships of Ystad and Simrishamn, musing that it might be one of the roads Henning Mankell’s dour-faced Inspector Kurt Wallander might actually drive along when investigating a local crime, his eyes momentarily drawn to the large farmhouse set back from the main road.

Noweeta, May 2021

With my return, I could not shake that feeling Wallander may turn up – particularly given the marked patrol car still stilling on the road. However, it now appears that the farmhouse may have been brought up and turned into the country retreat for a wealthy family, the surrounding fields turned over to one of the locals.

I say this because the land closest to the house has been overhauled, a new swimming pool giving the suggestion this is no longer a working house. Alongside it sits a large corral for riding horses, whilst a private 7-hole miniature golf course completes the main grounds for the house. The models on this little golf course are quite exquisite, making it an eye-catching feature.

Noweeta, May 2021

With the retreat of the snow comes the revelation that one of the fields sitting alongside the driveway to the house is actually home to a small to a small grass airstrip. A Model 75 Stearman sits at one end that at first glance appears to be a crop duster;  however, its colours suggest it is more of a show ‘plane than a workhorse.

The fields themselves are now rich in growth – other than the little airstrip -, the one on which it sits also having sprouted a windmill, complete with slowly turning sails.

Noweeta, May 2021

Elsewhere, the little hill with its campsite remains, while the small body of water beyond sits free from its icy covering to present another corner where people might retreat and spend time fishing or simply enjoying the company of one another in a moored rowing boat.  And while the wild pigs may have scooted with the changing of the season, they’ve been joined by sheep, offering another sense of continuity with the preceding design.

With the arrival of summer, Noweeta has bloomed with colour and continues to offer an attractive visit for Second Life tourists and visitors alike.

Noweeta, May 2021

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