Isadora and Morlita at Diotima Gallery

Diotima Art Gallery: Light in the Labyrinth

Currently on display at Diotima Art Gallery curated by Redi (Red Bikcin), is a shared exhibition of art by Isadora Alaya (Otcoc) and Morlita Quan. While very different in form, the two exhibitions are perhaps drawn together through something of an abstract edge to each of them.

Located in the front part of the gallery space, Isadora present 14 images under the title Light in the Labyrinth. These offer a mix of themes – landscapes, images of art in SL, avatar studies – all of which are joined by a use of colour that tend to set them apart from the more “usual” style of landscape or avatar study we’re all perhaps familiar with. This gives some of them the “abstract” edge to which I refer.

Diotima Art Gallery: Light in the Labyrinth

It really is this use of colour that makes these pieces striking. I particularly found myself drawn to Savannah Flow and Tell You What’s Lost. The former is a glorious piece in tone, lighting and depth that brings the elephant to life in a most fascinating way. The latter, meanwhile, presents in both image and title a perfect reflection of one of SL’s most original regions,  Whats Lost Spirits (about which you can read more here).

With pieces like these and the stunning monochrome Powder Drift (Night Before Zazenkai), Isadora’s Light in the Labyrinth is an absorbing display of art.

Diotima Art Gallery: Morlita Quan – Dissonances

For Dissonances, Morlita Quan contrasts her images to those of Isadora by presenting them within a white space that sits opposite of the dark setting for Light in the Labyrinth. In doing so, she draws a subtle link of connection between the  two exhibits.

I’ve long been an admirer of Mori’s beautifully fluid and organic abstracts, and the twelve pieces offered here fully demonstrate both the organic and abstract look and texture to her work. Abstract the images may be, but the influence and inspiration of nature is evident within each piece presented here, the majority of which lean towards monochrome, while those incorporating colour do so in a soft, subtle and – dare I repeat it again – organic manner. The fluidity of the pieces is largely self-evident; several of the pieces are liquid in their form, and this is further added to by the wave-like animation evident in the floor.

Diotima Art Gallery: Morlita Quan – Dissonances

The choice of title for this exhibit is interesting. Dissonance means a discordant combination of sounds or a lack of agreement. Yet within these pieces there is a harmony waiting to be found. Yes, on first look, the pieces – particularly the two laying on the end wall of the hall – may seem jarring; however, the very nature of these pieces, the intricate curves and patterns of circles tends to wash any sense of discord to one side.

Together, Light in the Labyrinth and Dissonances made for a worthwhile shared exhibition and visit.

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A visit to historic Boardman in Second Life

Boardman – click any image for full size

There are many historic sites scattered around Second Life, some better known than others. Svarga (read here for more), for example, or The Man, Governor Linden’s mansion, the Ivory Tower of Primitives, to name just four. Then there are places to celebrate the history of Second Life, such as the SL Historic Museum (read here for more) and Maps of Second Life (read here for more).

One of the historical location that perhaps doesn’t get much of a mention outside of the Destination Guide is Boardman, one of the earliest experiments of a themed community established in Second Life that dates back at least a decade, and which is now overseen by the Boardman Preservation Society.

Boardman

It’s a fascinating curio to visit; a living reminder of how Second Life once was. A prim build, formed around a network of little roads and sidewalks, in which sits a little suburb setting of houses and community buildings: a town hall (complete with a picture of Jack Linden, former head of the Land Team who departed LL at the end of 2010), a church, and ice cream parlour. The roads are shaded by Linden trees from the library, while the houses – although largely empty – sit within their own little lawned gardens.

Being an early example of community building in Second Life, Boardman is subject to some of the earliest zoning requirements in Second Life. These can be obtained from the information kiosks scattered around the town and in assorted signs, and date all the way back to January 2003, which itself makes them an interesting read.

Boardman

A central (literally as well as figuratively) feature is an open air market space. This was specifically established to allow Boardman residents to sell their goods – as long as they were within the required guidelines – via a 13×8 metre stall. It is at the market that some names and logos can be found that will have a certain resonance among long-term Second Life residents: Sion Chickens (although none of them are around!) and Adam Zaius for example. There are even some vendor boards still present and working! You can, however, pick up Mr. Greggan’s Whimsical Full Perm Freebies, for a look back at SL mechanics circa 2007/8.

As well as exploring, visitors can take a walk to the waterfront and try their hands a few games or simply enjoy the Sun. While you’re there, say hello to Captain Nomad as he builds his new boat.

Boardman

Boardman may look dated when compared to modern mesh builds, and the total ban on even limited terraforming to smooth out the land in places can result in some buildings looking oddly placed. However, as a site of historical reference, it makes for an interesting and diverting visit.

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Wiona L at DiXmiX

DiXmiX Gallery: Wiona L

On February 15th, a new exhibition opened at DiXmiX Gallery, curated by Dixmix Source, is a small exhibition of art by Wiona L (dx61005). It’s a small but engaging exhibition located in the gallery’s Grey hall / foyer area.

Wiona describes herself as a “so-claimed SL photography enthusiast, wanderer,” Wiona undersells herself somewhat. the 12 images in this exhibition reveal a photographer of talent. Avatar studies these may well be, but the majority of them have such a playful, natural air about them, they present themselves very much as pictures taken “in the moment”, rather than being painstakingly posed to give the appearance of being so. This alone makes this exhibition perhaps different to others that have been offered at DiXmiX.

DiXmiX Gallery: Wiona L

Take Lets Go To The Pier and I Can Hear The Autumn, for example. The former (seen above) has a wonderful air of intimacy about it; an image caught by one part of a couple who are out and enjoying their time together, so much so that you can almost hear the title being exclaimed in delight by the blonde-haired woman, with its accompanying laughter as they run to the pier in question.

Meanwhile, I Can Hear The Autumn alongside it (and to the left of the top image) presents an image of a gentle moment from someone’s afternoon: a young girl resting in the warmth of a lowering sun after a long and satisfying ride, her bicycle resting against the verandah rail on which she sits. It’s a moment of quiet intimacy captured whilst she was lost in thought and unaware of the camera’s presence.

DiXmiX Gallery: Wiona L

Only the two large images in the collection break with this idea of moments of natural expression caught by the eye of an unknown photographer. While they bare witness to the same artistry and skill as the other ten images in the collection, they nevertheless have more of a feeling of being purposefully posed to achieve the desired shot, rather than being a purely happen-stance moment caught in time.  I say this not in any way as a criticism of either picture, but rather out of the fact that they do stand apart from the rest – hence why, perhaps, they are displayed across the foyer from the rest of the exhibit.

But that is a purely personal view. There is no doubting this is an engaging exhibition, rich with story, beautifully presented and well worth taking the time to visit.

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Elvion: an elven sanctuary in Second Life

Elvion; Inara Pey, February 2019, on FlickrElvion – click any image for full size

Update, September 2021: Elvion has relocated and expanded – see Elvion expanded in Second Life.

The suggestion we visit Elvion, which recently opened its doors to the public, came to us via Miro Collas, another reader who always keeps can eye out for regions in Second Life we might find appealing, and to whom I again offer my thanks for doing so 🙂 .

Occupying a quarter region parcel on a Homestead region, Elvion has been designed by Bo Zano (BoZanoNL) as an elven style sanctuary, rich in atmosphere and with a suggestion of mystic magic; and it is a quite breathtaking place to visit: simple but elegant in its presentation, rich in detail without feeling overcrowded.

Elvion; Inara Pey, February 2019, on FlickrElvion

Aside from a single tower towards the north-east of the parcel, not far from the landing point, the entire location is open to public exploration and enjoyment.

To help with this, a single track runs through the parcel from the south-east corner through to the north-west. A short distance, perhaps, but a good start to explorations. From its starting point was the edge of a small bay, it skirts around the water, passing the entrance to the glade where the private towers resides. Past this, it passes over a little bridge to pass along the edge of another glade to reach a  second bridge pointing back to the tower.

Elvion; Inara Pey, February 2019, on FlickrElvion

This second glade is bordered on its far side by high falls and is home to a large pavilion. It is here that a further sense of fantasy is presented to visitors: a dragon circling slowly over the grass of the glade, sharing the space with gossamer butterflies as rabbits hop around below. Sunlight filters through the trees at the edge of the glade, while lights dangle from branches in strings, adding a further ethereal look to the parcel.

This is far from all there is to Elvion, however, wander across the glade or follow grassy trails through the trees, and you’ll find elk grazing at the edge of the water and just beyond, a rocky arch offering a way to where a further mystical element can be found: a stone carved with glowing runes with unicorns just before it.

Elvion; Inara Pey, February 2019, on FlickrElvion

Another aspect to the parcel is the wildlife; elk graze, heron and egret watch over the waters, birds sing from trees and sit on rocks while swans patrol the waters and a woodpecker keeps himself busy on a tree trunk. These all bring the place to life, and a further depth and attracts the ear and eye.

I’ve often commented that when it comes to designing somewhere special, be it a private home or a place we can share with others, it is all too easy to focus on the space and land capacity offered by an entire region, be it full or Homestead. Elvion, however, is one of the wonderful gems in Second Life that demonstrate this is not the case, and that with care and attention to detail, it is possible to present a special, photogenic place worthy of sharing with others and which is an absolutely delight to visit and spend time within.

Elvion; Inara Pey, February 2019, on FlickrElvion

 

The Missing Whale in Second Life

The Missing Whale; Inara Pey, February 2019, on FlickrThe Missing Whale – click any image for full size

Note: Missing Whale is now closed. SLurls have been removed from this article.

We were recently passed the landmark to The Missing Whale by Shakespeare, and decided to pay it a visit. Designed by Lotus Mastroianni and Fred Hamilton (frecoi), it’s a homestead region with a touch of the wild side about it, complete with an eclectic mix that adds to its depth.

Backing directly onto a lush green sim surround, the region presents a feeling of being somewhere in a rain forest; a place built on the edge of a modest lake that feeds into a river that meanders away westward into the hills, and which is in turn fed by the broad falls that tumble from the hills to the east.

The Missing Whale; Inara Pey, February 2019, on FlickrThe Missing Whale

The landing point is in a small fishing shanty built out over the water. Music drifts through the air, the tunes and quality of which might suggest we’re caught in the 1930s; however, the televisions inside the huts of the shanty suggest a much later period. Perhaps the music is from a record player and innocent enough; but the contrast between the music and the presence of the televisions (and surfboards!) is the first in a series of mixes that make the Missing Whale such an interesting curio awaiting exploration.

Raised board walks links the various huts and buildings of the village, and provide a route up onto dry land in one direction and, by way of a river crossing to the local store in another. The store is stacked with a range of produce, western meats and cheeses, oriental beer – and the opportunity for a game of pool. It appears to sit as the Last Friendly Store where explorers can gather supplies before delving into the interior.

The Missing Whale; Inara Pey, February 2019, on FlickrThe Missing Whale

Beyond the little village, the landscape becomes more rugged  – and wet. Rain falls over a bamboo forest, water flows down over rocks and through pools to a broad channel cutting the land. Ruins lie close to this river, watched over by a tiger, offering a suggestion that perhaps we’re in the rain forests between India and Myanmar. But then, up on the rocky foothills beyond, African elephants bathe in the waters of the large, waterfall-fed pool. Thus we have another anachronism (although admittedly, it might simply be the result of Indian elephants being a little less popular with creators than their African cousins).

Even so, whether deliberate or forced by circumstance, the clash between tiger and elephant adds further mystery to the region. The Asian influences can be found elsewhere as well; there is more than one tiger in the region awaiting discovery, while stone and copper Buddha heads can be found as well. Similarly, the region has a number of oriental / Japanese style structures waiting to be discovered, both down among the trees and up on rocky plateaus, mixing things further.

The Missing Whale; Inara Pey, February 2019, on FlickrThe Missing Whale

There is also an edge of danger to the region – as evidenced by the wreckage of two downed aeroplanes in the hills and a boat driven against the rocks in one of the river channels. This channel holds within it a little beach; although the path to it is not entirely obvious, even if it is signposted when you find it 🙂 . As an alternative, the daring could scramble down from the high rocks holding the beach in their curve.

If I’m totally honest, I’m not sure the selected region windlight shows the setting to its best advantage, and I would suggest playing with options for photography. Also, there are one or two areas where the is a lot going on which can impact viewer performance (depending on your system & settings, obviously). I found the walk through the bamboo forest in the rain pretty heavy going thanks to the rain, the motion of all the bamboo in the breeze and the atmospherics; hence again why playing with windlights can help.

The Missing Whale; Inara Pey, February 2019, on FlickrThe Missing Whale

But, this shouldn’t deflect you from a visit; the Missing Whale makes for an attractive visit.

Barbara Borromeo at the Lin C Art Gallery

Lin C Art Gallery: Barbara Borromeo

Currently open through until the end of the month at the Lin C Art Gallery is an extensive exhibition of art by Barbara Borromeo (barbaraborromeo), an artist I have admired for her work and style for some time now.

On display are around 27 images by Barbara, some of which have appeared at previous exhibitions (see Barbara Borromeo at Serena Arts, for example), while others appear to be newer pieces – or at least pieces I’ve personally not seen previously. Together, they offer an engrossing display of Babara’s visual styles, from portraiture through fantasy to pieces that offer abstract art or which feature a blending of physical and digital images.

Lin C Art Gallery: Barbara Borromeo

There are so many aspects of Barbara’s work that makes it so captivating that singling out an individual piece from her portfolio can be counter productive; he images need to be seen as appreciated individually to fully understand the breath of her work and the canvas of her imagination.

That said, there are some elements of Barbara’s work that are beautifully exemplified in this exhibition, such as her collage pieces that blend together a number of elements into a single image: a portrait, a background (something themed), as with Enchanted Forest LN, Alter, and Cosmic Woman, which can so often weave a story in the mind.

Lin C Art Gallery: Barbara Borromeo

But even her more “normal” (in terms of capturing a scene) images such as Tuscany Byker OK, present such a rich depth and narrative, its is hard not to become completely bound up in them. I was also pleased to see  Words Never Said, a piece I first encountered in August 2018, which is magnificently powerful in its emotional content.

If you have not witnessed Barbara’s work first-hand, then I strongly urge you to go along to the Lin C Art Gallery and witness the power of her work for yourself; I guarantee you will not be disappointed. Awed, yes; but not disappointed.

Lin C Art Gallery: Barbara Borromeo

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