Avatars and zodiacs in Second Life

Attention Gallery: Justice Pedroɨa – Conveyed Desires

Currently on display at Attention Gallery owned, managed and curated by Isle Biedermann and Mirabelle Sweetwater (Biedermann), is a new pairing of exhibitions by artists whose work I’ve not previously witness in Second Life: Justice Pedroɨa (XJustinTimeX) and Chase Parthicus (Chase Ezarael). Both present sets of avatar studies, but of two very different kinds – although they might be said to be linked by a common intention: to stir the imagination.

Hailing from the United States, Justice is an amateur photographer and art lover in tin the physical world. She started into Second Life photography some two years ago, and while not tied to a particular medium for her work, she defines her passion as being in creating pictures that reflect what she is feeling at the time.

Attention Gallery: Justice Pedroɨa – Conveyed Desires

This is evident is her selection for her Attention Gallery exhibit, which she has called Conveyed Desires. Incorporating some nudity, which can make this selection NSFW. It is a collection of  richly evocative self-studies which, just by going on the title  alone, might be mistakenly thought of as perhaps a series of images that are focused on the sensual  / erotic.  However, this would be a mistake; for sure, there are pictures here that do have a sensual / erotic edge to them – but so too are there images that reflect other desires – the need for self-expression; to feel a sense of freedom – and the desire to offer a sense of self through our avatar. All of which make this an appealing collection.

For Zodiac, Chase Parthicus presents  – in something of a balance to Justice’s female studies – twelve pieces featuring male studies. As the title of the collection suggests, the central theme of the collection is that of the Zodiac, and chase presents 12 vivid portraits representative of the twelve common zodiacal signs (Ophiuchus having been abandoned by the Babylonians 2,500 years ago as one of the several compromises that mark astrology as a pseudo-science).

Attention Gallery: Chase Parthicus – Zodiac

These are remarkable images both for their representation of the zodiac as we know it today and for their richness of colour. They are also noteworthy for the often subtle means by which the constellations to which they allude is presented: a curl of horn, the flow of golden hair, the curve of articulated tail; together with the symbols of some of the signs: scales, bow and arrow, water pitcher. Set against the backdrop of starfields and nebulae, these are images that capture the eye and the imagination; evocative personifications of the signs they represent.

And the link via the imagination that joins these two exhibits? The very fact the each of them in turn invites us to use our imaginations and see beyond their frames to see the stories they each tell.

Attention Gallery: Chase Parthicus – Zodiac

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2020 SUG meeting week #46: uplift

Still Waters, September 2020 – blog post

The following notes were taken from the November 12th Simulator User Group meeting.

Server Updates and Cloud Uplift

Please reference to the server deployment thread for the latest updates.

  • On Tuesday, November 10th, the uplifted AWS RC channels were updated with simulator release 551942. This version includes some cloud configuration changes that these may improve some of the performance metrics, but otherwise should not be anything user visible.
  • On Wednesday, November 11th, around 50% of the SLS channel will be transitioned to AWS services, also running simulator version 551942.

SL Viewer

The Start of the week has seen no change to the current crop of official viewers, leaving the as follows:

  • Current release viewer version 6.4.10.549686, formerly the Mesh Uploader RC promoted on October 14 – No Change.
  • Release channel cohorts:
    • Cachaça Maintenance RC viewer updated to version 6.4.11.551711,on November 6.
  • Project viewers:
    • Project Jelly project viewer (Jellydoll updates), version 6.4.11.551213, November 2.
    • Custom Key Mappings project viewer, version 6.4.10.549685, November 2.
    • Legacy Profiles viewer, version 6.4.11.550519, October 26.
    • Copy / Paste viewer, version 6.3.5.533365, December 9, 2019.
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, November 22, 2019.
    • 360 Snapshot project viewer, version 6.2.4.529111, July 16, 2019.

Teleport Issues

The teleport issues – particularly AWS-to-AWS regions – are still proving problematic for some.

There are reports from some AWS-hosted regions of issues with TPs manifesting with other issues – rezzing problems, errors trying to add items to object contents. All seem to be rectified by a region restart (hardly the best solution), before things start going awry once more.

The Lab have added more logging to the simulator so they can further analyse the problem(s).

An Angel’s Nest in Second Life

Angels Nest, November 2020 – click any image for full size

Shawn Shakespeare passed me the landmark to Angel’s Nest, a Full region held by Denise Wirtanen and designed by Busta (Badboy Hi) with additional elements by Denise herself. As I’ve mentioned in these pages in the past, hearing or seeing Busta’s  name associated with an region is bound to get me bouncing to take a look, as he has a particular eye for designing environments that I really appreciate – and Angel’s Nest is no exception.

A semi-tropical island marked by a central high peak (the summit reachable via teleport disc), this is a design the brings together multiple themes in a manner that is genuinely breathtaking, and considerable care ha been taken to ensure that visitors can be gently lead around the island via a series of paths that allow everything to be revealed naturally – so much so that I’d tend to recommend not camming around too far in advance so as not to ruin any revelations and allow the paths to lead you onwards.

Angels Nest, November 2020

The landing point is located part-way up  the central mountain, sitting on a broad shelf of rock that is home to a Tuscan style villa and courtyard. The house is furnished, offering a first point of exploration. From here, a number of paths marked by logs set in the loamy soil offer several routes of discovery. Two wind down to the coastal regions while a third curls upwards to twist around the flat-topped tower of the mountain, and a fourth points the way to a lookout point built out over a pool of fresh water fed by multiple falls – which are very much a theme for the island, as more are waiting to be found.

I don’t want to give a blow-by-blow account of the region’s sights – as noted above, they deserve to be discovered naturally;  but I do want to highlight a number of things and offer some impressions.

Angels Nest, November 2020

The first of the latter is the manner in which the island – deliberately or otherwise – evokes thoughts of settings from television and film. Taken as a whole, the island has – for those that many have seen it when originally aired or in re-runs – something of a Fantasy Island feeling. Not that there is any grand villa or guest houses (although the lighthouse just off the main island might be seen as a place where Tattoo might cry, “The ‘plane, Boss! The ‘plane!”), but rather that the settings to be found around the island might be taken as individual fantasy areas for visitors.

Similarly, and a little unexpectedly, the tall mountain with its sliced top carries (for those of us who enjoy science fiction) an echo of Devil’s Tower, Wyoming. Again, not that any flaying saucers or motherships are liable to rise from behind it – but it does give the island an additional sense of place and mystery, whilst its flat top offers a place for meditation – just use the teleport disc in the courtyard of the villa to hop up and have a look around.

Angels Nest, November 2020

In terms of highlights, there are many to choose from, however there two that particularly caught my attention. The first of these again lies off of the main island to the north-east. Rugged and low-lying island in which Busta has placed a – for me – quite eye-catching modification of AustinLiam’s Captain Retreat house (which as I’ve commented on in these pages is a favourite of mine), so much so that I might well borrow elements of the idea from him!

The second is the café-bar located on the south side of the island, overlooking the southern beach. Utilising the Trompe Loeil Yara Treehouse. With the two halves of the structure located on two shoulders of rock and linked by their rope bridge, the café presents an eye-catching location, reached by several routes, one of which rises from the beach to pass under the rope bridge.

Angels Nest, November 2020

Another aspect of the region are the many little place people can gather and sit, all of which should be sought out carefully. But it’s not only the various settings that catch the eye here, but all the smaller details within them and across the island as whole that add a sense of presence to the island.

Some of these – such as the old British red telephone box just outside of the villa – is one of the more easy of these to spot, nestled alongside an old piano that has become a garden feature with colourful blooms (and which has been claimed by some of the local cats!). Others might actually be easily missed – such as the great Buddha sitting on a shoulder of the mountain, and a sculpture of a spear-carrying Angel on an opposite shoulder.

Angels Nest, November 2020
Returning to the teleport discs for a moment, as well as presenting a quick means of jumping directly to various points on the islands, they also provide the means to access a large skybox overhead. Designed by Denise, this offers a Zen garden under a star-filled sky and, across the water from it, a retreat  within a Japanese style house that has a slight BDSM twist.

Rounded by a balanced soundscape and given life through the inclusion of birds, cats and assorted animals, Angel’s Nest is an engaging visit – although some may find they may need to disable shadows / make adjustments to their their viewer to enjoy smooth motion within the region. I’d also note that there is a second region to the south, reached via a footbridge;; however, as this appears to be a private home, we didn’t venture to it, and would advise caution to those considering doing so.

Angels Nest, November 2020

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2020 viewer release summaries week #45

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, November 8th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Current release viewer version 6.4.10.549686, formerly the Mesh Uploader RC, promoted on October 14 – No change.
  • Release channel cohorts:
    • Cachaça Maintenance RC viewer updated to version 6.4.11.551711 on November 6.
  • Project viewers:
    • The Project Jelly project viewer (Jellydoll updates) updated to version 6.4.11.551213 on November 2.
    • Custom Key Mappings project viewer updated to version 6.4.10.549685 on, November 2.

LL Viewer Resources

Third-party Viewers

V6-style

V1-style

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

Spirits, siblings and weird tales

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home in Nowhereville, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Monday, November 9th, 19:00: The Dark Bright Water

Gyro Muggins reads Patricia Wrightson’s second novel charting the life of Wirrun of the Inlanders.

First encountered in The Ice Is Coming, when Wirrun set out on a quest to overcome the rise of the ancient enemy of Australia, the ice-bearded Ninya, the young janitor now has a reputation as a Hero among the Inlanders (Wrightson’s fantasy view of the Australian Aboriginals). It’s not a title he appreciates; he would much rather just get back to his janitorial work.

But the spirits of the land are restless: Yunggamurra, a river spirit is lost, so uses her siren-like powers of song to draw to herself those who might might take her home. Her singing come to Wirrun’s ears, and those of an elderly aboriginal emissary, and he realises he must journey to the very heartlands of Australia to better understand what he is feeling.

This he does, with the old emissary and his friend Ularra. Once there, he discovers that a storm is indeed rising within the domain of the spirits, and he is uniquely placed to both find Yunggamurra and prevent the coming storm. And so his new adventure begins.

Tuesday, November 10th:

12:00 Noon: Russell Eponym, Live in the Glen

Music, poetry, and stories in a popular weekly session at Ceiluradh Glen.

19:00: Woman’s Weird: Strange Stories by Women, 1890-1940

With Willow Moonfire.

Wednesday, November 11th, 19:00: Nine Princes in Amber

Carl Corey wakes in a medical clinic, with little to no knowledge of who he is or how he got there. Fearing he is being over-medicated and kept against his wishes, he overpowers staff and discovers his stay is being paid for by his sister, one Evelyn Flaumel, whose address is on the hospital’s records.

Fleeing the clinic, he makes his way to his sister’s home. Here, with the aid of a pack of tarot cards and a confession from his sister, he learns that his name is actually Corwin (and she is Flora), and they are two of 14 siblings – nine male and five female.

One of those brothers, Random, arrives, pursued by strange, vicious creatures, that force Corwin to join Random into  fighting them to the death – during which Corwin discovers he has super-human strength.

After the fight, Random reveals more truths to Corwin – notably that he and his siblings are of royal descent from a planet called Amber, a parallel world to Earth from which he has been cast into exile.

Random reveals that their father, king Oberon, has vanished, and the throne is therefore open, and persuades Corwin in a quest to claim it. However, to do so, they must travel through the realms of Corwin’s brothers and sisters in order to reach Amber, and the journey reveals to Corwin his family’s ruthless and Machiavellian nature – a nature he shares -, and that the path to the throne is a route of force and betrayal.

Join Corwyn Allen as he reads the first volume in Roger Zelazny’s Chronicles of Amber series.

Thursday, November 12th, 19:00 Bernard Evslin’s Monsters and Mythology

 Shandon presents another remarkable tale from ancient Greece in Amycus, Part 2. Also in Kitely – take the teleport from the main Seanchai World grid.kitely.com:8002:SEANCHAI.

Camouflage and questions in Second Life

Nitroglobus Roof Gallery: Traci Ultsch – Camouflage

November 9th, 2020 sees the opening of the latest exhibition at Nitroglobus Roof Gallery, curated by Dido Haas, and it is a double first for her. The invited artist is Traci (Traci Ultsch), who is an artist in both the physical and virtual worlds, and she is exhibiting  her physical world art in Second Life for the first time – marking this exhibition as the first time Dido has displayed work from outside of Second Life at Nitroglobus.

Camouflage is another provocative selection of art that pokes strongly at the grey matter sitting between one’s ears. Thirteen pieces (plus the titular artwork) are offered, and an initial glance at them might lead one to characterise them as “pop art” – but this would be misleading; these are pieces that are, both literally and figuratively, layered.

The literal layering lies within the technique used to create the pieces on display, which Traci describes thus:

My method of working usually revolves around the collecting of objects (Magazine cuttings, dirt, stones, tape) which are then laid out on glass layers, painted on, layer upon layer until the idea starts to fall apart. At which time, it’s photographed or scanned at the moment of collapse and gone. The moment is cleaned away and all that’s left a captured image of something now gone.

– Traci, discussing her technique

Nitroglobus Roof Gallery: Traci Ultsch – Camouflage

The figurative element is rooted in the title of the piece, and Traci’s description for the exhibition, which she gives as:

Camouflage is the use of any combination of materials, colouration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else
The idea for this exhibition came from the (not recent) realization that, for quite some time, my life and work has been driven in some way by the desire to lose myself. In both RL and SL I’ve spent many years trying to find a level of ‘exposure’ I’m comfortable with. A lot of these feelings and experiences have fed into my RL artwork and my ‘Second Life’ where I’m beginning to wonder who is really obscuring who.

– Traci, describing Camouflage

Thus, layered within Camouflage are questions of identity (including self-identification), reflection, exploration of creativity as it relates to her ability to express herself to the world(s) at large. These literally are nuanced, layered pieces, that invite the eye and mind to examine closely from title through imagery, a mental peeling of the layers as we visually bring together the various aspects of each piece.

Nitroglobus Roof Gallery: Traci Ultsch – Camouflage

This idea of layering goes a lot deeper however than purely a reflection of the artist’s own introspection and examination. For anyone who has invested any part of their “self” in their avatar, these are pieces – and questions – with which they will identify: who we are, how our physical world dealings can inform our virtual identity and – equally importantly – how our virtual dealings, outlook and expression can come to inform our physical world life and outlook.

That said, Camouflage offers a broader theme as well. As Traci notes, art is a moment caught in time. Whether a photograph (posed our otherwise), a painting of the countryside or a building, or the Pollock-like splashing of paint on a canvas or whatever other technique is used – all art is, at the moment of capture / completion, an expression of a point in time that can never be truly reproduced again; copied, yes, but not reproduced as a unique statement.

This is particularly true of Traci’s work, which as she notes, reaches the point of near-destruction prior to being scanned, and then destroyed. As such, these pieces are not only expressions of identity and the questions that surround it, they are equally also unique captures of the artist’s sense of self and her governing emotions at a singular point in time, offering us a series of unique insights into her thoughts and feelings.

Nitroglobus Roof Gallery: Traci Ultsch – Camouflage

Camouflage officially opens at 13:00 SLT on Monday, November 9th, 2020, with music from DJ Ferdy.

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