Switch on the Lights at DixMix in Second Life

DixMix Gallery: Switch on the Lights

Now open at DixMix Gallery is an ensemble presentation of art entitled Switch on the Lights, which appears to be wither sponsored by, or a co-presentation with, LUMIPro, the commercial photography  lighting system, and the first to use projection prim capabilities.

So far as I can tell, the participating artists are  Jr Feiri, Reneesme Portland, xxstanislasxx resident, Kimma, Cyrece Delicioso, Angi Manners, DixMix Source,  Trixie Pinelli, Toxic Valentine, Sedona Silverpath, Peep Sideshow Darkward, Tazara Bailey, Kira Ragged, Scarlett Rhea, Ornella Batriani, Space Hurricane, Ilke Huygens, Freekency Banx, Wiwi Swot, Marleine Magic, Kevin De’Cypher,  Bettina, Ember Wulluf, Calypso Keng, Fleur Imagines SL, U.Sabra, Sedona Silverpath and Abi Latzo.

DixMix Gallery: Switch on the Lights

As one might expect with LUMIPro’s involvement, the majority of the pieces in the exhibition are avatar studies. However, if I sound a little uncertain about this display, it’s because the information relating to it is less than forthcoming. The invitation I received contained only the Gallery’s landmark and a note card advertising LUMIPro. There is a similar dearth of information actually at the gallery as well. Thus I had to resort to editing each image to grab the artist’s name. Not ideal when reviewing.

There are other minor annoyances as well. The exhibition is referred to as “selected photographies” – but how were they selected and what role did LUMIPro play in it? Given some artists appear to have only one piece submitted, others 2 or 3, what criteria were employed in the selection process? Did some artists only submit the one piece, and other several? Were submissions adjudicated? If so, how? And so on.

DixMix Gallery: Switch on the Lights

These may sound like minor niggles, but having this information to hand can add depth to an exhibit, whether or not you are reviewing it; and it’s not as if providing background notes is a particularly difficult task. As it is, the lack of available information does diminish the exhibition somewhat.

Which is a shame, as this is a striking exhibition. I was particularly drawn to the wall-sized format images, such as Crisis by U Sabra, and Marita Karu pileup by Jr Feiri (above) – which I found utterly mesmerizing. The range of styles and subject presented (colour, monochrome, individual, couples; indoor, outdoor, nude, dressed, etc), is equally eye-catching, drawing one into the exhibition. Given this, it is possible to look past the niggles and appreciate the exhibition as very much worth viewing.

DixMix Gallery: Switch on the Lights

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