Category: Reviews

Catena et Cavea (literally “chain and coop”, but better translated as “chain and cage”), is a Full region utilising the additional 10K land capacity to present a setting of multiple elements, some of which may not suit all tastes given their adult leanings. Held by Ororeia, who designed it with Kyra Nachtigal, the region is described by them both as:

Our home, and at the same time a big playground for everyone. It’s adult, so please no under-age avatars … Feel free to explore everywhere, but please be respectful if we are at home. If a door opens on touch, you are welcome to enter.

In this instance, “adult” refers to BDSM activities (as some may well guess from the English version of the region’s name). However, the greater portion of this aspect to the region is located underground, and so while there are more visible elements scattered around, they do not interfere with more general exploration / photography. In fact, I’d say viewer / system performance might be a greater cause of issues than anything BDSM related: this is a region with so much packed into it I had to disable shadows, drop draw distance, etc., in order to be able to move comfortably, my viewer was working so hard.

The best way to describe Catena et Cavea’s layout is to note it can be split into some readily-identifiable areas. The south-east corner, for example, comprises a coastal fun fair with some of the rides in a warehouse. Bounded to the east be a ribbon of sand and on the west by a small, rectangular harbour, it almost forms a little headland raised above the sea.

A paved road / path runs up towards the beach from the harbour, separating a second warehouse from the rest of the fun fair. The road forms the landing point for the region (where an information board is available for those wishing to learn more about it – just click for a note card), while the second warehouse has been been converted into  a beach house.

North of here sits a terraced vineyard stepping its way up to a shoulder of the island’s rugged centre. Topped by a cemetery and a summer house and garden space. North of this, the land slopes gently back down towards the coast and a circle of standing stones watched over by further ruins inland. A slender finger of rock also extends outwards from the high parts of the region, pointing out to the north-east and distinguished by a rocky arch under which the beach passes, while the flat top of the rock has been pierced by the tip of a giant sword that stands over the arch as if guarding it.

The sword is one of several artistic statements scattered throughout the region. These include the sculpture of a giant hand sitting close to the sword, and which converted into a seat, and smaller statues marking the footpaths running around the west side of the island.

This side of the region takes the form of an almost region-long plateau running south-to-north, home to a large house that may be a private residence when Ororeia and Kyra are present, so again some caution in exploring might be advised when approaching it. The house shares the space with a summer house at the southern end of the plateau and a large circular arboretum, which together with the gardens and paths, appear to be open to the public.

More houses sit below the plateau to the south. These do not appear to be rentals, but rather available to those wishing to have a little indoor privacy. However, I’m not entirely sure on this, so they are perhaps approached with caution out of respect to how they are being used, if occupied. They are connected to the plateau by a set of steel stairways that ascend the cliffs, passing the entrance to a bar cut back into the upper reach of the cliffs as they do so. This is very much more BDSM-oriented than the visible spaces on the region, and forms the entrance to underground play areas for those interested.

The north side of the uplands running eastwards from the large house, offer a small bar / play area backed by fenced fields for cattle and sheep. Behind this, the region climbs to a peak and a large pavilion area, the path to which lies on the south side of the island, switch backing its way up from the little residential area or via the shoulder with the cemetery. It’s a path that has a secret of its own – the BDSM tunnels are not the only underground element to the region, as the introductory note card indicates. I’m not going to give the secrets away; suffice it to say not all cliff face rock is necessarily just cliff face rock, and you might need to follow the clues in the introductory note card to find your way to the teleport that accesses the caves.

As noted, there is a huge amount going on in the region, rendering wise, and this can really hit performance; with shadows enable I was lucky to get much above 6-8 fps), and even with shadows disabled, there were a number of places in the region were my system was still struggling on single digits. If similarly hit, people might find the region an issue, however, given the photogenic edge to the setting, making allowances for the region’s load might be worthwhile.

SLurl Details

• Catena et Cavea (Catena, rated Adult)

A group design led by Elise Sirnah with LeviCord and Shadeng Krokus, Mimmo is a Homestead region “designed for those interested in photography”. It’s a location we’ve visited a couple of times, although this is the first time I’ve written about it here.

The design of the region has changed between those initial visits and its appearance as seen here. Whether this is a sign it is renewed at regular intervals or not is hard to say: there are now a couple of rental properties within the region that may limit future terraforming efforts (at least in part) if they are retained.

At the time this most recent visit, the region presented a summertime setting with a temperature / tropical feel and a very defined north-south lay to the land. To the north, the land is raised into high hills and a curtain wall of cliffs, beneath which the landing point sits on a broad shelf of rock that is also home to a photographic gallery and information about the region.

This shelf offers a view out over the rest of the region as it drops away to the south, cut in two by a stream flowing south and east from falls that drop to a pool below the north-side cliffs. The stream forms a neat divide between the inland grasslands and the south coast beach.

Both parts of the landscape include numerous points of interest, with the inland area laid out in a way that suggests it is all part of the same property, marked by a Tuscan villa / farmhouse to the east, the ground flowing to the west past a fenced meadow that is home to grazing sheep and goats, to arrive at a small summer house matching the general style of the villa as it looks out over the sea to the the south-west and one of the two rental properties, sitting on a small island.

Reached via two bridges – one of which is little more than felled tree trunks – the beach offers space for music, sitting, music and an open-sided bar to be enjoyed by all.

The above barely scratches the surface of the region’s offerings. Within the circle of ancient stone walls sit an ageing piano, which although old, might still be enjoyed by those seeking a set for photography, the rose-entwined harp alongside it offering a suitable backdrop.  Another ruin that sits alongside the fast-flowing stream, offers another set for photography, partially lit by a portable movie lamp.

In keeping with the region’s photographic theme, a camp cabin towards the north-east and just below the land point rock shelf is set for photo-processing, with the suggestion of reporters being somewhere in the region: a video camera and an interviewer’s microphone are sitting on the worktables alongside the photo developing kit. Beyond it, and tucked into the north-east corner of the region under the lee of the hills, is the second of the two rental properties, iron gates marking the edge of the parcel.

Those seeking a cosy corner in the region might want to direct themselves to the east side behind the villa, where creative use has been made of two sections from the f8f Storyteller’s Burrow to create two sheltered sitting spots linked by a small cobblestone patio, sitting above a narrow ribbon of sandy shale beach.

There is still more to be found within the region, but the above should be enough to whet appetites. Finished with a matching sound scape, the region has a natural flow to its design and layout, and while there are some odd rough edges to the build, Mimmo in no way fails to deliver on the promise of offering a photogenic location.

SLurl Details

• Mimmo (Pomerania Park, rated Adult)

Update, April 2025: Chef des Champs has closed. SLurls have therefore been removed from this article.

It has been some time since I’ve paid a visit to La Clef des Champs (literally, “the key fields”), the region setting by Rose Siabonne. When last I visited, in June 2018, Rose had relocated the setting from a Homestead to a Full region (see: A return to La Clef des Champs).

Part of my reason for not re-visiting is that some time after that last visit, the region appeared to close, and Rose later offered the homestead setting of Hors du Temps (see: An Out of Time experience in Second Life). However, in the latter half of 2019, La Clef des Champs made a return to Second Life (the region details show it as returning in August 2019), and with it, Rose has once again created a photogenic, somewhat Adult-oriented  region – one that was, as the time of my end-of-year visit, still caught in the warmth and colour of summer.

As with past iterations of the region, this is a place where Adult activities are allowed, provided they are kept indoors and do not spill over into the gardens and open spaces of the region. As such, some of the buildings scattered across the landscape particularly given over to adult pursuits (notably the two white, modern houses). However, those who prefer not to witness such things shouldn’t be put off from visiting: there is more than enough to see and do without entering the various houses, and some of the buildings – such as the pavilion on the uplands to the south-east.

This pavilion, as with a number of other points across the region offer echoes of previous Les Clefs des Champs for those familiar with previous builds (in this case the piano), without ever being derivative of past builds.

Water plays a role in the overall design, with the setting split into a primary large island with three smaller isles spaced around it. The largest of these, to the north-west, has a cottage atop it, and while there is no indication the parcel is private, the décor and furnishings with suggest it may well be – so perhaps a little caution should be used when exploring to avoid undue trespass.

Elsewhere, a river cuts through the region, almost splitting it in two has it runs from a set of inland falls and to the east coast. In addition, beaches serve the two white houses, while to the south a bay offers rowing boats and a little café. These help to break up the landscape with places to sit and relax.

There are some rough edges to the design, but nothing that spoils the overall effect of the design, while the centre lowlands offer a pastoral setting, complete with farmhouse (unfurnished) with geese, chickens and goats. Between this farmhouse and the (furnished) Tuscan house set a little back from the river, horses roam the grass.

As ever, La Clef des Champs retains an eye-catching design that offers rich opportunities for photography and appreciation of the outdoors.