Seven lilies, seven virtues and seven artists in Second Life

DaphneArts: Lilium

Now open at DaphneArts is Lilium, the second in a series of exhibitions focus on the mystical number seven, following on from The Endless (reviewed here).

The curators of DaphneArts, Angelika Corral and Sheldon Bergman (SheldonBR), who are also two of the seven artists participating in the exhibition, describe it in part thus:

Number seven is sacred and powerful. Pythagoras, the father of numerology, considered seven as the most spiritual of all the numbers. Seven is the number of divine perfection. Seven are the colors of the rainbow. Seven are the notes of the diatonic scale. There are seven ancient wonders of the world, seven days of the week, seven letters in the Roman numeral system, seven arts…
When Pope Gregory defined the Seven deadly sins, he also included a counter-balancing set of values, in a way to protect one against temptation from the deadly sins. The seven [heavenly] virtues … For this exhibition, seven photographers were invited to create a photo, each of them representing one of the seven virtues.
DaphneArt: Lilium – Temperance by Fenris

Lilium is itself Latin for “lily”, a symbol of virtue, as Angelika and Sheldon also note in their curator’s introduction to the exhibit, illustrating the point with the inclusion of an image The Annunciation by Paolo de Matteis.

Thus it is, with viewer correctly set, visitors to the exhibition start their journey in the chancel of a marble-like white cathedral (white obviously symbolic of virtue). A HUD is offered on arrival and should be worn, while overhead is a set of easy-to-follow steps guide people through ensuring they have their viewer correctly set-up (e.g. ensuring the required Windlight is selected and Advanced Lighting Model is enabled).

DaphneArts: Lilium – Patience by Magic Marker

From here, a walk through the nave of the cathedral to the porch brings people to the main exhibition space, progress to it marked by the lyrics – in Latin of the Elven Song, or Elfen Lied, as featured in the Japanese manga series of that name, the lyrics based on biblical passages and the hymn Ave Mundi Spes Maria. Beyond the porch is an open platform set against a uniform backdrop and on which are arranged seven gilded lilies.

Approaching any of these lilies will cause it to open, revealing the art apparently “held” inside it. At the same time, the title of the art – the virtue it represents – and the name of the artist are revealed by the HUD.

DaphneArt: Liluim

The images / virtues are, by artist: Charity – Inexorably; Chastity – Sheldon Bergman; Diligence – Harbour Galaxy; Humility – Kimeu Kamolla; Kindness – Angelika Corral; Patience – Magic Marker, and Temperance – Fenris. Each is obviously a personal representation of the virtue it depicts, however each carries a degree of symbolism which may be related to the virtue it represents, to virtue as a whole or to the mysticism of seven.

Lilium is a further nuanced ensemble exhibition built around a central theme, rich in symbolism and interpretation.

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Visiting ~Neive~ in Second Life

Neive; Inara Pey, September 2017, on Flickr~Neive~ – click any image for full size

Update, September 14th: Claudia has made some further changes to ~Neive~ since this article was published. The parade of shops and houses at the landing point (and seen in the image above) has been revised, and the bath house referred to in the text below has been replaced by the automotive garage which used to sit just outside of the shops and their street. To the south-west, one of the Tuscan-style farm houses has been replaced by a pavilion.

~Neive~ is a Homestead regions designed by Claudia (claudia74a Orsini) which Caitlyn and I first visited in late June 2017, when it still appeared to be under construction. We dropped back there at the start of September to see how things had developed, and found the region has grown into a quite pastoral – if slightly eclectic – setting.

A visit start towards the east side of the region, where a small parade of shops, houses and ruined buildings sit against a waterside road raised above a quay. A set of steps descend from the south side of square in front of the stores, offering the way – over a grass bank  – to a dirt track running between the waters surrounding the region and the large body of water occupying the middle of the region. A Tuscan style farmhouse sits above the track, which ends in an arch formed by two old tree trunks.

Neive; Inara Pey, September 2017, on Flickr~Neive~ – click any image for full size

Beyond this, on the south side of the region, the land changes from temperate grasses and trees to a more tropical beach, complete with palm trees and a beach club built out over the waters. Further across the sand sits a terrace bar, also built out over the water.

The beach curves around to the west side of the island, and a set of stairs leading up to where a terrace sits under the shadow of a windmill atop the highest peak on the land, and overlooking the central pool. A finger of water run by the foot of the terrace hill, connecting inland water with those surrounding the region. A log bridge offer the way to the far bank, where a rocky plateau rises, topped by an old Tuscan villa. Horses graze in the field below the villa, where a deck provides another vantage point looking out over the water towards the south side of the region.

Neive; Inara Pey, September 2017, on Flickr~Neive~ – click any image for full size

From here, the path circles back towards the landing point, passing an artist’s studio in a cabin surrounded by its own little garden. Another narrow neck on water is spanned by a wooden bridge, offering the way to where an ancient bath house sits, clearly still in use despite its age. With an old wooden garage sitting at the top of the slope from the bridge, the path leads the way back to the shops and the landing point.

With sheep, chickens and deer grazing across the land, foxes on the prowl and cats sunning themselves, together with decks and vantage points scattered throughout, Neive offers a relaxing visit. Cuddle spots can be found as well, on land and on the water, and the sound scape and surrounding hills complete the scene. There are one or two visual issues which can bump into view when exploring: walls and rocks which don’t quite meet the terrain below them, together with one or two items floating above ground or deck, but these don’t detract from the region being a pleasant visit and photogenic in nature.

Neive; Inara Pey, September 2017, on Flickr~Neive~ – click any image for full size

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  • Region no longer held by Claudia

Haveit’s Elastic Garage in Second Life

UTSA: Elastic Garage

Sometimes magic is elusive. In the dark, in a large crowded storage space with one hanging light bulb: the realm of shadows and highlights, everything is sculpted of wonder. A broken down car dreams of the morning sky. An old-fashioned white porcelain bathtub with rusted scars, broken furniture, a collection of rocks in little cloth bags hanging from a beam, yellowing slides and photos from the old days stowed in a corroded file cabinet … the air tempered with repeated phrases of Prokofiev that my mother is practising on the piano in the distant living room … This was the garage of my childhood, where my visits were frequent in search of all manner of treasures to furnish the little cities I was building in the garden.

Thus Haveit Neox introduces Elastic Garage, his installation now open at the University of Texas at San Antonio’s ArtSpace. And indeed, on entering the exhibition area, visitors are confronted with the bric-a-brac which might have been gathered over time, and cherished, before being put away in the garage of the mind.

UTSA: Elastic Garage

Filing boxes lay stacked against the walls, a child’s old railway track lies on the floor, cabinets and boxes scattered around, the bath toppled on its side and the broken-down car parked to one side. Memories from childhood scattered around, spiders and their cobwebs covering some. but so is there more: memories of art builds, fragmented and scattered among the bric-a-brac.

Sitting atop some of the filing boxes, for example, is a telescope. While this may well be a childhood  memory, it might also be a reflection of Haveit’s Paper Observatory, first unveiled in 2014, and the successor to his Paper Tower. On the floor by the bodywork of the old car sits a tiny city, streams of cars rolling away from it over elevated roads; a reflection, perhaps of Haveit’s Miniature Goal and his wider concern for the environment. Inside the cabinets and upright boxes, partially hidden and awaiting discovery – just like memories in a draw or cupboard of a garage – are paintings and images, again perhaps echoing past installations Haveit has presented in-world.

UTSA: Elastic Garage

Elastic Garage is a both an expression of art and of memory; personal elements from life mixed with personal expressions of life. It makes for a fascinating visit, and will remain open through September and into October.

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Get your pics on Route 66 in Second Life

Mother Road; Inara Pey, September 2017, on FlickrMother Road – click any image for full size

“Mother Road is a lovingly crafted Nevada-esque back country, inspired by the original Mother Road sim,” Paul Cutter (Xtreme Paule) says when introducing Mother Road – Mirage Motel 66. “Mine is 1/2 sim size but the work is an experimental showcase which could lead to being full sim size in the future. So far feedback has been positive.”

A half region in size it may be but this build, sitting 450 metres above sea level, offers a genuine feeling of being on a desert road – Route 66 or otherwise – and plenty of opportunities for photography. Visitors initially arrive at the west end of the parcel, the road stretching away to the eastern horizon. An advantage in building in the sky means there is no water on that horizon to break the illusion of a road stretching into the distance, nor does the use of a mountainous or hilly region surround  to disrupt the feeling of being on a broad flat desert plain.

Mother Road; Inara Pey, September 2017, on FlickrMother Road

The titular motel sits half-way along the road on the left relative to the landing point. It offers air-conditioned rooms, free wi-fi and cable TV. It faces a gas station and garage on the far side of the road, with an iconic Harvey Davidson-type  motorbike parked at the pumps. The keen-eyed visitors might notice there are bike rezzers at either end of the parcel, allowing them to experience a trip along Route 66 – but those taking a ride should keep in mind the signs also mark the region edges, even though the road appears to continue eastwards and westwards beyond them

Beyond the motel and garage, on either side of the road are cabins and smallholdings, some of which are available for rent, while rugged, sandy hills rise to the north and south. As is often the case, a railroad line runs parallel to the road, but some distance from it, telegraph poles marching alongside it from east to west.

Mother Road; Inara Pey, September 2017, on FlickrMother Road

It’s a simple, yet elegant setting, with nuanced detailing and little scenes awaiting discovery. The sun-dried wood of a billboard stands alongside the motel, throwing a shadow for part of the day over an outdoor fire pit, surrounded by makeshift seating of old sofas, a mattress on top of creates, a beanbag and two car seats. A TV and VCR sit on a little bench, the former offering an old little taste of Britain as it displays the old BBC test card. More signs of Anglophilia can be found in the garage across the highway, where the Union Flag faces the Stars and Stripes and Ziggy Stardust floats on the side of a space invaders arcade game.

The garage sits on land which may be part of a farm or ranch, a 4×4 parked alongside an aluminium sided trailer close by, while over the fence someone has chosen to camp out near to some of the rental cabins. One of these is being careful investigated by a small group of young children – or is perhaps being used as their play camp in lieu of adult occupation. They, in turn, are being observed by a scrap metal robot, perhaps built to entertain them among the roadside rocks.

Mother Road; Inara Pey, September 2017, on FlickrMother Road

This is perhaps not the most affluent of locations; rusting hulks of cars are scattered around, together with the detritus of civilisation. It does, however offer an ideal setting for photographers, and rezzing rights for props can be obtained by paying L$100 to join the parcel’s group.

Whether or not this current iteration of Mother Road leads to Paul realising a new full region version remains to be seen. In the meantime, this build stands an easy-to-explore design, and going on the numbers present during my visit, a popular hang-out.

With thanks to Shakespeare and Max (once again!) for pointing me to this parcel.

Mother Road; Inara Pey, September 2017, on FlickrMother Road

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Fantasy art and Fragmented Visions

Commune Utopia: Dilligraf (M8TY)

Open at the Art Meadow at Commune Utopia is an exhibition of images by Dilligraf (M8TY). It features sixteen studies of female avatars, each presented in something of a fantasy form, and they are all quite stunning.  Nudity is present in some of the pictures, but not, I would venture to suggest, enough to make any of the NSFW.

These really are superb pieces, a rich mix of full length, partial and head-and-shoulder studies. Each is beautifully produced and presented, and each has a story to tell – some quite evocatively so. I confess to having been quite captivated by all of them, but one in particular caught my attention and held it again on a repeat visit. Essence of Time (below, right), is an extraordinary piece – which is not to diminish any of the others in any way.

Commune Utopia: Dilligraf (M8TY)

Also open now, but at the Surreal Dreaming gallery is Fragmented Visions, a series of eight images by Norton Lykin.

“Reflecting on nature. love, perception and cognition I see clearly that what we perceive as reality is a flux depending on our ideas, history and conditioning,” Norton states in the notes accompanying the images. “That the present moment feeds us with all kind of possible realities. Throughout this there is one stable factor, love, which can take us trough everything, love of this being which in its imperfection is perfect, wholesome. We are in this journey called life given the opportunity to be open and question our ideas and the histories we tell and this is my project.”

Surreal Dreaming: Norton Lykin

All of the images are best viewed with the viewer’s Advanced Lighting Model (ALM) enabled. Seven of the images offer almost abstract interpretations of scenes,each of them using either bold colours or vertical and square overlays. The result is a striking – if hard to interpret – series of images presented in a large format.

The eighth, entitled Towards the Light, is  a marvellous use of a fresco-like form, layered textures to create a fabulous sense of depth and reflection. It’s absolutely essential to view this with ALM active – and to camera from side to side before the image to full appreciate with artistry and depth within it.

Surreal Dreaming: Norton Lykin

Both of these exhibition make for an interesting visit, and both are small enough to be enjoyed as a pair of back-to back visits.

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A Brand New Colony in Second Life

Brand New Colony; Inara Pey, September 2017, on FlickrBrand New Colony – click any image for full size

Update, January 1st 2018: Brand New Colony has relocated. The SLurls given here have been updated to reflect the new location, and a tour of the new build is available here.

Brand New Colony is an Adult-rated homestead region designed by Bunny Blessed (Svelte Blessed) and Mimara Blessed (Mimara) which is open to visitors to explore and enjoy – and it is a wonderfully picturesque setting in which to spend time.

Divided into three islands linked by bridges and surrounded by surf, the region sits in a broad channel of water sitting between two rugged mountain ranges rich with fir trees on their flanks. A visit begins on the plateau of the northernmost island, which extends a slender finger westwards, stone steps offering the way down from the gazebo in which visitors arrive. This sits above a large pool of water feed by an arc of waterfalls. Bridges span the water to the gazebo, which is also carried away by falls which drop down the side of the plateau to feed a large pool and a stream below.

Brand New Colony; Inara Pey, September 2017, on FlickrBrand New Colony

Footpaths run either side of the stream, bridges connecting them one to the other, both offering ways to explore the island, and  to reach the summer-house sitting on wooden legs above the stream. Rich with flowers and the shade of trees, with benches and swings to be found along the paths overlooking the water feature, the island on its own offers a picturesque setting in which to spend time. However, there is more to be found in the region.

Just down from the arrival gazebo is a wooden bridge spanning the channel between this island and the larger of the two to the south.

Brand New Colony; Inara Pey, September 2017, on FlickrBrand New Colony

A villa with whitewashed walls and a red-tiled roof sits on the plateau forming the central peak of this second island, steps near the bridge offering a way up to it. Sitting beneath the villa and visible from the arrival point is a sandy beach, complete with a tiled pool set back against the rocks of the plateau,  reached by a grassy path sloping down from the villa’s hilltop location.

Two further sets of stone stairs curl their way down the west face of the plateau, allowing explorers reach a stone bridge offering a way to the smallest of the three islands. This is home to the adult aspect of the region: an old (but functioning) lighthouse has been converted into an adult club – so, for those not fond of such things, proceed with care.

Brand New Colony; Inara Pey, September 2017, on FlickrBrand New Colony

There are many points of beauty within this region. The three island have been designed with care, and their rocky nature is entirely natural in look and feel, as are the many water features. Trees and plants are used with equal care and finesse to present a setting which is not just picturesque, but also serene. This is a place to be explored and enjoyed at leisure, with plenty of places to sit and relax – or cuddle. It’s also a place which demands photography.

As noted, Brand New Colony is adult rated, and a part of it does have an adult theme; but this doesn’t in any way detract from the sheer allure of the region.  All-in-all, a delightful visit.

Brand New Colony; Inara Pey, September 2017, on FlickrBrand New Colony

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