Life and moods at Vibes Gallery in Second Life

Vibes Gallery: Paola Mills

Vibes Gallery, curated by Eviana Robbiani, is currently home to an untitled exhibition featuring Sunset Theas, Paola Mills, Lyack Glenwalker, Megan Prumier, and Aurora Donner. Given some of the images involve nudity, it should perhaps be considered an exhibition that is NSFW.

Immediately inside the entrance to the gallery is a quartet of images by Sunset Theas that follow a theme of their own, perhaps best described as condensing the seven stages of life into four evocative monochrome images, entitled, Embryonic, Birth, Life and Death. As the titles imply, each captures a moment in time and life.

Vibes Gallery: Sunset Theas

The use of monochrome, soft focus and life and shadow serve to make each of these pieces an intriguing study that fully captures the essence of their titles. Take Embryonic, for example. The use of depth of field and the off-centre capture are so suggestive of an ultrasound scan, with just enough form and substance for us to understand what we are seeing.

And so the images progress: Birth using light and shadow and a huddled form that offers the idea of a babe is dark swaddling; Life offers a image of the full vitality of a person in their prime, the use of a mask preventing us from being drawn into studying the model, but considering that broader idea of life. Then depth, with it simple setting, soft focus and back view of a naked body without adornment of clothing or within the setting is simply glorious – if such a term can be used – in its presentation of the body’s emptiness in death.

Vibes Gallery: Megan Prumier

At the far end of the gallery space are four images by Megan Prumier that again offer a theme; this one using reflections in the form of overlaid images of the female body. Each displays a considered use of technique that makes the nudity within the images secondary to their narrative. Take Warm Shivers, for example; the marvellous placement of the image, one copy superimposed over the other wonderfully suggests both someone feeling the cold in their nudity whilst at the same time presenting the idea of receiving warm comfort from someone close.

Between these two groups lie another set of four images by Paola Mills, and two pairs of images by  Lyack Glenwalker and Aurora Donner. I admit to being unfamiliar with the latter two, but again, on the strength of the two images presented here, Lyack has a talent for producing images rich in narrative. Certainly, his images reflect the stories inherent in the four pieces offered by Paola, while Aurora’s pair of studies round-out the exhibition nicely.

Vibes Gallery: Lyack Glenwalker

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