2023 RFL of SL Fantasy Faire and SL living Applications

Posted on by Inara Pey
via the SL Living Expo website. Click to go to the ACS donations page

The American Cancer Society (ACS) Relay for Life Second Life (RFL of SL) campaign for 2023 is ramping up in preparation for two mega events: Fantasy Faire 2023 and SL Living Expo 2023

As per the banner above, SL Living Expo is a new signature event for RFL of SL, taking over from the Home and Garden Expo. It will offer a new opportunities for creators, performers and artists whilst introducing the worlds of Second Life aviation and nautical activities to the rich mix of homes and gardens which have formed the backbone of the Home and Garden Expo.

The event will open its doors on Friday, March 3rd, 2023 and run through until Sunday, March 12th, 2023, and right now the organisers are looking for applications in the following areas:

Participants and Sponsors: SL Living Expo is a great way for your store, community or group to showcase their talents and connect with thousands of people.  For creators, stores, communities and groups, booths start at just L$ 1,000 for an 8m x 8m unit and 100 LI, and run through to L$10,000 for 32m x 32m and 700 LI. All booths must provide at least one vendor with 100% of proceeds being donated to ACS / RFL of SL.

Those wishing to raise their visibility further / offer greater support for RFL of SL / ACS can do so by becoming a Landing Hub sponsor (L$ 20,000) or Event Region sponsor (L$ 5,000 – although both have limited availability.

  • Full details on participant packages can be found here.
  • Full details on available sponsor packages can be found here.
  • All applicants for participant or sponsorship packages should also read the Expo Participant Rules.

Regions at SL Living Expo will all be themed, with a total of five themes:

  • Seaside – with vibes of a New England seaside village, this region has a mix of land and sea, perfect for maritime, beach and water-loving folk.
  • Countryside – for laid back and easy living, our Countryside region is great for equestrian and farming communities.
  • Fairgrounds – for community, family and fun-loving groups, the fairgrounds region will feature rides and games to keep folk attendees entertained.
  • City Life – put put the pedal to the metal on the paved streets and watch the tall buildings and busy city life will provide lots of entertainment.
  • Mountainside – take to the air and fly through the mountains as they overlook rest of the region.

Performers: Entertainment has also been an important element of RFL of SL It helps to both attract visitors and helps raise donations. The SL Living Expo is looking for DJs, live performers, group performers (dance troupes, etc.), game show/trivia organisers, speakers/presenters/class leaders, and more.

Artwalk: SL Living Expo provides a chance for artists across the grid to share with us their talent and creative minds.  Successful applicants will be given two stands to display and sell their work. One piece of art must be placed in an ACS vendor with 100% of proceeds of sales donated to ACS / RFL of SL, while the other can be used for personal sales.

Further general information can be found at the SL Living Expo.

Fantasy Faire 2022 banner

Fantasy Faire

The largest fantasy-related event to take place in Second Life, Fantasy Faire 2023, will run from Thursday, April 20th, 2023 through until Sunday, May 7th, 2023 inclusive. As usual, there will be the expected rich mix of events, activities, stores and regions to explore.

However, in a change to past events, Fantasy Faire will focus on entertainment events and performances across the three weekends it spans, with the weeks in between left more for exploring and shopping. Hopefully, this will offer a packed programme throughout the weekends to accommodate visitors from around the globe and keep them entertained.

In particular, the Faire is seeking dancers, actors, music & magic makers. If you are interested, then drop by the Fantasy Faire Performance Application form before Sunday, February 26th, 2023, when applications will close.

For updates and news on Fantasy Faire, be sure to keep an eye on the Fantasy Faire website.

An artistic Pas de Deux in Second Life

Posted on by Inara Pey
Galerie L’autre Monde: Hermes Kondor – Pas de Deux

The pas de deux (“step for two”) is a dance for two people, generally male and female and most readily identified as a core element within a ballet performance.

Starting with the entrance (entrée), which is both the prelude to and opening of, the dance, the classic grand pas de deux comprises five parts. Once the principals have positioned themselves and the dance commences, so comes the adagio (or adage – “slowly”), in which the ballerina performs elegant, often slow and sustained movements, as she is supported by the danseur; he in turn strives to maintain poise and an effortless strength through lifts and turns whilst also being a graceful “mobile barre” helping her through the intricacies of her steps.

From the unity of the adagio, the dancers separate to perform their variations; dancing independently and perhaps almost competitively to one another, the danseur first, with the ballerina responding to him. Then comes their reunion within the coda (tail), playing back elements of the dance seen in the previous elements of the dance whilst building towards the final musical climax.

Galerie L’autre Monde: Hermes Kondor – Pas de Deux

With a ballet, the grand pas de deux is considered the highlight, performed by the principal dancers to great acclaim. For Hermes Kondor, the pas de deux is the focus of a new exhibition of his digital art, available for viewing at Galerie L’autre Monde, curated by Lady Anais (Anais Yuhara), at The Uzine.

Assuming it is not re-dressed for each exhibition – this was my first visit to Galerie L’autre Monde (“another world”), so I admit I’m unsure as to whether or not the setting was specifically designed for Hermes’ exhibition – the gallery itself is quite remarkable. It takes the form of what appears to be a series of bombed-out (or partially demolished) structures surrounded by trees and caught under a twilight sky, it presents a most unique backdrop for the exhibition, encouraging visitors to wander around and through broken buildings and deserted remnants to find what may be mounted on walls and within sheltered corners, hidden until onw comes upon them.

Galerie L’autre Monde: Hermes Kondor – Pas de Deux

Pas De Deux is another series by Hermes in which he utilises a combination of Midjourney AI and Photoshop o produce a series of digital images. I recently noted my personal reservations around how those behind the programme have a cavalier attitude towards matters of copyright – something we should all be aware of; but Hermes offers us another sterling demonstration of what can be produced as genuinely original art when care is applied, and which have a depth and richness which as a unique as anything produced completely by hand.

Appearing to have been etched into burnished metal plates, these are truly gorgeous pieces, partially atonal in terms of their use of black and white. Each comprises two figures caught in a moment of motion and passion. The fluidity and richness of their interplay of steps and moves is beautifully presented through the use of white upon their darkened, etched forms, a whiteness which also evokes spotlights against the darken backdrop of their stage and further enhances their fluidity as it is reflected liquid-like across the floor beneath their feet.

Galerie L’autre Monde: Hermes Kondor – Pas de Deux

This richness of motion is further emphasised with the bright colours of fire burning their way through each piece, a blazing trail of illumination tracing the motion of arm, leg or body, or billowing in a rising flame, visually underscoring the passion and life within the dance, and the heat and passion doubtless felt by the dancers, if not towards one another, but almost certainly between each of them and their craft. In this, I found some of the images evocative not just of ballet, abut also of the raw heat of the flamenco.

Beautifully conceived and executed, Pas de Deux is a glorious collection of digital images from a master in his craft.

SLurl Details

Going west in Second Life

Posted on by Inara Pey
Les Salines, February 2023 – click any image for full size

Shawn Shakespeare suggested I might like to drop into Les Salines, the latest region design from the pairing of Tolia Crisp and Dandy Warhlol (Terry Fotherington), offered under Tolia’s Frogmore brand. And for those who like westerns, it might well hit the spot.

Apparently located on the edge of the “Mojave Desert Refuge, Arizona”, Les Salines offers an interesting and curious mix. On the one hand, it has all the look and feel of the Old West: a town sitting on a desert plain, its wooden buildings lining a couple of rutted tracks, the earth packed and hardened by the passage of uncounted hooves and wagon wheels. Sidewalks are little more than boards fronting the various businesses and laid out over the bare earth between them – doubtless offering little in the way of dry footfalls when the rains decide to pay a visit.

Les Salines, February 2023
Frogmore presents Les Salines: A full region, wild west adventure from Tolla Crisp and Terry Fotherington. Everyone is welcome at Les Salines and Frogmore group members have rezz rights. The town is jam packed with details with visits to the saloon, bank, blacksmith, photo studio, general store, hotel, and much much more! Be sure to check in with the sheriff as well! Everyone is also welcome to join their photo contest and a notecard is available at the landing.

Les Salines Destination Guide entry

A sign indicates the town was founded in the 1860s; but precisely what caused settlers to establish it is unclear, but a mine (or quarry) might be responsible, perhaps being the site of a gold mine; or perhaps, given the local waters, it became a natural place for stagecoaches heading west to pause in their journeys; or perhaps that same water made it a suitable point where the locomotives could quench their huffing thirst.

Dominated by a large hacienda overlooking the town (and another a short distance away, apparently long deserted, Les Salines may equally have grown up as a result of a railhead being established here in order to ship cattle eastwards for and the hungry bellies of America’s growing cities.

Les Salines, February 2023

Whatever the reason, the town, with its fancy signage façades over its various businesses, has clearly seen better days. Their walled flanks and flat roofs all look tired under the heat of the Sun, and stage and brush is starting to intrude into the heart of the town, suggesting its population might be in decline.

The founding of this town is just one of its mysteries; another is the period it represents. On the one hand, the buildings, the stage and reliance on horses and wagon points to a time perhaps in the latter part of the 19th century – say the 1880s or 1890s. This is perhaps supported by the photographer’s studio (photography having moved west in the decades following the US Civil War) and the presence of the rail lines.

Les Salines, February 2023

However, the train sitting on them appears to be hauling fright cars from a more recent era, whilst the overhead cables which switchback their way down the main street look more akin to carrying electrical power than in echoing the taps of a telegrapher’s touch on his key. Not that any are actually hooked-up to any of the buildings their poles stand alongside as they zigzag over the street.

Further mystery is added by the fact that while the Mojave sits mainly within California, it does extend out and east into both Arizona and Nevada – although the Desert Refuge (aka the Desert Wildlife Refuge / Reserve, founding in 1936) sits within the Arizonan corner of the Mojave (a place also, and coincidentally, home to the infamous Groom Lake and also Nellis Air Force base.

Les Salines, February 2023

Of course, Les Salines doesn’t have to reside anywhere in the US west (hence the sign noting in sits on the edge of Nowhere!), but these little suggestions give the setting a sense of mystery and mixed age when allow the imagination to run free when visiting. They also offer lots of opportunities for informal RP for those so minded – although the primary aim is to present a photogenic location; and as the Destination Guide notes, there is a lot to see, indoors and out.

I will note that with shadows enabled I did find my viewer struggled a couple of times when flycamming and / or loading textures, but on the whole, Les Salines makes for an interesting and engaging visit.

Les Salines, February 2023

SLurl Details

2023 SL SUG meetings week #6 summary

Posted on by Inara Pey
Angel Mist – The Cloud Garden, December 2022 – blog post

The following notes were taken from the Tuesday, February 7th, 2023 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.

Server Deployments

  • On Tuesday, February 7th 2023, the simhosts on the Main SLS channel were restarted without any change to their simulator code, leaving them on release 577734.
  • On Wednesday, February 8th, 2023, the RC channels will also be restarted without any version update.

Available Official Viewers

There have been no updates to the current list of available official viewers, leaving them as:

  • Release viewer: Maintenance Q(uality) viewer, version 6.6.9.577968 Thursday, February 2, 2023.
  • Release channel cohorts:
  • Project viewers:
    • PBR Materials project viewer, version 7.0.0.577997, February 2, 2023. This viewer will only function on the following Aditi (beta grid) regions: Materials1; Materials Adult and Rumpus Room 1 through 4.
    • Puppetry project viewer, version 6.6.8.576972, December 8, 2022.

In Brief

  • The announcement about the Group Chat History gave rise to a discussion on the capability and making it more robust and deeper (e.g. be presenting more than just the last hour of group chat when used), together with general improvements to chat history management (timestamps, etc.). Please refer to the video for the full context.
  • BUG-229675 “Stopping llSetKeyframedMotion should always succeed and never shout an error” was again raised and noted as a not unreasonable request. Again, please refer to the video for further details.
  • Wednesday February 1st issues: a post-mortem on these was published on Thursday, February 2nd – please read it here for specifics.

Reflections on life’s cages in Second Life

Posted on by Inara Pey
Artsville Gallery: Ava Darkheart – Cages – Birth

I was led to Cages, an installation by Ava Darkheart at Frank Atisso’s Artsville Galleries entirely by chance. The intention had been to drop into Chuck Clip’s The Book of Caligula; however, a SLurl error on the Artsville blog directed us 1,000 metres higher than Chuck’s installation, dropping us neatly into Ava’s exhibition. It was actually serendipitous – Cages had opened in mid-January, and I’d totally missed the announcements about it – and so might actually have missed it entirely before it closes on March 5th, 2023, had it not been for the mis-direct.

Perhaps the easiest way to describe this 6-part installation is as an essay in art, a story of the one journey we all have no choice but to make: that of life.

However, rather than charting this journey in as Shakespeare did, through the seven stages from birth to death (As You Like It Act II, Scene 7) or as a reflection of both admiration and ultimately ironic sense of despair on the human condition (Hamlet Act II, Scene 2), Ava instead presents a set of vignettes which encourage us to consider six aspects  – six “cages” – of life which may both constrain us and also define us as individuals. In doing so, she challenges us to consider a range of subjects, natural and social / societal.

Artsville Gallery: Ava Darkheart – Cages – Emotions

Presented around a central foyer / event space, the installation comprises six numbered rooms, which can be visited in numerical order, if so desired, although outside of the first room, it is not unreasonable to say the others might be visited howsoever the feet wander. The entrance to each is marked by white chevrons on the floor of the foyer hall, and whilst blank from the outside, can be seen to be a keyhole from within each room – a rather nice metaphor, perhaps for the keys to life and unlocking understanding.  Alongside each entrance, Ava sets out the title of the cage presented within, together with a short text piece to challenge the grey matter into action in considering each vignette.

In total, the six themes, in their default order, are: birth, the body, roots / the family, emotions, work, and the brain. Each offers a static vignette representing the core focus. Each is carefully considered with very little within it to be overlooked, with both obvious and more metaphorical elements awaiting discovery.

Artsville Gallery: Ava Darkheart – Cages – The Body

Take Birth for example: the baby floating within the cage is clear enough, as might be the seabed-like setting in which both reside (suggestive of amniotic fluid and the pre-birth “memories” some claim to have of floating within their mother’s womb) – but don’t miss the little red-crowned crane frozen in mid-dance as a potential stand-in for the stock of childhood stories. Then there is the cocoon bag sitting to one side; not only does the name evoke thoughts of the womb within the womb, it allows us, via our avatars as they sit within it, a means to recapture a sense of warmth, protection and nourishment which carried us into the world.

Some of the commentary is more direct – such as the text panel for The Body’s Cage (The Flesh), speaking as it does so eloquently on matters of gender and the growing divide between personal identity and the increasing (and unbalanced) demands for conformity / regression to purely binary outlooks some in society are demanding (despite nature as a whole rarely being truly binary). Meanwhile, there is such a subtle play on human relationships offered within The Roots Cage (The Family); contrast the reproduction of The Last Supper on the wall behind the family group, the babe-in-arms – and the look on the face of the man with burger and coffee in his hands as he keeps his head and eyes turned away from the conversation; and don’t overlook the little bench outside with its lone light, and all that might say about familial separation and loneliness.

Artsville Gallery: Ava Darkheart – Cages – Emotions

I could work my way through all six – the use of the peacock, the Jaguar, the apple tree and colours with The Untamed Cage, and so on – but this is an installation designed to get the visitor’s grey matter churning on the subjects and their motifs, and as such, I really have said far too much here. As such, I do recommend a visit before Cages draws to a close in early March

SLurl Details

Seanchai Library: Feb 6th – Feb 10th, 2023 in Second Life

Posted on by Inara Pey
Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library – and this week previews the launch of a very special event.

As always, all times SLT, and events are held at the Library’s home in Nowhereville, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Monday, February 6th, 19:00: Vernor Vinge’s Long Shot

Vernor Vinge

First published in 1972 by Analog Science Fiction Fact, Long Shot is a far future story centred on AI.

With the Earth approaching its destruction as the aging Sun starts to swell as it burns through the heavier elements at its core, humanity takes one final gamble –  a long shot – to preserve itself.

A  colony ship is built as a home to human zygotes and sent on a sublight, 10,000 year voyage in the hope of finding an Earth-like planet orbiting Alpha Centauri, where humanity might begin again and make use of the technology and equipment also carried by the ship. Overseeing the mission is a self-aware AI called Ilse; utterly unique, she was a brain which, whilst not “alive”, nevertheless lived.

Ilse’s designed span exceeded one hundred centuries. And though her brain was iron and germanium doped with arsenic, and her heart was a tiny cloud of hydrogen plasma, Ilse was one of Earth’s creatures…
Ilse’s earliest memory was a fragment, amounting to no less than fifteen seconds. Someone, perhaps inadvertently, brought her to consciousness as she sat atop her S-5N booster.

Like any living entity, Ilse suffered from aging, her hardware and system suffering failures, causing her to forget things – including the entire purpose of mission. Fortunately, she manages to retain enough data  – “memories” – to be able to infer her core goal, and enough functional capability to at least get the vessel to Alpha Centauri. But will that be enough for the last cells of humankind to survive and be reborn?

With Gyro Muggins.

Tuesday, February 7th, 19:00: Cold Clay

The second book in the Shady Hollow series, in which some long-buried secrets come to light, throwing suspicion on a beloved local denizen.

It’s autumn in Shady Hollow, and residents are looking forward to harvest feasts. But then a rabbit discovers a grisly crop: the bones of a moose.

Soon, the owner of Joe’s Mug is dragged out of the coffeeshop and questioned by the police about the night his wife walked out of his life–and Shady Hollow–forever. It seems like an open-and-shut case, but dogged reporter Vera Vixen doesn’t believe gentle Joe is a killer. She’ll do anything to prove his innocence. . .even if it means digging into secrets her neighbours would rather leave buried.

Faerie Maven-Pralou reads the second book in the Shady Hollow series by Juneau Black, in which some long-buried secrets come to light, throwing suspicion on a beloved local denizen.

Wednesday, February 8th, 19:00: Seanchai Flicks

Films, popcorn and fun at the Seanchai cinema space.

Thursday, February 9th:

19:00: Tristan and Iseult, Part 1

Perhaps best known as Tristan and Isolde in English – although it has had numerous names down the ages, Tristan and Iseult is a tale which has been told in many forms since the 12th century. It has had a lasting impact on Western culture, with its many versions told and re-told across Europe from the Middle Ages onwards. A chivalric romance, the story is based on a Celtic legend (and possibly other sources), it tells the tragic story of the illicit love between the Cornish knight Tristan and the Irish princess Iseult.

After the defeat of the Irish knight Morholt and his army, largely as a result of his efforts, young Prince Tristan is dispatched to Ireland by his Uncle, King Mark of Cornwall. His mission is to escort the fair Iseult back to Cornwall that she might be married to King Mark and therefore seal a lasting peace between the two kingdoms. However during their return journey, the two ingest a love potion – possibly accidentally, possibly deliberately – and fall deeply in love. Their affair continues after their arrival at the court of King Mar and Iseult’s marriage to the king – something which can only end in tragedy.

21:00: Seanchai Late Night

Science fiction and fantasy with Finn Zeddmore.