Summer at Mimmo in Second Life

Mimmo, July 2021 – click any image for full size

Elise Sirnah is not only an established Second Life photographer, she also has an eye for region design, something she has demonstrated with Mimmo, the Homestead region she co-holds along with Grace Shade (graice2). It’s a place that I’ve visited on a number of occasions, although this is just the second time I’ve blogged it, the first being back in 2019.

I’ve no idea how many times the region’s looks may have changed since then, but July 2021 saw me hop back to take a look. What I found was an interesting setting that brings together mixes of tropical and temperate environments and public and private spaces – the latter placed in such a way that it is relatively easy not to confuse them as part of the public areas – into a single setting.

Mimmo, July 2021

At my last visit, Mimmo had the look and feel of a garden and extended grounds of a Tuscan style villa that occupied one side of the region, the rest of the landscape flowing outwards from it. With this iteration, the region offers far more of an island-like setting, offering numerous discrete point for photography, all of which more-or-less flow together as a continuous whole.

When looked at on the map, the region has an an intriguing look, resembling some kind of vast sea creature basking on the surface of the sea, its head to the north-west, three of its flippers outstretched and a bulbous tail to the south-east. Two of these “fins” are formed by headlands, one stumpy and sandy, the other sinuous and heavy in trees, with the largest of the off-shore islands forming the third, and another of the rentals making the bulbous “tail”.

Mimmo, July 2021

The use of smaller islands as homes for the rental properties helps minimise the risk of accidental trespass, the private spaces they represent only reachable via stepping stones through, and bridges over, the coastal waters. These smaller islands, together with the southern end of the main island give the region that more tropical feel, with sand and palm trees much in evidence. North and east, the rest of the main island is far more temperate in looks.

The north-west of the main island is dominated by a curtain of cliffs together with a large body of fresh water below them. A stream proceeds from the lake, forming a “spine” through the region as it runs south and east to reach the sandy coast and a fallen lighthouse that once overlooked one of the region’s rental isles. Paralleling this stream for part of its course is a rough dirt track, which also circles through the region’s landing point whilst also presenting obvious paths to follow when exploring.

Mimmo, July 2021

The landing point sits within the fenced grounds of a large wooden cottage / farmhouse that looks highly suited to the role of a studio gallery.  It shares it grounds with a small potting shed and old British-style telephone box. This cottage is one of two large structures on the main island, with the second reached by following the track north and west from the landing point and over the single formal bridge spanning the stream (there is also a makeshift bridge made from logs also available further downstream).

The second structure takes the form of a barn – or possibly warehouse, given the paved waterfront it is built upon – conversion sitting on the west side coast of the region. At first glance, this looks like a private residence, but on examination it can be seen this is not the case; rather it presents a cosy home with furnishings and fittings by Grace (that is already giving me ideas about a possible new place on the home island!).

Mimmo, July 2021

Balancing this house to the east of the stream is a gently sloping landscape that sits as something of an extended garden, complete with an old folly, places to sit, sculptures, and a geodesic dome for those who need a little shade from the Sun. More places to sit and past the time can be found throughout the setting: along the coast, or just back from it (or even out on the water), off along the north-east headland with its small hill (note the little island just off this headland is another rental property, not part of the public spaces), and also on the stubby western headland, where a little café sits.

There are some rough edges to the the landscaping – rocks and mesh not fully blended into the terrain so they either float or leave gaps, the odd floating plant, etc., but nothing that serious detracts from the overall photogenic nature of the region, or the opportunities to visit, sit, dance and / or swim. Those wishing to have rez rights can join the local group for a fee of L$150 –  but do please clean up after use! Also, do note that a local chat extender is in use within the region, and can be disabled by using channel /999.

Mimmo, July 2021

SLurl Details

  • Mimmo (Pomerania Park, rated Adult)

Returning to Nostalgia Falls in Second Life

Nostalgia Falls, October 2020 – click any image for full size

Exactly a year ago, we first visited Nostalgia Falls, a Homestead region designed by Noisette Haller. At the time I noted the region was both photogenic and also the kind of place those who prefer Halloween themes that have a lighter touch might also enjoy.

Given it is the first anniversary of that visit (and given the region has a new home), I decided to hop back and have a look around, and was both surprised and please to see that the region offers both a familiar look coupled with more than enough changes to give me a comfortable sense of recognition  whilst also presenting a lot that is new and ready to be discovered.

Nostalgia Falls, October 2020

The sense of familiarity is born from a number of aspects: the region retains a similar L-shape to the one it sported in our first visit, with the north-south arm the home to a railway line hosting the Polar Express steam train by DRD as it sits at a station, a single railcar in tow. However, the landing point is now in the station building rather than on the train.

Across the tracks is a waterfront area complete with a trawler moored on one side – although the growth of reeds around it suggests it may not have seen open waters in some time, given rotating propeller blades would likely cut them down to size – and a carousel sitting on a broad terrace, a wall separating it from the buildings beyond.

Nostalgia Falls, October 2020

One of these houses sits ablaze. Quite why is unclear, but perhaps it is the result of a gas explosion, as appeared to be the case at our last visit. However, this time around, the blaze is given a new twist: the wreck of a 1930’s ear car and the threat of an unexploded bomb amongst the fallen brickwork suggest the house has fallen through time from the period of the Blitz.

Beyond the burning house lies a relatively open space – albeit marked by trees to one side. It is the home of an aged and broken plaza topped by a broken rotunda.Home to a winged angel, the rotunda is being circled by a murder of crows that, together with the aged dead tree next to it, set a darker tone than the angel’s presence would otherwise offer.

Nostalgia Falls, October 2020

An avenue of trees to one side of the rotunda shelters a horse-drawn hearse heading towards the tall, slim form of a 3-storey mortuary that has some strangeness to be found within it, a ghostly figure awaiting the hearse outside. Opposite the tree avenue, steps climb up a short slope to the imposing form of a grand house complete with cemetery behind, suggesting it is a family home of some age – although it and its grounds have clearly seen better days, with the interior of the house in particular a statement in mouldering age  – and more than a little taste of creepiness.

Beyond this ageing house, and also reached via the carousel-bearing waterfront, the land opens out into a brighter, happier setting rich in the colours of autumn. Horses graze here, having doubtless been brought down from the barn that sits up on the flat head of a promontory that – again, like the time we last visited – extends southwards out into the waters surrounding the island.

Nostalgia Falls, October 2020

A sandy track winds out from the barn to drop down to the western finger of the land, where sit three little houses, all cosily furnished and set out with lamps, jack-o’ lanterns, pumpkins and more in readiness for Halloween. Even the crows sitting along the telegraph lines overhead have entered into the spirit of things – although eyes might inevitably be drawn to the the fact that a witch has apparently come to a sudden telegraphic halt whilst testing her broom.

With mist hovering out on the waters between the island and the region surround, and the lightning flickering around the old house accompanied by the rumble of thunder, this iteration of Nostalgia Falls carries a rich sense of atmosphere. However, the open spaces, with their horses, deer and places to dance, together with fine dining on the train (albeit serenaded by a sax playing skeleton!) together with places to sit, Give this iteration of Nostalgia Falls a further touch of romance. And of course, it remains a richly detailed, photogenic region in which to spend time.

Nostalgia Falls, October 2020

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Mimmo’s garden setting in Second Life

Mimmo, December 2019 – click any image for full size

A group design led by Elise Sirnah with LeviCord and Shadeng Krokus, Mimmo is a Homestead region “designed for those interested in photography”. It’s a location we’ve visited a couple of times, although this is the first time I’ve written about it here.

The design of the region has changed between those initial visits and its appearance as seen here. Whether this is a sign it is renewed at regular intervals or not is hard to say: there are now a couple of rental properties within the region that may limit future terraforming efforts (at least in part) if they are retained.

Mimmo, December 2019

At the time this most recent visit, the region presented a summertime setting with a temperature / tropical feel and a very defined north-south lay to the land. To the north, the land is raised into high hills and a curtain wall of cliffs, beneath which the landing point sits on a broad shelf of rock that is also home to a photographic gallery and information about the region.

This shelf offers a view out over the rest of the region as it drops away to the south, cut in two by a stream flowing south and east from falls that drop to a pool below the north-side cliffs. The stream forms a neat divide between the inland grasslands and the south coast beach.

Mimmo, December 2019

Both parts of the landscape include numerous points of interest, with the inland area laid out in a way that suggests it is all part of the same property, marked by a Tuscan villa / farmhouse to the east, the ground flowing to the west past a fenced meadow that is home to grazing sheep and goats, to arrive at a small summer house matching the general style of the villa as it looks out over the sea to the the south-west and one of the two rental properties, sitting on a small island.

Reached via two bridges – one of which is little more than felled tree trunks – the beach offers space for music, sitting, music and an open-sided bar to be enjoyed by all.

Mimmo, December 2019

The above barely scratches the surface of the region’s offerings. Within the circle of ancient stone walls sit an ageing piano, which although old, might still be enjoyed by those seeking a set for photography, the rose-entwined harp alongside it offering a suitable backdrop.  Another ruin that sits alongside the fast-flowing stream, offers another set for photography, partially lit by a portable movie lamp.

In keeping with the region’s photographic theme, a camp cabin towards the north-east and just below the land point rock shelf is set for photo-processing, with the suggestion of reporters being somewhere in the region: a video camera and an interviewer’s microphone are sitting on the worktables alongside the photo developing kit. Beyond it, and tucked into the north-east corner of the region under the lee of the hills, is the second of the two rental properties, iron gates marking the edge of the parcel.

Mimmo, December 2019

Those seeking a cosy corner in the region might want to direct themselves to the east side behind the villa, where creative use has been made of two sections from the f8f Storyteller’s Burrow to create two sheltered sitting spots linked by a small cobblestone patio, sitting above a narrow ribbon of sandy shale beach.

There is still more to be found within the region, but the above should be enough to whet appetites. Finished with a matching sound scape, the region has a natural flow to its design and layout, and while there are some odd rough edges to the build, Mimmo in no way fails to deliver on the promise of offering a photogenic location.

Mimmo, December 2019

SLurl Details

  • Mimmo (Pomerania Park, rated Adult)

A late summer at La Clef des Champs in Second Life

La Clef des Champs, December 2019 – click any image for full size

It has been some time since I’ve paid a visit to La Clef des Champs (literally, “the key fields”), the region setting by Rose Siabonne. When last I visited, in June 2018, Rose had relocated the setting from a Homestead to a Full regions (see: A return to La Clef des Champs).

Part of my reason for not re-visiting is that some time after that last visit, the region appeared to close, and Rose later offered the homestead setting of Hors du Temps (see: An Out of Time experience in Second Life). However, in the latter half of 2019, La Clef des Champs made a return to Second Life (the region details show it as returning in August 2019), and with it,Rose has once again created a photogenic, somewhat Adult-oriented  region – one that was, as the time of my end-of-year visit, still caught in the warmth and colour of summer.

La Clef des Champs, December 2019

As with past iterations of the region, this is a place where Adult activities are allowed, provided they are kept indoors and do not spill over into the gardens and open spaces of the region. As such, some of the buildings scattered across the landscape particularly given over to adult pursuits (notably the two white, modern houses). However, those who prefer not to witness such things shouldn’t be put off from visiting: there is more than enough to see and do without entering the various houses, and some of the buildings – such as the pavilion on the uplands to the south-east.

This pavilion, as with a number of other points across the region offer echoes of previous Les Clefs des Champs for those familiar with previous builds (in this case the piano), without ever being derivative of past builds.

La Clef des Champs, December 2019, December 2019

Water plays a role in the overall design, with the setting split into a primary large island with three smaller isles spaced around it. The largest of these, to the north-west, has a cottage atop it, and while there is no indication the parcel is private, the décor and furnishings with suggest it may well be – so perhaps a little caution should be used when exploring to avoid undue trespass.

Elsewhere, a river cuts through the region, almost splitting it in two has it runs from a set of inland falls and to the east coast. In addition, beaches serve the two white houses, while to the south a bay offers rowing boats and a little café. These help to break up the landscape with places to sit and relax.

La Clef des Champs, December 2019

There are some rough edges to the design, but nothing that spoils the overall effect of the design, while the centre lowlands offer a pastoral setting, complete with farmhouse (unfurnished) with geese, chickens and goats. Between this farmhouse and the (furnished) Tuscan house set a little back from the river, horses roam the grass.

As ever, La Clef des Champs retains an eye-catching design that offers rich opportunities for photography and appreciation of the outdoors.

La Clef des Champs, December 2019

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A corner of England with a twist of Tolkien in Second Life

Greenhouse, December 2019 – click and image for full size

Currently in development, and with a planned “official” opening on December 28th, 2019, is a new development occupying the Blake’s Channel regions of Greenhouse (for so long the home of The Greenhouse, one of the oldest and most striking public spaces within the Blake Sea regions and their surrounds), and the neighbouring Mare Nostrum.

The development is the work of friend and artist, Drwyndwn (pronounced DROO-in-doon) Tyne, aka Drw (“Droo”), undertaken in cooperation with the Greenhouse’s creator, Aislin Keynes – who retains a house within Greenhouse – and with neighbour Transparent Banshee, who owns Foliage to the west, home of his Sky Hye Gallery (see: A Sky Hye art gallery in Second Life) and the Foliage air field.

Green house, December 2019

Greenhouse is built along the lines of an English coastal village; and while slightly idealised in places, it is certainly reflective of places that might be found around the coastline of southern England. There’s a small parish church with an accompanying vicarage, a pub very much in keeping with many a small English pub, a memorial to those the village and its surroundings have lost to the two world wars, and a pleasing mix of architectural styles to the houses and shops.

The homes in the village are available for rent, and form a part of the estates operated by Patrick Leavitt (there’s a rental office within the village). These form a mix of houses, cottages, flats and a narrowboat – with the two largest properties also offering region-sized sky platforms for use by their tenants. All of the landlocked homes come with a slip for mooring at the Greenhouse Marina on the east side of the region.

Greenhouse, December 2019

The north end of the village is marked by a large manor house that also sits alongside the Balboa Canal. I’m not sure if this will be a public building or offered for rent (work was still in progress during our visit), but the lands around the village and the marina are all largely public spaces, as are the streets, shops, church and pub in the village – although obviously the rentals are private.

Facing the village from across the marina is Sawson Park, dedicated to the memory of Chad Sawson, the previous owner of the land, who passed away in 2019. This includes a pavilion, formal garden and open meadows backed by a bubbling brook, on the far side of which is the private home of Aislin Keynes, and more meadow lands that extend into Mare Nostrum – of which more in a moment.

Greenhouse, December 2019

Drw has taken a lot of care to create an environment that is entirely natural in look and feel; the village, marina, park and open spaces are all perfectly integrated to offer a contiguous landscape facing Blake’s Channel, and which is carefully screened from the private islands to the north whilst also blending nicely with the Balboa canal and Banshee’s land to the west.

In particular, the position of the Foliage airstrip means that the village potentially offers an ideal home for those who enjoy both sailing and flying – they can make use of a slip at the marina for their boat(s) and hop across to Foliage to rez a ‘plane or helicopter for flying. In this respect, and region boundaries allowing, I wonder if an arched bridge between Greenhouse and Foliage might not be worth considering?

Greenhouse, December 2019

But what of the Tolkien reference in the title of this piece? Well, that brings us to Mare Nostrum. To reach it, take the path through the village from the landing point I’ve given, going first west towards the church, then turning north towards the manor house. You’ll come to a crossroads, the east running path of which is pointed to by a sign indicating the way to Mare Nostrum. This will take you up by path, bridge and stair up into the halls backing both Greenhouse and Mare Nostrum and the woods of En’ Duin Forest (not sure of the derivation here, other that duin is both Sindarin and Quenyan (duinë) for “river” – so (forest) of the river?). Here you’ll come across a twisted trunk of a tree forming an arch over the path, and a sign: Warning. You are about to enter someone else’s dream.

The warning might sound foreboding, but don’t take it to heart. Follow the path on and upwards, and I guarantee that the sight you’ll see will be comparable to the wonder Bilbo Baggins felt on first seeing Imladris, the home of Elrond Half-Elven.

En’ Duin Forest, December 2019

Perched on high cliffs that fall away sharply to the lands and waters below and over which water tumbles in slender curtains, is one of the most Tolkien-esque settings I’ve come across in Second Life. Like Elrond’s Last Homely House East of the Sea, it is both welcoming and yet clearly screened from both land and water to present a hidden realm. Within its buildings, works of men and elves are blended to offer a unique setting, and Tolkien’s writings are given due homage through art on the walls, while the natural gardens and greenswards between the trees give one room to breathe and feel renewed.

Below these high houses is a natural bay, bordered on its western side by a long stone pier. Looking down on it, it is not hard to imagine one of Círdan’s great ships slipping into the bay to moor here, thus linking En’ Duin to Beleriand as well as to Imladris. A graceful bridge connects this pier with a path that runs around an old smithy, now converted for ale and wines (a vineyard lies close by) and which feels almost Hobbitish despite its size, and thence up the hills to join with that leading up to the hillside houses.

En’ Druin Forest, December 2019

Taken as a whole, Drw’s work at Greenhouse and Mare Nostrum is simply gorgeous – and available to everyone to enjoy (just please respect the privacy of those renting in the village!). There is a huge amount to be seen and aprreciated within both regions, as I hope I’ve indicated here, and the En’ Druin Forest offers plenty of scope for fantasy photography. Kudos to both Drw and Patrick for the development of the regions, and for wanting to make them as publicly accessible as possible.

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Lambie in Second Life

Lambie, December 2019 – click any image for full size

Update, December 29th: Lambie has closed!

Lambie is a new Homestead region design by marinestella that offers something of an escape from the deep snows of winter, with a minimalism that – at the time of our visit – was still so new it was still being worked on, so details may have changed a little between what you see on a visit and what is noted here.

The simple aesthetic of the design in some ways offers a distant echo of one of SL’s popular and missed regions: Roche, in its original form (see this article from 2012 and this one from 2015); although this echo is purely coincidental, rather than anything deliberate.

Lambie, December 2019

This echo comes from the lay of the land: the large central lake surrounded by a path running around it bordered here and there by buildings. However, It is only in this similarity of the design that the echo of Roche can be found; for the rest, Lambie is its own design.

Sitting between the path, with its smattering of snow, and the lake is a ring of denuded trees, their lack of leaves and the colour of the water pointing to this being something of cold place, if not one caught in the depths of winter. The trees are broken in four places by broad gaps that sit almost like the cardinal points of a compass to allow unhampered access to the waters of the lake.

Lambie, December 2019

The buildings around the ring of the island comprise a little farm hut, an open-sided barn and outhouse and a bus stop shelter. To the east of the island is a small, time-worn beach, little more than a ribbon, the fence-like line of concrete flood barriers separating it from the rest of the landscape (other than for a single gap), while just offshore stand the remains of overhead power cable pylons. These are mirrored on the west side of the region by more broken pylons, the positioning of each set suggesting the land once extended much further outwards than is now the case.

The overall setting is both suggestive of cold air and passing gusts of light snow, and also of warm times and sunlit opportunities for photography. It’s the kind of place that encourages people to cuddle up to share one another’s warmth – or perhaps share a warming drink of hot chocolate or similar.

Lambie, December 2019

There’s also a feeling of age to the setting: the building look careworn, the grass and trees have a sense of being long used to the changing seasons, while the lake offers its own detritus to match the broken outlying pylons: a Ferris wheel car long separated from its wheel, an old pier with a broken section that lies canted and partially sunk a few meters away.

Lambie does suffer from some issues in its design: the track around the island doesn’t feel like a natural part of the landscape and has physics disabled, causing visitors to sink into it for example. However, finished with a subtle sound scape and with a smattering of sea birds wheeling in the sky, this is a region that is easy on the viewer as well as on the eye. For those in the mood, a pedal boat rezzer is available on the west side of the island for trips around it.

SLurl Details

  • Lambie (Miranda, rated Moderate)