Less is More is the title of an exhibition of Second Life photography by Melusina Parkin, featured at the basement Womb exhibition space at DiXmiX Gallery and which opened on February 20th, 2018.
As an aphorism, the phrase is most readily associated with the German-America architect, Ludwig Mies van der Rohe, regarded as one of the pioneers of 20th Century modernist architecture, although he appears to have lifted the expression from Robert Browning’s 1855 poem Andrea del Sarto (also called The Faultless Painter). Van der Rohe used the term to define a form of architecture with a minimal structural framework that could suggest free-flowing open spaces, and which could explore the relationship between people, shelter, and nature. Given Melu’s own unique approach to photography which very much encompasses the refined, minimalist use of structure balanced against the idea of natural,open space, the aphorism is an ideal title under which to exhibit some of her work.
In all, 18 photographs are displayed in the Womb’s three halls – you can find it by entering the main DiXmiX gallery and making your way to the Black Gallery, where the entrance to the Womb resides. Primarily rendered in soft tones, all of the pieces perfectly exemplify the idea of minimal structure, both in terms of framing – most of the pictures carry an intentional off-centre focus – and in terms of content – the physical structures within the images are minimally presented against a broader backdrop suggestive of open space, whether offered by open water, cloudy sky or a blank wall.
Also evident in these images, and in keeping with van der Rohe, is another of the architect’s adopted aphorisms: God is in the details. Yes, the over-arching aim of this type of photography is to present something that carries within in minimal structure and balances that structure against the use of space; however, this is something that just “happens”. It requires a measured eye and a flair for making what is actually a painstaking study of places and environments look so naturally easy.
Thus, while they might all look effortless in execution, considered study of each of them reveals the care and thought that went into bringing each of them to life. Even the way they have been paired within the three sets of images: views, interiors and bodies, should be considered; Melusina’s attention to detail is evident through this exhibition.So much so, in fact, that I couldn’t help but wonder if with some of the selected images, she’s not also offering a tip of the hat directly to van der Rohe. Looking at two of the images in Bodies (centre image of this article), I found myself thinking about his Farnsworth House design, and its original occupant, Dr. Edith Farnsworth.
Another excellent exhibition from one of my favourite artists in Second Life.
- DiXmiX Galley (Bay Port, rated: Moderate)
One thought on “Melusina’s minimalism in Second Life”
The perfect line, a must to see in term of minimalist photography. Melusina Parkin is for sure a master!
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