Livio’s retrospective at Nitroglobus in Second Life

Nitroglobus Roof Gallery: Livio Korobase

Livio Korobase is rightly known and admired for his 3D art installations in Second Life. Sometimes irreverent or with a rich vein of humour and sense of fun, other times thought provoking and challenging – but always fascinating and engaging, Livio’s work never fails to capture the eye and mind.

Given he frequently works on the scale of an entire region, any attempt at offering a look back on his work is going to be something of a challenge; just how do you bring together some much in the way of large-scale work in a space that could often be confined by the limitations of a gallery.

Nitroglobus Roof Gallery: Livio Korobase

Yet that is what he has done – and quite appealingly so – thanks to an invitation from Dido Haas, owner and curator of Nitroglobus Roof Gallery. With Post Factum (“after the fact” – or to put it another way, retrospectively) Livio presents a marvellous review of his work that  – in Dido’s own words (borrowed from Monty Python which, given Livio’s aforementioned sense of fun, is not entirely inappropriate) – present and exhibition that is quite “completely different” for Nitroglobus Roof Gallery.

Nitroglobus has always made a clever use of space: the gallery’s halls are high walled, allowing extremely large format images to be exhibited. More than this, however, its walls extend below the transparent floor  level, allowing mirrored copies of images exhibited to be placed “below” them, giving the impression the pictures are being reflected in the polished floors themselves.

Nitroglobus Roof Gallery: Livio Korobase

For Post Factum, Livio both continues this approach, placing 2D images of his art both above and below the floors to give the illusions of reflections. But at the same time, he presents different 3D pieces on the main and sub-floors of the gallery.

Not only does this allow for the display of more of Livio’s work than might otherwise be the case without making things crowded, thus making excellent use of the available space. More than this however, the use of the available space cleverly reflects Livio’s ability to challenge our perceptions: paintings and photos “reflected” in the floors – yet those same floors reveal completely different 3D figures below them than those sitting above them.

Nitroglobus Roof Gallery: Livio Korobase

To move between the two levels, visitors are invited to use the teleporter “hole”. Doing so is recommended, given that many of Livio pieces can be interactive so you’re going to want to get close enough to be able to mouse-over / touch them to find out what might happen.

As a retrospective, the exhibition offers pieces from many of Livio’s installations and exhibitions – Black Elk, Eidola, The Creature from the Black Lagoon, Musiclandia, and more. For those of us familiar with Livio’s work, Post Factum therefore offers a fascinating trip down memory lane. For those who might not be so familiar with his work, the exhibition still offers an inviting and immersive introduction.

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