2018 SL UG updates #32/1: Simulator User Group

Ravenwold; Inara Pey, July 2018, on FlickrRavenwoldblog post

Server Deployments

As always, please refer to the server deployment thread for the week, for the latest news and updates.

  • On Tuesday, August 7th, the SLS (main) channel was updated with server maintenance package 18#, containing the server-side Animesh support, and “logging tweaks”. This release was previously deployed to the LeTigre and Magnum RCs.
  • On Wednesday, August 8th:
    • LeTigre and Magnum will be updated to server maintenance package 18#, previously deployed to BlueSteel.
    • BlueSteel will remain on  18#, which contains Animesh support and internal fixes.

The SLS (main) channel deployment saw regions off-line for a longer than usual time between being taken down for the simulator code deployment and being brought back up. This was expected. According to the deployment thread, several people saw their regions restarted at least twice; this isn’t the first time this has been reported, and the situation has been referred to the Second Life Ops team.

SL Viewer

In week #31 the Quinquina Maintenance RC viewer, version and dated July 30th, was promoted to de facto release status on August 3rd.

As a result of this update the RC viewers were updated on Tuesday August 7th, as follows:

  • Bugsplat RC viewer: updated to version
  • SL Voice RC viewer: (originally released on August 1st) updated to version This viewer updates SLVoice with new codecs, fixes some problems with selecting audio devices, and other voice related bug fixes. It should be noted that the SLVoice executable in this viewer is not compatible with most older viewers and should not be copied to such viewers.

Also at the end of week #31 the Bakes on Mesh project viewer updated to version, on August 3rd.

At the time of writing, the remaining viewers in the official viewer pipelines are unchanged:

  • Project viewers:
  • Linux Spur viewer, version, dated November 17th, 2017 and promoted to release status 29 November – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version, May 8th, 2015 – provided for users on Windows XP and OS X versions below 10.7.

EEP Delay?

The Environment Enhancement Project (EEP) appears to have had a slight delay…

EEP is moving forward. There was a last-minute hiccup on the back-end and I’m tightening up some last-minute things about parcels specific settings. Rider Linden: I’m eager to get this into people’s hands.

– Rider Linden on EEP progress.

Those unfamiliar with the project, which it to provide parcel and region windlight management, as well as some additional server-side goodies, can find out more in Second Life Windlight environmental enhancements. I also provide update summaries via my Content Creation User Group summaries.

Attachment Limit Increase – Premium Perk?

It’s been indicated in some recent meetings that the Lab is hoping to reach a point where the attachment limit for avatars can be increased (currently set to 38 items). If and when this happens, it might be made a Premium membership perk.

It most likely will only be for Premium. but we’re still not ready to increase it anyway, so it’s still moot. It’s unusual for anything to be “set in stone” until it’s in the past (and not always then), but improving Premium is a major strategic goal for us, so … 

Oz Linden, commenting on the attachment limit increase at the Simulator User Group meeting,
Tuesday, August 7th, 2018


Barbara and Cherry at La Maison d’Aneli

La Maison d’Aneli Gallery: Barbara Borromeo

Currently open at La Maison d’Aneli Gallery, curated by Aneli Abeyante are two exhibitions, both of which run through until August 16th. The first features Barbara Borromeo and the second, Cherry Manga.

Barbara Borromeo is an artist whose work – much to my shame – was unknown to me until June of 2018, when I gained an introduction to her work. The exhibition at La Maison d’Aneli follows on the heels of that event, and actually contains a number of pieces that were also featured in it as well. However, that there is some repetition doesn’t matter: Barbara’s work is simply extraordinary, and at La Maison, we are additionally treated to more of her physical world art as well.

La Maison d’Aneli Gallery: Barbara Borromeo

Several pieces are presented around the walls of the gallery, of which I found myself particularly drawn to Woodstock Hendrix (seen at the top of this article, on the left), and Words Never Said, two remarkable studies full of visual and emotional impact among a tour de force of stunning art that really captures the eye, heart and imagination.

However, it is the main slide show element of the exhibition that really captivates. Using a large screen, Barbara presents a rich cross-section of her portfolio – and it is not to be missed. Photographs and paintings from the physical world are displayed along with images captured from Second Life and – in what makes Barbara’s work fabulous to the eye – collage pieces that appear to combine both Second Life (or at least digital art she has produced) with images from the physical world. Given the number of pieces included in this slide show, use of the provided armchairs is advised – and taking the time to see all of the pieces it has to offer really is worthwhile.

La Maison d’Aneli Gallery: Barbara Borromeo

I confess to have fallen for Barbara’s work; her layered collages are among the most creative pieces of artistic expression I’ve seen either in Second Life or the physical world. The compositional work within them is sublime; the subjects evocative and, on occasion, provocative (as art should on occasion be); and the images bring to Second Life the full breadth and deep of a truly extraordinary talent.

Reached via teleport is a skybox featuring 3D art by one of Second Life’s long-standing artists, Cherry Manga, although sadly, she is nowadays rarely active here, preferring to spend her time in the Open Simulator FrancoGrid. As such, opportunities to witness her work in SL are always welcome.

La Maison d’Aneli Gallery: Cherry Manga

There are actually two teleports to the installation – the teleport disk on the gallery floor, and a poster on the wall. Both deliver you to different sides of the installation, but for convenience, I’d suggest using the disk. Doing so will land you near a selection of Cherry’s art avatars, which she is giving away free. These are located on a cube bearing the legend Freedom and Random Stuff – which I assume refer to the avatars, but might also be the title of the installation itself.

The two primary elements of the installation are side-by-side cubes in which are displayed animated wireframe scenes of marvellous complexity and which could both be taken as commentaries on modern living. The piece on the right (when looking from the side with the free avatars), seems to suggest a figure breaking free from confinement, the overall design of hexagons suggesting he is escaping the hive-like thinking that modern society can demand of us.

La Maison d’Aneli Gallery: Cherry Manga

To the left, the second cube offers a scene with strong metaphysical elements – and the chance to become a part of it by entering it and clicking on one of the spheres floating within the cube. This piece is perhaps harder to quantify, being strongly subjective. As such, while I have formed an opinion on it,  I’ll leave it to you to visit and to form your own.

A third piece, Freedom, floats and turns above the selection of free avatars. It presents a strong juxtaposition of ideas: the figure may well be floating and “free”, but she retains the chains which may once have confined her. While they are no longer locked or connected to anything, their presence seems to suggest that “freedom” can simply be an illusion – or, more positively – a state of mind to which we can all aspire, and possibly achieve.

La Maison d’Aneli Gallery: Cherry Manga

Two stunning exhibitions, both of which should be seen before they close on August 16th.

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