The snows of Yukina in Second Life

Yukina, November 2020

Occupying half of a Full region, Yukina is the home of Namanax & Stella (Stella Mahogany), who is largely responsible for its design. Currently sitting within a winter setting, we were directed to it by Shawn Shakespeare, our resident region discoverer :).

The parcel runs north-south,  with the eastern side open to the sea, and the west boundary marked by high cliffs separating it from the neighbouring parcel.

Yukina, November 2020

The southern end of the land is a actually the private home of Stella and Namanax, and while protected by ban lines to prevent trespass, leaving the garden open, it might be a good idea to avoid straying beyond the gabled gates leading up to the house (complete with stone lions guarding the path), in order to avoid the flick-knife armed squirrel  patrols (you’ll have to visit and take a peek into the grounds of the house yo understand this comment 🙂 ).

The main house isn’t the only property on the parcel, however; the public area of the parcel are home to a number of houses and cabins large and small, including one particularly impressive structure rising from the small  lake in the middle of the landscape. All of these appear to be open to the public and are furnished, giving each of them a cosy feel.

Yukina, November 2020

The landing point sits on the east side of the parcel on the dock alongside a boathouse. From here visitors have a choice of routes for exploration, most laid out in the form of snowy tracks that wind their way out and around the houses and cabins. The way around is also marked by by the local wildlife within the parcel, which ranges from the aforementioned squirrels (which are in fact more interested in playing than carrying weapons of any description!) through rabbits, cats, puppies, chipmunks and – most notably reindeer.

All of this makes for a lot to see, from the comfort and warmth of the houses to the scenes along the tracks to the decks that sit alongside a number of the houses (and which offer places for visitors to sit).

Yukina, November 2020

There are also some nice scenic touches waiting to be found – the Christmas tree shop operated by some nattily dressed gnomes being one of the more obvious, although I liked the little hump backed bridge over the still-flowing stream that feeds the (otherwise frozen) lake.  And for those who like a little a little activity during their visits, the lake offers ice shaking;  just look for the sign on one of the tracks that loops by it.

Overall, the setting is well presented and makes for an engaging visit. However, there is a lot packed into this half region, including falling mesh snow (that actually invites itself into one of the houses, drifting through the roof!), all of which can make for heavy going in places due to the volume of mesh, so some might want to tweak their viewer to get the most comfortable level of performance.

Yukina, November 2020

But that said, Yukina offers a rewarding wintertime visit.

SLurl Details

  • Yukina (Cosa Nostra, rated Moderate)

Second Life Endowment for the Arts: first grants

via Linden Lab

On Friday, November 2020, the Second Life Endowment for the Arts (SLEA) announced the first group of artists who have been awarded grants to use the new SLEA art facilities in the first six months of 2021.

As I reported in September this year, the SLEA is the successor to the former Linden Endowment for the Arts, which ran from 20091 through until 2019, when the user committee responsible for running it decided to close it down. At the time of the closure announcement, moves were initiated to try to keep the LEA afloat, which transitioned into discussions with Linden Lab to develop a successor – the Second Life Endowments for the Arts.

Operating on a smaller scale than the original LEA, offering an initial group of five regions for art installations: four for region-wide installations and one offering quarter-region art spaces, all of which are supported by a central hub and a sandbox. Grants for the use of the spaces run for between one to six months in duration.

The seven SLEA regions.  Image courtesy of SLEA / LL

The first set of artists selected for the opening round of installations are as per the table below, and include artists who will be also be presenting on the core SLEA region (“Region 7”) – presumably using the SLEA theatre or the Art Challenge space.

Commenting on the selection, Tansee Trillium stated:

Rather than filling out a specific form to apply for a grant, SLEA requested the artist respond in his or her own words the concept of the submission.
Upon the initial review it was realized that a grading system was not necessary as each essay was clear, concise and very detailed and equally befitting of a grant. As the process continued, it was noted that a very interesting pattern was evolving. Out of 19 applications no-one requested a one month grant which made that region flexible for a longer period. The majority of requests were made for 1/4 regions, 8 to be exact.
It was at this point as Coordinator of SLEA, I made what I believe to be a very balanced, mindful decision to fill the first 6 months from January 1, 2021 through June 30, 2021 giving each of the applicants the chance to show us their original creations to be on display for others to enjoy, appreciate, be inspired, learn from and most of all represent The Arts.

– Tansee Trillium, announcing the first SLEA grants

The first group of SLEA artists, the dates when they’ll be exhibiting and the regions in which they’ll be exhibiting. courtesy: SLEA

In  addition to the awarding of the first grants, Tansee has announced that the SLEA regions will officially open to the public on New Year’s Eve, December 31st, 2020, with a special “ribbon cutting” event that will include fireworks and particle display, held simultaneously across five regions together with live music, DJ’s, and dancing.

There will also be a special SLEA Grand Opening on Sunday, January 24th, 2021, featuring a special 24-hour Celebration of the Arts. Any artists wishing to participate in this event should contact Tansee or Hannington Xeltentat.

Congrats to all of the participating artists.