Opening on Sunday, May 6th, 2018 is the Kultivate Magazine’s Windlight Art Gallery May-June exhibition, featuring art by fifteen Second Life artists and photographers.
The first gallery to be opened by Kultivate, run by John and Eleseren Brianna, the Windlight Gallery offers new and established SL artist the opportunity to display their work, with applications periodically available through the Kultivate website around two months ahead of each exhibition period.
As a voluntary exhibition space, Windlight Gallery always brings together a range of talent and subject matter, which can span both Second Life and the physical world. As such, it is a veritable melting pot of photography and art, and an excellent opportunity to gain familiarity with the work of artists and photographers who may not exhibit their work that widely in Second Life, as well as some of the more well-known names from SL’s panoply of artistic expression.
Those participating in the May-June exhibition are: Pam Astonia, Sandi Benelli, John Brianna, ByrneDarkly Cazalet, Slatan Dryke, Syphera Inaka, Virtual Insanity, Lena Kiopak, Kody Meyers, Inara Pey, Kapaan Resident, Ladmilla Resident, Reycharles Resident, Neoma Vasilia and Freedom Voix.
From Second Life landscapes and avatar studies, through artistic interpretations of SL landmarks and art exhibits to pieces verging on the abstract, as well as stunning black-and-white photography from the physical world, the May-June exhibition offers one of the richest mixes of art and photography I’ve witnessed, and my thanks to John and Brianna for the opportunity to participate alongside some of the true exponents of Second Life art.
Ardessa: the Fantasy Faire 2018 Quest region by Éclair Martinek
Fantasy Faire 2018 has reached the final weekend of its extended run. Sadly, I’ve not been able to cover this year’s event as much as in the past: a hectic schedule and other elements in my physical world activities have combined to limit my SL availability.
While it is the final weekend, for those interested, there is still the opportunity to participate in the Fairelands Quest and obtain a cache of prizes – and a weekend is more than enough time to complete the tasks you’ll face.
As with previous years, The House of Garland asks adventurers to come to the assistance of the Fairelands and the Bard Queen in order to bring a stop of the Unweaver’s dark doings. And this time – as the time-honoured saying goes – it’s personal. Also in keeping with previous years, the Quest in a multi-part activity; however it doesn’t need to be completed all at once; you can take a break from things and tackle the adventures over a couple of day if you wish.
The first act of participating in the Quest is to obtain a Quest HUD, such a via the vendors at the Fairelands Junction. Two versions are available: the basic L$250 version and the L$350 version which includes a set of costumes for those who wish to get into character. Both also provide an introductory note card which provides enough information to get started.
When you have worn the HUD, and if you have not previously undertaken a Fairelands Quest, accept the Experience via the dialogue box that also appears on your screen. You’ll only have to do this once, and it is vital you do so; the Quest will not work if you don’t. If you’ve previously participated in a Fairelands Quest (and have not revoked the Quest permissions), you’ll be automatically accepted into The House of Garland adventure.
Ardessa: the Fantasy Faire 2018 Quest region by Éclair Martinek
Also to be found in the Quest package is a note card that should get you started on your adventure. This will unfold in a series of steps:
Locate the Bard Queen herself – she is somewhere in Fairelands Junction, and will give you further information to help you get started.
Meet Cheer, the squire who will provide you with company and more. Cheer is an NPC included with your Quest HUD and should be worn with the HUD, but she’ll not become visible until you actually encounter her in Fairelands Junction.
Locate the Archetypes in the Fairelands. There is one Archetype per region, and the HUD will help you identify them. Note that Archetypes can only be found in public areas of the regions – they will not be instead any stores. They can also be sought in any order, and each will provide you with further assistance.
Travel to Ardessa, the Quest region. You should only do this once you have located all the archetypes. Once in Ardessa, seek the gates within the region in order to progress towards completing your adventure. Note that with one exception, the gates can be sought in any order; should you happen upon the exception before you have found all the other gates, it will simply tell you to seek those you have not found.
There Be Dragons! Ardessa, the Fantasy Faire Quest region
Unlike more recent previous Quest regions at the Fairelands, Ardessa is a verdant land, rich in flora and fauna, full of the colours of summer. Designed by Éclair Martinek, it offers a wooded and sometimes rugged landscape with many paths to follow and things to discover. As such, it is well worth taking the time to explore, whether or not you are engaged on the Fairelands Quest (if you simply chose to explore, the Quest won’t interfere with you).
So while there is still time, why not visit Ardessa, or get your teeth into the Fantasy Faire 2018 Quest? All proceeds from the sale of HUDs go you RFL of SL, and there’s a generous range of prizes to be claimed!
The Bridge of the USS Enterprise NCC-1701, will be warping into Sansar on May 22nd, 2018, as new social hangout in a partnership between Linden Lab and Roddenberry Entertainment Inc. Credit: Linden Lab, via Roddenberry Entertainment Inc.
Update:the podcast, as uploaded to YouTube, is now appended to the end of this article, with thanks to Wurfi!
It’s no secret that I enjoy and appreciate Star Trek – notably The Original Series, although I’m also partial to The Next Generation (the other incarnations never really resonated with me in the same way). In my late teens and twenties, I helped organise a number of Star Trek conventions in the UK, while in these pages, I’ve written about Loki Eliot’s freebie boxed starship combat game (2013), and in 2016, about Cathy Foil’s stunning, two regions long and avatar-sized USS Enterprise, NCC-1701.
So on May 4th (ironically, given its association with the Star Wars franchise), I was intrigued to see a pair of tweets from @SansarOfficial and Second Life’s own Wurfi:
The Star Trek Tweets
A little more digging revealed the Tweets relate to an interesting Tidbit discovered by Sansar user and creator Gindipple: a weekly live Mission Log podcast by Roddenberry Entertainment. The podcasts, offered as both pre-recorded and “live” events exploring all aspect of Star Trek, from The Original Series through to the current Paramount film series and CBS’s Star Trek Discovery TV series.
This particular podcast, broadcast on May 1st, 2018, featured none other than Sansar’s Jason Gholston, who heads-up Linden Lab’s Sansar Studios team. Starting the 3 minute mark of the video, which I’ve time-stamped the link above, Jason revealed that Sansar Studios and Roddenberry Entertainment will be introducing a new Star Trek Experience to Sansar on May 22nd, 2018.
“Captain’s Log stardate….” – the iconic Captain’s chair on the original TV series starship Enterprise. Credit: Linden Lab, via Roddenberry Entertainment Inc.
The new experience, referred to as a “VR chat room”, is a 3D reproduction of the bridge of the USS Enterprise, NCC-1701 (“no bloody A, B, C, or D”, and Montgomery Scott famously stated around Stardate 46125.3, in the Next Generation episode Relics), as seen after the original series had been picked-up following the initial two pilot episodes.
I admit to getting goosebumps when watching the brief video clip of the design, and it is evident that a huge amount of care has been poured into this project: everything it presents from Kirk’s centre seat, through the conn and helm stations, to the stations occupied by Spock and Uhura and – when he was on the bridge – Scotty is perfectly reproduced, right down to the changing data displays and blinking lights. While not present in the video, I’ve little doubt the finished article will be enhanced by spatial loops of all the bridge sounds, deepening the overall immersion of the experience.
A look at one of the forward stations on the upper ring of the bridge. Credit: Linden Lab, via Roddenberry Entertainment Inc.
The core rendering for the experience has been produced by OTOY, working in collaboration with Sansar Studios and Roddenberry Entertainment. OTOY is the creator of the OctaneRenderer, and their work is currently featured in the opening title sequence of HBO’s stunning TV series Westworld.
The experience won’t be used to host the Mission Logs podcasts, but will give people the opportunity to hop into Sansar and view them via the main view screen and socially hang out afterwards, and Jason indicates that show hosts Ken Ray and / or John Champion may will be jumping into the experience immediately following the weekly Mission Log Live podcast, which go out every Tuesday at 19:00 Pacific Time / 22:00 Eastern time, USA.
The exchange between Jason and Ken and John is worth listening to beyond the Star Trek / Sansar news as between them, they nicely cover the “why” of Sansar ahead of getting into details of the new hangout itself – and yes, Second Life gets a positive mention, albeit it passing.
This initial exchange also hints that the new hangout is but the first aspect of what appears to be an evolving relationship:
So, we’re kind-of dancing around the big question here, which is what are we going to do? And we’re going to reveal part of that tonight; there’s another part coming somewhere down the road, and that has to do, potentially, with Star Trek Las Vegas …
– John Champion, Mission Log Live 024, May 1st 2018
Star Trek Las Vegas appears to be a reference to the Star Trek convention taking place in Las Vegas at the start of August 2018, and organised by Creation Entertainment. So might the convention include a Sansar presence, together with an expanded Star Trek Experience?
That would certainly be intriguing; not just in terms of what might be presented, but also in terms of how it fits with Linden Lab’s stated goal for 2018 to grow Sansar’s audience (and visibility). As such, I’m certainly going to be trying to keep my ear to the ground on this subject, not only in visiting the new Star Trek bridge experience in Sansar on or just after May 22nd, but also in trying to get a clearer picture on what is being planned and how it fits with this broader idea of trying to expand Sansar’s visibility and audience.
Addendum
Thanks to Wurfi’s work, I can now embed the podcast from YouTube, below – thanks, wurfi! To just directly to the Sansar coverage, click this link.
Welcome to the Crystal Edge Dance Club, home of the Crystal Edge Dance Troupe.
Dancing at the Crystal Edge has been a long-standing tradition of talented and creative dancers. There is no better way to get to know people and make new friends.
Dancing is like dreaming with your feet, if you stumble make it part of the dance!
Description:Elysium Cabaret – Welcome to the Weekend!
If it’s Friday, it’s Elysium Cabaret! Fancy some imagination? In The Empire Room at Copperhead Road, every Friday at 6pm SLT the dynamic performers of Elysium Cabaret take the stage to bring you a solid hour of entertainment!
Featuring elaborate sets and choreography sequenced to an eclectic genre of music, Elysium Cabaret offers something for everyone. Grab your friends and get their early because the sim fills. Come celebrate Friday! Welcome to the weekend!
The team from Guerilla Burlesque present originally crafted dance acts built and performed by some of the best dancers on the grid! We strive to bring you our very best and keep it fresh and fun every time! Thea Dee is our director this week and It’s going to be an exciting line up of great acts! The only thing missing is you, our special guest!
So make your plans, grab a few friends and make an evening of it! Join us this Friday night so you don’t miss a thing! Doors open at the Culzean Theatre at 9 pm for the 10 pm!
Debauche return to the beautiful theatre at VIlle De Couer after a long absence. Such a lovely place to perform with a lovely crowd to match it. Come join us for the thrills, the excitement, the naughtiness and the sheer class of Debauche. Dress smart casual please See you there 1pm Saturday 5th May.
Join us at the Jefferson Opera House as we help celebrate 2 years of the Mysterium Masked Mansion.
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Burlesque Dolls brings you classic burlesque from some of the most talented dancers on the grid. Sultry, tempting and glamorous as they take the stage, each bringing their own style and signatures with them as they entice you.
River Island Performing Art presents: ‘AFTER DARK’ THEATRE CABARET *ADULT CONTENT WARNING* Full Nudity forms part of this production 18+ ONLY. * Produced by Red & Steve of The River Island Theatre, and Performed by the sexy men and women of The Hot Knights & The Boudoir Dance Troupes @ Les Âmes Sauvages, Cabaret Méchant We Present The Steamiest Cabaret Show In SL. Please arrive early, spaces are limited, entrance is free.
Brush Strokes, Paramount Grand Theatre’s brand new show for May. Come join us for an evening of classy but sassy entertainment as we the Paramount Players dance for you, May 5th & 12th at 7pm slt.
Brush Strokes you ask? The Players’ new show is about art! Taking some of our favorite artist’s work and interpreting it into dance.
Join the Muse Dance Company for this dance musical Chicago. A satire on corruption in the administration of criminal justice and the concept of the “celebrity criminal”. You don’t wanna miss this one!
Debauche come back for a second visit to the wonderful theatre at Bluemood. Its great to be invited back. A lovely place full of lovely people – really looking forward to seeing them all again, plus a few new faces, hopefully. Debauche – a little naughty, a lot sexy, always classy. Come find out!
Ballet Pixelle® will open its production of “Avatara” on Sunday, April 15 at 5:00 pm SLT, Join us for this original composition of virtual dance! What if a real world dancer could dance in a virtual world? What movements would be the same or different? What kinds of different beings could she be? What would be the same? And how would that dancer be changed after her experience? Performances are Wednesdays at 5:00 pm and Sundays at 5:00 pm SLT throughout April in the Ballet Pixelle Theatre. Audience dancing at the after-show party every performance! Join us for an evening of delights. Chat with the performers and crew after the performance for autographs, photos, and a question & answer session.
Each Sunday we have a shiny, new show at Winds of the Sahara. Our dances range from burlesque to performance art and you are sure to be amazed at all of the wonder that sets, costumes and music can create. We’ll put sparkles in your eyes and leave sequins on your shirt collars.
I assume there will be a few more shows this weekend.
I prefer to error on the side of caution, so if your event isn’t listed above, either get your notecard in sooner, or add your show to the comments.
Check with the Dance Queens event calendar for updates and additions to the weekend’s schedule, as well as the many events that happen during the week.
FULL DISCLOSURE: I perform with Guerilla Burlesque and Debauche.
“In my work I like to explore the possibilities of developing a context to display digital images,” Marina Münter says in introducing her exhibition at the University of Texas, San Antonio (UTSA) ArtSpace gallery. Entitled Adcredo – meaning “believe”, “give credence to”, or more generally “trust” – the translation Marina prefers – it is a curious / intriguing installation.
Under a large tent-like drape, held up by ropes extending from the ceiling of the gallery space, is a large, C-shaped table space, set-out for a meal, centred around an arrangement of potted plants. The tables provide 44 places, all of which are occupied by 44 identical wooden marionette bodies, each topped by a head-and-shoulders photograph of an 44 avatar, each of them blindfolded.
Marina points out that Adcredo is strongly inspired by the Tropicália, an artistic movement which arose in Brazil in the 60’s. A dominant principle of Tropicália was antropofagia, a type of cultural cannibalism that encouraged the conflation of disparate influences, out of which could be created something unique.
Antropofiagia is also perhaps the dominant aspect of Adcredo, which seems to bring together aspects of identity, societal ritual (dinner as a social event), and a unique setting by which it can be framed – the tent, the plants and carved animals.
For example, the marionettes and identical place settings suggest the conformity of society; the ritual nature of a group meal (as noted above), and the social niceties it involves; and the question of who we really are to others – and ourselves – as pictured by the blindfolds, which itself encompasses the title of the installation: trust – trusting one another when sightless, and trusting the one taking the photo.
All of this makes for an installation that builds on the essential approach Marina takes to her work: providing a contextual framework (the dinner and place settings) by which to display her images; to potentially build something of greater depth, an installation where almost every element has a potential meaning or a possible comment to make.
As such Adcredo presents itself as both a straightforward exhibition of photography and a layered presentation of ideas.
Second Life is in the midst of the 2018 Relay for Life season, most notably (at the time of writing) with Fantasy Faire. Given that it is, I would like to step to one side from my usual writing and offer a personal piece on the subject of cancer. It’s something I’ve spent a couple of days wrestling over committing to print, and I’m now doing so not to illicit sympathy, but to hopefully offer insight into why it’s better to confront things then shy away from things out of fear of hearing the “c” word.
Earlier this year I was diagnosed with DCIS – ductal carcinoma in situ – in my left breast. This is a form of best cancer where the cancerous cells are contained within the milk ducts of the breast. Because the cancer cells have not invaded nearby breast tissue, DCIS is regarded as non-invasive breast cancer, and accounts for about 20% of all breast cancer cases, and around 85% of all in-situ (confined to a specific area) forms of breast cancer.
While there is a risk it might become invasive if left untreated (the American Cancer Society estimate between 20-53% of untreated in-situ cancer cases become invasive over a period of about a decade, DCIS can be dealt with in a relatively straightforward manner through what amounts to a two-step treatment process.
The first step is for the affected area of breast duct to be surgically removed in a localised procedure referred to as a lumpectomy. This is a form of surgery designed to excise the affected area, and as a rule leaves the breast looking as close as possible to how it did before surgery, with its general shape and the nipple area remaining intact.
After a time for healing, the second step is generally a period of localised radiotherapy. This is designed to destroy any remaining cancer cells that would otherwise by too small to see on scans or to measure with lab tests. In addition, it can lower both the risk of DCIS returning to the breast, or of the breast developing an invasive cancer later in life.
Ductal carcinoma in situ is a form of breast cancer in which the cancer cells are confined within the milk ducts of the breast
Obviously, “surgery” and “radiotherapy” are themselves terrifying words; but the fact is that often, DCIS can be dealt with on an out-patient basis – there’s no need for a protracted stay in hospital; while the radiotherapy is localised enough such that the risk of it giving rise to cancer later in life is around 5% – far less a risk than that of the DCIS leading to a more invasive form of cancer.
A key point with DCIS is that it is hard to detect; while it may be indicated by a subcutaneous lump, often it is only through a scan and / or biopsy that it may be identified. In my case, I noticed a small lump in my right breast; when it hadn’t gone away after a number of weeks, I went to see my GP.
I admit, my feelings were mixed when I did so: cancer has been a frequent visitor within both sides of my family, so I was concerned I would hear the words “breast cancer”; at the same time, there was also a feeling that I was “just being silly” and over-reacting to something that would go away – after all, lumps in the breast can be caused by a lot of non-cancerous events.
In-situ breast cancer types: location and percentage of cases
In fact, the right breast lump did prove to be a small non-cancerous node of breast calcification. However, as a result of the scans my GP sent me to have, the left breast DCIS was spotted.
Cutting a long story short, I was referred for surgery at the cancer unit of a local hospital, where I underwent two bouts of surgery some 14 days apart. The first was to excise the affected ductal area, the second to remove a small amount of tissue from the surrounding area. Both bouts of surgery were performed on an out-patient basis, so I went into hospital in the morning and was back home and in my own bed in the evening.
After the surgery I had several weeks of recovery to allow the surgical wound and the (admittedly extensive) bruising around it to heal. I have been left with a scar marking the entry wound, but the shape of my breast hasn’t changed and as is common with this type of surgery, the scar itself is on the underside of the breast, so it’s not naturally visible.
As to the radiotherapy, I was given 15 sessions broken down over just over three workday weeks, plus an initial “targeting” session a week ahead of the treatment. The treatment took the form of spirometry-monitored deep inspiration breath hold (SMDIBH). Again this sounds a mouthful, and possibly frightening, but what it amounts to is being subjected to a short burst of radiation while controlling you breathing and holding your breath for around 20-30 seconds. This approach is used when treating left breast cancer, as filling the lungs with air raises the breast away from the heart, reducing the amount of radiation to which the heart is exposed.
The treatment itself is quite painless, each “zap” lasting around 20 seconds as the breath is held, with the number of zaps you get varying according to need. However, due to the frequency of the treatment sessions, there are side-effects. These can include fatigue; a swelling in the breast due to fluid being unable to drain properly; a reddening and drying of the skin around the treated area, and a gradual feeling of heat build-up in the breast which takes time to dissipate. I found these symptoms took several weeks to abate, and was recommended to use a non-metallic moisturising cream to ease the dryness / discomfort.
As I write this, I’m into my second week of post-radiotherapy recovery. I’ll make no bones about it, my breast is sore I’m at times in a little discomfort and have felt lethargic at times – an effect that should subside over the next few weeks. However, the preliminary results of the treatment is that the surgery has been successful, and the radiotherapy will have hopefully done its job.
So why tell you all this? Because – as I said at the top, cancer’s biggest weapon is fear – fear of what it might mean if diagnosed and, equally, the fear of learning you have it in the first place. Yet the fact is, as my case hopefully shows, getting diagnosed early enough not only means a better chance of dealing with it – it also means the treatment is often less protracted and invasive than might otherwise be the case (put it this way, while it may well sound worrying when first heard, a lumpectomy is, overall, a lot less traumatic than a mastectomy) – whereas the longer it is ignored in the hope it might “go away” or because it spares us having to confront it, the greater the risk that it might reach a point were it cannot be more effectively dealt with.
Cancer is not something we can avoid simply by ignoring the signs (when they are present) or by avoiding the opportunity to have it diagnosed. So please, if you have concerns about anything, a lump here or there, a mole-like mark on your skin that has appeared or which has changed in size or has been subject to bleeding – go and get it checked. It might be cancer – or it might be something else entirely; it might be entirely benign. But if you don’t get it checked, you run the risk of not knowing – or of receiving medical help at a time when, should it prove to be cancer, it might be more easily dealt with than might be the case if you just ignore it.
In my case, I’m grateful I didn’t let the feeling of “being silly” when going to see my GP get the better of me; as a woman in my 40’s (no, I’m not saying where in my 40s!) I’m still several years from my first routine breast cancer screenings, possibly time enough for the DCIS to have become more of a problem. As it is, it’s now excised, and I’ll be having regular scans to make sure it stays that way. And that’s a form of peace of mind I’m grateful to have.
So again, if you have a suspicion or concern, don’t leave it for “another day”; go get it seen to.