Space Sunday: minerals on Mars, space politics and more Dream Chaser

As I looked at the Mars 2020 mission in my previous Space Sunday piece (see: Space Sunday: A year on Mars and the Polaris Programme), I thought it time to catch up on some of the most recent news about NASA’s other “big rover” working on Mars, Perseverance’s “older sister”, Curiosity, the rover of the Mars Science Laboratory (MSL) mission, which will mark its tenth anniversary on Mars later in 2022.

Curiosity’s mission to Gale Crater, almost half a world away from Perseverance continued onwards despite the dearth of regular updates posted to the official blog (but them, updates on Perseverance have been far less voluminous than see during the first year of MSL operations on Mars, largely thanks to NASA opting to make greater use of social media tools like Twitter to hand out bite-size nibbles of updates.

However, one recent discovery that got some hearts all a-flutter recently was that of a curious formation Curiosity imaged on flank of “Mount Sharp”, the huge mound rising from the middle of the crater – and officially called Aeolis Mons. At first glance, it appears to show a petrified flower sprouting from the surface of the planet – and while it is most certainly not any such thing or even the first of these formation Curiosity had encountered – the raw images captured by Curiosity were released sans any indication of scale, getting some website and individuals a little over-excited.

The “raw” image of the “flower-like” object captured by the Curiosity rover on February 25th, 2022 (mission Sol 3397 by the Mars Hand Lens Imager (MAHLI) instrument mounted on the rover’s robot arm. Credit: NASA/JPL

The object is in fact a mineral structure called a diagenetic crystal cluster. Essentially they are a collection of crystals formed by mineral precipitating from water, undergoing diagenetic recombination in the process, creating this beautiful, but tiny three-dimensional structures.

In fact, the rover first encountered structures like this since around Sol 870 of the mission, as it explored the Pahrump Hills at the base of “Mount Sharp”. However, this particular structure is somewhat different, as the structures found at Pahrump were formed by sulphate (salt) crystals, leached out of receding waters as the lakes that once repeatedly filled Gale Crater finally vanished. This structure formed from salts and other minerals, and most likely formed inside a small rock over which water coming off the slopes of “Mount Sharp” once flowed, before it was left to the mercy of the Martian wind, which slowly eroded it over the aeons until only this delicate-looking but tough structure remained.

The same image of the structure, this to overlaid with a to-scale US Lincoln penny (one of which also adorns Curiosity’s bodywork), provided by mission scientist Abigail Fraeman to give an impression of the object’s actual size. Credit: NASA/JPL / A. Faeman

The other interesting point with the image is the manner in which it was created. For most its mission, Curiosity has captured images of objects and structures, stored them, and then transmitted them to Earth for post-processing. Here, however, MAHLI took around eight images of the object all from very slightly different angles. The images were then processed by the rover itself, using a software package referred to as the onboard focusing process, which allowed them to be combined and adjusted to produce a single frame of great depth and detail that could then be transmitted to Earth.

In fact, so detailed is the  structure – dubbed Blackthorn Salt – in the image, and such is the depth afforded by the picture Simeon Schmauss was able to produce a 3D model of it using Sketchfab, allowing us to see it really up close and from almost any angle – click the image below and see for yourself. However, when doing so, please note that the blurred and “draped” grey elements seen “hanging” from the structure’s arm / branches when looking at it from the side are not a part of the structure, but are artefacts of the Sketchfab rendering process, as the image from MAHLI doesn’t show what is directly below the arms / branches.

Curiosity itself continues to explore and climb “Mount Sharp”, attempting to make its way to higher slopes. Most recently, it has been making its way along a shallow and short “valley” that will hopefully provide access to the “Greenheugh Pediment” – a comparatively gentle slope, formed by water erosion and lying at the base of the mound’s steeper slopes. It is hoped that by crossing the Pediment will lead to a long valley (Gediz Vallis), which is hoped will provide a route further up “Mount Sharp”.

Since arriving on Mars in august 2012, the rover has travelled 27.3 kilometres and has gathered and analysed 34 rock samples and six soil samples, all of which indicate Gale Crater was once a warm, wet environment that may well once have harboured all the fundamentals for life to form.

Curiosity’s route up “Mount Sharp” from Pahrump Hills to its currently location, where it is making its way towards “Greenheugh Pediment”, which offers a way to Gediz Vallis (below the bottom edge of this image), a route upwards to the upper reaches of the mound, and which appears to be a confluence of numerous channels, possibly formed by water, running downslope from the high ground. Credit: NASA/JPL

Russia Stops Soyuz Launches out of Europe’s Spaceport, French Guiana

Following the sanctions imposed on Russia due to the invasion of Ukraine, Roscosmos has announced it is halting all cooperation with Europe with regards to Soyuz launches out of Europe’s Spaceport, French Guiana and withdrawing its 87 support personnel from the launch site.

The announcement will immediately impact the launch of two Galileo navigation satellites that had been scheduled for April aboard Soyuz, and potentially a follow-up launch of another pair of Galileo satellites due later in the year.

Also potentially impacted are Two ESA missions: the EarthCARE Earth science mission (developed in partnership with JAXA (Japanese space agency) and scheduled for February 2023, and the Euclid infrared space telescope (March 2023), together with the French government’s military CSO-3 reconnaissance satellite.

The Soyuz launch platform at Europe’s Spaceport, Kourou,

Soyuz is offered as a launch vehicle through French launch service provider Arianespace alongside of Ariane and Vega launch vehicles, with Arianespace, through its shareholding in Starsem, can also broker payload launches on Soyuz out of the Baikonaur spaceport, Kazakhstan. However, the future of Soyuz launches out of French Guiana has been the subject to debate for some time, given that Arainespace has been keen to move customers to their new Ariane 6 and Vega-C launchers, both of which are set to enter service from 2022.

No comment has been made by either the European Space Agency or Arianespace on the matter – but both are due to meet to discuss matters on Monday, February 28th. In terms of space cooperation, suspending Soyuz launches out of French Guiana is pretty much the only lever on space matters Russia can pull without adversely impacting their own operations; something that is in stark contrast to 2014, when Russia annexed Crimea.

At that time, the United States was reliant on Russia for both crewed launches to the ISS, and the supply of RD-180 motors used by the Atlas 5 vehicle. However, the US now has the SpaceX Crew Dragon vehicle for ISS missions, which should, in 2023, be joined by Boeing’s Starliner, while United Launch Alliance will be retiring the Atlas 5 (there are only 25 more launches on the books, and has sufficient RD-180 motors for many of those flights).

Dmitry Rogozin, the head of Roscosmos also suggested that sanctions could impact Russian co-operation with the ISS, warning that without Russian support, the space station could fall into “uncontrolled descent from orbit and then falling onto the territory of the United States or Europe”.

Progress resupply craft (green, in the background of this image) have generally used to periodically boost the altitude of the ISS – a job previously performed by the US space shuttle. However, there is no reason why the Orbital Science’s Cygnus resupply vehicle could not perform the same role. Credit: NASA

The threat is based on the fact that Russian Progress resupply vehicles are periodically used to raise the space station’s orbit as drag with the tenuous atmosphere causes it to lower. However, the US and Japan both have the potential means to boost the orbit, whilst away from Rogozin’s tweets, NASA and Roscosmos alike have stated ISS operations continue to pretty much be “business as usual”.

Notably excluded from any threats – for the time being – is the European ExoMars mission, due to see the Rosalind Franklin rover and a Roscosmos-made lander launched to Mars from Baikonur in September atop a Proton-M rocket. This is a particularly critical launch, as the available window only lasts 12 days and if missed will mean another 26-month delay to the mission, which had initially been set to launch 2020.

Space Image of the Week¹

I am virtually sure it’s the most detailed ISS lunar transit to date 😊
I had to ride 250 km from home and find a remote place in the countryside between the blankets of fog, for this 1/2 second transit at 27000 km/h.

– Thierry Legault

The above comments refer to the image below, showing the International Space Station crossing between Earth and the Moon, captured by French amateur astronomer and astro-photographer Thierry Lagault, who travelled from Paris to Bourges in January 2022 in the hope that the winter weather would allow him to capture the space’s passage across the full Moon.

ISS lunar transit by Thierry Legault, Note the image is oriented so south is at the top of the image. The bright crater above and to the right of the ISS in Tycho. Credit: Thierry Legault.
The image is being credited at one of the most detailed pictures of a ISS lunar transit every captured. It is so detailed, is it possible to see details of the primary solar arrays at either end of the station’s main truss structure, as can the structure of the station’s pressurised modules.

An enlarged version of the image, rotated through 90º so that south is to the right, reveals even more detail – the Russian modules of the ISS pointing towards the top of the image, and the US / international modules pointing down.

ISS lunar transit by Thierry Legault (enlarged and rotated). Credit: Thierry Legault.

Continue reading “Space Sunday: minerals on Mars, space politics and more Dream Chaser”

2022 Home and Garden Expo in Second Life

via slhomeandgardenexpo.com

The 2022 Home and Garden Expo (HGE) in support of Relay for Life of Second Life and the American Cancer Society, is now open, and runs through until Sunday, March 20th. Taking place across nine regions (Hope 1 through 9), the event offers some of the finest in home, garden, and furnishing designs available across the grid.

With multiple exhibitors taking part, the event offers something for anyone who is looking for a new home, ideas for furnishing and décor, wishing to improve their building (or other) skills, or who just wishes to keep abreast of the latest building / home trends in Second Life.

As always, the Expo there will be a range of events and activities, including entertainment, focused on the main stage at Hope 1, talks and presentation focus on the auditorium at Hope 3, artists, auctions, breedables. and more.

Once more returning the the event is the Home and Garden Decorating Competition, which this year offers fourteen different builds, including two of seven different styles, including beach houses, tiny homes and one with a distinctively Mexican style. These will be made available to fourteen finalists, who will have a 350 land impact allowance with which to decorate a both a house and its garden.

Home and Garden Expo 2022 brings a rich variety of styles to the Home Decorating Competition – large houses, small houses, lighthouses, barns, trailer homes…

These finalists will be chosen by a raffle draw and will be assigned one of the fourteen houses, based on their preferences. Finalists can be individuals or teams, and must decorate their house in keeping within its style, and must include at least three purchased from RFL vendors at the Expo. With winning design will be decided on the basis of a popular vote by those attending the Expo.

The time line the competition is thus: entries for participation to be submitted by the end of Friday, March 5th, with selected finalists able to decorate their houses been noon SLT on Saturday, March 6th and the end of Friday, March 12th. Voting will then take place between Saturday, March 13th and Wednesday, March 17th with votes cast via donations make through the kiosks placed outside of each house. The winner(s) will be announced on Thursday, March 18th.

A full list of participating stores / merchants, together with a breakdown of shopping by region can be found on the Home and Garden Expo website.

Entertainment will be provided through out event, both at the main stage featuring live performances and DJs, and the Auditorium will be home to a range of talks and presentations. In addition, there will be special performances taking place on the Expo’s sky events platform, together with displays at the event’s aerial viewing platform – so be sure to keep an eye on the full event and entertainment schedule.

Home and Garden Expo 2022: Auditorium – the focus of Lantern Ceremonies, talks and presentations throughout the event

One thing that will not be present at this year’s event will be any reveal of an upcoming Linden Homes theme. While such reveals have formed a part of events like the RFL Home and Garden Expo and the Christmas Expo, the overall schedule for Linden Homes development is not in any way tied to these (or other non-Lab organised events). The most recent theme to be announced, the Newbrooke, was previewed in December 2021 and apparently garnered multiple negative reviews, prompting its withdrawal for an update. This may have given rise to a false expectation of an updated preview / new reveal at this year’s Home and Garden, but as Patch Linden has noted, theme will be revealed & made available when the Lab is ready.

For the most up-to-date info on the event, do be sure to keep an eye on the official website and be sure drop in the the Home and Garden Expo, tour the houses, look at the furnishing and enjoy the entertainment. And even if you’re not in the mood to buy anything, please consider to drop a donation or two into the RFL kiosks and help support ACS and RFL of SL in their world-wide endeavours.

Links and SLurls

A Soft Melody in Second Life

Soft Melody, February 2022 – click any image for full size

Bambi (NorahBrent), is known both for her Oh Deer brand, and for her Melody region designs – Missing Melody (see here and here) and Longing Melody and, most recently, a little corner of Second Life called Soft Melody.

Sitting on a sky platform over Longing Melody (which I wrote about in Visiting Longing Melody in Second Life), this is place very different to the setting on the ground, carrying as it does more of an Oriental touch and style.

An Island Hidden in the sky.
As you will walk down the alley the blossom scent will lift you. The soft warm wind will hug you so very gently. The chimes will guide you and the cats? Well the cats will ignore you because they are still cats after all…

– Soft Melody About Land

Soft Melody, February 2022

This is a small setting, perfect for photography, at first appearing to be little more that two alleys such as might be found within a corner of a town in Japan, lined by buildings so as to form a ravine-like feel. Some of the buildings are furnished, others are empty. However, first appearances can be deceptive; there’s a lot to take in, much of it watched over by the local cats.

There is for example, the little stall at the crossroads landing point, whilst down one of the alleys sits a little teahouse / restaurant. Find your way into one of the empty houses, and you may find a door to where an external stairway leads to the upper floor and a ladder from there to a little rooftop space, one offering a little escape from the world. Across the alley from it sits another rooftop spot, this one the home of an artist’s studio.

Soft Melody, February 2022

Climb the steps rising one of the one of the alleys and you’ll come to a bridge crossing a nullah and leading to a garden space where Japanese and Chinese themes meld through the presence of Torii gates and panda bears; a further retreat that also includes rabbits and little bouncing balloons.

Rich in sakara blossom and with further little secrets awaiting discovery – look out on the water for some and under the hills for others –  this is a place that is easy to visit and appreciate, all of which makes Soft Melody as an inviting a location to explore as both Missing Melody and Longing Melody.

Soft Melody, February 2022

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Blip’s images of Skrunda in Second Life

Art Korner: Blip Mumfuzz – Images of Skrunda

Update, June 27th, 2022: Art Korner has Closed.

In 2021 Titus Palmira, Sofie Janic and Megan Prumier opened a region build called Skrunda-2, an interpretation of a deserted Soviet-era military base and town built by Russia in Latvia during the 1960s for the operation of their Destnr early warning radar system, before eventually abandoning it in the 1990s.

It was a popular build, attracting photographers and bloggers alike (see Skrunda-2 an atmospheric slice of Soviet history in Second Life), as did its successor (see; Skrunda: the returning in Second Life). One of the latter is Blip Mumfuzz, an artist / photographer with a gifted eye and an ability to create images that are so natural in angle and composition, they sit as scenes we might naturally sport for ourselves when visiting a place – as she richly demonstrates with Images of Skrunda, now open at Frank Atisso’s, Art Korner.

Art Korner: Blip Mumfuzz – Images of Skrunda

Set within an environment suggestive of a deserted town with slab-like blocks rising from all sides that stand as reminders of the blockhouse-like bulk of the great apartment buildings of Skrunda, and surrounded by ruins the offer a further echo of their study, these are genuinely remarkable images. Through a considered use of focal length, focus, and angle, Blip presents pieces that are so life-like in composition they might actually have been taken within the aged, deserted remnants of Skrunda itself, whilst they also offer a unique sense of place and time entirely of their own.

Take Skrunda Drone, for example: it is hard to to imagine one is looking out from a high vantage point across a run-down corner of a township. Meanwhile, it is hard not to look at Skrunda Dream and not feel one can walk into it and take a peek through the open door or climb the rusting steps up to the gangways above, and onwards among the gantries and tanks; similarly, Skrunda-3 12 gives the impression one can hop onto the old rails and walk along them, following the railcar that appears to be vanishing around the bend in the tracks that sits between graffiti-painted buildings.

Art Korner: Blip Mumfuzz – Images of Skrunda

This is another genuinely engaging collection from a gifted photographer and storyteller that helps to recall a genuinely engaging Second Life region build.

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The Bloom of Where Our Journey Begins in Second Life

Where Our Journey Begins, February 2022 – click any image for full size

It’s been a year since my last visit to Vivian Pearl’s (Vivian Ewing’s) Where Our Journey Begins, and following a suggestion from Cube Republic, I decided to see what has changed since that time. And the answer is, rather a lot!

Now located in a Full private region leveraging the private island LI bonus rather than a Homestead (as with my previous visit), the setting has literally bloomed in both name (at the time of my visit, the setting was called Where Our Journey Begins – The Bloom) and design with the move, presenting a richly varied location with much to see, admire and photograph as one sets out to explore.

Where Our Journey Begins, February 2022

This is a setting this is broken into three major areas by the waters that flow through it from the curtain of cliffs sitting within its north-east corner. It is here that high falls have carved a broad, shallow pool that in turns feeds into a second from the midst of which rises a small island that perhaps helps the water branch into two channels, one flowing to the west and the other to the south, so as to split the land.

None of this is readily apparent to visitors on their arrival, hidden as it is from their view. Instead, they arrive on a nub of an isle tucked away to the south-west, the broad back of the region’s major landmass blocking any view of the falls. The landing point sits within a glass house on the little isle, a covered bridge connecting it to the rest of the land to where a mix of dirt and semi-paved paths point the way forward.

Where Our Journey Begins, February 2022

Westward, the path curves gently to where a summer house sits between the coast and the uplands, its grounds shaded by weeping willows. The house is simply and comfortably furnished, the courtyard offering seating for a meal and for refreshments, together with a view out over the sea.

The path from the landing point curls around the summer house garden to split into two, with a wooden bridge spanning one of the region’s tow waterways to reach a beach sheltering in the lee of the northern uplands, whilst the main path continues onwards alongside the river, becoming a lamp-lit boardwalk that passes under a great stone bridge.

Where Our Journey Begins, February 2022

Finding your way to the latter is a case of finding the stairs that allow the flat-topped hill in the centre of the land to be ascended. These lead the way to further paths that offer the means to discover a cylindrical bathhouse and onwards up to the lush hilltop, where a garden and place for weddings awaits, together with the broad path of the bridge to where the north-western lands sit over the sheltered bridge, complete with a more formal gardens space overlooked by a large glass rotunda.

The bridge leading to these northern gardens is not the only such structure in the landscape; to the east, a second bridge spans the water that flows down from the falls. Shaded by trees intentionally deformed into an arched walkway of rich blossoms and lit by more street lamps, it provides access to the eastern arm of the land that stretches out from the waterfalls, and upon which stands a paved road fronting a parade of townhouses and places of business.

Where Our Journey Begins, February 2022

With its high buildings, cars parked at the roadside and people “walking” its footpaths, this little touch of suburbia sits in something of a stark contrast to the rest of the region’s design. But at the same time, the trees and blooms that line the street and surround the buildings soften their lines and helps them to blend with the rest of the setting such that they form a natural part of it.

And still there is more to discover. For those wishing their find their way up to the central highlands, turning right after crossing the bridge from the landing point will offer the quicker route; whilst those turning to the left may avail themselves of the horse rezzer along the path leading to the summer house; it offers a choice of mounts – but those on low-to-mid-range systems may want to disable shadows when riding in order to make things a little easier.

Where Our Journey Begins, February 2022

I’ve also not really touched upon the ways out and over the waters from the falls or to the island at the centre of the second pool or the many places which visitors can sit (and enjoy cuddles if they so wish, or many of the smaller details across the land that both await discovery and / or present opportunities for photography. All of which ensures that Where Our Journey Begins remains an inviting and eye-catching visit.

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Drawing an equine Dream in Second Life

Drawing a Dream, February 2022

It’s taken me a while, but I finally managed to drop into Onceagain Art Gallery, owned and operated by Onceagain (Manoji Yachvili). The occasion for during so was to visit Drawing a Dream, an exhibition of of images and drawings by Onceagain herself.

It’s an exhibition can be reached in one of two ways – via direct SLurl, as given here, or by dropping into the gallery’s main landing point and taking the teleport from there to Onceagain’s personal exhibition space. One on the platform, one will find a winter setting, heavy in snow and with a slightly otherworldy look to it thanks to the huge mushrooom trees and and tall crystals, which also help give the suggestion of a place from dreams canopied by the a starlit sky.

Drawing a Dream, February 2022

This open space, marked by stepping-stone paths and a shallow pool of water, is home to horses (complete with poses alongside them for those who may wish to take photos with them) and a collection of pictures by Onceagain that are drawn from both the physical world and Second Life, all of them on the subject of horses – animals for whom Onceagain has an understandable love. As such, I’ll leave it to her to explain her exhibition:

I live in a small farm and among the different animals that populate it there is a mare. She’s been with me for 23 years, I consider her like a friend. She is a barefoot horse, most of the times I’ve ridden her without saddle or just allowed her to follow me like a friend; but she is old, she just grazes.
For twenty years I have made drawings of her, and ten years ago I start to take photos of her. Now I doe the same with horse in Second Life. What you will find here are a mix of all these three things. The pictures in dark frames are from real life, and those in the light frames from Second Life.

– Onceagain (Manoji Yachvili)

Drawing a Dream, February 2022

The result is the most fascinating selection of equine studies it’s been my pleasure to witness in Second Life. All of the images have been finished so as to give the impression they have been hand-drawn,whether they originated in the physical word or were created from photographs taken in Second Life.

Predominantly offered sans any backgrounds or other distractions, they are drawings that perfectly capture these beasts that have been a central put of so much of humanity’s history, and with whom it is so easy to form a special bond. Each piece speaks to the strength, grace and beauty of these magnificent animals – and also speak to the love and understanding in which Onceagain herself holds horses.

Drawing a Dream, February 2022

For those wishing to have one of these pieces, they are available for sale – but only in limited quantities – available numbers are displayed with piece piece in hovertext when viewing up close.

An exceptional selection of art that perfectly blends the physical and virtual worlds.

SLurl Details

Drawing a Dream, Onceagain Art Gallery (Peaceful Mountains, rated Adult)