Life and moods at Vibes Gallery in Second Life

Vibes Gallery: Paola Mills

Vibes Gallery, curated by Eviana Robbiani, is currently home to an untitled exhibition featuring Sunset Theas, Paola Mills, Lyack Glenwalker, Megan Prumier, and Aurora Donner. Given some of the images involve nudity, it should perhaps be considered an exhibition that is NSFW.

Immediately inside the entrance to the gallery is a quartet of images by Sunset Theas that follow a theme of their own, perhaps best described as condensing the seven stages of life into four evocative monochrome images, entitled, Embryonic, Birth, Life and Death. As the titles imply, each captures a moment in time and life.

Vibes Gallery: Sunset Theas

The use of monochrome, soft focus and life and shadow serve to make each of these pieces an intriguing study that fully captures the essence of their titles. Take Embryonic, for example. The use of depth of field and the off-centre capture are so suggestive of an ultrasound scan, with just enough form and substance for us to understand what we are seeing.

And so the images progress: Birth using light and shadow and a huddled form that offers the idea of a babe is dark swaddling; Life offers a image of the full vitality of a person in their prime, the use of a mask preventing us from being drawn into studying the model, but considering that broader idea of life. Then depth, with it simple setting, soft focus and back view of a naked body without adornment of clothing or within the setting is simply glorious – if such a term can be used – in its presentation of the body’s emptiness in death.

Vibes Gallery: Megan Prumier

At the far end of the gallery space are four images by Megan Prumier that again offer a theme; this one using reflections in the form of overlaid images of the female body. Each displays a considered use of technique that makes the nudity within the images secondary to their narrative. Take Warm Shivers, for example; the marvellous placement of the image, one copy superimposed over the other wonderfully suggests both someone feeling the cold in their nudity whilst at the same time presenting the idea of receiving warm comfort from someone close.

Between these two groups lie another set of four images by Paola Mills, and two pairs of images by  Lyack Glenwalker and Aurora Donner. I admit to being unfamiliar with the latter two, but again, on the strength of the two images presented here, Lyack has a talent for producing images rich in narrative. Certainly, his images reflect the stories inherent in the four pieces offered by Paola, while Aurora’s pair of studies round-out the exhibition nicely.

Vibes Gallery: Lyack Glenwalker

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Wandering Highland Hills in Second Life

Highland Hills, August 2019 – click any image to enlarge

Highland Hills is the name given to a quarter Full region designed by EloiseBlake, and it is a place that packs a lot into it. Open to the sea on two sides, the parcel is described as the “Highlands of Scotland. A forgotten era. Ruined, rural and rustic. Where nature has claimed its home.”

As a representation of the Scottish highlands, I’d perhaps suggest the parcel is intended to offer some the many aspects of the highlands – the rugged hills, the rough, weather coastline, hints of glen-like slopes (al be they narrow), rushing streams, and so on – rather than any single place within them. In doing so, it presents a rough-hewn landscape that is entirely its own, one that invites exploration.

Highland Hills, August 2019

The ruins referenced in the description come in multiple forms, from the great round bulk of a coastal tower, sitting atop a shoulder of rock and protected on two sides by open sea – or perhaps intended to command an offensive view over the waters – to the squat rectangle of a castle keep brooding against the western cliffs of the land.

Between and around these two are multiple signs of what might have once been an extensive fortification – the ruins of curtain walls, ached entrances that might once have been guarded by stout gates, the remnants of a chapel, and so on. Are these all symbolic of a once might castle that dominated the landscape at some point in the past? Or are they indicative of multiple attempts to fortify and hold the land during different times in its violent history? That’s one of many questions the visitor might be tempted to ask, although the lay of the land perhaps points to the various ruins being somewhat separate in nature.

Highland Hills, August 2019

More recently, the land has become home to a small farm, the house of which sits in the lee of the great round tower, with a cattle barn sitting across the parcel from it, overlooking the eastern coast. The latter is intended to be the home for shaggy highland cattle, but the cows appear to have had other ideas, an open gate affording them the opportunity to wander down to the rocks sitting above the coastal waters.

Also down among the rocks can be found the detritus of human life: abandoned crates, broken rowing boats and so on – some of which offer places to sit. More places to sit and relax can be found scattered across the parcel, most of them easily reached from the landing point by following the dirt tracks that roll away from it. One of the latter will take visitors past the great tower, then the little farmhouse, and onwards to where beehives have been carefully set among the heather. Just to one side of these a great tree has, at some point in the past collapsed, its aged trunk now a convenient bridge by which to reach the rectangular castle keep.

Highland Hills, August 2019

In truth, getting around parts of the region can require a bit of scrambling and / or searching. Take the main steps up to the castle keep, for example. They link keep with an entry arch and one of the tracks running through the land – but the entrance itself is blocked by the stones that have fallen from the top of the arch, the keystone presumably having given way at some point in the past. On the one hand, this leaves visitors struggling to get over the fallen stones in order to climb the steps beyond, but on the other it cleverly encourages people to look for an alternate route – and those who do can be rewarded by further discoveries of hidden spots on their way up to the keep.

Similarly, finding the way up to the round tower is – without cheating – a little bit of a game of exploration. While it is possible to get up to it from inland, the easier route perhaps lies elsewhere. All I’ll say by way of a clue is that to go up, you first need to go down.

Highland Hills, August 2019

Finished with a sound scape fully in keeping with the setting, Highland Hills makes for a diverting visit with plenty to see without taking up a huge amount of time, and opportunities for photography, and pictures can also be submitted to the parcel’s Flickr pool.

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A return to HippiMagic in Second Life

HippiMagic Gallery

HippiMagic Art Studio and Gallery has relocated, and now occupies a part of a Full region. While the latter is still being developed by Sophie72 Congrejo, the gallery’s curator and the region holder, the art exhibitions have re-opened, with August seeing something of a change-up with the art on display.

Within the garden area of the gallery are displays by Anibrm Jung, featuring a mix of her Second Life and Real Life photography mounted on the wall of the gallery building. This is one the most diverse selections of Ani’s art that I’ve seen in an exhibition like this, featuring as it does her always stunning physical world macro photography, and a range of styles an finishes to her SL art that are truly engaging.

HippiMagic Gallery: Anibrm Jung

Also in the garden as a corner display of physical world photography by Phenix Wonder. This is actually my first exposure to  Phee’s work, and again, her use of the macro lens in some of the pieces is superb; just take Sun Pattern and Thistle as two examples (seen below, left). Just nine pieces are offered here, but they are enough to captivate the eye – and to leave me hoping to see more of her work in the future.

The gallery building continues to exhibit the work of Wintergeist, another artist I admire, together with Sophie’s own images as well, both of which I wrote about back in June 2019 (see Art with a touch of HippiMagic in Second Life).

HippiMagic Gallery: Phee Wonder

Outside in the square is the Woodstock Art Contest. This features images by MikeMazrok, Kalyca McCallen, Jeri Rahja, Doris Johnsky, FreeDom Voix, Dido Haas, Edwige Monroe and Fluer Heartsdale.

As the name suggests, this is a contest with a focus on the 1960s and Woodstock, with the images reflecting the hippy counter-culture epitomised by Woodstock. The winners for the contest will be announced on Sunday, August 18th, with a party   featuring live singer StayAwayJoe from 12:00 noon, SLT.

HippiMagic Gallery: Woodstock Contest

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An Alternate Reality in Second Life

Alternate Reality, August 2019 – click any image for full size

Designed by SimoneFiore on behalf of region holder ThisIsMyAltsAlt, Alternate Reality is a homestead region open to the public on the basis of joining the local group (no fee required).

Offering a simple, low-lying island, it is a place with plenty of space, most of which is open to the public, with the exception of the house located towards the north-west of the region, sitting within a private parcel clearly denoted by ban lines should you get too close.

Alternate Reality, August 2019

Predominantly sandy, Alternate Reality is home to scattered clumps of grass, all of varying sizes, which break through the surrounding sand like islands poking up above the surface of an ocean.

These little islands of green sit under the shade of trees that grow above them, tress that largely suggest that this is place located within temperate, rather than tropical climbs – although there are a few palm trees and other suggestion that perhaps we’re not that far from the warmer tropics.

Alternate Reality, August 2019

Within this setting are numerous opportunities for photography (as group access is required, rezzing of props is also possible) and some fun activities – including a see-saw, beach volleyball and swings. There are also multiples places to sit and relax. These can be found along the beach  in shaded little hideaways. Or, for those who prefer, there is a bar, with indoor and outdoor seating, again offering opportunities for photographs while the deck across the sand from the bar is a DJ’s set-up, suggestive of music events.

This is an easy location to tour, requiring little in the way of description, offering a quiet getaway that demonstrates that when it comes to landscaping, sometimes, less really is more. So, this being the case, and unusually for me, I’ll leave you with a couple of back-to-back photos.

Alternate Reality, August 2019
Alternate Reality, August 2019

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Truth at Artful Expressions in Second Life

Artful Expressions: Anu Papp

Artful Expressions Gallery curated by Sorcha Tyles, has (another) new home, and with it, a new exhibition.

Veritas (“truth”) is a selection of images by Anu Papp split into two groups of fives images apiece in the gallery’s two exhibition wings. Avatar studies all, the majority appear to be a mix of self-portraits and images that feature Anu’s SL partner Ferdinand, with around three photos of friends rounding out the mix.

Each of the images has its own sense of mood and presence, which can be added to by hovering the mouse over each in turn to see the title displayed. In this, I found the title of the exhibit somewhat intriguing. While each of the images offers its own narrative (and insight into mood, the possible creative intent), etc., there is little that intrinsically link the images back to the ideal of truth.

Artful Expressions: Anu Papp

This actually offers a possible conundrum, as it leaves those so minded (like myself) to ponder over title and subject. Is the title a reference to the truth that however hard we try to insist “SL is SL and RL is RL and never the twain shall meet”, we actually cannot avoid imbuing our avatars with some (or all) of the traits and foibles of our personalities? Is it the truth that our avatars present the means for each of us to express our inner self to the world more openly and as we would like to be seen by others?

Determining what truth is being referred to can have darker shades, such as the idea is there in truth no beauty? For truth is harsh to almost everyone; it forces us to accept our flaws and snap out of our grand illusions – and our avatars are perhaps one of our grandest illusions. So beautiful they may be – but do that reflect truth? But what then of the individual titles of the pieces presented? Do they fall into place with the idea that in truth, our digital presence is mere illusion, or do they push back against it, revealing that other truth referenced above: that they actually reveal who we are, more so that all of the masks we might otherwise wear in life?

Artful Expressions: Anu Papp

Not that this exhibition demands we engage in such an internal debate. The images are captivating in and of themselves – and I admit to becoming very drawn to the two period pieces offered. Both are marvellously presented, and the case of Les Nobles in particular, I once again saw the greatest truth Second Life offers to us: that no matter who or where we are in life, SL gives our imaginations wings.

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A Nordic story in Second Life

Nevglide Gaard, August 2019 – click any image for full size

Nevglide Gaard is described by its designer and holder, Neaira Aszkenaze as “the second chapter in the Nevgilde Story”, continuing as it does the Nordic theme of Neaira’s builds, which are intended to offer something of a feel of the wilds of Norway. We visited the first chapter, Nevglide Forest, back in late 2018 (see: Nevgilde Forest in Second Life), so when Shawn Shakespeare poked me with a reminder that Nevglide Gaard was open for exploration, we were happy to hop over and resume explorations.

This second chapter sits within a new – and slightly smaller – location: a parcel of some 8176 sq metres. It sits with a north-south orientation, two sides open to the sea and the entire design once again proof that you don’t actually need an entire region to create something eye-catching and worth visiting.

Nevglide Gaard, August 2019

The parcel offers a rugged finger of Norwegian coastline, knuckled by bare rock that cut by a single west-flowing stream that tumbles down from the northern wooded uplands to reach the sea. No landing point was enforced at the time of our visit, so I’ve arbitrarily set one for this article using the small island located at the southern end of the parcel, and separated from the rest of the setting by a shallow neck of water spanned by flat-topped rocks for easy crossing.

The island, with its little camp site, offers an excellent vantage point from which to view the rest of the land, looking northwards over the narrow curve of a beach sculpted into the landscape by time and water, past the single house that stands above it, and onwards towards those northern highlands. Reindeer graze on the upper slope of the island, while a set of wooden steps lead down to the water’s edge and the rocky crossing to the beach.

Nevglide Gaard, August 2019

Backed by a shelf of flat rock, the beach is a mixture of sand and shingle, a partially-finished raft lying just offshore. Steps lead up to the lone house, a marvellous and cosy wood-framed abode designed by Neaira herself (as an aside, her store sits in the sky over the parcel – see her profile for a TP – although the house does not appear to be offered for sale, sadly).

The house is clearly the home for the largely self-sufficient: chickens and goats are being bred, apples are being grown, and a and pump offers the means to get fresh, clean water from deep below ground.  Meanwhile, the bric-a-brac around the house and grass yard further adds to the sense that this is  very much a “working” home, those occupying it enjoying their lifestyle and the freedoms it brings.

Nevglide Gaard, August 2019

A path winds down from the north side of the little plateau on which the house sits to meet with a log bridge for those who wish to cross the fast-flowing stream and climb the rocky uplands. Wooded but with shallow and deep ledges of their own, these uplands can be scrambled up using further log climbs and offer another vantage point for looking out over the land, as well as an alternate landing point should you opt to take a landmark of your own.

Like Nevglide Forest before it, this is a place that is easy to explore and that encourages people to tarry for a while, whether they wander, or relax on the wooden deck to one side of the house or down on the beach or out on the little southern island.  Rounded off with a subtle and immersive sound scape, Nevglide Gaard is a place to lift the spirit as well as offering plenty of opportunities for photography.

Nevglide Gaard, August 2019

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