There was no deployment to the core SLS channel regions on Tuesday, August 4th, leaving the majority of the grid running on server maintenance update 544832, designed to resolve issues with some internal service updates, chat range improvements and capability improvements.
There should be two RC deployments on Wednesday, August 5th:
Tools Update 2 RC viewer, version 6.4.6.545699, July 29.
Mesh uploader RC viewer, version 6.4.5.544027, July 27.
rrack Maintenance RC viewer, version 6.4.5.544465, July 6.
Love Me Render RC viewer, version 6.4.5.544028, June 30.
Project viewers:
Custom Key Mappings project viewer, version 6.4.5.544079, June 30.
Copy / Paste viewer, version 6.3.5.533365, December 9, 2019.
Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, November 22, 2019.
Legacy Profiles viewer, version 6.3.2.530836, September 17, 2019. Covers the re-integration of Viewer Profiles.
360 Snapshot project viewer, version 6.2.4.529111, July 16, 2019.
Region Crossings
As noted in my previous SUG meeting update, Simon Linden has created a fun challenge people can take to test region crossings on Aditi, where the Blake Sea regions have been cloned and are running on AWS services.
However, ahead of the challenge being issued, changes were made in how region crossings are handled by the simulators, and these have seen significant improvements in crossing performance (with the exception of corner-to-corner crossings). As a result, the same updates are to be deployed to an RC channel in week #33 (the week commencing Monday, August 10th, 2020).
A video documenting region crossings using the updated code / handing on Aditi has been published on You Tube by the MIRAI group.
Note: If you still want to try Simon Linden’s Aditi region crossing challenge, go to secondlife://Aditi/secondlife/Morris/200/207/34 on the BETA (Aditi) grid and click on the red egg-shaped thing. It will give you the “Blake Sea Challenge” object which should be worn so it can give you instructions for sailing / flying / motor-boating around the 46 regions. See if you can make it without doubling back!
Rock Your Rack, the annual fund-raiser organised by Models Giving Back (MGB) in aid of the National Breast Cancer Foundation (NBCF), will again take place between Saturday, October 3rd and Sunday, October 18th, 2020, inclusive.
Officially endorsed by the National Breast Cancer Foundation, Rock your Rack celebrates its eighth year of fund-raising in Second Life. Each year it brings together music, art and entertainment into a 14-day event that both raises for for, and awareness of the work carried out by, the National Breast Cancer Foundation. Activities at the event include designer booths, fashion shows, entertainment, an art show, and auctions and hunts.
Registrations for creators / designers, bloggers and DJs / live entertainers all closed on on July 31st, 2020. However, on August 1st, the organisers opened applications for 2D and 3D artists who would like to participate in the event, displaying / selling their art and help raise money for NBCF.
Requirements and allowances for participation comprise:
Donation requirements:
2D artists are required to have two new and original art pieces for sale with 100% of proceeds going to Rock Your Rack.
3D artists will be required to have 1 new and original piece available for sale with 100% of proceeds going to Rock Your Rack.
Vendor scripts will be supplied by the event organisers.
Artists who wish to make larger donations to Rock Your Rack can do so by either:
Using the donation script in additional art pieces to donate 100% of proceeds to Rock Your Rack, or
Use the official 50/50 split script to donate 50% of proceeds of sales to Rock Your Rack.
All items must be placed for sale for at least L$250.
Artists must keep within the LI limit set for their display area (including all decoration):
2D artists will be allowed 30 LI.
3D artists will be allowed 75 LI and a 10×10 metre area.
All items must follow the Second Life TOS and Community Standards, and must be General or Moderate rated – adult themed art is not allowed.
The following cannot form part of a display: particle machines, hovertext, auto group joiners, chat spammers, or announcers.
Touch group joiners are allowed.
Artists wishing to join the event should complete the Rock Your Rack Artist Registration form. Applications will remain open through until the end of Monday, August 31st, 2020 (SLT), unless all spaces are claimed before that date.
Successful applicants will received a note card confirmation and invitation to the Rock Your Rack Artist group, and should remain a member of that group through until October 21st, 2020.
About Rock Your Rack and Models Giving Back
Rock Your Rack is the annual fund-raiser started in October of 2012 by Jamee Sandalwood and the team at Models Giving Back. MGB is the grid leader in trusted charity events. Jamee takes care of everything from Designers, to bloggers, to musicians, to models. This way any confusion is avoided and no one has to wait to check with anyone else before things are getting done. Rock Your Rack provides full transparency: all of the event’s documentation from screenshot totals, to Lindex transactions, to donation receipts account for every penny that was earned and donated all being posted to the Rock Your Rack website. The event has also, in previous years, obtained formal approval from the NBCF – see the 2018 approval letter for 2018 as an example.
Models Giving Back is the professional team of elite models in Second Life who have dedicated themselves to supporting the efforts of verified RL charities. This team of models gives tirelessly to the events we are involved with always giving of their time and talents to promote those designers involved in our events. For more information on Models Giving Back an how you can become a part of the team, visit the Models Giving Back Facebook Page for information about casting dates and times.
It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.
Monday, August 3rd, 19:00: Voyage to the City of the Dead
Gyro Muggins reads the 11th volume in Alan Dean Foster’s Humanx Commonwealth series, first published in 1984.
The Humanx Commonwealth is an interstellar ethical/political entity created and administered by the two major sentient species within it – humans and the insectoid Thranx. It spans multiple star systems, allowing both species to work together not just in a beneficial manner, but also symbiotic.
Within the Commonwealth are many inhabited worlds, but one of the most unique is Horseye, being the home of three alien cultures and having the most spectacular river valley anywhere in the known galaxy. It is both the cultures and the river that draw scientists Eitienne and Lyra Redowl to Horseye, and after months spent in quarantine, they are now ready to embark on a voyage to the source of the 12,000 long River Skar, and study it and the peoples living on its banks.
Veterans of exploration and discovery, the Redowls believed they were ready to face anything. But how can you prepare for things like treachery, lies and greed? For a local legend would have it that at the source of the Skar lie a great treasure – and the locals who appear to be willing to help the Redowls in fact plan on finding it for themselves.
Assuming, that is, the treasure is in fact something at can be regarded as offering wealth…
Tuesday, August 4th:
12:00 Noon: Russell Eponym, Live in the Glen
Music, poetry, and stories in a popular weekly session at Ceiluradh Glen.
Caledonia Skytower reads Alan Armstrong’s 2006 Newbery-Honor winning tale.
Whittington is a roughneck tom cat who arrives one day at a barn full of rescued animals and asks for a place there. Present at the barn is a menagerie of animals and young Ben and Abby, whose grandfather owns the barn and does the rescuing.
To earn his place, Whittington tells the tale of his famous ancestor, the nameless cat who brought Dick Whittington to the heights of wealth and power in 16th-century England. In telling his story of how his ancestors saved and elevated Whittington, this tom-with-a-chip, elevates another little boy above his fear of learning to read.
Thursday, August 6th, 1900: Philip Marlowe’s The Finger Man
With Shandon Loring. Also in Kitely – from the main Seanchai World grid.kitely.com:8002:SEANCHAI.
Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates for the week ending Sunday, August 2nd
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Current release viewer version 6.4.4.543157, dated June 11th, promoted June 23rd, formerly the CEF RC viewer – ROLL BACK..
Uses new viewer build tool chain, but does not include any user-facing updates outside of bug fixes.
Release channel cohorts:
Tools Update 2 RC viewer updated to version 6.4.6.545699 on July 29th.
Mesh uploader RC viewer, version 6.4.5.544027, issued July 27th.
Mareea Farrasco is a Second Life photographer whose work covers a broad range, from avatar studies to landscapes – the latter oft processed to resemble paintings – and the literal to the metaphorical, producing images that can contain within them a rich narrative or which offer the confluence of shape and form to present a simple statement or comment.
Many of these elements are presented to us through her exhibition at Nitroglobus Roof Gallery, curated by Dido Haas, with the exception of examples of her landscape work – for reasons that will become clear. Entitled Claustrophobia, the exhibition takes as its theme the SARS-CoV-2 pandemic, but from an angle that perhaps has not gained the attention it deserves.
When asked to define “claustrophobia”, most people are liable to go with its more well-known meaning: an abnormal dread of being in closed or narrow spaces. However, the word has another meaning, one not so often considered and that is a feeling of discomfort or discontent caused by being in a limiting or restrictive situation or environment, and it is this second definition that Mareea focuses upon.
We live, these days, in a confined, pandemic universe of our own, and we are all more or less “claustrophobic”, even without suffering from this disorder in our normal, healthy lives. This exhibition is my metaphoric way to express those feelings, trying to rationalise them, in order to make them endurable.
– Mareea Farrasco, introducing Claustrophobia
Now to confess, on first seeing the 14 images presented for the exhibition, I fell into the trap of looking at them through the lens of that more popular definition of “claustrophobia”, and while there are one or two that contain elements that most certainly do convey a sense of physically restricted space and / or a sensation of the walls closing in (notably Claustrophobia (6) and Claustrophobia (7)), I initially felt the exhibit, focused as it is on studies of an individual avatar, could just as easily be called “solitude”, without any need to reference the pandemic.
It was only when I broadened my consideration to that second definition foe “claustrophobia” that I was struck by the manner in which Mareea has perfectly encompassed it through each of the pieces offered in this exhibit, and seamlessly linked them to offer expressions of how we have been forced into am artificial sense of “claustrophobic distancing” because of the pandemic. It doesn’t matter if we’re home alone or with family, we have been forced to artificially limit our environment and interactions to an extent that expressions of solitude are all we actually have left; circumstance demanding that as constrained as we are, we turn our thoughts inwards.
Seen it this light, all of the pieces here are subtle and evocative explorations of thoughts and feelings that reflect our desire – our longing – for more normal times. At the same time, there is perhaps a deeper aspect to be considered. Whilst physical distancing from friends, colleagues, neighbours and all might well be a requirement for all of us, many of us do at least have family with who we can at least find some release from that sense of isolation – but what of those who live alone? For them, the routine of isolation has potentially been amplified by the pandemic; through Mareea’s images, we perhaps catch a glimpse of all they face.
The moment of ignition as the Atlas V booster lifts-off from SLC-41 at Canaveral Air Force Station, Florida, Thursday, July 30th, 20020. Credit: NASA TV
At precisely 11:50 UTC (7:50am EDT) an Atlas 5 rocket thundered into near-perfect skies over Cape Canaveral Air Force Station in Florida, carrying aloft NASA’s Mars 2020 on the first stage of its 7-month trip to the red planet.
The launch marked the last of the “big three” missions to launch during the 2020 opportunity, following on the heels of China’s Tianwen-1 orbiter / lander / rover mission and the UAE’s Hope orbiter mission. Carrying the Perseverance rover and Ingenuity helicopter drone, Mars 2020 is the most scientifically complex of the three missions, and potentially set to be the longest running of all three: providing it doesn’t fall foul of any major issues, Perseverance (Or “Percy” as some have dubbed it) could be operational on Mars for 12-14 years, thanks to its nuclear power supply.
A pictorial history of NASA’s successful Mars missions from Mariner to MSL / Curiosity, together with Mars 2020 and the proposed sample return and orbital ice mapper missions. Credit: NASA
In the days leading up to departure, there had been concerns the attempt might have to be postponed thanks to the approaching Tropical Storm Isaias, but on the morning of the launch, conditions couldn’t have been better. There was, however, some pre-launch excitement on the other side of the United States, where the Jet Propulsion Laboratory in (JPL) – mission control for the mission once en route to Mars, was lightly shaken by a local 2.9 magnitude earthquake just 30 minutes prior to lift-off.
Just under 2 minutes after launch, the Atlas V dispatched its four strap-on boosters, allowing the core stage to continue towrds low earth orbit. Less then 2 minutes later, with the vehicle at an altitude of 392 km, the payload fairings were jettisoned, exposing the payload to space. The Centaur upper stage then commenced its “chill down” phase, readying its motor for operation once the Atlas core stage had detached.
BECO and separation: a camera mounted on the Centaur upper stage captures the Atlas V core stage as it falls away following separation and ignition of the EL-10 engine. Credit: NASA TV
BECO – Booster Engine Cut-Off – came 4 minutes and 20 seconds after launch, the core stage separating to allow the Centaur commence its work with and initial engine burn to further raise the vehicle’s orbit around Earth before the RL-10 motor was shut down and the reaction control system (RCS) was fired a number of times to set the stage and the payload rotating along their longitudinal axis, a move designed to ensure the payload would be spin-stabilised during its cruise to Mars.
This part of the journey started some 90 minutes after launch, on the “night” side of Earth relative to JPL. As this point, the RL-10 re-ignited, pushing the Centaur and its payload into a Trans-Mars Injection (TMI) orbit around the Sun before the two separated. As there was no “live” video of the separation, mission managers had to wait for NASA’s Tracking and Data Relay Satellites (TDRS) and Deep Space Network (DSN) on the ground to acquire a direct signal from the payload and its cruise “bus” to confirm they were safely on their way.
The Mars 2020 rover Perseverance. Credit: NASA
This TMI engine burn ensured Mars 2020 would cross the orbit of Mars, but it would do so before the planet reached the same point in space. This was because had both been on a course to intercept Mars, the Centaur booster would crash into the planet, potentially contaminating it. Instead, Mars 2020 will make two mid-course engine burns from the motors on its cruise “bus”, shifting its trajectory onto that will intercept the planet, leaving the Centaur to fly harmless by.
As well as searching for signs of ancient microbial life and advancing NASA’s quest to explore the past habitability, Mars 2020 will also form the first half of a sample return mission – as I’ve previously noted, it is equipped to leave up to 23 sealed sample containers on the surface of the planet, at least one of which may be retrieved by a future NASA/ ESA sample return mission, although such a mission has yet to be formally approved by either agency. In addition, Perseverance carries with it experiments geared towards learning more in preparation for the future human exploration of Mars.
Mars 2020 is heading for the 49km diameter Jezero Crater on the edge of Isidis Basin in the Martian Hemisphere. The crater has evidence for it once being a wet environment, including a broad inflow delta where water once flowed into the crater from the Syrtis Major uplands that is the landing site for Mars 2020. Credit: NASA
The first of these forms a part of the SHERLOC (Scanning Habitable Environments with Raman & Luminescence for Organics & Chemicals) instrumentation. Primarily designed to seek organic compounds on Mars, SHERLOC also contains five small pieces of material that might be potentially used in the outer layers of a future Marts spacesuit. These will be monitored to see how well they deal with possible corrosion by Martian dust and atmosphere under the effects of solar radiation. As a part of its duties, the Mars Environmental Dynamics Analyser (MEDA) will also study the nature of Martian dust so engineers can make better decisions about materials to be used in spacesuits and surface equipment.
Then there is MOXIE – the Mars Oxygen ISRU Experiment – designed to produce oxygen out of the carbon dioxide that makes up 96% of the Martian atmosphere.
Mars Direct (1996): proposed using 6 tonnes of hydrogen carried to Mars by an uncrewed Earth Return Vehicle (ERV) to generate 112 tonnes of oxygen and methane using the 19th century Sabatier reaction. These could then be used propel the ERV (and crew) back to Earth at the end of a mission, while the generate could continue to produce oxygen and methane during the crew’s 700-day stay on Mars after they have arrived 2 years after the ERV. Credit: Orange Dot Productions / Mars Society UK
The idea has its roots in the 1996 Mars Direct mission profile developed by Robert Zubrin and David Baker. They recognised that the biggest encumbrance to a mission to Mars was the amount of fuel required to both get a crew to Mars and then bring them back to Earth. To reduce this, they proposed using the Martian atmosphere to produce both oxygen and methane that could be used to fuel the vehicle a crew would use to return to Earth – massively reducing the mass of a mission. The same technique could also be used to provide a human crew with additional oxygen supplies and fuel for surface vehicles once they get to Mars.
MOXIE is a more modest idea, designed to produce just oxygen from the Martian atmosphere. It’s a proof-of-concept designed to produce 22g of oxygen (O2) per hour with >99.6% purity continuously for around 1230 hours. If successful, it could pave the way for a much large nuclear-powered unit to be delivered to Mars that could be used to produce a large volume of stored oxygen that could be used to produce the atmosphere for a human outpost on Mars and as the oxidiser for powering Earth return vehicles. As with the Mars Direct proposal, the system could be extended to also produce Methane fuel.
The MOXIE experiment aboard Perseverance aims to produce oxygen from the Martian atmosphere. Credit: NASA
Mars 2020 is now en route to Mars in the “cruise” phase of the mission, during which it will study interplanetary space. The next tense moment for the mission comes on February 18th, 2021, when the craft arrive at Mars, and Perseverance and Ingenuity enter the “seven minutes of terror” of the Entry, Descent and Landing (EDL) phase, which should culminate in both being safely delivered to Jezero Crater on the surface of Mars.
A Dragon Comes Home
Sunday, August 2nd, 2020 saw the Crew Dragon Demo-2 mission make its return to Earth. Launched to the International Space Station (ISS) on May 30th, 2020 (see: Space Sunday: how to fly your Dragon) carrying NASA astronauts Bob Behnken and Doug Hurley, the mission was intended to confirm the SpaceX crew dragon vehicle is ready to commence regular crew-carrying flights too and from the space station.
Since then, the vehicle has been docked at the ISS, allowing Hurley and Behnken work as a part of the Expedition 63 crew rotation. In particular, Behnken carried out four EVA space walks alongside of Expedition 63 commander Chris Cassidy, marking them as the third and forth US astronauts after Michael Lopez-Alegria and Peggy Whitson to have completed 10 EVAs during their careers.
Saturday, august 1st, 2020: Crew Dragon Demo-2 backs away from the ISS at the start of a 19-hour journey home. With the nose cap open, the forward docking hatch is visible, with the four black dots of the Draco motors that would later perform the critical de-orbit burn visible around it. Credit: NASA TV
Undocking came at 23:35 UTC (19:35 EDT) on August 1st, 2020, 19 hours ahead of the planned splashdown, although concerns about Tropical Storm Isaias initially meant that the undocking might have been delayed to avoid rough weather and seas in the Gulf of Mexico south of Pensacola, Florida.
Following departure from the ISS the Dragon vehicle, comprising the capsule Endeavour and its service module (called the “trunk” by SpaceX) that provides long-duration power, life support and primary propulsion, raised itself up and over the ISS to allow it to “drop behind” the space station in their relative orbits prior to dropping down into a lower orbit. This formed the first of several flight manoeuvres that placed the vehicle in the correct orbit before the crew took a meal and had a sleep period.
Endeavour’s main parachutes open as it makes its return to Earth on August, 2nd, 2020. Credit: SpaceX
Final preparations for the re-entry and splashdown commenced just shy of an hour before the vehicle started its descent into Earth’s atmosphere on August 2nd, with the unclamping of the “claw” mating capsule to trunk and relaying power, fluids and atmosphere from one to the other, allowing the capsule to separate from the trunk, which was left to burn-up in the upper atmosphere. Flying free, the capsule then flipped itself over to point its nose in the direction of flight once more. This facilitated the opening of the nose cap to expose the four forward-facing Draco engines.
The latter were then used in a 11-minute de-orbit burn that placed the vehicle on a path of descent into the denser layers of the Earth’s atmosphere. Immediately following this, and still under automated control, Endeavour re-oriented itself to put its heat shield pointing into the direction of travel as the nose cone cover closed and latched. This started a 20-minute descent phase through the upper atmosphere unless Endeavour reached a point where plasma generated by the increasing friction against the atmosphere reached a maximum, blacking out all communications for a 6-minute period.
The moment of Splashdown. “Thank you for flying SpaceX!”. Credit: SpaceX
By the time the blackout ended, Endeavour had reduced its velocity from some 28,000 km/h to just 640 km/h, slowing the capsule to a point where its two drogue chutes could be deployed, stabilising the vehicle in its descent and allowing the four main ‘chutes to be deployed. These slowed the capsule during its final couple of kilometres of descent to just 25.6 km/h, allowing it to splash down precisely on target off the coast of Pensacola.
SpaceX recovery teams using fast motor boats were quickly on the scene and proceeded to carry out checks on the vehicle and the air around it to ensure it was not venting toxic gases while others chased down a recovered the main and drogue parachutes. Check-out operations on the capsule, which is designed to float upright on the water, was somewhat impeded by idiots trying to get close to it in their own power boats, but the support crew were able to rig Endeavour with a recovery harness as the main recovery ship, the Go Navigator, approached in readiness to lift the capsule aboard.
Hoisting the Endeavour aboard Go Navigator as the fast support boats keep onlookers in their own boats at bay. Credit: SpaceX
This was achieved using the a-frame hoist at the stern of the ship, which lifted Endeavour out of the water and onto a special “nest”, a platform that could move the capsule to the crew egress area, an operation completed less than 30 minutes after splashdown. – in less than 30 minutes after splashdown. Opening the vehicle’s hatch, however was delayed as a result of small traces of potentially toxic Nitrogen Tetroxide fuel vapours from the engine burns remaining in the service space of the capsule where things like the propellant tanks, etc., reside. To avoid risk, this area needed to be purged before the astronauts could exit the vehicle.
This meant it was a further 30 minutes after splashdown that Bob Behnken, the mission pilot, and mission commander Doug Hurley could be lifted from the the capsule and transferred to the ship’s medical area, where NASA flight surgeons carried out a post-flight medical. After this, both men were given time to adjust back to Earth’s gravity, take a show, get into more relaxed clothing than their pressure suits. They then transferred to a helicopter that rendezvoused with Go Navigator to fly them to Pensacola Naval Air Station and onward transfer to Ellington Field Joint Reserve base and the Johnson Space Flight Centre to be reunited with their families.
NASA astronaut Bob Behnken gives a thumbs-up to the video camera after being helped out of Endeavour. Credit: SpaceX
Endeavour, meanwhile, will be taken back to SpaceX facilities where it will be refurbished and prepared for the second operational Crew Dragon flight, following NASA’s change of mind and allow SpaceX to re-use their capsules for multiple crewed flights to the ISS. In the meantime, the first operational flight of Crew Dragon is set to fly NASA astronauts Shannon Walker,Michael Hopkins and Victor Glover, together with Japanese astronaut Soichi Noguchi to the ISS in September 2020.