The Phoenix Artists Collaboration in Second Life

The Phoenix Artists Collaboration: Vroum Short

Officially opening on Wednesday, January 8th, 2020, is a new ensemble exhibition at The Phoenix Artists Collaboration (PAC), featuring individual art displays by some 42 artists – making it quite the stop for any lovers of art from both the physical world and the virtual, with the exhibition area offering additional spaces for exhibitions and events.

We share a simple dream and goal, to support and display artists work, so they may flourish and encourage others to do the same, Along this path we hope to make life long friends that form a collaboration to support each other and encourage us all to be the best we can.

– from the Phoenix Artists Collaboration group description

The Phoenix Artists Collaboration: Flamered

Those participating in the exhibition are: Dhyzel, Flamered, Giselleseeker, Lampithaler, Lyric, PatrickofIreland, Ragingbellls, ViktorSavior, Akim Alonzo, Tara Aers, Michiel Bechir, Klaus Bereznyak, Sisi Biedermann, Sheba Blitz, Zia Branner, Ilyra Chardin, Rage Darkstone, Slatan Dryke, Sophie Dunn, Elin Egoyan, Anders Franizzi, Eta Goldsmith, Pearl Grey, Layachi Ihnen, Mcpol Kamachi, Moora McMillan, Mistero Hifeng, Kayly Ilali, Moya Janus, Anibrm Jung (PAC curator), Silas Merlin, JolieElle Parfort, Melusina Parkin, Tom Prospero, Vroum Short, Ambre Singh, Sisi Singh, Tim Timaru, Maloe Vansant, Talullah Winterwolf, Cullum Writer, and yours truly.

The artists have all either been allocated space on the upper floor of the Concourse landing point, or in one of the surrounding suites. The latter are arranged in a 2-level square to provide a total of 36 gallery spaces, some of which are shared between two artists.

Phoenix Artists Collaboration: Mistero Hifeng

To facilitate easier location of individual artists, the lower floor of the Concourse building includes teleport portraits of all the artists displaying their work; just touch one to go to their gallery suite. Casual browsing of the individual suites can be achieved by stepping outside and wandering the streets (the upper and lower levels of which are connected via a spiral stairway in the south-east corner of the square) and dropping into any that catch your eye.

Given the number of artists participating in the exhibition, the breadth of art on offer is as broad as it can possibly get: Second Life landscapes, physical world art (mandalas, abstracts, digital media, paintings, drawings), themed avatar studies, Second Life vehicles, 3D pieces, reflections on SL art installations, images and words, and more.

Phoenix Artists Collaboration: Cullum Writer

Many of the pieces displayed are offered for sale, presenting an excellent opportunity for adding to collections, while (again) the number of artists exhibiting means there are opportunities to catch up with some well-known names and perhaps discover the work of some you may not have previously come across.

When visiting PAC, note that the teleport mat at the landing point provides access to further PAC spaces, not all of which may be in use at a given time (such as the events area). Chief among these is the PAC 3D Gallery, which at the time of writing featured Dressing the Decades, an “historical fashion outfits expo”, with paintings by ViktorSavior (and lists photo by Richard de Grataine Suoh and words by Alena Pit, although only Viktor’s painting were on display at the time of my visit).

Phoenix Artists Collaboration: Yours Truly

The core event at PAC officially opens between 12:00 noon and 14:00 SLT on Wednesday, January 8th, 2020.

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Time at Valium Creek in Second Life

Valium Creek, January 2020 – click any image for full size

We recently received an invitation from Vallys Lavender to visit Valium Creek, her latest region offering a mix of public spaces and rental homes, and which follows on from [Valium] (read more here). It has been designed for Vallys by Jacky Macpherson (of NorderNey fame), with assistance from Vallys and Terry Fotherington.

The public areas of the region are located to the north and east side, with the residential properties to the west and south, the latter separated from the public areas by a set of railway tracks. The landing point is to the west of the public area, close to the centre of the region, in what appears to be the remnants of a once large stone building, now reduced to flagstones spread across the grass and the stonework from the walls reused to form drystone walls.

Valium Creek, January 2020

Up a short set of steps is an open-air movie theatre complete with barbecue, and beyond that, more flagstones amidst the grass that offer access to to a shingle beach, a wooden chapel, a public seating area and the local bar. The shingle also runs around an old fishing hut and deck, both of which have both seen far better days.

It’s an eclectic mix of a setting, suggestive of a place of great age then has since been built over but even then, has seen better days. It’s a design that works exceptionally well, offering a memory of the original [Valium] – enhanced by one or two items hat featured in that build, for those who remember it (such as the old rowing boat) – whilst presenting a wholly new environment that is rich in detail.

Valium Creek, January 2020

The west side of the region comprises open woodland, rich in fir trees and cut by slow-moving rivers, the banks of which are occupied by ranch-style houses, while away from the rivers are cabins also available for rent. Most of the homes are reasonably separated from its neighbours to offer privacy. The entire layout is suggestive of a untamed setting – lived-in, yes, but still untamed: deer graze at the waterside, birds can be heard in the trees, and while there are no beavers or otter to be seen, there is a sense that if you look around quickly enough, you might just catch sight of them.

Valium Creek donates each month to The Nature Conservancy, an international organization dedicated to preserving our natural surroundings.  A portion of the Valium group join fees are donated. During 2019, Valium Creek donated the equivalent of L$80,000 and our 2020 increase to $35.00 per month will give an additional L$105,000. 

– Vallys Lavender, on continuing the charitable work
she started with [Valium]

Valium Creek, January 2020

Unlike [Valium], this new design doesn’t sit alone. To the north, and reached via a bridge, is Valium Creek Park, also held by Vallys. In some ways this continues elements found in Valium Creek – the fir trees, the railway lines – even the bridge connecting the two regions. However, Valium Creek Park is also very different.

Entirely open to the public, half the region forms an art park operated by Vallys and which will shortly be opening its first exhibition, featuring the work of Mistero Hifeng. It also encompasses a series of event spaces – a chapel set for weddings, a café, and a bar. At its western extreme, the park is dominated by a house and pond that between them mark the point of access to the rest of the region, offered through a stone arch.

Valium Creek, January 2020

The arch offers the way to two bars occupying the north side of the region. The first is Bardeco, operated by Terry Fotherington and Bridget Genna, and which has featured in the Kekeland design (see here and here for more). East of this sits Bar Relax, the work of Bridget, together with NightAttack Guardian and Lillynot Jinx.

The setting for the latter is perhaps more homely than for the former; and whilst I cannot be sure, it felt as if the land around Bardeco was perhaps still in development, denuded of trees or other flora as it was during our visit. Both of the bars share a commonality, and not just in terms of those involved in building them: they each have a local camp site, for example, while one has a small circular inlet that almost resembles a fishing hole, mirrored by the other having an actual pond.

Valium Creek, January 2020

For those seeking a new home in Second Life, Valium Creek is every bit as a attractive as [Valium] was, while the park with its arts area and three bars may offer a further attraction for those who appreciate attending events. As noted, the region on which the park sits had, at the time of our visits, something of an “unfinished” feel to it – so you might well find some additional elements when visiting. However, and make no mistake, Valium Creek is marvellously photogenic and makes for an excellent visit.

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Edie Horngold at DiXmiX in Second Life

DiXmiX Gallery: Edie Horngold

Calling Out For You is the title of Edie Horngold’s exhibition at DiXmiX gallery. Located on the gallery’s White hall mezzanine and running through until early February 2020, this is an intriguing series of avatar studies, each of which is intended to frame a story, rather than representing an avatar through portrait or action.

Quite what the story might be is entirely down to those who visit – hence the title for the exhibition – as each image in this selection is highly personal in interpretation. All but one of the images deliberately avoid including the full face of their subject (Edie herself), a move that helps to settle those viewing them into a wider consideration of the narrative framed within each image, rather than being focused purely on looks and expression.

A further aspect to the story elements of the pieces comes through the use of colour, with most of the pieces offered as monochrome pieces. Where colour is used, it is generally not only minimalised, it is often offered through softer tones, allowing it to form a part of the overall narrative without distracting from it by causing the eye to unduly focus on individual parts of the image.

DiXmiX Gallery: Edie Horngold

Take Hisssteria, for example. Here the broader monochrome aspect of the piece is “broken” through the reflective sheen afforded the leather suit, while the use of a flesh tone of the arm blends, rather than clashes, with the more alabaster tone to the exposed flesh elsewhere whilst also offering a suggestion of sinuosity in keeping with with the snake (also offered in softer tones), thus helping the eye and mind to focus more on the relationship between figure and reptile.

A contrast to this approach is Hand With Cigarette. Here the use of colour is richer – the green of the dress deliberately contrasting with the paler flesh and the black background. This helps draw the eye to the red nails, the tempting partial exposure of nipples and the languid hand with the cigarette between relaxed fingers. All combine to imply seduction, the dress and poised hand at the side enhancing the potential for story through the suggestion of a femme fatale.

DiXmiX Gallery: Edie Horngold

It is these hints and echoes that make many of the pieces so intriguing. They draw one into each picture, teasing the imagination, presenting both evocative and provocative lines of narrative; mysteries, if you will, in which the solution is unique to each of us.

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A Walk in the Darkness in Second Life

Terrygold – Carla: Walk in the Darkness

Substance abuse – be it “hard” or “soft” drugs, misuse of prescription drugs or over-indulgence in alcohol, to name but some of its forms – can be a difficult subject to represent. It can come about due to a variety of means and reasons, often with the person or persons caught in the cycle either trying to hide their dependency or deny it. Circumstance often plays a role in misuse, and that circumstance can vary widely.

With her latest installation, Carla, Walk in the Darkness, Terrygold attempts to weave a story of how substance abuse can grow out of the simplest of situations: peer pressure coupled with parental pressure.

Terrygold – Carla: Walk in the Darkness

Though a series of written chapters presented in text, interlinked by a series of 3D vignettes and photographs, the installation traces the story of Carla, a young teenage girl who is apparently content with her lot: school and studying to be a dancer – until she runs into some of her peers into smoking some cannabis.

From this seemingly innocent start, Carla’s life spirals – kicking back and just enjoying the heightened mood associated with cannabis, then skipping dance lessons and rebelling against her family’s concern / pressure that gives her a need to seek “freedom”, which itself is a further opening of the Pandora’s box of needing to recapture the comfort and escape of that first high through every more damaging ways – damaging to both herself and members of her family.

The story is set out in a series of descending rooms, starting from the uppermost, where a general introduction to the installation can be found, together with information on how best to view the installation. Spiralling downwards, each room offers a piece of the story, the physical descent from room to room clearly a metaphor for the descent into the darkness of substance abuse / dependency. Following the path down can be a little difficult in places, – so just cam around if you feel your are stuck; there are clues in places – green triangles on the floor or roses spread across them.

It is ultimately a dark tale that does not end happily – as one might expect – and the ending is made that much starker because after it, we get to see what might have happened if, instead of succumbing to a need to be accepted by peers, Carla had uttered a simple word.

Overall, the story is well told; the words of the story have in places obviously been carefully chosen to have maximum impact, and the individual vignettes (some of which may have interactive elements, so be sure to mouse around them rather than simply passing through) emphasise the key points of the tale. That said, there is a risk some might find the story a little too artificial in structure (long has been the debate around whether medicinal use of some drugs can lead to a need / dependency on them or carry a person into the realm “hard” drug abuse). However, as I’ve noted, this isn’t a subject that is easy to represent or broach; as such some license in the structure and outcome should be allowed.

Terrygold – Carla: Walk in the Darkness

Carla: Walk in the Darkness officially opens at 13:00 SLT on Saturday, January 4th, 2020.

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Aradia’s Winter in Second Life

Aradia’s Winter, January 2020 – click any image for full size

Update, January 12th: Aradia has now been re-dressed for spring.

Aradia is a Homestead region designed by LadyOnia that offers a mix of public spaces and rentals for those seeking a home. We first visited in November 2019, not long after the the region had opened, and when it was dressed for autumn. I jumped back with the start of the new year to take a look at it under winter’s blanket.

The landing point sits to the west of the region, above a broad spread of beach – although given the snow and the winds, it might take a very brave soul to take a dip in the waters or attempt any sunbathing on the sands! The rest of this predominantly low-lying region spreads out eastwards, cut by channels of water that serve to break it up such that exploration is a case of findings ways across the water (and even then, once or twice a little wading might be required!).

Aradia’s Winter, January 2020

I say “predominantly low-lying”, because the north-eastern corner of the region is raised slightly above the rest to form a circular table of land on which the rental properties are located. This looks across the region to where the land unmistakable bulks up in a rocky hill to the south-west.

The rentals are clearly separated from the “public” parts of the region, with just a single point of access by foot to their round plateau. Five cottages and a lighthouse form a ring around the outer extent of their rocky table, the centre of which forms an open space marked by ancient stonework built around a water feature.

Aradia’s Winter, January 2020

Rental information on the properties is available at the information board located on the steps that form the access point for the rentals, spaning the channel separating them from the rest of the region. However, I understand from LadyOnia that she is currently using two of the properties, leaving just four with rental options. Wildlife is very much a feature of the region: herons and egrets keep an eye on the waterways, doubtless watching for unwary fish, although they may face some competition for fishy meals from the otters floating on the water or playing nearby.

Away from the waters, peacocks strut around the territories they’ve claimed for themselves, while rabbits and deer take a more relaxed view of things, content to hop through the snow or graze on the grasses poking up through its blanket. Weasels are also to be found as they scurry through the snow, while sheep and goats can be found at various points, with the sheep laying claim to the ring of standing stones to the north-west.

Aradia’s Winter, January 2020

For those fancying a bit of a climb, the south-eastern hill can be reached via log bridges and a rocky arch, the climb made easier by the stone steps winding up its flanks. The hill’s lower shoulder is broad enough to be home to a large frozen pond, a little café raised to one side of it. The latter offers a place to sit and rest and perhaps enjoy a hot cocoa before carrying on up to the peak, while a sign at the edge of the pond will deliver skates for anyone wanting to make use of the ice as a rink.

The central and eastern lowlands offer open spaces and various features of their own – some of which may be changing a the next few weeks as they are decidedly Christmas oriented, and LadyOnia noted to me that she’s looking to introduce a spring setting to the region in the not-too-distant future. Much of these lower areas are marked by trees with trunks bent so they stand as if crouched against an unrelenting wind. Places to sit and cuddle can be found under some of them, with more places of to to be found scattered around, from simple benches to a giant stone-carved hand to winter’s crescent Moon swing.

Aradia’s Winter, January 2020

One of the pleasing aspects of this region – for me, at least – is that the volume of snow didn’t impact my system’s performance as much as it has elsewhere. However, it does combine well with the region’s windlight to add a natural softening to the landscape as one looks across the region, just as now does in the natural world.

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JanitaEduarda Arado at La Galerie D’angle

La Galerie D’angle: JanitaEduarda Arado

Currently open – for a while longer at least, given it commenced at the end of October 2019! – at La Galerie D’angle, curated by Mary Zimmer, is an exhibition by JanitaEduarda Arado.

I confess that I’m not aware of being that familiar with JanitaEduarda’s work, but will say that this exhibition is a superb introduction. Comprising some 40 images, the pieces presented in it cover landscape, avatar and self-studies that are diverse and eye-catching. Throughout all of them as a rich understanding of colour, tone, depth of field / focus and – as is always important for me – narrative.

La Galerie D’angle: JanitaEduarda Arado

The latter are particularly strong in the self-studies spaced throughout the exhibition, where the suggestion of a broader story – or a layering of stories is offered. Take When the Last Sound has Faded, for example. This predominantly monochrome piece has several tales to tell, from a suggestion of a love of music, through the emotional power of music to the tale of a love now past and the loneliness / regret that follows – or, conversely, in the peace and solitude that a release from a relationship brings.

Sometimes the stories are more indirect. Take Stillness of the Mind. Here the idea of piece may initially be suggested through the use of soft focus that rendered the figure in the background as blurred, suggestive of someone lost in thought. However, the same depth of field brings the milk urn on the kitchen table into sharp focus, and with it the idea of liquid at rest, undisturbed, still – and so we have a metaphor for a mind at rest.

La Galerie D’angle: JanitaEduarda Arado

Once again, this is a superb exhibition for this gallery, featuring an artist whose pieces invite the imagination to take flight. Not to be missed before it closes.

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