2022 SUG meetings week #34 summary

MarDayLine Pylons, July 2022 – blog post

The following notes were taken from the Tuesday, August 23rd, 2022 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.

Server Deployments

For the most up-to-date information, please refer to the deployment forum thread.

  • On Tuesday, August 23rd, the simhosts on the Main SLS channel were updated with simulator version 574216. This includes the new LSL functions:
    • llReplaceEnvironment() – a scripted means to replace the environment in a parcel or a region, either for a single elevation track or the entire environment.
    • llSetEnvironment() – a scripted function to override the environmental settings for a region or a parcel. The owner of the script must have permission to modify the environment on the parcel or be an estate manager to change the entire region.
  • On Wednesday, August 24th, all simhost on the TC channel will be restarted without any deployment, leaving the also on simulator version 574216.

Available Official Viewers

On Monday, August 22nd, the Mesh Optimiser and Copy / Paste project viewers were both finally withdraw from the Alternate viewers download page, leaving the available official viewers as:

  • Release viewer: version – formerly the Maintenance 2 RC viewer, dated August 1, promoted August 4 – no change.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself).
    • Profiles RC viewer updated to version, on August 18<.
    • Maintenance P (Preferences, Position and Paste) RC viewer version issued August 15.
    • Izarra Maintenance RC, version, August 15.
    • Maintenance (N)omayo RC viewer, version, August 5.
  • Project viewers:
    • Love Me Render (LMR) 6 graphics improvements project viewer, July 21.
    • Performance Floater project viewer, version, May 10.

In Brief

HTTP discussion: a fair amount of the meeting was given over to HTTP which touched upon:

  • HTTP/2 multiplexing / pipelining (to replace the current HTTP 1.1 pipelining (which in turn touched upon TLS updates and Curl version updates) – in short, something the Lab is looking towards, but not on the immediate horizon.
  • The potential to obtain headers from an HTTP response using llGetHTTPHeader, which itself incorporated discussions of requirements, risk in exposing SL to returns of strings with uncontrolled lengths such that a verbose web site might cause a LSL stack overflow,
  • I’m actually hardly the best place to relay the ins and outs of the discussions, so I’ll refer you to the video for more.

Moki Yuitza’s Illusory Frameworks Second Life

Kondor Art Square, August 2022: Moki Yuitza – Illusory Frameworks

Now open at the Kondor Art Square – a part of the Kondor Art Centre, owned and operated by Hermes Kondor – is Illusory Frameworks, an exhibition of 2D art by Moki Yuitza.

Having entered Second Life in 2008, Moki was immediately drawn to the endless creative possibilities inherent within the platform. Starting with the basics of building, she moved on to master the use of lighting, projectors, SL physics, opting to focus on the use of prims – which are in many respects more “organic” than mesh, simply because they can be manipulated, changed, re-shaped in an almost tangible manner. The result of all this effort has been some of SL’s most remarkable 3D installations such as Hypercube, Synapses, and Cells, all of which have been both visually engaging whilst offering the opportunity to explore multiple themes  – reality dreams, growth, change, geometry and more – some of which I’ve covered in these pages.

Kondor Art Square, August 2022: Moki Yuitza – Illusory Frameworks

Moki is also very much adept with 2D art. Much of her work within her Flickr stream focuses incredible avatar studies; pieces in which she brings to bear all of her vision, and skill with lighting, form, colour and narrative. However, Moki’s 2D extends much further, exploring many of the ideas and themes found within her 3D art – as with the likes of her Mindscapes exhibition at Nitroglobus earlier this year.

Within Illusory Frameworks – which is, as noted, an exhibition of 2D pieces – she combines her love of form, architecture and building with her thoughts on matters of life, reality, and the world to present a most engaging series of images that celebrates locations across Second Life whilst also offering the opportunity to take a deeper thought journey into the nature of SL – and, potential of our modern society.

Kondor Art Square, August 2022: Moki Yuitza – Illusory Frameworks

The 20 images presented within the square all feature locations from around Second Life, with each piece either overlaid with a subtle grid-like pattern, leaving the primary image visible but intentionally blurred, or post-processed to present a sense that it is entirely lattice-like in nature, reduces to a complex geometry of lines and bright concentrations of light.

Offered against black backgrounds and in more muted tones – noticeably teals, white and greys – these latter might initially put one in mind of something like Disney’s Tron Legacy, and this would not be entirely incorrect. Some of the underpinning terms within both Tron and Second Life – whilst not necessarily originating with either – are the same: the grid, rezzing, etc. Within both, all constructs are only made possible only thanks to an underpinning framework of intersecting lines, a wireframe, if you will. Thus through the lines and patterns in her art, Moki reminds us of this hidden fact: that all we see is an illusion of form, one built from a simple guiding framework (one you can bring forth, if you are so minded, through the use of CTRL-SHIFT-R and then hid once more in the same manner).

Kondor Art Square, August 2022: Moki Yuitza – Illusory Frameworks

More than this, however, is the reminder that even that framework itself is illusory, it exists only as long as there is power running through the circuitry managing the algorithms and computations need to keep it alive. And in this, perhaps is a deeper reflection of life and civilisation as a whole: that all of society is itself bound by an invisible framework of “laws” and “norms” which are themselves utterly illusory, holding true only so long as we allow them to do so.

Whether you opt to view Moki’s work through the lens of these deeper interpretations or simply as works of experimental art, Illusory Framework is an engaging visual feast.

 SLurl Details