Endless: lowland beauty in Second Life

Endless; Inara Pey, January 2019, on FlickrEndless – click any image for full size

Endless is a region of desolate beauty that is quite stunning to behold in its naturalness of setting. There is a wild, unfettered allure to it that can instantly capture the eye and the heart.

We were drawn to it thanks to an  IM by fellow grid traveller Annie Oh (AnnieBrightstar). A Full region, it has been designed by Sombre Nyx (SombreNyx) in reflection of a coastal wetland or fens, and influence by the Camargue in the South of France. It offers a mostly low-lying area of land, cut through with shallow waters hidden by shrubs, tall grasses and reeds, weathered old bridges linking the swathes of drier land that sit just above the waters. All of which is watched over by the tall finger of a lighthouse and the squat box of an old fortification hunched on a low hill.

Endless; Inara Pey, January 2019, on FlickrEndless

The latter looks across the lowlands to a ridge of hills, a dirt track curling around them, hinting that something may be hidden beyond their steep sides, while overhead dull clouds scud their way across a sombre sky; perhaps portents of inclement weather yet to arrive.

This is a place that has an immediate impact on the eye and heart; it breathes a naturalness that is almost intoxicating. In looking around on our first arrival, I was immediately put in mind of remote coastal areas of north and east Scotland – but also found myself put in mind of the moors of Devon, North Yorkshire and Northumberland, the wetlands and flamingoes notwithstanding. But Endless is a place that could exist almost anywhere; including purely in the imagination.

Endless; Inara Pey, January 2019, on FlickrEndless

It is also a place that leads forth quiet contemplation as much as it does exploration. The wide open spaces encourage visitors to stand and look, while the ambient sound scape (do make sure you have local sounds active) causes the mind to drift on its own wings; Endless is a place where stories await our imaginations to give them life, as Sombre herself notes:

Stand in a corner; drink in the ocean. Nobody will come to push you out of that reverie. They have their own to engage them … You’re the writer of stories made here. I offer you the pen. Dipped in the ink of my dreams.

– Sombre Nyx, describing Endless

Where you choose to wander on arrival is up to you; the landing point sits towards the middle of the region, and the track winding forth from a nearby barn, hugging the feet of the sheltering hills is certainly one path to take – although this quickly branches, demanding choices to be made. But there are also paths between bushes and shrubs and the low bridges spanning fingers of water that also call for feet to tread them. And then there is the lowering bulk of the old fortification sitting on its hill, its call to be explored perhaps a little too strong to be resisted.

Endless; Inara Pey, January 2019, on FlickrEndless

Old it may well be, but the rooms within it offer the warmth of a fire, the comfort of a sofa and the hint of an artist’s place of work, while the crenelated walls of its flat roof enclose a most curious yet comfortable setting – although I’d perhaps question taking a bath with what sounds like a cold wind buffeting those same walls.

Should you follow the track around the hills to their northern flank, you’ll find more signs of human habitation and stories waiting to be told.

From Tuscan villa to fisherman’s shack, the buildings sitting in the northern lee of the hills offer a delight to both eye and imagination as they face the cold, hard sea in an almost defiant line. Close by, on a small tongue of land sits a graveyard, adding a sense of settlement and history to this place of stark pulchtricude.

Endless; Inara Pey, January 2019, on FlickrEndless

Nor does it end there; the beauty of Endless is not only on the macro level, with its sweeping vista, buildings and sounds. It also exists on the “micro”, the careful use of small details that add further depth and life to the region, again as Sombre notes:

Nudge your horse through shrubs, listening to its hooves squelch in the mud … Notice a duck, a dead bird, a narcissus, a slice of freshly cut orange, brilliant on its white plate. Be aware of it all.

– Sombre Nyx, describing Endless

Her description also hints at a further attraction: the region is perfectly suitable to exploration on horseback, if you have a wearable horse. I don’t as yet, but I confess the promise of being able to ride through Endless at a slow pace, imagining that mud sucking at hooves and the hypnotic swaying induced by riding while looking out over that serene landscape has brought me one step closer to doing so.

Endless; Inara Pey, January 2019, on FlickrEndless

Yes, there is a lot going on in the region that can pull at viewer performance (including an element yet to open to the public). But with careful shepherding of viewer options, these should not prove insurmountable or unduly spoil a visit. Certainly, the effort in making adjustments is more than worthwhile, because Endless is a genuine place of beauty and peace, perfect for photography, for contemplation, for exploration or as a means to recapture memories of the wilder, more remote places we cannot always visit with ease in the physical world.

SLurl Details

  • Endless (Haraiki Bay, rated; Adult)

Nostalgia in Second Life

DiXmiX Gallery: Mareea Farrasco

Nostalgia is the title of an exhibition by Mareea Farrasco that opened at DiXmiX Gallery curated by Dixmix Source, on January 26th, 2019.

Presenting twelve soft-toned images that perfectly reflect the idea of memory and nostalgia, this is a hauntingly beautiful display of art, each image almost heart-rending in its sense of wistfulness.

DiXmiX Gallery: Mareea Farrasco

Mixing landscapes with what might be regarded as avatar studies, clues to the pieces can be found within their title – Freezing Point, Islands, The Rain Army – which may suggest interpretation or may simply offer a clue to the story within. But what that story might be really comes down to your mood / frame of mind when viewing them.

Indeed, such is the personal nature of the images, to offer any interpretation here would be pointless; the most I can offer is the impact they had on me. Such as with Mer étale (Sea Spreads), a piece that to me captures both the loneliness we can feel in life – and the need we all at times feel of wanting to be alone.

DiXmiX Gallery: Mareea Farrasco

In this respect, were I to suggest a single emotion that seems to pervade several of the images offered, it would perhaps be solitude; this sense of being alone contrasting with a desire to be alone.

Given the depth of meaning present within these images, they each deserve study and time; they are pieces that should be considered, not just glanced at; absorbed, not just seen.

SLurl Details

Willow Spring Ranch in Second Life

Willow Spring Ranch; Inara Pey, January 2019, on FlickrWillow Spring Ranch – click any image for full size

Update – and Ouch! Within 24 hours of posting this, Willow Spring Ranch has been taken down! SLurls removed as a result.

Once again we’ve been drawn to a region on the recommendation of Shakespeare and Max. Willow Spring Ranch is offered as a place for couples and friends to visit, explore and enjoy. A rugged setting, this Homestead region presents a rich landscape surrounded by tall, green mountains and water.

Designed by Gazza Tremor on behalf of region holder Brandi Darkwatch (Brandi Wycliffe), it’s a place blending multiple activities. Trails wind through the landscape, offering a route of exploration across both the high plateaus and the low-lying regions such as the beach. These can be followed on foot or – if you have a wearable horse – can be ridden (horse riding is expressly encouraged in the region).

Willow Spring Ranch; Inara Pey, January 2019, on FlickrWillow Spring Ranch

As well as riding and walking, the region offers several places for dancing – most notably a large deck towards the west side of the region, overlooking the seas below. Games are also on offer, particularly down on the pier that brackets one side of the region’s beach.

For those who don’t fancy walking, the path north from the landing point leads to a bridge and, beyond it, a barn. Outside of this (among other things) is a bicycle rezzer – although I confess both Caitlyn and I found the winding paths alongside the barn and crossing the rest of that plateau difficult to navigate from the bicycle saddle!

Willow Spring Ranch; Inara Pey, January 2019, on FlickrWillow Spring Ranch

With its open spaces, lack of buildings, its woodlands and lowlands, Willow Spring Ranch is a little different to many of the public regions usually found in Second Life. The design of the paths and trails lead the way around the region in such a way as to give the impression this is a park covering a large area, the paths naturally offering a way around it in such a manner that adds to the feeling the region is larger than is the case.

If you do have a wearable horse (or similar) for riding, Willow Spring Ranch might be a very worthwhile visit; but even if you are on foot, the region offers a lot to see and opportunities for a little outdoor relaxation, be it dancing or just sitting and talking. There’s even the option for 10-pin bowling!

Willow Spring Ranch; Inara Pey, January 2019, on FlickrWillow Spring Ranch

Willow Spring Ranch; Inara Pey, January 2019, on FlickrWillow Spring Ranch

Justine at Artful Expressions

Artful Expressions: Justine

Now open at Artful Expressions Gallery is a small, untitled exhibition of Second Life photographs by Justine Here (Justherforpix). Small though it might be, it is also a marvellous introduction to a photographer who – so I understand from talking to the Gallery’s curator, Sorcha Sanvean (Sorcha Tyles) – is unsure of her work. I’m not sure why; Justine has a remarkable eye for photographic composition and expression within our digital world.

Her skill is perfectly expressed in the six images offered for this exhibition. A mix of avatar studies and landscape images, each and every one of them is utterly exquisite. I’m often prone to discussing pictures in terms of the narrative they offer; I’m naturally drawn to doing so as words and expression drive me. Sometimes that narrative is rich, at others it is subtle. In these pieces it is simply extraordinary. Untitled, each piece naturally draws the eye and the imagination into seeing and telling a story about the moment in time – the moment in life so perfectly captured and framed with each.

Artful Expressions: Justine

And I do mean life; all six pieces breathe its very essence through their composition: the use of light, colour, tones, focus, depth. Similarly, the level of emotion conveyed in each piece is magnificent. These are not pictures simply to be seen; they offer themselves as works to be seen; they are images to be tasted and savoured; the stories within them to be experienced.

As such, I’ll say no more here – but I will urge you to go and see for yourself. This is a small, but truly elegant exhibition.

SLurl Details

The beauty of Broken in Second Life

Broken; Inara Pey, January 2019, on FlickrBroken – click any image for full size

Broken is the name Talia (Natalia Corvale) has given to her Homestead region, to which we were led over the weekend by Shakespeare and Max.

On the surface, this is an elegantly simple design, a place – at the time of our visit – dusted with a light fall of snow through which the grass raises fields of weary heads under an ochre sky held aloft by the trees scattered across the landscape.

Broken; Inara Pey, January 2019, on FlickrBroken

Cut by a stone-banked stream running outwards from a small pool and by the long finger of an inlet, this is a predominantly low-laying region, a single hill rising from its otherwise gentle undulations. It’s a place which at first glance might be mistaken for a residential location: sharing  the region with its trees, grass and water is a series of houses and cabins. However, each and every one of them is open to the public and offers a place of rest. More spots to sit, either on your own or with company, can be found outdoors as well, from a horse-drawn sleigh, through swings suspended under stout boughs or on verandahs to waterside benches and benches on wooden decks.

Devoid of any sound scape, the land here is quiet. As one who always appreciates the added depth given to a region through the use of ambient sounds, I have to say the lack of any here does detract from the setting in any way; if anything it adds to it. Not only does the silence (there is no audio stream either) give the impression this is a place where the snow lies as a blanket absorbing everything, it also sits perfectly with the intent of the region.

Broken; Inara Pey, January 2019, on FlickrBroken

This is because while Broken undoubtedly a place lovers and friends can enjoy – numerous couples poses abound in seats, beds and benches – it is also very much a place of solitude and introspection, as Talia herself notes in describing the region: “for anyone who’s ever lost someone”.

“Lost” in this sense doesn’t necessarily refer to having suffered the passing of someone close; rather it encompasses the separation born of a relationship – be it as lovers or friends – that has run its course and which now lies behind us. It is a place we can come to and give memories and thoughts – happy or sad; with freedom or regret – release. Thus, this is a place that can be both new to visitors and yet personal.

Broken; Inara Pey, January 2019, on FlickrBroken

This is clearly a personal design for Talia as well – as indicated by the dedication she gives with the region’s Pick in her profile. There is also a certain subtle aspect to the way things are placed in the region that perhaps reveals something of her own personality – which is also hinted at in her profile notes.

Take the positioning of the houses and cabins, for example. Their placement makes them both a part of the landscape – but the spaces between them set them apart from one another, allowing each to maintain a distance and individuality within the whole. This  – to me at least – seems to reflect the sense given by Talia’s profile notes that she is (somewhat like me) someone who enjoys company, buy tends to keep slightly apart, even when in that company. Or perhaps I’m just projecting!

Broken; Inara Pey, January 2019, on FlickrBroken

Broken also has something else about it. As well as projecting beauty and peace, there is also an air of strength about it; of endurance captured in the wintry setting and the hard lines of the wooden buildings. Thus, the region offers an appeal on multiple levels, its design touching us whether we visit whilst feeling lost, or in the company of those closest to us or simply out of that desire to explore and discover in Second Life.

I would perhaps like to see scripts enabled within the region, simply because any need to relog during a visit then requires a jump elsewhere and back to re-enable any worn animations such as scripted AOs, but this really is a very, very minor point. The beauty and peace of Broken speak for themselves, making any visit more than worthwhile, no matter what our mood.

Broken; Inara Pey, January 2019, on FlickrBroken

SLurl Details

  • Broken (Farron, rated: Moderate)

Terrygold’s Oxygen in Second Life

Terrygold: Oxygen

Oxygen, with the subtitle The Suffocated Planet, is the title of a new installation by Terrygold, which officially opens at 13:30 SLT on Friday, January 25th. As with The Rusted Farm (read here for more) before it, it offers art with an ecological theme.

As with The Rusted Farm, Oxygen focuses on the myriad ways in which humans are systematically poisoning our own planet. But where the former dealt with the ruining of the world’s oceans and lands, Oxygen focuses on the manner in which we are slowly destroying the very air we breathe.

At its core, the installation provides a story, told it words and pictures, of a woman born in 2030, a time when the atmosphere has become so polluted people are unable to live outdoors without the aid of a respirator, which to her feels as suffocating as the deadly mix of gases in the unfiltered air. She longs to witness first had the world she has never known; a place where the sky was as blue as her eyes, and where plants and flower grow in abundance.

Terrygold: Oxygen

Her world appears to be that of underground habitation; a place of concrete walls, floors and ceilings, of passages and vast rows of tanks used to sustain our race. But even here the air is not fresh or clean, and the ever-present respirator imprisons her. There is only one place she can escape the cloying grasp of the mask, and then only briefly – and it brings forth all the longing she feels for the world that has passed, together with a renewed hated for the mask she’ll all-to-soon have to return to wearing.

My weekly hour in the municipal greenhouse is almost over; I’m already wearing my mask and in a little while I’ll be back into that fog. 59:55 … 56 … 57 … 58 … 59 it’s here. The Noise.

That “noise” is the sound of her own confined breathing, the beat of her own heart, reminders of her imprisonment.

Through the story, we follow her attempts to find peace, or rediscover all that humanity has lost. These attempts lead her to a truth: that nature is in fact stronger than we might think. While our own foolishness may bring about our own end, Nature herself will ultimately survive and recover, healing the wounds wrought by humanity in our foolishness.

Terrygold: Oxygen

Throughout the installation, the story is told through words seemingly painted on the walls of the drab halls of living spaces, and through self-portraits of Terrygold wearing the all-encompassing mask, a heavy, ugly affair. Through these images we witness her longing, her desires and ultimately, her discovery.

This tale is in many ways dark and sad; even the outcome is tinged with shadow as well as hope for the future or the natural world. However, the message is clear: should we not work with Nature, to cease our wilful destruction of environments, poisoning of water and polluting of the very air we breathe, in order to ensure the continuance all of this fragile ecosystem in which each and every one of us is born and depends upon? Or are we going to continue along a path in which, while it is true Nature through her hardiness will eventually survive and recover, will nevertheless leave humanity’s mark on the world akin to that of the dinosaurs, our passing marked only by the bones of our towns and cities?

SLurl Details

  • Oxygen: Solo Art (Casvian Caye, rated: Moderate)