The digital mastery of Kraven Klees in Second Life

The Janus Gallery: Kraven Klees

Currently open at the Janus I Gallery at Chuck Clip’s Sinful Retreat is a truly magnificent exhibition of the art of Kraven Klees which is an truly must-see event.

Working in the digital medium, Kraven specialises in the creation of pieces encompassing a range of techniques –  art, photography, mixed media – whilst also embracing a spectrum of approaches and styles including fractals, abstraction and photo layering, to create pieces that explore the boundaries of what we might consider art to be, and what it means to us personally.

The Janus Gallery: Kraven Klees

As a result, his pieces are both highly esoteric and instantly captivating. There is both a richness of presentation and melding – conscious or otherwise, given the artist notes he deliberately embraces an aleatoric approach to his work such that the final appears of each is a mix of predetermination on his part and circumstance encountered in the creative process – that gives them immediate visual appeal while can be immediately experienced and enjoyed, whilst also calling the eye and mind to look again, and more deeply.

This approach to mixing concious decision with the passage of chance taken by the artist means that while many of these pieces many be linked by a core theme – portraiture, living study, the very richness of colour palette – each and every piece is genuinely unique content, form, colour, style, and expression. This adds enormously to multi-faceted appeal of the exhibition as a whole whilst giving each piece a sense of individual beauty and depth that sets it apart from its neighbours.

The Janus Gallery: Kraven Klees

But there is more here as well; even within those that may appear to be “straightforward” portraits, there are elements that can trigger our emotions and alter our perception. Neural Network, for example, initially appears to offer commentary on the nature of intelligence and our growing reliance on  technology. But a closer examination offers other potentials for interpretation – the potential for, and form of, artificial life; questions on the nature of life  – are we simply little more than the filaments of the brain and the neurons that fires across them? and more.

Alongside of it, Bamboo Man sits as an intriguing study on the human form: flesh, sinews, bone; but at the same time, the entire image in form and colour opens the door to discomfiting thoughts of evisceration and / or hints of Geiger-esque horrors. There is also a certain psychedelic aspect to many of the pieces that comes to us through both the stylised  use of expressive colours and fragmented, fractalised form that heightens our response to them. Like the effects of a drug, they seem to expand our consciousness, reflecting the artist’s desire to increase the dynamic between audience and art / artist.

The Janus Gallery: Kraven Klees

All of this makes The Art of Kraven Klees an exhibition a rich exploration of art, ideas, emotions and outlook. Whether you are drawn into the deeper layering of individual pieces or chose to admire them for their natural beauty and styling, this is a collection that will attract and beguile. As such, this is very much an exhibition that should not be missed, and it will remain available through until the end of the month.

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