Linden Lab have officially launched their latest subscription plan for users – and announced both updates to their across-the-board subscription plans that will benefit those liable for VAT, and new fees for holding Mainland parcels of 8,192 sq metres or more.
Details below.
Plus
As outlined by by Reed Linden at the November Web User Group meeting, the new subscription offer is called simply “Plus” (nothing else, just “Plus”), and is designed to sit “between” Basic and the Premium option.
Given this positioning, Plus obviously offers less than Premium in terms of benefits, and is being combined with the reductions in Mainland fees (see below) as an incentive for those who might want to get onto the Mainland property ladder but do not wish to pay Premium subscription rates in order to do so.
Note there is no Linden Home or other benefits associated with Plus.
VAT Removed From ALL Subscription Payment Plans
As from Thursday, November 17th, 2022, Linden Lab has removed VAT from all subscription payment plans.
Annual payment plans (Premium or Premium Plus) have been VAT-free for some time. With this change, those paying on either a Monthly or Quarterly payment plan will also no longer have to pay VAT, if it is applicable to them.
Mainland Fee Changes
As from Thursday, November 17th, 2022, Linden Lab has reduced the cost of monthly Mainland fees for holding 8,192 square metres and above, per the table below (all prices US dollars – fees for additional parcel sizes of 512, 1024, 2048 and 4096 sq m remains unchanged):
Mullein Woods, November 2022 – click any image for full size
Emm Vintner (Emmalee Evergarden) has opened a new parcel under her Nature Collective group. Entitled Mullein Woods, it directly adjoin her What The Buzz setting, which I originally wrote about in Making a beeline for WTB in Second Life. Together they offer a double-header of settings.
Still located in Heterocera, both regions offer a pleasant visit. What The Buzz retains its interactive nature as a bee preserve, albeit on a smaller scale to the setting I explored in May of 2022, offering the opportunity to learn about bees and their importance to the ecosystem. It sit directly to the west of Mullein Forest, seamlessly joining with it thanks to the shared narrow-gauge railway.
Mullein Woods, November 2022
Discover the quiet wild of Mullein Woods. Get lost among the trees and explore nature as it was meant to be – natural, alive and full of wonder and beauty. Explore by foot or by train – on the path or off the beaten path. By the Nature Collective!
Mullein Woods About Land
Mullein Woods, November 2022
Located alongside Route 3.5, Mullein Woods offers a gentle spot of some 6,600 square metres to explore, the aforementioned narrow-gauge railway circling it and running between it and What the Buzz, and serving the two stations that lie along it – the first for the woods themselves, the second for What the Buzz.
Mullein Woods, November 2022
The Mullein Wood station offers an introduction to the location and to the Great Little Railways of Second Life -some of which I’ve also covered in these pages (see here and here).
The setting itself is easy to explore, being small enough to cover easily on foot, with numerous opportunities for photography. However, rather than ramble on about it here – I’ll leave it to you to find out via a visit to the Woods and What the Buzz! – Just keep an eye out for the local critters and creatures! 🙂 .
Currently open at the relocated Artsville Galleries and Community is a new exhibition by Melusina Parkin entitled Greyscale Magic. Located in a skyborne gallery space at Artsville, this is an exhibition that makes full use of the main display/ event hall and its two side wings to present a collection of images offered – as the title implies – greyscale tones which have been captured in Melusina’s always-engaging style.
Black-and-White or greyscale? I preferred to title this exhibition using the greyscale term because b/w photographs actually aren’t black-and-white: they show a palette of endless shades of grey, from the absolute black to the absolute white.
But why are they “magic”? It’s because they offer a conventional image of the reality they depict, forcing our brain[s] to interpret the different greys as colours of the “normal” view.
– Melusina Parkin, Greyscale Magic
Artsville: Melusina Parkin – Greyscale Magic
The three-room layout of the gallery space allows Melu to present this collect as a three-part portfolio; one in which she those familiar with her work might see as being – intentionally or otherwise – new interpretations from themes which have been the focus of some of her past exhibitions and work.
In the main hall, for example, is a total of ten images that offer us unique views of rooms and furnishings. Some present images of private living, others more public spaces – a café here, a diner there; collectively they bring to mind Melu’s work in exhibitions such as Empty Spaces and Absences (2017). Meanwhile, in the side rooms we have, respectively, fives studies focused on motor vehicles, evoking thoughts of Cars (2019) and perhaps also Roadside Images (2020); and also five images of buildings and streets that carry with them an echo of Night Walks (2019).
Greyscale photography has been, for a long while, the only one admitted and legitimated to represent “art photography”. Although colour techniques have been available for many decades, [it was] only in the late 1930s [that] colour photography started to be considered a form of art, thanks to the surprising new technique introduced by Kodak with the famous Kodachrome film … But while the colour TV overwhelmed the b/w one and made it obsolete, greyscale photography endured as a more sophisticated for of art.
– Melusina Parkin, Greyscale Magic
Artsville: Melusina Parkin – Greyscale Magic
Which is most certainly not to say Greyscale Magic is is any way derivative of those past exhibitions, these are new pieces. However, in echoing these from her past exhibits, Melusina is both (again, quite possibly subconsciously) drawing a thread of continuance through her work, giving us further chapters in her ever-expanding and captivating artistic narrative. This is further reflected in the overall framing of these pieces, wherein the angle, subject, lighting and focus speak a single utterance of a much larger story that sits beyond their physical size, so inviting us to enter into the story and interpret it according to our own viewpoint, thoughts and imagination.
More particularly with this collection however, is the fact that these are images captured in Second Life which exude a powerful sense of depth and life entirely of their own and separate to that which otherwise might be present were they to be offered in colour. As a long-time admirer of both greyscale and monochrome images and art, I’ve always felt both have a powerful means to often better convey the vitality of Second Life as a “place” we don’t merely see – we inhabit through our avatars and the time we spend here. As, again, Melusina notes in her statement on the exhibit:
I think that this is due to the “magic” I was talking [about] before. SL photography is colourful, windlight and PhotoShop allow us to play with meaningful colours to represent more real, or more surreal, scenes. But if you select the the right images, desaturate them or turn them greyscale, the result is often closer to the “real” world that it can cheat even the most attentive observer. Isn’t that “magic”?
– Melusina Parkin, Greyscale Magic
Artsville: Melusina Parkin – Greyscale Magic
I would wholeheartedly agree; and within Greyscale Magic, Melusina demonstrates again, that she is a master magician in the magical arts of Second Life photography.
The following notes were taken from the Tuesday, November 15th, 2022 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.
Server Deployments
At the time of writing, a server deployment thread had yet to be published.
On Tuesday, November 15th, the Main SLS and Events channels were updated with simulator version 576376, making the new Linkset Data capability grid-wide.
On Wednesday, November 16th, the simhosts on the RC channels should receive a new simulator update, this one containing a single fix designed to keep regions from running out of voice connections (BUG-229984 “Voice chat is not working” and BUG-7371 “Voice cannot connect”).
Linkset Data (LSD) – Brief Notes
Linkset Data is a new collection of script functions and one optional event that reads and writes key-value-pairs to a small 64kb table of data that is part of a root object.
It works similarly to Experience Key-Value store, but:
It does not require an underpinning experience – the data lives with the object that sends and receives the data.
Only scripts in the same linkset will be able to read the data written with this feature.
The run of simulator updates through to the new year will likely comprise:
Link sounds will most likely the last roll of the year (this should behave exactly as though you had a script in the linked prim and called llPlaySound from that prim).
llGetSimStats updates are liable to be the first update of 2023.
llHTTPRequest updates (see below) will likely follow later in January 2023.
LSDFindKeys sorting updates will most likely be fixed in the first simulator maintenance release for next year.
Available Official Viewers
The Maintenance P (Preferences, Position and Paste) RC viewer updated to version 6.6.8.576431 on Monday, November 14th.
All other official viewer remain as follows:
Release viewer: version 6.6.7.576223 – MFA and TOS hotfix viewer – November 1.
Release channel cohorts:
VS 2022 RC viewer, version 6.6.8.576310, issued November 4 – utilises Visual Studio 2022 in the Windows build tool chain.
Project viewers:
PBR Materials project viewer, version 7.0.0.576331, issued on November 3.
This viewer will only function on the following Aditi (beta grid) regions: Materials1; Materials Adult and Rumpus Room 1 through 4.
There are unconfirmed reports that GPUs are running noticeably hotter with this viewer than other viewer.
Puppetry project viewer, version 6.6.3.575529, issued on October 12.
Performance Floater / Auto-FPS project viewer, version 6.6.5.575378, October 4.
Love Me Render (LMR) 6 graphics improvements project viewer 6.6.2.573263, July 21.
llHTTPRequest Updates
Rider Linden is proposing changing the way we do accounting for CUSTOM_HEADERS.
Currently, headers of no longer than 253 bytes each are allowed.
Rider plans on changing this so that as many headers, each as long as is required, can be stored, to a maximum of 4096 bytes.
This is in recognition that there are a number of applications that require security headers which can blow through that 256 byte limit.
In Brief
BUG-232037 “Avatar Online / Offline Status Not Correctly Updating” – this is unlikely to be addressed until 2023, as the remaining simulator update slots for 2022 now have updates assigned to them.
BUG-232918 “Adding Friend will make all other friends appear offline” – this is newly reported bug, and should be kept in mind if experiencing issues with your Friends list.
BUG-227303 “collisions makes a script stop running and revert its mono status” opened in 2019, was raised, but has yet to be deeply investigated by LL.
The meeting included a further discussion on LSDListKeys and LSDFindKeys (e.g. negative index support). Please refer to the video below for this and the rest of the meeting.
LeLoo’s World, November 2022 – click any image for full size
LeLoo (LeLooUlf) has redressed her LeLoo’s World for the northern hemisphere’s winter season with an mix of settings, one of which appears to be open to the public and the second, smaller section still under construction.
Welcome to The Northern Trek! Grab our free snowshoes for your trek across this frozen landscape. Enjoy the animal viewing spots. Have fun getting in the winter mood! This is a PG event, all are welcome.
– LeLoo’s World, About Land description
LeLoo’s World, November 2022
The major portion of the setting is home to this opportunity for trekking a snowy landscape and seeing the mix of animals, mammals and waterfowl from both the Arctic and Antarctic it offers. The snowshoes mentioned in the About Land introduction can be found in the sack sitting a short distance from the landing point and at the top of the slopes leading down from the broad ledge on which it sits. This landing point is located mid-way half-way up the cliffs running as a curtain running half-way along the southern edge of the parcel to divide it from the rest of the region, before falling away to a narrow finger of water.
One of these slopes, running down and westwards, leads to an ice-covered water channel spanned by a wooden bridge. Beyond this channel the cliffs rise once more to continue their westward march, the gap between them suggesting the curtains have been improperly closed.
LeLoo’s World, November 2022
These cliffs are themselves are a curious mix of peaks, tables and ledges. The most extensive of the latter has at one end two of the rocky tables, swept by wind and snow, and at its far end is overshadowed by another of these semi-round tables. Not all of these tables are easily accessible as they jut from the various cliffs, nevertheless they have become the homes for caravans and other structures, offering their own most unusual elements to the setting. Others are more easily reached via slopes and steps – although getting down from them to the southern lowlands can be a challenge as well – although the snowshoes should help get down snowy hummocks.
It is across the north-facing lowlands and the semi-ice covered bay which forms a good part of the setting in which the majority – but not all – of the wildlife are to be found. These include caribou/reindeer; elk/wapiti; polar bears from the Arctic; penguins from the Antarctic, and fur seals. They share the lowlands with huskies and the waters with orca. Caribou might also be found on the uplands, together with Arctic foxes, rabbit, owls – and a further family of polar bears.
LeLoo’s World, November 2022
The southern cliffs are not the only uplands in the parcel: the western end is dominated by a tall, snowy mesa of rock, flat-topped and with a further finger of water partially separating it from the rest of the highlands. It is at the head of this channel that explorers can find the path rising to the top of the mesa and the old, broken rotunda and snow-crowned folly occupying it as they overlook the storm-torn wooden windmill at its base.
The base of this path runs around the foot of the mesa to pass between it and the open waters beyond and under fir trees to reach the mesa’s northern side and the ruined windmill; although if explorers prefer, they can follow the rougher ground alongside the narrow finger of water between mesa and cliffs to reach the windmill and the emergency shelter close-by – one of several places in the setting where visitors can sit. The largest of these sits towards the east side of parcel and takes the form of a working bunker partially covered by snow to provide a degree of insulation. It is not the cosiest of places, but it does provide shelter.
LeLoo’s World, November 2022
The remaining portion of the parcel – its western extent – is also separated from the rest by another curtain of cliffs pointing north that were, at the time of my visit impassable. Beyond them, the setting – as noted above – appears to be under construction and offers the look of a developing winter market built around a frozen pond. As this did not appear open to the public, I did not pry further – but I look forward to seeing what emerges when ready.
In the meantime, the setting is – as always with LeLoo’s work, highly photogenic – although dressing to suit the environment is recommended!
It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library – and this week previews the launch of a very special event.
As always, all times SLT, and events are held at the Library’s home in Nowhereville, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.
Monday, November 14th, 19:00: Reality Check
The the “age of the ‘metaverse'” (whatever “metaverse” is supposed to be, commercially), and the idea that the physical and the virtual can – “will” – be merged (at least in the eyes of some), Gyro Muggins offers a timely pause for through through a short story by scientist and author, David Brin which, in the words of the publisher:
Contemplates the eventual difficulty of discerning reality as a simulation versus reality as natural phenomena that is so well understood that it could just as well be a simulation. Publication in a serious scientific journal, notwithstanding, the prose is thought provoking.
The Dickens Project has officially announced an opening date of December 8th, 2022 and will run through until January 3rd, 2023. Old favourite guests and features will return along with an exciting new land configuration and new collaborators. Details to be published in due course!