The sands of Banana Bay in Second Life

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay – click any image for full size

Banana Bay is a Homestead region described as “still under construction” (but open to the public) designed by the delightfully named Bananas (FunkyBananas). Caitlyn and I were led to it (once again) by Shakespeare (SkinnyNilla), who really does have the knack for finding places.

This is a  distinctly Mediterranean setting with a hint of the tropical; the kind of place it’s easy to imagine  as the destination for an exotic holiday well out-of-the-way of the maddening crowds and bustle of everyday life. A slightly curled, sandy island with an east-facing bay caught within its curve, Banana Bay appears to take its name from the little plantation of banana trees located almost mid-way along its sweep, overlooked by one of several Tuscan / Mediterranean style buildings scattered along the island.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay

Visits start on the west side of one of these buildings, which is itself located at the northern end of the island. A sandy path runs southwards from here, following the line of rock which rise from the foam of a lazy sea to reach another house sitting below the hilly backbone of the island. It’s upon this partially rocky backbone that the plantation sits, the land on the west side offering an easy walk to the southern end of the island and the ribbon of beach curling eastwards.

Following the sandy walk in the other direction from the landing point will take visitors around the villa to where a large wooden pier points out to sea. A loose-laid wooden board walk then offers a path south, running between the soft sands of a wide beach and the slopes of the island’s one hill, before petering out on the sands to the south. Palm trees offer some shade from the early morning sun, and provide convenient points from which hammocks have been slung for those wanting a little rest and they explore. More places to sit, some ready for cuddling, can be found scattered across the island, including an old kayak drawn up high above the tide line on the beach, and an inflatable raft out on the surf.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay

None of the buildings are currently furnished, although the villa near the landing point offers outdoor seating. There’s also no sound scape for the region as yet – but again, remember that it is under construction, so there well be more to come.

Under construction (at the time of writing) it may well be, but Banana Bay is  already and photogenic and restful setting; the fact that it is still being developed means that it’ll be remaining on our list of places to re-visit sooner rather than later in order to see how things are progressing. In the meantime, if you want to have a break from things and drift away from all the noise about Sansar or whatever, why not take a walk along to beaches of Banana Bay?

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay

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  • Banana Bay (Charmed One, rated: Adult)

August at the Bailywick Gallery, Second Life

The Bailywick Gallery, August 2017: GlitterPrincess Destiny

Sunday, July 30th marked the opening of the Kultivate Bailywick Gallery’s August exhibition at Water Haven.

The gallery specialises in black-and-white images, and artists are invited to submit pictures in keeping with this theme for each exhibition. The venue is a village hall style of building with two storeys and presented in a yacht club style of environment; as such it is ideal for smaller, more intimate exhibitions, and the August event features the work for four artists: GlitterPrincess Destiny, KodyMeyers Resident, Lulyboop Resident and Solana Python.

The Bailywick Gallery, August 2017: Lulyboop Resident

I’m very familiar with the work of both GlitterPrincess and KodyMeyers, although this is the first time I’ve seen them both present purely black and white images in an exhibition. Both offer a mix of avatar and landscape studies which carry the major hallmarks of their colour work, something which immediately has my eye gravitating towards their pieces, as both have a style to their work I greatly admire.

The Bailywick Gallery, August 2017: Solana Python

Located on the upper floor of the gallery,  Lulyboop Resident and Solana Python are artists I’ve not previously encountered. I have to admit to being particularly drawn to Solana’s images from the physical world – her WhiteLake Trypich (above) in particular holding my attention in the way it present three very different images of a location which together form a natural whole. Lulyboop, meanwhile, presents a set of five avatar studies which beautifully catch a moment in time from the lives of avatars and which deserve careful studio in order to catch the nuances within each.

I believe the exhibition runs through until the end of August 2017.

The Bailywick Gallery, August 2017: KodyMeyers Resident

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Picture of Oh in Second Life

Picture of Oh

Picture of Oh, which opened on Thursday, July 27th, 2017 at a skyborne gallery space at Serena Imagine Art Centre, is a celebration of Bryn Oh and her art, as seen through the eyes of photographer aldiladeisogni. On display are nine very large format images featuring Bryn and / or elements of her installations.

Small in number, large in size, presented in an environment which somewhat echoes aspects of some of Bryn’s past installations, this is an exhibition that plays both easy on the eye and subtle on the mind. Those familiar with Bryn’s immersive installation will doubtless recognise from which pieces the images have been drawn – but seeing them remembered in this exhibition is only part of the experience.

Picture of Oh

Bryn herself is highly photogenic; there is a wonderful air of beauty and mystery about her. She is at once approachable in nature, yet her appearance sets her almost physically apart, making any approach in a first meeting a possibly unsettling experience: just how does one address so exotic a creation? This dichotomy – the apparent exotic aloofness mirrored by an open, approachable nature – is beautifully captured in the individual studies of Bryn presented herein.

Bryn’s exotic looks also make her an idea model to sit within the images of her installations, where she appears very much both the observer of the scenes and a part of them. Her presence doesn’t in any way detract from the stories involved in the pieces; rather, she adds a new layer of narrative to each the story; her character fits with the scenes so perfectly.

Picture of Oh

Of course, capturing this depth of individual takes skill from behind the lens of the snapshot floater, and in this aldiladeisogni demonstrates a mastery of composition that is to be greatly admired. Not only does he capture the essence of Bryn’s work and the mystique of her avatar – he also captures something of the personality and thoughts behind her.

In 00 bryn 02, for example, it is almost impossible to see Bryn crouched alongside her work without catching a hint of the thoughts that may have been running through her mind as she did so, her artist’s eye re-examining a piece committed to the world’s view. Compare this with its companion, 00 bryn 01, and what is striking is that whilst shot from the same angle using the same setting and pose, we are drawn into Bryn’s beauty, only to be caught once again by her eyes, and the sense of the mind behind them. And so it is with all the pieces on display: each is captivating, layered and almost tactile in composition and presentation.

Pictures of Oh

All told, a beautiful, captivating exhibition focusing on a captivating and enchanting artist and her work, presented by a master of the photographic medium.

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Following an Oriental Bliss in Second Life

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss – click any image for full size

June 2017 marked just over a year since Caitlyn and I last visited Follow Your Bliss, the homestead region designed by ElizabethNantes. Given this, we felt it was high time we made a return. Back then, the region had the distinct feel of a tropical archipelago, and we were keen to see what changes had been wrought in the intervening months.

For the current build, Elizabeth has adopted the Display Name Sushi – and on arrival it is immediately obvious why this should be: the region is now distinctly Japanese in looks. However, while many region designers opt to focus on a period build when turning to Japan – notably settling on the Edo period – Elizabeth offers something different: a mix of the old and the contemporary, gathered around a watery setting.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

Set beneath an early evening sky, Follow Your Bliss presents a mainly low-lying series of islets surrounding a shallow body of water on which sampans float and waves are rippled by a gentle breeze. To the east, the land rises into a more substantial mass, formed by rocky shoulders and gently rolling slopes. Along this ribbon of land sits a row of little shops, some with traditional slope tile roofs, others box-like structures of concrete and wood, flat-topped and decorated with neon signage and adverts for popular brands.

A cobble footpath separates these shops from the waters of the shallows, running from a point just a short walk from the landing point to where an ancient  – and clearly venerated  – olive tree grows. At the southern end of this path, the route back to the landing point, located in a small summer-house also overlooking the shallow waters, is marked by a series of candle lanterns. Some of these manage to remain lit despite being caught in a gentle fall of rain, sitting close to a marching line of Torii gates which climb a hill, pointing the way to a pagoda and to where Buddha sits on a grassy curve of hill-top.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

Looking towards the west, Buddha stares out over the waters of the region and the loose-knit chain of little islands which run northwards from the landing point towards a dense grove of bamboo. Connected by wooden bridges, these little islets  offer places to sit and relax and perhaps join Buddha in quiet meditation as he looks down on you.

At the bamboo grove, which screens the main part of the region from was might be private residence, the path passes a temple bell and arcs more eastwards in its direction, passing a strong pavilion built out over the water. Beyond this, another little house straddles the water separating the western aspect of the region from the ancient olive tree and the little township beyond it.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

With the ground a particular course grain of cinder earth, the chain-like beads of land surrounding the inland water as they run from the southern edge of the rockier ground and out to the west before turning back inwards to come back to the northern end of the land’s long finger, the entire impression is that this the site of an ancient crater – perhaps even the small caldera of a long extinct and flooded volcano, the land all that remains of the crater rim.

Finished with a gentle ambient sound scape of falling rain and birdsong, the splashing of water and the burring of dragonfly wings, Follow Your Bliss offers a relaxing setting, easy to explore and enjoy  – and even the chance to sail a sampan. An altogether delightful little visit.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

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Art of the Artists: machinima challenge with L$350,000 prize pool

Poster by Eliza Wierwright

At the start of July I was able to break the news that the University of Western Australia would be retaining a presence in Second Life for at least two more years. As a part of that report, I made mention of an upcoming UWA machinima challenge. It has now been officially announced.

Art of the Artists – subtitled SLartist@UWA Machinima Challenge is not a resumption of the UWA Machinima Grand Challenges, the last of which took place in 2015 with Pursue Impossible. Rather, this is a special challenge, sponsored by LaPiscean Liberty of SLArtist and Singh Albatros and The Writers Centre, Singapore. On offer is a combined prize pool of L$350,000, including two special prizes.

Competition

The aim of the challenge is to produce a machinima film focused on any of the art exhibits located on the UWA regions in Second Life.

Entrants may choose individual pieces of art or a collection around which to weave a story. However, the art must be a relatively significant part of the story, and not merely something glimpsed in passing.

Films entered for consideration of any of the prizes can be no longer than 8 minutes duration; films with longer running times than 8 minutes may be submitted for showing, but will not be eligible for any of the prizes.

The Prizes

  • 1st Prize: L$75,000
  • 2nd Prize: L$50,000
  • 3rd Prize: L$40,000
  • 4th Prize: L$30,000
  • 5th Prize: L$20,000
  • 6th – 10th Prizes – L$7,000 each

In Addition, there are two special prizes:

  • L$50,000 UWA Art of the Artists Special Prize: this will be awarded by Jayjay Zifanwe on behalf of the University of Western Australia
  • L$50,000 The Merlion Special Prize: this will be awarded by Singh Albatros on behalf of The Writer’s Centre, Singapore to the film which – in the view of the judge –  best represents the The Merlion,  the national personification of Singapore (see below for more).

The 10 main prize winners will be selected by a selected panel of judges. Details of the full panel will be available on the UWA website soon.  Each of the special prize winners will be judged independently to the judging panel, and as such, may be eligible for a prize in the general classification as well.

The full Merlion installation at Monash University

Where to Find the Art

Art which can be used in films submitted to the Challenge can be found in the following locations:

  • The UWA Main Gallery – the primary exhibition space for art at UWA, including entrants to the most recent challenge, Transformations, which is expected to remain up at least through the end of this year.
  • The UWA Main region – this is the home of the iconic Winthrop Hall clock tower, Somerville outdoor cinema, the Moreton Bay Figs, and Sunken Garden. Some of the art from the UWA regions which will be closing will be relocated to platforms above this region. The relocation work is expected to be completed by the end of July 2017.
  • The Merlion – celebrating Singapore’s iconic Merlion sculpture, the full-sized version is hosted by the Monash University in Second Life. The smaller version at te UWA offers information on Merlion Portal Project concerning cultural, literary and artistic significance of the Merlion. It also provides a landmark to the full size installation.

Note that selected art for a film may be filmed in its current location. however, films do not need to be restricted to these locations, as long as the art is the focus of the story being told. Entrants may contact artists about filming their works in other locations and / or collaborating with them on a film. Should you require a blue screen for part of your filming of the art, please contact FreeWee Ling or Jayjay Zifanwe.

How To Enter and Guidelines

  • The challenge is open to all machinima makers, unless involved in the judging process.
  • Films entered in consideration of any of the prizes should not exceed 8 minutes in length.
  • Films with running times longer than 8 minutes may be entered, but will not be eligible for any prizes.
  • Completed films should be uploaded, preferably YouTube or Vimeo, and a link to the film sent to  Jayjay Zifanwe and LaPiscean Liberty.
  • The closing date for submissions is December 31st 2017
  • Please acknowledge all art featured in your film, and please acknowledge and get authorisation for any music you use.
  • You own all rights to the films you create, but by entering the challenge you give permission for it to be shown on the UWA Blog, the Slartist Website and to be played on UWA lands.
  • The ten winners of the general prizes will be adjudicated by a panel of 5 judges. The special prize winners will be selected by Jayjay Zifanwe (UWA Special Prize) and Singh Albatros (The Writer’s Centre prize).
  • If you have questions, want to discuss anything, or add to the prize pool,  please contact Jayjay Zifanwe.

Creatures of Light in Second Life

MetaLES: Creatures of Light

Creatures of Light is an exhibition of images by Harbor (Harbor Galaxy) which opened at MetaLES, curated by Ux Hax and Romy Nayar, on July 8th.

“For those of you who are familiar with my work through Flickr or shows here in-world. Creatures of Light may be something of a departure from my usual style,” Harbor says in introducing her work. “My objective was to use an avatar devoid of ornamentation and to only utilize poses, light and colour to create these pieces and to give myself permission to play and to step outside my comfort zone.”

MetaLES: Creatures of Light

I cannot speak to Harbor’s work on Flickr – no link is provided, and Flickr’s search doesn’t appear to recognise her as “Habor Galaxy”, making a targeted search difficult. However, what I can say is that in the nineteen images presented at MetaLES, Harbor has produced some quite extraordinary art, which in places encompasses abstract expressionism and in others seemingly touches on fractal patterning, whilst in all of them is a study of the human (or in this case, avatar) form.

In this latter regard, and considering the lack of facial features, some of the images are quite exquisite in their portrayal of mood and emotion, easily matching more traditional portraiture. Take Contemplating the Standards Beauty, for example; there is a wonderfully layered narrative to the image – the heads of the subject may only be wire frame, but they carry with them the sense of expressions, while the body language of figure contemplating them – the artist? – speaks clearly of her or his contemplation of the images.  Further along, The Body wonderfully presents action, the swirls of colour, sweeps of lines all suggestive of motion and the power of sinew and muscle, tendon and ligament.

MetaLES: Creatures of Light

All told, an intriguing exhibition, currently on display alongside Ini’s (in Inaka) Melancholy and Romy Nayar’s Empty Minds.

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