Athenaeum: scenic beauty with an adult twist in Second Life

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum – click any image for full size

Athenaeum is an Adult-rated region we were pointed toward (once again!) by Shakespeare and Max. The name piqued my curiosity for two reasons: the school for promoting literary and scientific studies founded by the Roman Emperor Hadrian, and the Athenaeum Club in London; founded in the 1820s for those of both sexes with intellectual interests encompassing the likes of science, engineering, literature and the arts – although it is not necessarily exclusive to these disciplines.

A full region designed by Dema (Dema Fairport), Athenaeum also caters for those with a specific grouping of interests, albeit those of a distinctly adult nature, and offers a welcome to all visitors, no matter what their gender preference or sexual orientation.  It is also, and more particularly, a quite breathtaking region in its design and execution.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

Within her Profile, Dema offers a description that builds on the limited space within the About Land Floater to perfectly encapsulate the aim of  region, making it clear that while adult in nature and leaning towards more Adult-oriented interactions, Athenaeum is not in any way a “sex sim”; far from it. The emphasis is on a refined, cultivated approach to adult activities within Second Life.

Artistic, adult environment focusing on the kink friendly community. Come with an open mind and relax with your special someone by the pool, the veranda, library or the many relaxing areas along the beach or in the woods. Meet others of like minds. who enjoy the kinkier aspects of SL in a safe loving environment free of judgements.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

The landing point sits towards the centre of the region, and is located on a stone bridge reaching over one of two river gorges that slice through the land, splitting it into three major parts. To the southern end of this bridge steps rise to a shelf of rock on which sits an ageing hunting lodge, now converted into a place with an ambience – on the ground floor at least – of a private club. Within its rooms are leather arm chairs, great bookcases filled with tomes awaiting reading, fires in the hearths, bottles of port and cigar humidors on some tables, coffee and After Eight mints on others, and just the most subtle of hints as to some of the activities that might follow conversations in these rooms; activities which themselves might be enjoined in the rooms above, going by their décor.

The swimming pool mentioned in Dema’s description is to the found to one side of the flagstone terrace sitting behind the lodge,  which also offers a place for dancing under open skies and further hints of the more adult pursuits visitors might engage in. The house and terrace overlook a small finger of an island just sitting off the coast to the west, with a ribbon of beach awaiting explorers, somewhat curtained from prying eyes above by tall fir trees. Reaching this is a matter of backtracking to the bridge and then finding your way by steps and cinder track down to the foot of the plateau, and then around it to where a little wooden bridge connects the island to a second sliver of sand in the lee of the cliffs.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

Travel north along the stone bridge of the landing point, and the way is open to reach a broad, shallow cove on the north side of the land. Here time can be spent on the beach or in the water or resting in the tree houses sitting to one side of the cove, overlooking another DJ spots and ground-level seating areas.

Between the steps from the bridge and the rocky arch leading to the cove, the way is cut by a cinder track. Follow this downhill to a surfaced road, and you’ll find yourself passing buildings offering some unique perspectives on fetishism. There’s a celebration of the physical world photography of New York’s Darque, sitting alongside the Kink History Museum that traces the history of kink from ancient through to modern times, before the road ends at a cosy waterfront café.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

And all of this barely scratches the surface of the region. The landscaping is rich and natural, with cinder tracks and trails winding inland and to various points on the coast or overlooking it, with numerous secluded spots and settings with an edge of romance to them for couples and groups to enjoy. To the south-east, reached via paths leading under trees and across meadows can be found more contemplative spots, complete with Buddha awaiting those who will visit; further west, horses graze alongside their barn, while vine-draped trellises offer arched invitations to perhaps step off of  the tracks and paths and just wander, and a small headland offers a camp site overlooking the cove and its beach.

Gloriously photogenic (visitors are invited to share their images on the Athenaeum Flickr group), with its adult twists tastefully presented, Athenaeum makes of an interesting and potentially engaging visit.

Athenaeum; Inara Pey, August 2018, on FlickrAthenaeum

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Sisi Biedermann’s Wonderful World in Second Life

Sisi Biedermann – What a Wonderful World

Now open at the Lin C Art Gallery, curated by Lin Carlucci, is What A Wonderful World, an exhibition of the extraordinary art of Sisi Biedermann.

I’ve reported on a couple of exhibitions featuring Sisi’s art of late – and with good reason; her work – all of it original pieces she has painted and composed – is quite unlike art produced within Second Life and exhibited in-world – nor is it quite like any real world art uploaded into Second Life by artists. Rather, and in a sense, thanks to Sisi’s imagination, style, and rich use of colour and ideas, to me it straddles the two. So many of her pieces could depict settings and situations waiting to be created in-world, whilst all offer doorways into fantastical worlds that come to life as virtual places within our imaginations.

Sisi Biedermann – What a Wonderful World

Sisi’s work is broad-ranging, although there is a focus perhaps on wildlife and fantasy art. It is also so skilfully executed, it is possible to become a lost in her techniques (which, I’d hazard a guess mix both traditional and digital approaches – but I have not had the opportunity  to discuss this with her), as in the stories contained within each painting.

What is particularly captivating about many of Sisi’s pieces also lies within the manner in which she presents them. Some may appear to be oil or watercolour on canvas, others as tiled mosaics, and others appear to have been embossed. Which approach is used doesn’t appear to be as result of random thought; often times the presentation and finish to a piece is as much a part of its story as the images itself. Take The Boy in The Moon, for example, with the embossing of a net-like finish over the piece as the boy dangles his rod from a crescent Moon; or the finish impressed on to My Amazing Garden that allows the imagination to feel the texture of flower petals and the soft brush of dandelion heads…

Sisi Biedermann – What a Wonderful World

With around fifty pieces on display, this is the largest exhibition of Sisi’s work I’ve seen, and my only small regret is that none of the wildlife pieces see at exhibitions she’s held earlier in the year aren’t also more in evidence here. This is obviously to avoid any feeling of repetition in displaying her work – but such is the sheer beauty and power contained within her animal images, it would have been nice to have seen a fox or a giraffe or similar here…

And if you think 50 is a lot of pieces to display – where Sisi is concerned, I assure you it isn’t. As I’ve intimated, these are more than just paintings, they are stories, and as such, they are each as individually engaging to the eye and imagination as the last.

Sisi Biedermann – What a Wonderful World

What A Wonderful World will remain open through until Thursday, September 13th, and should not be missed.

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DiXmiX 2017-2018 retrospective in Second Life

DiXmiX Gallery: Cecilia Nansen Mode (December 2017) and Uma Sabra (September 2017)

DiXmiX Gallery is one of the most prolific galleries in Second Life in terms of the frequency of exhibitions. With three halls available for art, the gallery can feature up to three artists a month on a rolling basis, sometimes with exhibitions in the respective halls overlapping one another in their duration, a move which further helps to keep visits to the gallery fresh.

For the four weeks from August 17th, 2018, curator Dixmix Source is hosting a slightly different exhibition from the “norm” at the gallery: it is something of a retrospective of exhibitions held through 2017 and 2018, with the work of some 30 artists on display across all three halls and within the basement gallery of The Womb. As such, it is an opportunity to both revisit memories of past exhibits and  – for those unfamiliar with the art displayed at DiXmiX – the opportunity to sample its scope of the art to be found there.

DiXmiX Gallery: Oyo and Magic Marker (April 2018)

The artists included in the exhibition are (dates in brackets refer to reviews in this blog): Elo (elorac Paule), Maloe Vansant and Uma Sabra (September / October 2017); Purple Leonis ONeill (Nel4481), Juris Bergmanis (JurisJo) and Imani Nayar (October 2017); Cecilia Nansen Mode (December 2017); Titus Palmira, Gaus (Cicciuzzo Gausman) and Burk Bode (February 2018); I’m A Magic Marker, Oyo and Mr. S (April 2018); Giovanna Cerise (May 2018); A. DeLauren (AlessaMendoza), Kimeu Korg and Kato Salyut (June 2018); together with Goodcross; Huckleberry Hax;  Vallys Baxter; Lou Shadow; Moon Edenbaum, Nur Moo, and DixMix himself.

The exhibit also incorporates  Bicycles (July 2018), relocated for this exhibition, a selection from Melusina Parkin’s Less is More (February 2018) and the Best of The Womb, featuring  Nath Baxton and Joslyn Benson, all of which can be found in the basement gallery, The Womb.

DiXmiX Gallery: Juris Bergmanis (October 2017)

DixMix is very much a gallery that leans towards avatar studies within the exhibitions it hosts – which given Dixmix himself is very much an exponent of the art of avatar studies, is an entirely natural bias – and this is very much reflected in this retrospective exhibition. As such, those pieces that focus on other elements of artistic expression, such as physical world art (represented here by Huckleberry Hax) and SL landscape art (notably, but not exclusively, Juris Bergmanis), tend to particularly capture the eye in scanning through the gallery. But don’t let this deceive you; there is a richness of narrative this is striking in every single image presented.

Several exhibitions at the gallery have been built around a theme by the artist, and capturing this in just one or two images isn’t really possible. Take Celicia Nansen Mode’s Within the Voice of Björk from December 2017, a captivating interpretations of female form, moods and feelings, beautifully through images and the music of the Icelandic singer (and still one of the most memorable exhibitions I’ve seen at DiXmiX). It was a stunning exhibit, but one not easily recaptured hen presenting just two of the images from the collection.

DiXmiX Gallery: Elo (September 2017) and Purple Leonis (October 2017)

However, Dixmix has sought to get around this issue where possible. With 12 Photographers and 1 Chair by Mr. S, and Bath Stories by Nur Moo, for example, the complete set of images for each are presented as a framed slide show, allowing all of them to be seen in turn. Sadly, due to the use of music with each of Celicia’s pieces, this approach wasn’t possible for With the Voice of Björk.

As noted, the exhibition is stated to run for the four weeks from August 17th, and offers an ideal introduction to DiXmiX gallery and the general style of art displayed there for those who have yet to visit, and a trip down memory lane for those of us who frequent the gallery.

DiXmiX Gallery: Oyo (April 2018)

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Bellefleurs and the House Sakura in Second Life

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs – click any image for full size

Bellefleurs is an Elizabethan-styled grand manor house, the grounds of which occupy an entire homestead region. It is a location I’ve visited on several occasions in the past, but it was its recent re-appearance in the Editors Picks section of the Destination Guide that prompted me to suggest to Caitlyn we pay it a further visit.

The house is the design of Indy (India Canning); it is both the seat of the Canning family and home to the Duchess(es) of Ominum. There is an architectural beauty to the house that puts me in mind of Montacute House, the fabulous Elizabethan Renaissance house in Somerset, England, now operated by the National Trust. I gather from speaking to Indy and Lynn Mimistrobell – who is also involved in the region’s operation – this is intentional; Montacute having been one of several places Indy drew on for inspiration.

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs

The house – and the Canning family – is the subject of a richly detailed backstory which is a simply marvellous read, and speaks to deeper elements associated with the region I shan’t go into here. Suffice it to say, never have I come across such a piece for a Second Life location that is so richly interwoven with real events from England’s history. So much so that the text reads not merely as a scene-setting piece of information, but a scholarly review of the genuine history of a noble family, one  – as so often was the way at the time – in which intrigue, politics and religion are deeply interwoven. Such the the quality of the writing, I’ll go so far as to say that a visit to Bellefleurs is incomplete without the time taken to read it either via the website or via the book presented in the entrance hall of the house – particularly if you have a knowledge / fondness / love of Elizabethan history.

Whilst Elizabethan in origin, Bellefleurs incorporates elements from other periods – notably the Victorian. This reflects the natural means by which family seats acquire elements and furnishings through the ages, and the Victorian influences mix easily with Elizabethan. There are also more modern influences to be found in both the house and the grounds, none of which are in any way out-of-place.

Within the grounds of the house are formal gardens to the north and south, with a grand water feature pointing to the west from the rear of the house. Broad paths guide visitors through the grounds to places such as the En Garde fencing area, an outdoor dance area and a walk overlooking the western coastline of the region.

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs

To the south of the house, beyond the gardens, sits a mausoleum containing the “tomb” of India Canning. Not that she has passed or anything; it was originally a piece for a Halloween party. But in remaining in place, it offers a hint to some of the deeper aspects of the region and its backstory. However, what these may be is perhaps down to your imagination, how you look upon the portraits of Duchesses (are their likenesses purely down to familial resemblance?) or how you look upon classical / romantic themes around love, loss, life and death. I’ll say no more here, but leave you to your own ruminations;  if only for the fact one of the quotes on the capstone of the tomb had me barking completely up the wrong tree, although Lynn and Indy quickly corrected me on that score! 🙂 .

Sharing the region with Bellefleurs is the House Sakura Companion Guild, which also has its own backstory.  Located in the sky over the house, it encompasses the more adult aspects of the region – with an emphasis on refined elegance.

It is based upon an amalgamation of the Firefly Companion Guild concept, the Venetian cortigiani oneste and the Parisian demi-monde, House of Sakura is located in the sky over Bellefleurs, where more adult encounters might be had – at the discretion of the Companions of the House (who refer to themselves as Blossoms).

House of Sakura; Inara Pey, August 2018, on FlickrHouse of Sakura

Both Bellefleurs and House Sakura host a number of open social events people are welcome to attend:

  • Sunday –  19:30 SLT: Classical Music Salon at Bellefleurs, followed at approximately 20:30 by the After Salon Party at House of Sakura – cocktail attire requested for this event.
  • Alternate Tuesdays 19:00 SLT: Toxie Darkmatter sings live at the House of Sakura – cocktail attire requested for this event.
  • Thursday 19:00 or 20:00 SLT:  the Thursday Dance at Bellefleurs –  alternating weeks DJ Dee (19:00) or DJ Maddie (20:00); semi-formal attire requested.
  • Friday 13::00 SLT: the Friday dance with DJ Ellie  at House of Sakura – casual attire.
  • Saturday 14:00-16:00 SLT: DJ Dee’s time hopping weekly party – details via the in-world group; parties are come dressed for the period / theme or as you are.

Bellefleurs house makes for an intriguing visit, and offers a lot of scope for photography and for contemplation. For those with a sophisticated approach and outlook, House Sakura offers a unique environment for more Adult related activities, although as noted, it and Bellefleurs are also both settings for relaxed social events. For those who enjoy a place that give pause for thought and which offers its own story to tell, Bellefleurs can also be just the ticket.

Bellefleurs; Inara Pey, August 2018, on FlickrBellefleurs

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Twist of Fate is rated Adult.

Ethereal Shapes in Second Life

Ethereal Shapes

Currently open through (I believe) until the end of October 2018, is Ethereal Shapes, an installation of form and light by Noke Yuitza. It comes with an intriguing introduction (touch “Info” on the board on arrival):

Within the forms of faces, animals, flowers… in groups of stars, ink, glitter… There are 4 scenes: Dreamer, Galaxy, Ballet, and Eyes. The concept that brings them together is the dreamer that looks at how stars dances in a galaxy ballet.

The landing point – a gazebo that appears to have been in part delicate spun from light – sits at the centre of a series of scenes brought to life by the shimmering play and movement of light. They stand in a circle against the darkness of night sky (note the windlight for the installation appears to have been set at parcel level, so if you are not using Firestorm, you may have to manually swap to Midnight in order to appreciate the setting properly).

Ethereal Shapes

The ring of scenes, linked by more shimmering tendrils of light that form intricate, ghostly flowers, are pointed t to by short walkways radiating out from the gazebo. Two of these routes may appear to have greater prominence than the others as they are marked by avenues of the gossamer, gently pulsating flowers. However, I’d venture to suggest it does not matter which of the five routes you opt to take in stepping off the gazebo; all of the scenes will captivate both eye and imagination.

These are elements designed to appeal to our imaginations, the dreamers within us, calling to us to look beyond the obvious and see what lies within each of them – the hidden faces, the hints of animal or creature outlines by curve and twist of leaf; the majesty of the cosmos around us, and the life it gives to us – and so much more. As such, words alone are insufficient to convey this installation; it needs to be experienced first-hand.

Ethereal Shapes

In this, having to manipulate the camera freely is of a huge advantage – and those who have a means to flycam via a joystick, game controller or Space Navigator style of mouse controller will be at a distinct advantage, as with some of the elements within the installation, a distant look isn’t always enough to fully grasp, rationally or via the imagination, the subtle beauty of things.

Take for example, the plants and the play of light across them.  It is as if they are in motion: dancers caught in an intricate ballet, or intangible creatures leaping into the air or caught on the wing. Then there are the very human figures also give to dance, their outlines broken into tiny constellations of softly pulsing light and flaring blooms of flowers. Zoom on these, and it is like zooming into the microcosm of the the heavens, a delicate reflection that we are in fact star-stuff.

Ethereal Shapes

Ethereal Shapes is an environment where the longer one spends within it, the more captivating it becomes. It is also a setting that is hosting a number of music events while open; so be sure to check the events board as well when visiting.

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Ethereal Shapes (LEA 2, rated Moderate)

A return to Kekeland – Bardeco in Second Life

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco – click any image for full size

Update: Kekeland – Bardeco has closed. SLurls have therefore been removed from this article.

It’s been nigh-on a year since our first visit to Kekeland – Bardeco, and while the titular bar served as an inspiration of me to remodel Caitinara Bar, after we visited the in the latter half of 2017,  we hadn’t been aware of any move or make-over in the design – until, that is, Shakespeare dropped a new LM on me. Intrigued, we hopped over to have a look, to discover Kekeland – Bardeco has moved from a Homestead to Full region, and undergone a make-over in the process.

We tried to recreate a quiet, sunny and peaceful fishermen place, inspired by an Italian village. You will find a little harbour and a coloured village, and hillsides of vines, with camping and mountains.

– Dandy Warhlol (terry Fotherington) and Belle des Champs (Bridget Genna)

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

As recreations go, the “new” design for Kekeland is impressive, and succeeds in imparting the feeling of being within the kind of setting that inspired it; but the success might come at s slight cost to some visitors: this is a place where there is a lot going on, particularly with textures, so some adjustment to viewer settings might be required to compensate.But this should put you off visiting; after all, that’s what graphic presets are for!

The harbour described in the land description sits on the south side of the region, a walk down through the streets of the town surrounding it on two sides. Protected from the sea by a breakwater and watched over by a lighthouse, it is fairly bustling with boats: sailing boats, yachts, motorboats, RHIBs – so much so that the fishing boats tied-up at the wharves must have to fight their way out to the freedom of the sea in order to ply their trade each morning!

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

These fishing boats are tied-up on the east side of the harbour, which is clearly the “working” side: a busy waterfront road where a lot is going on. Behind it, and climbing the stepped cliffs, tall, modern-looking apartment blocks vie with  an ancient fort that once commanded a strategic view over the bay, to claim the skyline as theirs.

The town continues round to the north where, set back from the harbour is a plaza – surprisingly overgrown and with more tower blocks and houses climbing up the inland slope behind it. Along the plaza the predominant business appears to be entertainment and refreshment. The coffee houses, bars, boutiques and open-air music area, together with the more modern apartment houses up on the cliff-top, suggest why the harbour is so chock-full of boats: once a working coastal village, this place has now become a holiday destination.

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

A further attraction lies on the west of the harbour. Here, sitting atop a rough table of rock, sits Bardeco. The last time we saw this (also the occasion of our first visit to a region design by Belle and Dandy), it was imaginatively placed at the foot of of the region’s cliffs and built back into them, offering an entirely “covert”, so to speak, setting that was both part of yet separate from the rural setting above. Seeing it out in the open in this “new” location did take a little getting used to, I admit, but it has not lost any of its shabby-chic appeal.

North of Bardeco, beyond the slip of water and beach dividing it from the town, the buildings quickly give way to open, rugged land. Here can be found trails, old ruins and signs that not all the locals have been driven away by the maddening crowd on the waterfront. Goats are being reared and grape vines cultivated on some of the lower northern steps of the island, while old farmhouses hide among the trees or sit aloof from the trails on their own shoulders of rock. There’s also the ruins of a much grander property sitting forlorn and alone, whatever story of times past lying within its broken walls fading slowly as nature takes up a greater and greater residence.

Kekeland - Bardeco; Inara Pey, August 2018, on FlickrKekeland – Bardeco

In its Homestead iteration, Kekeland – Bardeco offered a wonderful sense of rural living, complete with its discrete and neatly tucked away bar. With its move to a Full region simulator, it presents a more urban setting, and marries these with some of the feeling on open spaces that made the “original” so appealing. It is very different to the “old” design, but sports a unique look and charm nevertheless.