Category: Other Worlds and Tech

All change, getting virtual on Mars and watching the asteroid go by

Posted on by Inara Pey

CuriosityThe start of the year has brought – and is bringing – some changes to the Mars Science Laboratory mission. The first change has occurred here on Earth. On January 5th, 2015, John Grotzinger from the California Institute of Technology stepped down as the mission’s principal Project Scientist in overall charge of a team of some 500 people from across the globe who are operating the rover and its suite of scientific instruments.

Recently promoted to chair Caltech’s Division of Geological and Planetary Sciences, Grotzinger will still be involved in the mission, but his new responsibilities mean he cannot reasonably continue in such a lead role within the project. Stepping into his shoes, therefore, is Ashwin Vasavada of NASA’s Jet Propulsion Laboratory. He has been serving in the role of Deputy Project Scientist since the mission’s inception 2004, and has been intimately involved in both the development of the mission’s science packages and the rover itself. As such, he is ideally placed to take over from Grotzinger.

“John Grotzinger put his heart and soul into Curiosity for seven years, leaving a legacy of success and scientific achievement,” he said on taking over the role. “Now I look forward to continuing our expedition to Mars’ ancient past, with a healthy rover and a dedicated and passionate international team. And yes, this is all just incredibly cool.”

Ashwin Vasavada of NASA’s Jet Propulsion Laboratory, Pasadena, California, took over has the MSL’s Project Scientist from John Grotzinger at the start of January, 2015

Meanwhile, on Mars, Curiosity is engaged in further studies of rocks within the “Pahrump Hills” area on the lower slopes of “Mount Sharp”. These studies will involve drilling for rock samples from at least one more target of interest,  prior to the rover continuing its climb up the flank of the mountain.

The initial target for sample gathering has been dubbed “Mojave”, which appears to be rich in crystalline minerals. Slightly smaller than grains of rice, the structures first appeared on early images of the rock captured by the rover, and have caused intense – no pun intended – curiosity among mission scientists.

“We don’t know what they represent,” Vasavada said of the mineral forms and the decision to target “Mojave” for drilling. “We’re hoping that mineral identifications we get from the rover’s laboratory will shed more light than we got from just the images and bulk chemistry.”

Prior to drilling for actual samples, Curiosity was first ordered to carry out a “mini drilling” operation. This is a routine test to ascertain a number of things prior to committing to a full-on sample gathering exercise. These include making sure the rock is stable enough for a full drilling operation, gathering data of the reaction of the drill to penetrating the rock surface, ensuring any drilling operation will not cause undue vibration within the rover’s mechanisms, and so on.

A unique view of the "mini drilling" operation on "Mojave". Captured by Curiosity's Hazcam navigation cameras, the image shows the rover's "hand" oriented such that the dril (visible with its two steadying arms) is placed against the rock
A unique view of the “mini drilling” operation on “Mojave”. Captured by Curiosity’s Hazcam navigation cameras, the image shows the rover’s “hand” oriented such that the drill (visible with its two steadying arms) is placed against the rock, with the peak of “Mount Sharp” forming a backdrop.

The initial mini-drilling operation took place on January 13th 2015, during the 867th Martian day, or Sol, of Curiosity’s work on Mars. It marks the third phase of science operations in the “Pahrump Hills” area, having been preceded by a “walkabout” of the area in which potential target sites for detail investigation were noted prior to follow-up examinations of several of them using some of the rover’s on-board systems, such as the Alpha Particle X-Ray Spectrometer and the Mars Hand Lens Imager (MAHLI), both of which are also mounted on the “hand” or turret at the end of the rover’s robot arm.

Once samples from “Mojave” have been collected, they’ll be passed through the CHIMRA system inside the turret, which will prepare them for delivery to the rover’s main on-board science suits, SAM and ChemMin. The latter (standing for Chemistry and Mineralogy instrument), will hopefully reveal a lot more about the chemical composition of the crystals. Additionally the drilling operation itself should reveal whether the crystals are only at the surface, like a salty crust, or are also deeper in the rock, which itself might lead to clues about their origins

“There could be a fairly involved story here,” Vasavada said. “Are they salt crystals left from a drying lake? Or are they more pervasive through the rock, formed by fluids moving through the rock? In either case, a later fluid may have removed or replaced the original minerals with something else.”

Two other potential targets for drilling operations are also under consideration before the rover moves out of the “Pahrump Hills” area.

The view is a mosaic of four focus-merge images created by Curiosity from 40 images acquired using MAHLI on Sol 809 (November 15th, 2014 PDT). It shows an area of the “Mojave” rock which has been cleaned by the rover’s dust removal tool in order to reveal the tiny rice-like crystalline deposits. The penny in the lower left is to scale with the mosaic

Continue reading “All change, getting virtual on Mars and watching the asteroid go by” →

The Beagle had landed

Posted on by Inara Pey
An artist's impression of Beagle 2 on Mars (credit: European Space Agency)
An artist’s impression of Beagle 2 on Mars (credit: European Space Agency)

In June 2003 the European Space Agency launched a pair of vehicles to Mars. The larger of the two, an orbiter vehicle called Mars Express, is still in operation today, albeit often overlooked by the media in favour of its American cousins also in orbit around the Red Planet.  The other vehicle, piggybacking on Mars Express, was a tiny lander (quite literally, being just 39 inches across) called Beagle 2.

Designed to search for signs of life, past or present on Mars, Beagle 2 was the Mission That Almost Never Was, because at the time it was proposed, no-one outside of those wanting to build it, wanted it. And yet, even today, the science package it did eventually take to Mars is one of the most remarkable feats of science engineering put together, with capabilities that will not be repeated until NASA flies their one tonne Mars 2020 mission at the start of the next decade.

Sadly, for all its innovation and despite overcoming the odds to actually fly to Mars, Beagle 2 never achieved its goals; all contact was lost on the very day it was due to land on the Red Planet, December 25th, 2003. What happened to it remained a mystery for twelve years, but on Friday, January 16th, members of the Beagle 2 team were able to reveal that the fate of the plucky little lander was now known.

The Beagle 2 story begins in April 1997, when the European Space Agency held a meeting to discuss the possibility of flying an orbiter mission to Mars in 2003, following the failure of an earlier mission. This new mission would be called “Mars Express”, both in recognition of the exceptionally short lead-time to develop and fly it, even using instruments and systems developed for the failed mission, and for the fact that in 2003, Earth and Mars would be the closest they’ve been for some 60,000 years, allowing anything launched around the middle of that year to reach Mars in a comparatively short time.

Colin Pillinger, the man very much at the centre of Beagle 2, and who brought the mission to the public eye
Colin Pillinger, the man very much at the centre of Beagle 2, and who brought the mission to the public eye

Professor Colin Pillinger, a planetary scientist and a founder of the Open University’s prestigious Planetary Science Research Institute (since merged with the OU’s Department of Physics and Astronomy), attended the meeting together with his wife Judith, also a planetary scientist. At the time, Professor Pillinger was one of a number of scientists involved in investigating whether or not biogenic features had been discovered in a meteorite found in Antarctica, but which had originated on Mars.

This particular debate was focused on a piece of rock called ALH84001, regarded as one of the oldest pieces of the Solar System, being just over 4 billion years old, and which formed at a time when Mars was likely a warm wet planet. It had been raging for a year with no sign of abating, and Professor Pillinger had already come to the conclusion that one way to settled it would be to put a life sciences package actually on Mars.  He realised the proposed Mars Express mission presented the perfect opportunity for doing so, as did his wife. So much so, that by the time they got back to the UK, she had the perfect name for a mission designed to seek out evidence of life on Mars: Beagle 2, named for the vessel commanded by Captain Robert FitzRoy that carried Charles Darwin on his seminal voyage of discovery.

The microscopic structures revealed by a scanning electron microscope deep within a fragment of ALH84001 that suggested biogenic origins
One of the microscopic structures revealed by a scanning electron microscope deep within a fragment of ALH84001 that suggested biogenic origins

Given all of the controversy surrounding ALH84001 and the question of possible microbial life on Mars that dated back to the Viking Lander experiments of the 1990s, you’d think the ESA would jump at the opportunity to put a life sciences mission on Mars. Not so; for one thing, others also saw Mars Express as an opportunity to fly their projects to Mars and were busy lobbying. More to the point, it was held that the 6-year time frame for developing a lander mission from scratch was too short.

However, Colin Pillinger was not one to be deterred. In the UK he brought together a team from academia and industry, including Doctor Mark Sims, who was to prove pivotal in the  engineering design of the lander. With many of those involved in the nascent project initially working on it entirely in their own time, Beagle 2 rapidly developed from a series of rough designs “on the backs of beer mats”, to a proposal which, when presented to ESA managers, so impressed them, they provisionally agreed to the idea of flying a lander to Mars – but only if the UK was able to fund it. No money would be forthcoming from ESA.

Dr. Mark Sims of the University of Leiceter, who lead the engineering team responsible for Beagle 2, seen with another model of the lander (image: University of Leicester)
Dr. Mark Sims of the University of Leicester, who lead the engineering team responsible for Beagle 2, seen with another model of the lander (image: University of Leicester)

Thus began one of the most remarkable public relations exercises in annals of space history, with Beagle 2 becoming a household name in the UK, as Colin Pillinger sought to promote in on television, the radio, through newspaper and magazines, and giving public presentations. Space advocacy groups were rallied to the cause, celebrities were brought in to add their weight to things, Parliament and industry were lobbied and won over. In the end, the entire £44 million (US $70 million) was raised, with 50% coming from the UK government and the rest from the private sector.

Continue reading “The Beagle had landed” →

High Fidelity tutorial videos

Posted on by Inara Pey

HF-logoEarly December saw High Fidelity slip out a series of introductory videos on their YouTube channel under a play list entitled Intro to High Fidelity: The Basics.

At the time of writing this piece, six video are included in the play list, which together run to a total of some 16 minutes, although individually they range from just over the minute mark to just shy of five minutes in length. All six are narrated / produced by Chris Collins from HiFi, and the topic areas covered are:

  • First time log-in
  • Edit entities
  • Stack Manager
  • Oculus Rift set-up
  • Hydra support
  • Leap Motion controller.

First time log-in: takes the user from the point at which they have downloaded and installed the High Fidelity client software – referred to as “the interface”, and have logged-in for the first time, arriving in the High Fidelity sandbox area.

From here, Chris takes users quickly through changing the appearance of the default robot avatar by using one of the available pre-sets (“Ron”, shown in the image above), and noting that people can also upload their own avatars. He also covers ensuring the audio is correctly set (microphone pick-up, etc.), and basic navigation between domains / locations within the High Fidelity topography. Interface customisation through the use of JavaScript elements is also touched upon (the entire interface is written in JavaScript and includes some additional elements, making it highly customisable).

Editing entities: the second video provides a very high-level overview of creating and editing content (entities) in High Fidelity, starting with making sure the toolbox is correctly displayed (if necessary). Importing pre-built elements supplied with the interface is covered, and the ability for collaborative building within a domain is mentioned as is using FBX animations, and editing object properties is looked over.

A quick overview is also given on uploading custom content (in .FBX format), noting that it needs to be available from a web service (such as Dropbox or your own web server, if you happen to run one.

The Stack Manager focuses on building your own server to host a dedicated domain where you can build and share content, invite friends to come an join you and interact with them, etc. Servers can be run on your own local machine, or on any other machine to which you have suitable access (e.g. a web server).

The video runs through everything from downloading and installing the Stack Manager through to importing initial content. An overview of various settings (security, audio) and tools (logs, nodes), is also provided.

The final three videos provide quick start guides to using the Oculus Rift, Sixense Hydra and Leap Motion (attached to the Oculus Rift headset). All assume that you already have the hardware set-up and ready to go with your computer, and so each simply steps you through the basics to get yourself going (making sure the correct scripts are running, etc.).

Using the Sixsense Hydra with the High Fidelity interface
Using the Sixense Hydra with the High Fidelity interface

As noted, these are introductory videos, so don’t expect them to go into great detail in terms of what you can do, troubleshooting or anything like that. However, as quick start guides, they are clear, concise and do exactly what it says they do on the label.

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Videos courtesy of High Fidelity Inc.

Of mountains, methane and molecules

Posted on by Inara Pey

CuriosityAfter what has been a relatively quiet period in terms of news from Mars, things are once again proving interesting.

The first uptick came following the start-of-month teleconference Mars Science Laboratory personnel held to summarise the results of the last several months of activities the Curiosity rover has been performing in Gale Crater. In particular, these have allowed scientists to better determine how the 5 kilometre high mound at the centre of the crater may have been formed.

Even before Curiosity arrived on Mars, sufficient evidence had been obtained from orbit to show that features in and round Gale Crater were likely influenced by water-related activity. Curiosity itself found evidence for water once having flowed freely across parts of the crater when it encountered the beds of ancient rivers and streams as it explored the regions dubbed “Glenelg” and “Yellowknife Bay”.

With the journey down to “Mount Sharp”, and NASA call the mound, and the recent explorations of its lower slopes, the science team have been able to piece together the processes that led to its formation.

The first clues came while Curiosity was still en route to the point where examination of the “Mount Sharp’s” lower slopes could begin. As it drove southwards and towards the mound, the rover started to encounter layered sandstone deltas, all inclined towards “Mount Sharp”. On Earth, such layered, angled deposits are found where a river flows into a large lake.

A mosaic of images captured by Curiosity’s Mastcam on March 13, 2014 PDT (Sol 569). White-balanced for natural Earth light, the images show layered sandstone deposits, all pointing towards “Mount Sharp”, indicative of delta sediments dropped by a flowing river as it enters a large lake

Once in the foothills of “Mount Sharp”, in the area dubbed “Pahrump Hills”, Curiosity has repeatedly come across layers of tightly-compacted sedimentary mudstone which are entirely consistent with the sedimentary layering found in the muds and rock in lake beds on Earth. Intriguingly, while most of these layers appear to have been formed by sediments settling out of a large, still body of water, some of them appear to have been affected by wind erosion.

This latter point would indicate that rather than the crater floor once being covered by a single body of water which gradually vanished over time, it was subjected to cycles of wet and dry periods, giving rise to a number of lakes forming within the crater over the ages, each one only a few metres deep. As the water receded / vanished during the dry periods, so the uppermost layers of each lake bed were exposed to the wind, eroding them, before the next wet period started, and a new lake formed, gradually depositing more sediments on top of them.

Thus over a period of millions of years, Gale Crater was home to numerous lakes, each of them fed by assorted rivers and streams flowing into them, giving rise to the alluvial plains around the base of the crater walls, and the sedimentary deltas closer to “Mount Sharp” where these rivers and streams met the standing waters of each lake.

This diagram depicts a vertical cross section through geological layers deposited by rivers, deltas and lakes. A delta builds where a river enters a body of still water, such as a lake, and the current decelerates abruptly so sediment delivered by the river settles to the floor.

This view of Gale Crater is further supported by measurements of the deuterium-to-hydrogen ratio in the rocks sampled by Curiosity. These suggest that the sediments the rover is now examining were laid down during a period when Mars had already started losing its surface water, suggesting an extended period of climatic change on the planet, where the amount of free-standing water may well have been in flux.

Once the water had completely vanished from Gale Crater, it seems likely that “Mount Sharp” was sculpted by wind action within the crater. Thus, it is thought, would have eroded the material of the alluvial plains faster than the more densely compacted mudstone formed under the weight of the successive lakes.

As it might have been: the left image shows the repeated depositing of alluvial and wind-blown matter (light brown) around a series of central lakes which formed in Gale Crater, where material was deposited by water and more heavily compressed due the weight of successive lakes (dark brown). Right: once the water had fully receded / vanished from the crater, wind action took hold, eroding the original alluvial / windblown deposits around the “dry” perimeter of the crater more rapidly than the densely compacted mudstone layers of the successive lake beds, thus forming “Mount Sharp”

Continue reading “Of mountains, methane and molecules” →

The man whose novel helped inspire Second Life takes a Magic Leap

Posted on by Inara Pey

It has been announced that science-fiction author Neal Stephenson has become the latest high-profile individual to join the ranks of Magic Leap, the still-mysterious company that seems to be doing something highly innovative with augmented reality – and perhaps virtual reality as well.

Stephenson, who wrote Snow Crash, the novel which first coined the term “metaverse” and is often referred to as one of the influences behind the development of Second Life, has accepted the position of “Chief Futurist” at Magic Leap, in news being broken by the likes of Wired and The Verge.

Neal Stephenson, Magic Leap's new
Neal Stephenson, Magic Leap’s new “Chief Futurist” (image: Bob Lee via Flickr)

Writing in a blog post for Magic Leap, Stephenson states he had been approached by the company months ago – and in a rather unique way:

A few months ago, two Irishmen, a Scot, and an American appeared on my doorstep with Orcrist, aka “Goblin-cleaver,” the ancient sword forged during the First Age of Middle Earth by the High Elves of Gondolin, later retrieved from a troll hoard by Thorin Oakenshield. It’s not every day that someone turns up at your house bearing a mythic sword, and so I did what anyone who has read a lot of fantasy novels would: I let them in and gave them beer. True to form, they invited me on a quest and asked me to sign a contract (well, an NDA actually).

The use of Orcrist in the offer is cleverly symbolic: one of the Board of Directors of Magic Leap is Sir Richard Taylor, founder and head of WETA Workshop, the company behind the models, costumes and special effects seen in the Lord of the Rings and Hobbit trilogies directed by Peter Jackson.

Precisely what Magic Leap is developing is something of a mystery, although as I’ve previously reported in these pages, what has been shown to the likes of Google, Legendary Pictures, Andreessen Horowitz and others led them to invest some $542 million into the company in October – and that on top of $50 million of investment at the start of the year.

What little is known about Magic Leap is that it is currently working on what it calls “cinematic reality”, which uses a headset which may eventually look something like a pair of sunglasses to overlay anything the wearer sees in the real world with 3D digital images that move and respond to the wearer’s own head an eye movements, and which appear to “interact” with the physical world around the wearer.

You'll believe a whale can fly - or that's perhaps Magic Leap's hope (among more practical things)
You’ll believe a whale can fly – or that’s perhaps Magic Leap’s hope (among more practical things)

Recently, Sean Hollister over at Gizmodo followed the lead set by Tom Simonite, a bureau chief at MIT Technology Review, in tracing down patents filed by Magic Leap in an attempt to find out more about what the company may actually be producing. As I again reported, their findings make fascinating reading for anyone interested in emerging AR and VR technologies – and in the history of Magic Leap, which up until the huge investment by Google et al, had been quietly flying under the radar for a number of years.

In that same report, I also covered the fact that what might be on of Magic Leap’s first major public demonstrations could be at the Manchester International Festival here in the UK in July 2015.

The Age of Starlight is a new film bringing together Oscar-winning director Kevin MacDonald, the visual effects team behind the 2013 George Clooney / Sandra Bullock blockbuster Gravity and science pundit and physicist Professor Brian Cox. The film will tell the story of the cosmos around us utilising Magic Leap technology, allowing audiences of up to 50 people at a time witness – and be immersed in – the unfolding majesty and mystery of the universe in what is billed as being a transformative, emotional experience.

The Age of Starlight: an immersive, transformative film using Magic Leap technology will be shown at the Manchester International Festival in the UK in 2015
The Age of Starlight: an immersive, transformative film using Magic Leap technology will be shown at the Manchester International Festival in the UK in 2015

It is apparently this transformative power within the Magic Leap technology that has attracted Neal Stephenson. Again, on the Magic Leap blog he states:

Here’s where you’re probably expecting the sales pitch about how mind-blowingly awesome the demo was. But it’s a little more interesting than that. Yes, I saw something on that optical table I had never seen before–something that only Magic Leap, as far as I know, is capable of doing. And it was pretty cool. But what fascinated me wasn’t what Magic Leap had done but rather what it was about to start doing.

Magic Leap is mustering an arsenal of techniques–some tried and true, others unbelievably advanced–to produce a synthesized light field that falls upon the retina in the same way as light reflected from real objects in your environment. Depth perception, in this system, isn’t just a trick played on the brain by showing it two slightly different images.

Magic Leap is not exclusively about games. It’s also going to be a great tool for readers, learners, scientists, and artists … What applies to games applies as well to other things of interest, such as making the world safe for books, doing new things with science and math visualization, and simply creating art for art’s sake.

We still don’t know precisely what Magic Leap will present or how it will work, and truth be told, there is an awful lot of hype and hyperbole surrounding the emerging new market for AR and VR it is hard at times to separate fact from fiction. But when the likes of Sir Richard Taylor and Thomas Tull (CEO of Legendary Pictures) pour their own money into a project, and it attracts names such as Brian Cox, Kevin MacDonald and now Neal Stephenson – you have to suspect something very special might well be sitting just over the horizon.

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The Great Gatsby: virtually redefining educational outreach

Posted on by Inara Pey

Explore TGGThose of us involved with and immersed in virtual worlds are very familiar with the power and opportunities they offer for educational purposes.

In January and February 2015, this will again be demonstrated in a unique way as literature, live theatre and a virtual world combine to present theatre goers and school children with the opportunity to not only witness the unfolding of one of the great stories from American literature – F. Scott Fitzgerald’s The Great Gatsby – but to actually immerse themselves in the story itself due to a new an unique collaborative partnership between the Tacoma Little Theatre (TLT), in Tacoma, Washington state, and the folk at Seanchai Library.

From on January 23rd, 2015 through until  February 8th, TLT will be presenting Simon Levy’s stage adaptation of The Great Gatsby, directed by Dale Westgaard, to adult audiences and daytime audiences from local schools.

Coinciding with the play, through their extensive facilities on Kitely, the Seanchai Library will be offering audiences and schools attending performances with the opportunity to explore the world presented by the novel from the comfort of their own home or from within the classroom.

Explore Gatsby will run alongside TLT's production of 's stage adaptation of the novel, giving patrons the opportunity to explore F. Scott Fitzgerald's world in greater detail
Explore Gatsby will run alongside TLT’s production of Simon Levy’s stage adaptation of the novel, giving TLT patrons and schools  with the opportunity to explore F. Scott Fitzgerald’s world in greater detail

Explore the Great Gatsby Online, the début production in Seanchai Library’s EXPLORE the Stories Behind the Art series, will open its doors on January 14th, 2015. It will offer visitors the opportunity to visit key locations from the novel and play, and in doing so learn more about the era in which the story is set, explore Fitzgerald’s life and writings and discover more about the theatre in which the play is being performed.

On offer within Seanchai Library’s virtual environments will be a reproduction of the fictional West Egg, where the story’s narrator, Nick Carraway rents a small holiday guest house, only to find himself living next door to the enigmatic Jay Gatsby, giver of lavish summer parties. Both Carraway’s little holiday house and Gatsby’s mansion will be open to explore.

Also presented with the Explore Gatsby facilities will be a portion of East Egg, where Daisy Buschanan, the subject of Gatsby’s desires, lives in opulence with her husband Tom. Here, behind the Buchanan mansion’s façade, will reside a reproduction of the Tacoma Little Theatre itself, offering the opportunity for people to discover more about the theatre itself, which is among the oldest community theatres in the United States, and the oldest on the U.S. west coast, with a rich heritage going back to 1918.

And, of course, there will be the opportunity to visit the so-called “Valley of Ashes”, the industrial dumping ground so pivotal to the unfolding story, which lies between the fictional East and West Egg and the beating heart of New York City.

These various locations will serve as venues for a range of live events which both support TLT’s  production of The Great Gatsby and which also encourage visitors to further immerse themselves in literature, the stage and more; there will be readings and performances from the novel, interactive elements, within the various settings will provide information on a broad range of subjects, including information on the 1920s and the social issues people living then faced, the characters from the novel, etc.

Explore Gatsby will essentially be an educational study guide brought to three dimensional life. Through a special portal currently being developed by Seanchai Library, visitors will be able to learn how to download and use a viewer and operate an avatar, and then connect to Explore Gatsby in Kitely.

Tacoma Little Theatre will feature in Explore Gatsby, allowing people to discovery more about this historic community theatre
Tacoma Little Theatre will feature in Explore Gatsby, allowing people to discover more about this historic community theatre

Of special note with the project is the fact TLT present daytime performances of the plays they stage for local schools to attend. Thus, through their Explore Gatsby partnership with Seanchai Library TLT is presented with a dramatic – no pun intended – new way to engage with teachers, educators and school children in an immersive manner which links the performance of the play directly with classroom learning opportunities. The same also goes for TLT’s patrons, who can take a performance of The Great Gatsby home with them and them delve into Gatsby’s world through the Seanchai Library’s virtual recreations and events.

As noted above, Explore Gatsby will be opening its doors on Wednesday, January 14th, 2015, with in-world events and activities commencing on Friday, January 16th. Everyone involved in virtual worlds is extended a warm invitation to pop along and join in with planned activities as they take place – a programme calendar will be available nearer the time, and I’ll also be presenting it through these pages.

I’ve been privileged to be associated with Seanchai Library for a while now, and as a part of this association, I will be covering Explore Gatsby and the EXPLORE the Stories Behind the Art series as it develops. I’ll be kicking-off things in due course with a behind-the-scenes look at preparations for the début production.

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