Livio’s retrospective at Nitroglobus in Second Life

Nitroglobus Roof Gallery: Livio Korobase

Livio Korobase is rightly known and admired for his 3D art installations in Second Life. Sometimes irreverent or with a rich vein of humour and sense of fun, other times thought provoking and challenging – but always fascinating and engaging, Livio’s work never fails to capture the eye and mind.

Given he frequently works on the scale of an entire region, any attempt at offering a look back on his work is going to be something of a challenge; just how do you bring together some much in the way of large-scale work in a space that could often be confined by the limitations of a gallery.

Nitroglobus Roof Gallery: Livio Korobase

Yet that is what he has done – and quite appealingly so – thanks to an invitation from Dido Haas, owner and curator of Nitroglobus Roof Gallery. With Post Factum (“after the fact” – or to put it another way, retrospectively) Livio presents a marvellous review of his work that  – in Dido’s own words (borrowed from Monty Python which, given Livio’s aforementioned sense of fun, is not entirely inappropriate) – present and exhibition that is quite “completely different” for Nitroglobus Roof Gallery.

Nitroglobus has always made a clever use of space: the gallery’s halls are high walled, allowing extremely large format images to be exhibited. More than this, however, its walls extend below the transparent floor  level, allowing mirrored copies of images exhibited to be placed “below” them, giving the impression the pictures are being reflected in the polished floors themselves.

Nitroglobus Roof Gallery: Livio Korobase

For Post Factum, Livio both continues this approach, placing 2D images of his art both above and below the floors to give the illusions of reflections. But at the same time, he presents different 3D pieces on the main and sub-floors of the gallery.

Not only does this allow for the display of more of Livio’s work than might otherwise be the case without making things crowded, thus making excellent use of the available space. More than this however, the use of the available space cleverly reflects Livio’s ability to challenge our perceptions: paintings and photos “reflected” in the floors – yet those same floors reveal completely different 3D figures below them than those sitting above them.

Nitroglobus Roof Gallery: Livio Korobase

To move between the two levels, visitors are invited to use the teleporter “hole”. Doing so is recommended, given that many of Livio pieces can be interactive so you’re going to want to get close enough to be able to mouse-over / touch them to find out what might happen.

As a retrospective, the exhibition offers pieces from many of Livio’s installations and exhibitions – Black Elk, Eidola, The Creature from the Black Lagoon, Musiclandia, and more. For those of us familiar with Livio’s work, Post Factum therefore offers a fascinating trip down memory lane. For those who might not be so familiar with his work, the exhibition still offers an inviting and immersive introduction.

SLurl Details

A Sweet Paradise in Second Life

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019 – click any image for full size

Update: This parcel is no longer open to public access, and SLurls have therefore been removed from this article.

Sweet Paradise to the Darks sounds a rather unusual name to for a location in Second Life; at least until you realise it references a private home that has been opened to public visits – the Darks in this case being Anita Dark (Anita Khaos) and Kiara Dark (kiaraslet).

Occupying a 8192 sq m parcel, Sweet Paradise is one of those settings I like finding / exploring (although in this case, it’s the latter, as I was pointed to the parcel by reader Morgana Carter); the kind of place that demonstrates you don’t need an entire region in which to create a space that can be both home and somewhere for others to visit.

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019

Embracing a tropical island feel, this is a location that’s easy to explore, and even easier to while away the time within. A large, two-storey houseboat dominates the setting, the little patio to one side of it forming the landing point. The lower deck of the houseboat is filled with bric-a-brac, much of it focused on art, the clutter giving the place something of a bohemian feel.

A short walk along sandy grass, the path marked by large rocks and the fenced-in form of a VW Beetle that’s clearly not going anywhere soon, will bring visitors to a large, cement-sides beach house that continues the arty / bohemian feel, presenting a study-like environment again filled with the kind of cosy clutter that marks a space – be it a single room or an entire building  –  as a home.

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019

Oriented north-to south, the parcel has a westward beach looking out over the open sea, the view it provides shared by both the veranda of the beach house and the little patio fronting the houseboat. Nor are these the only places from which to enjoy the view. An old rowing boat vies for the attention of visitors (with singles and couples / friends poses) together with a couple of rattan loungers under the shade of parasols, while to the north end of the parcel sits an old camper trailer. This sits within a curve of beach and might possibly be the home of a surfer, but is currently the abode of a Siamese cat who is enjoying the sunshine and a nap.

A mix of trees are scattered across the landscape help to both break it up and screen the various buildings and locations one from the next, helping to present a sense a privacy along the parcel’s sandy ribbon. Together with the rocks breaking up the shoreline they also help give the parcel more of an island-like feel, on the east side of which lays another beach house, this one shaded by palm trees that also cast their cooling influence over another waterside nook visitors can enjoy as a box kite flies overhead.

Sweet Paradise; Inara Pey, June 2019, on FlickrSweet Paradise, June 2019

Small but beautifully landscaped and with a eye for detail, Sweet Paradise makes for an pleasing, homely visit. There are numerous places for people to simply relax, and  / or take photos. It’s the kind of place that can easily fulfil the greeting given in the About Land description: where people can make a lot of happy moments.

Simply perfect!