Category: Reviews

The Itakos Project, operated and curated by Akim Alonzo, has undergone an expansion since my last visit (see: Soul Portraits in Second Life), with a new halls  – the Blue Pavilion – and an extension to the Black Pavilion, as well as a new platform gallery that will officially be opening a new exhibition on August 30th.

The Blue Pavilion sees a follow-on to Soul Portraits linked to above, with Soul Portrait Collection: Summer Black & White Edition. As with the first edition this features images from selected photographers who have submitted their work to the Itakos Project Flickr group. However, as the title implies, this selection features black-and-white images, and which had been submitted by Angelina Corral, Aver Osk, Aimee Cristole, Carolyn Diesel, Gabi Ka, Edie Horngold, Latia Lavecchia, -K- Lynagh, Ktsyakumi Izabela Navarathna, Saveria  Rossini and Sunset Theas.

Further, and in difference to the first edition, the images here are not restricted to head-and-shoulder images; they instead offer broader perspectives – full body shots, those with more of a background in view, and so on.

This, to me, adds a further depth to this black & white edition; the range of images helps to keep things fresh as one moves through the hall, while the broader perspectives evident in some of the images offer a broader canvas on which the imagine can write its own story to accompany each image. Which is not to say those that do offer more direct facial studies are any the less fascinating; quite the reverse in fact. All of the pieces offered here are remarkable for their depth and ability to stir the imagination into framing a story around them.

The extended Black Pavilion offers the second of two exhibitions by Akim that are currently on display at the gallery (the other being The Matrix, which I reviewed here). And I confess from the start that Akim is fast becoming one of my favourite artists in Second Life.

In Portraits and some Other Circumstances he presents a series of colour and black and white female avatar studies. Originally displayed in June 2019, the collection has been expanded by Akim, and includes direct portrait studies and a series of “other circumstances”, which present more sensual studies (that feature nudity, and so should be considered NSFW).

These are pieces that again offer scenes suggestive of wider stories. In this, some offer direct hooks to a possible narrative – such as The Model was Impressed by the Old Camera, which places a faceless, naked subject alongside a camera and adds a very subtle twist of double entendre via the title. Others are more subtle, such as Imagine (Looking away), with its suggestion of the things around us we might so easily miss – or the suggestion of things we are never intended to see, but are nevertheless with us – such as angels who watch over us. Throughout all of these pieces there is a subtle use of pose, eye positioning, model placement soft focus, and so on, that gently draw us into each image, asking us not so much to view it, but explore it and consider what might lie beyond each frame.

Within the White Pavilion, visitors can find The Edgy World of M, featuring a collection by Maloe Vansant.

In this collection Maloe offers a series of pieces – most of them, I believe, self-studies – designed to tell us about “an unusual and hidden side of her imaginary world.” Most of them are a mix of dark juxtaposed with vivid, rich colour in what is both a powerful contrast and naturally symbiotic balance.

This contrast / symbiosis seems to also reflect an underlying narrative with these pictures – each of which might be considered a passage lifted from a story – the colour perhaps representing the “normality” of a life as it is presented to others – a mask if you will; and the black representing what lies hidden behind those same masks of normality: the hidden desires and thoughts – some of which may themselves be dark in nature (the the references to death and the horrors of removing masks).

These various elements come together quite dramatically, drawing us into that edgy world of M, a place that is rich in tone, theme, and image, and which is also at its heart, both personal (on at least two levels – Maloe’s and the observer’s) and intensely primal.

Also on display at the time of writing is Simply Dreaming, a further remarkable collection of art by Awesome Fallen, and which I wrote about in April 2019.

SLurl Details

• The Itakos Project (ATL, rated Moderate)

Currently on display at Diotima Art Gallery curated by Redi (Red Bikcin), is Hot Summer, an exhibition of art by Kimeu Korg. As the title suggests, it features images – fifteen in total – depicting summertime scenes; or which are for the most part summertime scenes!

I admit to being something of a fan of Kimeu’s art, as he has a wonderful sense of whimsy and also an eye for creating thought-provoking images that can draw upon the abstract and / or the absurd or comical to pull the observer into them. Some of this talent is on display within the pieces presented here, although most are perhaps more “traditional” in nature – albeit with various motifs that also make Kimeu’s work so attractive.

The more comical can be seen in the likes of (13), located on the the right of the entry hall of the gallery. It features Kimeu standing on a beach in white, singing lustfully, a microphone in one hand and a rubber chicken held outstretched in the other, it’s beak agape as if singing in accompaniment.  Set against a calm sea and sandy foreground – two of the aforementioned motifs that can be found as a theme to many of the pieces here – it cannot fail to raise a smile.

Whimsy is evident front-and centre in some of these pieces – notably in the likes of (8), found in the far corner (relative to the entrance) of the L-shaped gallery, but also far more gently, such as with (4), which at a first casual glance might appear to be an ordinary image of a man standing on that sandy shoreline and looking out over sunny waters to where Orca-like fins rise above the waves, a dog and puppy – until you take a second look, and realise the “dog” and “puppy” are in fact a seal and her pup.

Finished as paintings – both oil and watercolour in looks – and also as coloured drawings, Kimeu’s pictures always have a life of their own that is unique within Second Life, something that also increases the appeal of seeing them exhibited, and this collection is no exception. It will remain open through to the end of Thursday, September 5th, and a visit is strongly recommended.

SLurl Details

• Diotima Art Gallery (Gigli Waves, rated: Moderate)

Now open at Kultivate Magazine’s The Edge Gallery is the August-September exhibition of black-and-white / monochrome art and photography.

The featured artists for the exhibition are Tatjab, MTH63, Wintergeist, Chic Aeon, Belua Broadfoot, Illrya Chardin, Sophie Congrego, Roxaane Fyanucci, Euridice Qork, and someone called Inara Pey, who is really just along for the ride. The artists offer a rich mix of portraiture and landscape images in their selections, as well as a mix of styles that make for an engaging exhibition.

While the range of images is both deep and broad, I admit to finding myself repeatedly gravitating towards two of the artists in particular. The first is Tatjab – also known as tattoo artist (hence his SL and Twitter handle of “Tatjab”), painter, and pencil portrait artist, Jesse Boren. Located on the upper mezzanine level of the gallery and facing the entrance, he presents fourteen pencil portraits taken from the physical world that are utterly stunning.

Ranging from fantasy pieces (such as portraits of Cthulhu) through personal pieces (Blaze, Leland and Pam’s Grandpa, for example) to those of famous individuals such as Barrack Obama, Sir Anthony Hopkins (as Hannibal Lecter) and Clint Eastwood (as Josey Wales), these are truly marvellous pieces, one and all; the manner in which the very essence and life force of Hopkins, Eastwood (a picture I could barely take my eyes off of!) and guitarist Justin Furstienfled has been captured is just amazing – as is true of all the other pieces Tatjab offers here.

Just to the left of Tatjab’s area in the gallery are nine pieces by Euridice Qork. All are avatar portraits and studies, but again I found myself repeatedly drawn to them because each and every one is powerfully evocative in its own very individual way. Within them all, one can find a sense of the subject’s self or can feel an emotional response or been drawn to thinking about a certain era – or perhaps all three, and more.

Take, for example the rightmost image of the woman at the microphone. While her style of dress might be a little more risqué than would likely have been the case at the time, the pose, the soft-focus background, the poise of the fingers of her left hand – all evoke a sense of 1940-1950s America, and a time when both jazz groups and big bands fronted by a vocalist where the means of a Saturday evening’s entertainment. Indeed, each time I look at this particular image, I cannot help but hear the words of Blue Moon, accompanied by a lone trumpet playing in the background.

Two other artists exhibiting here to and to whom I was drawn are Chic Aeon and MTH63 each  of whom can be found on the lower floor of the gallery.

Chic opts for a series of close-up images of items in-world. In this, I found the images to carry an echo of a technique that has become a signature of Melusina Parkin, and which I find particularly engaging: close-ups that suggest they are part of a large scene or story. In their presentation, be they focused on suitcases stacked one upon another or an oar in an aged and damaged rowing boat or the partially open drawers of a dresser, they drawer us to them, encouraging us into them in an attempt to peek beyond their borders, so to speak, and discern the wider story that may be just out of sight.

MTH63 offers a series of images of locations within Second Life, but rather than present them as “simple” monochrome pieces, he offers all but one of them as “negatives”, or perhaps reverse processed images (as used in the motion picture industry). Thus we’re presented with five unique views of settings within Second Life, with the one “positive” image sitting within them as the focal “glue” to MTH63’s “album”.

Truth be told, all of the artists featured in this exhibition offer a unique perspective on SL photography, be their work focused on avatars or landscapes or a mix of the two. The only potential exception is yours truly – and I say this not out of any sense of false modesty or to seek praise, but simply because I do not consider myself an artist. My images are purely intended for illustrative purposes within this blog; they are not posed, nor do they share depth of creative nuance evident in the other images, be it with framing, lighting, post-processing, and so on. As such, I count myself fortunate to be included  in an exhibition where there are some genuinely breath-taking pieces.

Slurl Details

• Kultivate The Edge Gallery (Water Haven, rated Moderate)