Recently opened at DiXmiX Gallery, curated by Dixmix Source, are two new exhibitions by Vallys Baxter and Moki Yuitza, which are contrasting in both style and content.
With La Rumeur de Paris (Rumour of Paris), Vallys presents around 15 images in series – although what the underlying theme might be is hard to judge. All avatar studies, most are presented as avatar studies on a white background, although some are conversely set against a dark backdrop, and one – in difference to the rest – is a landscape image.
Are these simply memories of past events? Are they designed to imbue a feeling? are they representative of a memory or idea? Or are they images that simply exist in and of themselves, sans wider thematic narrative wither within themselves or as a collection? You, as the observer are left to decide this.
When viewing some of the more intimate images, I did find my thoughts drifting towards Bernardo Bertolucci’s 1972 erotic drama Last Tango In Paris. Why this should be, baffles me, if I’m honest. Perhaps it simply the fact I’m not operating at 100% at this point in time and my brain is tending to wander hither and thither. There is certainly little in the individual images to suggest a link between them and the film, so perhaps its just a subconscious linking of naked male and female bodies with the use of Paris in the exhibition’s title, spurred by the (intentional?) anonymity of the figures in those images that sent my thoughts in that direction.
None of which should be taken as any kind of critique of Vallys’ work; her artistry is clear from the outset, and she is a gifted purveyor of emotions through her avatar studies; so much so that one might say that it is the emotional reaction to these images that is more important than any wider context of theme or ideas.
Meanwhile, down in The Womb, the basement exhibition space of the gallery, Moki Yuitza presents The Net, which is perhaps best described as a living piece of art: a gridwork of lines and shapes, some of which are zooming to and fro, a single 3D sculpture at its heart.
Complicated, carrying (perhaps) echoes of The Matrix or maybe Tron, Moki’s piece really should be seen rather than described, so I’ll leave it to you to drop in and see it for yourself.
- DiXmiX Galley (Bay Port, rated: Moderate)