Space Sunday: of exoplanets and naming Charon’s features

Transiting Exoplanet Survey Satellite (TESS) – due to hunt for exoplanets potentially orbiting hundreds of thousands of stars around us. Credit: NASA’s Goddard Space Flight Center/CI Lab

On Monday, April 16th, 2018, after being delayed from a planned December 2017 lift-off, the launch window opens for NASA’s Transiting Exoplanet Survey Satellite (TESS).

As its name implies, TESS is designed to seek out exoplanets using the transit method of observation – looking for dips in the brightness of stars which might indicate the passage of an orbiting planet between the star and the telescope. Once in its assigned orbit and operational, TESS will work alongside the Kepler space observatory – now sadly nearing the end of its operational life and eventually the James Webb Space Telescope – in seeking worlds beyond our own solar system.

Roughly the size of an upright ridge/freezer combination, the 356 kg (800 lb) TESS is due to be launched on its way atop a SpaceX Falcon 9 booster from Launch Complex 40 at Canaveral Air Force Station, Florida, on April 16th, 2018, in a launch window that opens at 18:32  EDT (22:32 UT).  The rocket – sans it’s payload – underwent a static rocket motor test on Wednesday, April 9th, prior to it being returned to the launch preparation facility, where the Payload system and fairings containing TESS were mated to it in readiness for the launch. As well as launching TESS, SpaceX plan to recover the Falcon 9’s first stage.

The diminutive TESS satellite being enclosed in the Falcon 9 payload fairing at NASA’s Payload Hazardous Servicing Facility at Kennedy Space Centre prior to transfer to Canaveral Air Force Station for mating with the launch booster. Credit: NASA

Once on its way, Tess will take 60 days to reach its unique orbit, a “2:1 lunar resonant orbit“, which will allow the craft to remain balanced within the gravitational effects of the Moon and Earth, thus providing a stable orbital regime which should last for decades. In addition, the orbit means that TESS will be able to survey both the northern and southern hemispheres.

During this initial 60-period, scientists and engineers will spend the first week re-establishing contact with TESS and confirming its operational status as its instruments are cameras are powered-up. The instruments will then go through an extended commissioning and calibration phase, as engineers monitor the satellite’s trajectory and performance. After that, TESS will begin to collect and downlink images of the sky.

While Kepler has so far found the most exoplanets in our galaxy, it has done so by surveying relatively small arcs of the space visible to it. TESS, however, will do things differently. It will scan the galaxy in hundreds of light-years in all directions, a sphere of space containing some 20 million stars, paying particular attention to the brightest stars around us in the hope of detecting planetary bodies in orbiting them.

Left: The combined field of view of the four TESS cameras. Middle: Division of the celestial sphere into 26 observation sectors (13 per hemisphere). Right: Duration of observations on the celestial sphere. The dashed black circle enclosing the ecliptic pole shows the region which JWST will be able to observe at any time. Credit: NASA Goddard Spaceflight Centre

This will be achieved by dividing space into 26 individual “tiles”, allowing the four imaging systems on the craft to repeatedly observe a “strip” of four tiles at a time for a minimum of 27 days each (and parts of some for up to a year at a time) before moving to the next strip, working its way around the sky. In this way, it is estimated TESS will be able to survey up to 200,000 stars in both the northern and southern hemispheres over multiple years.

Amid this extrasolar bounty, the TESS science team aims to measure the masses of at least 50 small planets whose radii are less than four times that of Earth. Many of TESS’s planets should be close enough to our own that, once they are identified by TESS, scientists can zoom in on them using other telescopes, to detect atmospheres, characterize atmospheric conditions, and even look for signs of habitability.

In this latter regard, TESS will pave the way for detailed studies of candidate exoplanets by the James Webb Space Telescope (JWST), now scheduled for launch in 2020. While TESS cannot look for atmospheric or other signs of life on the distant worlds it locates, JWST will be able to do just that. So, even as we prepare to say a sad goodbye to Kepler, the hunt of exoplanets is actually just hotting up.

Continue reading “Space Sunday: of exoplanets and naming Charon’s features”

Fantasy Faire 2018: previewing the LitFest

via Fantasy Faire

On Thursday, April 19th, Fantasy Faire will open for 2018, and run through until Sunday, April 29th. Through the event, there will be a lot to see and do – as there always is at Fantasy Faire – including the fourth annual Literary Festival (LitFest).

Lying deep within the Fairelands lies the home of the LitFest, a special place where the magic of the spoken word will weave tales of wonder, relate stories of great adventure and daring; where talks by authors, discussions, creative writing sessions and performances will all take place. For 2018, the event is headlined by two fantasy authors, both of whom hail from the UK:

  • Tom Lloyd, novelist and  author of the five-book series Twilight Reign.  He’ll be attending the LitFest on Thursday, April 24th.
  • Danie Ware, perhaps most noted for her Ecko series. She’ll be attending the LitFest on Thursday, April 26th.

Both will be in conversation with David Abbott.

In addition, there will be stories and discussions with a host of writers who have particular relationships with Second Life. This year the festival will again be emphasising creation, as a number of the leaders of creative writing groups in Second Life bring their regular events to the Faire, and welcome newcomers who want to join in with such events.

There will also be a special daily story and poetry writing challenge. Every day, those at the festival will be invited to put their Fantasy Faire experience into words.  The Faire is brimming with stories: breathtaking builds and fantastical creations designed to touch your heart and soul.  What stories do they inspire in you?

Details of all the LitFest events will be posted in the LitFest schedule in the next few days.

Singing A Song of Ice And Fire

Each LitFest features the works of a particular author. In 2015, it was Terry Pratchett, who sadly passed away just before the event. In 2016, and to mark the 400th anniversary of his death, the LitFest featured William Shakespeare. In 2017, the LitFest honoured the life and works of John Ronald Reuel Tolkien.

For 2018, the life and works of novelist and short-story George Raymond Richard Martin, the power behind A Song of Ice and Fire, also known as Game of Thrones. Martin’s work will be celebrated on Wednesday, April 25th, 2018 with a series of events.

  • 09:30–10:30 SLT: The World of Ice and Fire – Freyja Nemeth & Ran Garrigus: Linda Antonsson and Elio M. García are the owners of Westeros.org, the oldest A Song of Ice and Fire fan site. They are also the co-authors of The World of Ice and Fire with George R.R. Martin.
  • 11:00–13:00 SLT: Game of Thrones Party with DJ Vasa Vella.
  • 19:00–20:00 SlT: A Selected View – George R.R. Martin with Seanchai Library: Aoife Lorefield presents a different glimpse of the popular author, beyond the fire and ice, to other selected works, presented live in voice.

LitFest Tours

The popular Fantasy Faire LitFest Tours will once again be taking place, leaving daily from the LitFest home base on Halls of Story to explore the Fairelands and seeking the stories they have to tell as well as their special secret places and details. Each tour will be guided and accompanied by music, as some of the Faire’s best loved DJs offer selections of music, especially chosen for each of the regions visited.

The Tours for 2018 will be as follows (all commence at 17:00 SLT unless otherwise indicated):

Thursday, April 19th
Region 1 – Erstwile
Friday, April 20th
Region 2 – The Willows of Nienna
Saturday, April 21st
Region 3 – The Bazaar Dungeon
Sunday, April 22nd
Region 4 – Sanoria
Monday, April 23rd
Region 5 – Tiny Town
Tuesday, April 24th
Region 6 – Athenaeum Arcana
Wednesday, April 25th
Region 7 – Falls of Hope
Thursday, April 26th
Region 8 – Pools of Ethuil
Friday, April 27th
Region 9 – Severina
Saturday, April 28th
12:00 noon Region 10 – Aetherea

Keep up with all the news and information on the LitFFest and Fantasy Faire through the Fantasy Faire website.

Bringing Fallingwater to Isla Pey

A modified Fallingwater at Isla Pey

As friends know, I have something of an obsession with Fallingwater, the rural south-western Pennsylvania house designed by architect Frank Lloyd Wright in 1935 for Edgar J. Kaufmann, Sr. and his family. For several years I worked on a reproduction here in Second Life. I’m not the first to do so – although while most tend to only focus on the “main” house, I opted to try for the whole thing: house, guest house, servant’s quarters and garages. Unfortunately, it’s the kind of build that requires a region in size to properly lay out, so since 2015, when it last appeared as the setting for an art display, it has tended to sit in its rezzing system in my inventory.

However, I recently suggested to Caitlyn that given the lie of our island home, it might be interesting to build a house that is built against one of the cliffs, rather than on top of it. Problem was: what style of house? The Internet offered plenty of images that might serve as inspiration, but in the end I came back to Fallingwater. There was no way the entire house would fit on our island, but I wondered if the main house could be made to fit – if not as a “cliff house”, then at least as a house built out over the water.

I’ve taken a few liberties in removing the upper floor, the scullery and shortening both terrace wings, but overall, the house retains its distinctive shape

Turns out, it could – with a little modification.

Fallingwater is a big house – far too big for just two of us, and a little bigger than makes for a comfortable fit with the island. To make it more manageable, I removed the upper floor bedrooms, reducing the overall height, and shortened the two wing terraces,  dropping the height of one just a little. The back of the house needed a little re-working – a new “front door” on the ground level, the removal of the bridge spanning the driveway in the real house, and slight alterations to allow the house form one side of the island’s pond.

The Great Room is a big space to fill.. and yet, once you get started, it isn’t…

What particularly got me to use Fallingwater  – as well as a nagging desire to see the house in some form again – was an idea from Caitlyn. My thinking was to have the house at the south end of the island, overlooking the boating lanes. Caitlyn suggested using the north end of the island instead, and on trying it, I saw that the buttresses supporting the house as it stands out over Bear River actually makes a convenient covered mooring area for our motorboats and ‘plane, with room for our faithful Loonetta to one side.

A little tweaking of the grounds and garden was required to fit everything, but nothing too excessive. I admit to being rather pleased with the way the house revels itself when walking up from the southern end of the island; this wasn’t intentional, the lay of the path and the trees already there just leant themselves to a gradual reveal.

Walking up the track from the south end of the garden as the house gradually reveals itself.

It’s not the “house backing into the cliffs” I’d originally thought about, but it is nice to have my Fallingwater back in-world, even modified as it is.

2018 Raglan Shire Artwalk: call to artists

Raglan Shire Artwalk 2017: Utterly Wizardly

The Raglan Shire Artwalk is one of the staples of the SL art calendar, and for 2018, it will take place between Sunday, May 13th and Sunday, June 17th, inclusive.

Every year over 100 artists and residents in Second Life display 2D and 3D art across a number of exhibition spaces across all the regions of the Raglan Shire cluster. 2D art is displayed on hedgerows in and around the regions, offering visitors the chance to view pieces as they explore the Shire, while sculptures and 3D art is displayed in a number of designated areas across the regions.

Those wishing to exhibit their work at the 2018 Artwalk are invited to complete the  Artist Registration Form, which should be submitted for inclusion no later than 21:00 SLT on Sunday May 6th, 2018.

General requirements for entry:

  • The event is a non-juried show
  • Artists can display more than one piece if they wish
    • 2D (“flat” art pieces will be awarded a maximum of 15 prims, and individual pictures should be 1 prim, including the frame.
    • 3D art (sculptures, etc.), will be awarded a maximum of 500 prims for up to three pieces of work. Artists are requested to state the number of prims per piece in their application.
    • Sales of art are allowed.
  • Types of art supported by the show are: representations of RL photography, painting, drawing, printmaking, collage, and digital fine art that can be displayed on a prim;  and SL photography, manipulated SL photography and SL sculpture.
  • Pictures of RL crafts, such as beadwork, leatherwork, etc., are not part of the show’s  definition
  • All the above art forms are welcome, but should be rated PG / G – so no nudity, please!
  • Group membership will be required in order to display work
  • Questions and enquiries should be forwarded via note card to Artwalk Director Karmagirl Avro, or Artwalk Assistants Kayak Kuu & Shadow Marlin.

Details on set-up will be sent to participating artists on Tuesday, May 8th, 2018. Step-up commences at 09:00 SLT on Friday, May 11th and runs through Saturday, May 12th. Note that space along the hedgerows in Raglan Shire for 2D art is NOT assigned, but can be taken on the basis of first come first serve. Certain areas of Heron Shire will be designated for sculpture set up and available locations set with a marker.

Key Dates

  • Sunday May 6th: Applications close at 21:00 SLT
  • Tuesday, May 8th: Notification of exhibit space location issued to artists
  • Friday, May 11th / Saturday May 12th: Artist set-up days
  • Sunday, May 13th: ARTWALK OPENS
  • Sunday, June 17th: Artwalk closes
  • Sunday, June 17th (after 18:00 SLT) through Tuesday, June 19th: Takedown of works.

Related Links

Feed A Smile at Holly Kai Park, April 14th 2018

Feed a Nautical Smile, April 14th 2018 The Pavilion, Holly Kai Park

The Second Nautical Smile event in aid of Feed A Smile / Live and Learn Kenya takes place on Saturday, April 14th, 2018. Organised and hosted by Rossini Events.

The event will take place at The Pavilion, Holly Kai Park, and will feature seven hours of live music starting at 11:00 SLT, from some of Second Life’s top entertainers.

Event Schedule

The event schedule at the time of writing is as follows. For updates and the latest news, please follow the Rossini Events link above. All times SLT.

11:00 am
Thera Singer
12:00 Noon
Hedy Patrucci
1:00 pm
Neomaximus Brandenburg
2:00 pm
Viviana Houston
2:30 pm
MichaelJackson Follet
3:00 pm
Max Kleene
4:00 pm
Quartz
5:00 pm
Jacq Luik

All proceeds go directly to Feed A Smile via the donation kiosk.

About Feed A Smile

Feed A Smile is a programme run by Live and Learn Kenya (LLK) to provide nutritious warm lunches for over 400 children every day, paid for entirely from donations to the project. It is part of a broader programme managed by LLK, which includes finding sponsors to finance the education of children in Kenya, helping to provide them with everything they need: uniforms, shoes, text books, school supplies, etc., and even building a school in Nakuru, Kenya.

In addition, the organisation also provides medical and dental care for children, including check-ups and vaccinations. 100% of the donations received by LLK are transferred directly to Kenya to care for children, provide education, medicine, food, shelter and foster care. Nothing is lost to salaries, fees or administrative costs at LLK.

About Rossini Events

Rossini Events was established in July 2016, and is managed by MichaelJ Rossini. Organising private and public events in Second Life. Rossini Events especially prides itself on charity fund-raising, with monthly events supporting Feed a Smile, Relay for Life and Making Strides. Everyone involved in Rossini Events donates their time free of charge, and every penny raised goes directly to the charity concerned. For further information, please contact MichaelJ Rossini in-world, or email to michaeljrossini-at-gmail.com.

SLurl and Links

2018 SL UG updates #15/2: TPVD meeting

Isle of May; Inara Pey, March 2018, on FlickrIsle of Mayblog post

The majority of these notes are taken from the TPV Developer meeting held on Friday, April 13th 2018. A video of the meeting is embedded below, my thanks as always to North for recording and providing it. Time stamps in the text below will open the video in a new tab at the relevant point of discussion.

The meeting was reduced to under 15 minutes, with extended pauses marking a greater portion of it.

Server Deployments

As always, please refer to the server deployment thread for the latest updates.

  • The Main (SLS) channel was not updated on Tuesday, April 9th, nor was there a restart.
  • BlueSteel, LeTigre and Magnum are all now on server maintenance package 18#18.03.29.513939 after Magnum was updated on Wednesday, April 11th.

SL Viewer

[0:05-1:32] The Media Update RC viewer, version 5.1.3.513644, dated March 27th, was promoted to de facto release status on Wednesday, April 11th. As a result, the remaining RC viewer were updated to parity on Friday April 13th, as follows:

The remainder of the SL viewer pipelines remain as:

  • Project viewers:
  • Linux Spur viewer, version 5.0.9.329906, dated November 17, 2017 and promoted to release status 29 November – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version 3.7.28.300847, May 8, 2015 – provided for users on Windows XP and OS X versions below 10.7.

[1:33-1:50] With regards to the 360 snapshot project viewer, this is being routinely updated internally by the Lab to keep pace with release viewer promotions. However, no actual work is being carried out on the 360 snapshot element at the moment. Work will resume in the future.

[1:58-2:29] A new Voice update RC is due in the future at some point, which fixes some issues from the last Voice release. However work on this is currently a “low priority”.

Off-Line and Abuse Reports Capabilities

[2:31-3:30] Two new capabilities are now grid-wide server-side:

  • A new abuse report cap which replaces the need for the viewer to have AR categories hard-coded into it.  Instead it will request the list of valid categories directly from the simulator.
  • A new IM cap is to overcome of off-line IMs failing to be delivered when a user logs in. This cap will allow the viewer to request off-line IMs, which the server will package and deliver to the viewer via HTTP, rather than sending off-lines en masse whether or not the viewer is ready.

Both of these caps require viewer-side updates in order to work. However, there is currently a bug impacting the viewer update for the new off-line IMs capability. In short, if you receive an off-line Friend request, there is no way to accept it with the new capability in place. The abuse report capability appears to be working correctly, so expect both to appear in a viewer update soon.

Friending can be fragile, and the Lab hope to make it more robust over time.