Savor Serenity in Second Life

Savor Serenity; Inara Pey, August 2017, on FlickrSavor Serenity – click any image for full size

Update, July 2018: Savor Serenity has relocated. SLurls in this article have been updated.

“What seemed to be a forsaken land. Ruins of a former kind, left behind in the over grown forest. The morning dawn illuminated the waterfall. In that moment, she knew this would become the new home for her elven people. She savoured the serenity.”

So Tári Zephira (Gidgette Adagio) describes Savor Serenity, the homestead region she and her partner Tár TuT (Valleyofkings) opened to the public at the end of August 2017. Caitlyn and I were graciously allowed to visit the region ahead of its public opening, having thoroughly enjoyed a visit to Tári’s Hobbiton in February 2017.

Savor Serenity; Inara Pey, August 2017, on FlickrSavor Serenity

As Tári’s introduction suggests, Savor Serenity is modelled after an Elven enclave – one which, much like Hobbiton, has been inspired by Tolkien’s Middle Earth without actually directly lifting from it. Sitting within a ring of tall mountains misted by a twilight Sun, the region presents a wooded sanctuary in which sits ancient ruins linking by partially overgrown paths and from which great Mallorn-like trees rise, adorned by high telain offering spaces for meeting and dancing, and where elven buildings and domes reside.

A visit begins in the south-east corner of the region, atop a portion of the ancient ruins. Steps descend from the platform at the for points of the compass, with the west side steps leading the way to a path passing through a tunnel made from the bent trunks of trees. The path passes westwards to more ruins among the trees, and places where couples might choose to tarry. Follow the path far enough and it will lead you to a point where you can access the centre of the region. This forms a walled pool of water, with a pavilion pointing westward, behind which a flight of steps rise to a throne sitting beneath a great dome.

Savor Serenity; Inara Pey, August 2017, on FlickrSavor Serenity

This central area appears to be the remnants of a great fortification, possibly of elven origin, but now long fallen into disrepair. Steps lead up onto the tops of the walls in place, in others the walkways are broken,  offering an alternative mean of accessing the darkness passages down between the walls – or a route onwards around the region. The first of the Mallorn trees rises from the banks of the waters within the walls, an ornate stair providing access to a platform where ladders provide a route up to the telain built in the branches of the tree. These are connected one to another by further ladders and stairways, with bridges arching over the gaps to telain sitting within the branches of the Mallorn growing to the north and beyond the high walls guarding the central waters.

These additional tree platforms can also be reached by a mix of ladders and stairways which rise from the open lands to the north, where the ground is dusted by flowers and the smaller trees are festooned with lights. A wooden pavilion can be found here, offering a further place to dance, while on the north side of the great wall stands what might have once been the grand entrance to the elven fortification.

Savor Serenity; Inara Pey, August 2017, on FlickrSavor Serenity

To say Savor Serenity matches its name would be an understatement – it more than does so. It also enfolds everything that is quintessential about Tolkien’s elves: ornate stonework, geometry, harmony with nature, love of water, and longing for the West. There are touches to refined beauty to be found everywhere – more so than I’ve described here, so it is as well to take your time when exploring. Also, if you haven’t explored Hobbiton recently (or at all), you might find a visit to both it and Savor Serenity present and ideal double visit with which to immerse yourself in  a personal look at Tolkien’s world.

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Savor Serenity (River Hill, rated: Moderate)

 

Cica’s Fairy Tale in Second Life

Cica Ghost – Fairy Tale

“Some day you will be old enough to start reading fairy tales again,” so reads the quote from C.S. Lewis which Cica has selected for her latest installation, Fairy Tale, which opened on August 29th, 2017. It’s part of a dedication he gave to his God-daughter after writing The Lion, The Witch and The Wardrobe. While Cica assures me she wasn’t aware of the full dedication when picking the quote, it is nevertheless the most salient part of Lewis’ comment – and fits this installation perfectly.

Across an undulating landscape, columns of rocks stack their way into the sky, vying with denuded trees and the surrounding hills for height. Only one of the hills is topped in grass – the rest of the land appears hard and dry. Reached by a set of steps formed by more rocks, it is home to a little red house sitting in a tiny garden. A plethora of cats occupy the house, most taken by the bed sitting towards one end of the single room, although one is attentive to the young woman who also stands inside the house.

Cica Ghost – Fairy Tale

The hill looks across the region, over the stacks of rocks, the trees and a group of standing stones to where three dragons proudly sit, surveying the world around them. One, perched high on a shelf of rock, is winged. “He’s the male,” Cica told me as we chatted about the build. “The other two without wings are female.”

One of the latter seems to have wandered a little from her nest, where patterned eggs awaiting hatching. another nest lies in a hollow of the ground a little further away. The second female offers a clue to the shell-like objects also scattered across the landscape. She is sitting on top of one, as if claiming it. “The dragons use the shells as caves,” Cica said. “They live in them!”

Cica Ghost – Fairy Tale

Scattered throughout the setting are sitting points, some with the addition of dances and other animations. Check the tops of some of the rock stacks and the little – but tall – island lying just off-shore as well in order to find them. All offer views out over this region and the opportunity to cam around or take photos.

Fairy Tale is another whimsical  installation from Cica. It is also a curio: just what do we make of it as we travel through it? What should we make of the dragons’ use of giant shells, and what of the original occupants of the shells? Where does the woman and her cats in the house fit within all this?

Cica Ghost – Fairy Tale

The clue to these and other questions lies best in the quote from C.S. Lewis: we are all enthralled with tales that give flight for the imagination, but somewhere along life’s path, we often lose the will to use our imaginations as fully as we might. Fairy Tale is perhaps presents a chance to recapture that willingness, to let out imaginations roams across this landscape as freely as our feet, and let imagination fill-in the blanks of the story.

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An Inner Journey in Second Life

Nitroglobus Roof Gallery: Inner Journey

“You will not find art in this exhibition,” Marie (mariajo60), aka Pepa Cometa, states disarmingly of her exhibition, Inner Journey, now open at Nitroglobus Roof Gallery. She claims she is not an artist, but rather regards herself as a traveller, a witness to all that is to be found in Second Life.

On the strength of Inner Journey, I have to say that I disagree with Pepa’s assessment of herself as an artist. The twelve images she has selected for display at Nitroglobus are most assuredly artistic. Entirely “raw” shots of Second Life, they are entirely without cropping or post-processing: they are presented precisely as Pepa sees the scenes on her screen. As such, they are beautifully framed and composed.

Nitroglobus Roof Gallery: Inner Journey

The images present something of a personal view of Second Life, and the fact the images haven’t been additionally processed deepens their personal nature and attractiveness. There is also an air of melancholy  – or at least of introspection – within many of the pictures. This is particularly evident in Life Revolves, Rain in My Fairy Tale, Furillen in Blue, The Windows of My Kingdom, Hey You – the One in the Box. and, perhaps, Wet Sand. Others among the set suggest love, innocence, and perhaps childhood memories.

Each of these images conveys a story. Obviously, each story is personal to Pepa – but so too does each speak to visitors. This is another marvellous exhibition, one in which it is a delight to spend time at, savouring each of the images. Kudos to both Pepa and Dido.

Nitroglobus Roof Gallery: Inner Journey

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Kultivate’s Black and White exhibition in Second Life

Kultivate Black and White

Opening on Sunday, August 27th and running through until Sunday, September 3rd is the last of the Kultivate event exhibitions for 2017.

The Black and White Exhibition features over 40 artists are showcasing some of their best black and white imagery! The event will also feature live performers and a special hunt, plus a Black and White masquerade event.

Hana Hoobinoo at Black and White

The artists participating in the exhibition are: Anouk Lefavre, bluesrocker, Booyakashaka Resident, ByrneDarkly Cazalet, Caingrovesnore751, demonista, Callipygian Christensen, Catalina Staheli, Char6666, Christian Ayden, Coltonvond Resident, Daruma Boa, DrusillaGwind Resident, Eleseren Brianna, Elle Thorkveld, emberdearheart, Eucalyptus Carroll, FreeDom Voix, GlitterPrincess Destiny, Grazietta Cazenove, Hana Hoobinoo, Hikaru Enimo and Marcusgay Lefevre, Karma Daxeline, John Brianna, ilyra chardin, Inara Pey, iSkye Silverweb, IthilwenRose Resident, jaime poutine, Kaijah Chrome, KodyMeyers Resident, Kylie Sabra, Lanne Wise, Lusus Saule, Myra Wildmist, Paradox Messmer, retroye resident, roxaane Fyanucci, Sheba Blitz, Slatan Dryke, Storm Blauvelt, Tayren Theas, Tiszo cioc, Veruca Tammas, and Vivienne Darcy.

Event Schedule

All times SLT.

  • Sunday, August 27th, 2017, 04:00:
    • Exhibition Area Opens to the Public.
    • Yīnyáng Hunt Begins – scattered throughout the grounds are 20 yīnyáng symbols. Touch them all and win a free prize-if you can find them all.
  • Sunday, August 27th, 16:00: Live Performer Parker Static.
  • Tuesday, August 29th, 2017, 16:00: Live Performer Lark Bowen.
  • Wednesday, August 30th, 2017, 16:00: Live Performer Dimi Van Ludwig.
  • Thursday, August 31st, 2017, 16:00: Live Performer AM Forte.
  • Friday, September 1st, 2017, 16:00 Live Performer J Lively.
  • Saturday, September 2, 2017, time TBC: Live Performer Loreen Legeion
  • Sunday, September 3rd, 2017:
  • 13:00: Live Performer Melenda Mikael
  • 23:59: Exhibition Area Closes to the Public and Yīnyáng Hunt Ends.
My own efforts at Black and White

Note that the SLurl to the event will only be available when the exhibition opens at 04:00 SLT on Sunday, August 27th, 2017.

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The beauty and expression of De*cid*u*ous in Second Life

De*cid*u*ous; Inara Pey, February 2017, on FlickrDe*cid*u*ous – click any image for full size

De*cid*u*ous is a full region designed by Trip (TrippingDaisy) and landscaped by his partner, Tate (Tate Ghost). It needs only one word to describe it: enchanting.

Sitting under a Windlight suggestive of an early morning, when the Sun’s rays cause a gentle ground mist to rise of the dew gathered on grass and leaf,  De*cid*u*ous is a mix of stunning landscaping and personal expression on love, life, relationships and the passage of time given in words of prose and  poetry – and it is a place deserving of careful and thorough exploration as there really is a lot to see.

De*cid*u*ous; Inara Pey, February 2017, on FlickrDe*cid*u*ous

“What if a virtual land could represent a real life?” Trip asks those arriving at the landing point in the north-west corner of the region, before he continues with an invitation: “Take a journey with me. Enjoy the meticulous landscaping designed by my partner, Tate. Stand in line at my heart to witness the fate of some.” And thus we’re off on a journey, following paths and trail, crossing bridges, exploring settings and passing through caves and caverns.

Along the way – most notably in the caverns and tunnels connecting them, but elsewhere as well – are easels visitors are invited to touch. Doing so will offer up a note card with a passage or poem intended to complement the scene where it is found. Collectively, the shape moments from a life – happiness, love, melancholy, regret, anger, freedom – and all should be read as a part of any deeper journey through the land.

De*cid*u*ous; Inara Pey, February 2017, on FlickrDe*cid*u*ous

Following the path down from the landing points takes visitors to first of several water crossings: a bridge and deck where time can be spent sitting at cable roll tables or sitting in the rowing boats moored alongside. Beyond, the path winds through trees, forking before an ancient ruin, one arm leading to a Romany camp between ruins and water, where restful times can be had.

The other arm of the path points the way onwards to a second bridge, joined on the far side of the channel it spans by wooden boards marching over the grass to where they also fork. Turn left, and the way leads to Trip’s heart, as mentioned in the welcoming note card, and another poem of life  and reflection. Continue onwards from the path to the heart, and the trail leads to a clearing and another choice: left and out to where a Ferris wheel sits in the light of the rising Sun, or onwards to where the entrance to the caverns awaits.

De*cid*u*ous; Inara Pey, February 2017, on FlickrDe*cid*u*ous

Neither option should be missed. The Ferris Wheel sits within another scene, an easel offering up a poem. The caverns wind up through a pyramid-like hill, each offering a scene or settings, each with at least one poems to accompany it. As Trip hopes the scenes and settings throughout the region will speak personally to all visitors passing through, I’m not going to shade your thinking on encountering the caverns by offering my thoughts here.

From the top of the hill, and the cottages sitting on it, the way back down to the lowlands takes the form of a switchback path – but do check around the slopes of the rocky crown carefully, lest you miss the fort built into its southern face and the cosy hideaway it offers. From the foot of the path down the side of the hill, it is possible to continue onwards and discover the remaining secrets of the region and the various places for contemplation and quiet company it offers.

De*cid*u*ous; Inara Pey, February 2017, on FlickrDe*cid*u*ous

De*cid*u*ous is, as noted, a stunning region, offering a series of individual scenes beautifully brought together as a whole through the landscaping. The default Windlight throws the region into a misty half-light, but the land lends itself comfortably to a wide range of environmental settings, and Trip and Tate encourage photographers to experiment. They also ask that those so minded consider submitting their work to the De*cid*u*ous Flickr group. Those requiring props for their images can obtain rezzing rights by joining the region group – but do please remember to pick up your items afterwards!

All told, an eye-catching visit for any Second Life region-hopper. Mix in the poetry and prose that accompany many of the scenes found across the land, and you have a new level of engagement when visiting.  Definitely not a place to miss.

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A return to the Art of Nature in Second Life

Art by Nature

Ani (Anibrm Jung), who is an award-winning photographer in the physical world and who has been active in Second Life since 2006, recently opened a new gallery space at Gallery Graine and the Riverside Café.

Based in the Netherlands, Ani specialises in photographing nature. She captures many of her images in her own garden using only her camera and natural light; everything is framed directly through the viewfinder, and no cropping nor image manipulation is used after the fact. In this way, we are able to see each picture exactly as she did when taking it, allowing us to share her own sense of closeness with her subjects.

Art by Nature

Art by Nature, the name of her gallery space, demonstrates this in a powerful tour-de-force  of her work, spread across two floors of the gallery space. Offering a combination of macro images, wildlife studies and landscape and coastal studies, the gallery makes for an engaging visit.

I’ve long been fascinated by Ani’s work – there are times when art and photography from the physical world perhaps doesn’t gain the recognition it deserves in Second Life. Ani’s photography should persuade those who feel physical world art doesn’t work in-world otherwise. Superlatives such as “magnificent”, “beautiful” and more really don’t measure up to the images Ani has brought in-world. Her composition is – to use another superlative – exquisite; these are pictures that would grace any home – digital of physical.

Art by Nature

Were I asked to pick any particular pieces of Ani’s work, I’d honestly be hard put. However, her pictures of cats and ducks (seen in the middle image of this article),  are especially endearing and – having cats of my own – I repeatedly found myself drawn back to them in particular. But that said, all of the pieces on display are fully deserving appreciation – and purchase for those so minded.

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  • Art by Nature, Gallery Graine and the Riverside Cafe (Blue Curacao, rated: Moderate)