Unconditional in Second Life

Unconditional, October 2019 – click any image for full size

Unconditional, designed by Tomisnotaboy and Moonsoul, is a Homestead region that has been garnering attention since it opened to the public in the past week – and rightly so. It is a visually stunning region, one that appears to have been brought together in a remarkably short period of time: the About Land floater suggests it arrived on the Grid on Tuesday, October 1st, 2019, yet it was open to all before the weekend had started!

The above should not be taken to mean the region has been in any way rushed – far from it; what is presented (although in part still a work in progress during our visits) is well put together, and offers a visually engaging setting that is rich in charm and flows naturally throughout.

Unconditional, October 2019

Unconditional love — in its most simplest form — means appreciating someone else for who they truly are. It means loving them when they are unlovable, and in spite of their imperfections and mistakes.

– from the region’s About Land description

Split into a number of islands, most of them low-lying, Unconditional presents the kind of place I think many of us would like to escape to and set up home, were we able to do so. Two houses are to be found on the region, both towards its eastern extreme, and to the south and north respectively. These have been placed by Chavonne McAuley, whom I believe is the region holder. Unfurnished at the time of out visits, both houses appeared to be open to the public, although the one to the north-east, and sitting on the highest point within the region, is placed within its own parcel and so may eventually be intended for private use.

Unconditional, October 2019

The island this house sits upon is the largest is the group, sitting above the rest as a pair of table-like hills that are home to both the house and a windmill that sits as if guarding the steps leading up to the house. The pairing of house and and windmill suggest this may once of been a working environment – perhaps a small farm (there are still geese and goats to be found here), but which has now been re-purposed.

Paths of various sorts run across the land here, perhaps the most fetching of them being an avenue of bent trees, reached from the house and windmill by a trail of cut log sections, that points the way to the western end of the island, a rocky bluff on which sits a little table of rock complete with brazier and seating – just one of many places to rest scattered throughout the region. A wooden board walk that also starts close to the windmill to present an alternative route west, stepping out and around the island’s northern cliffs, where waters tumble in a series of falls from a humped hill (which is also cut into by the sealed mouth of an old tunnel or shaft).

Unconditional, October 2019

To the west, the land falls away sharply, a little stone bridge connecting it to a sandy isle. Such is the narrow channel between isle and island, the two might have one time been a single mass, the gap between them created by a partnership of time and tide. Now this western lowland encircles a pond of  – presumably – fresh water, whilst itself is bounded by wetlands. The latter extend to the south and east in a haze of sun-bleached reeds and grasses through which winds a further board walk, this one offering the way to a stilted cabin standing above the reeds and water, a cosy deck – and at its end, a little sandy bar that almost forms the region’s centre.

The second house on the region looks, from a distance, to be a rather grand affair. It sits on its own island that has sea wall to one side and rocky shoulders on the other, allowing most of the island to offer a flat expanse of grass, rock and sand that forms a garden / yard space where, given the chairs and tables set out and the presence of a coffee / hot chocolate bar, visitors are more than welcome. Reached via a bridge connecting it to the larger island and its house, this is a place experiencing its own little pocket of weather: while the region as a whole sits in sunshine, here the rain falls lightly but persistently.

Unconditional, October 2019

The landing point for Unconditional sits on the long finger of a sand bar to the west of the region. Currently experiencing a low tide, the edge of this island has clearly been shaped by the action of tides rising and departing, as they have cut a low, but clear lip around much of the land in their back-and-forth passage. Linked to the rest of the region by yet another board walk (and rather novel tree trunk “tunnel”), this sand bar offers something of a different look and feel to the rest of the landscape, one that offers its own enticements and photographic appeal.

Rich in detail without ever feeling overcrowded, Unconditional really is a striking location for exploring, photographing and simply enjoying. Rezzing is open, but if you need props, etc., please remember to clean them up behind you.

Unconditional, October 2019

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With thanks for all the pointers: Shawn, Morgana, Wurfi, Miro!

The colour of love and implied horizons in Second Life

The Lovers Art Gallery: Etamae

Currently open at The Lovers Art Gallery are two exhibitions that recently caught my attention: The Colour of Love and Implied Horizons, by artists Carelyna and Etamae respectively. The two exhibitions are split between the ground and upper floors of the gallery, with Implied Horizons occupying the lower of the two.

Active within Second Life photography and art since 2018, Etamae has established a reputation for presenting transformational images: captures from around Second Life that she has then edited and post-processed to create something quite different and striking to the eye. She has also, in some of her exhibitions, has presented pieces that have been of an organic, abstracted nature (see A late summer exhibition at the Rose Gallery, August 2018) that are as equally as captivating.

The Lovers Art Gallery: Etamae

With Implied Horizons, the focus is very much on the former of Etamae’s approaches: images from around Second Life that have undergone post-processing to give us something very different to the location or item that gave rise to them. The result is a baker’s dozen of images that are bold in tone, colour and presentation, some of which include perhaps a lean towards abstract in their finish (take Ferris, located on one of the easel at the front of the gallery space, for example), while one Ikea, has an almost surrealist aspect within it. All are richly engaging, demonstrating a marvellous eye for colour that gives several of the pieces – Two Stags and Town Limits, for example – a captivating sense of vitality.

On the upper floor, The Colour of Love presents 15 of Carelyna’s pieces. These offer something of a complimentary connection to the ground floor exhibition in that the majority of the pieces offered have also been post-processed, this time to give them the look and feel of paintings.

The Lovers Art Gallery: Carelyna

Given the title of the exhibition, it’s no surprise that several of the pieces in this selection are presented in warm reds, yellows, oranges, greens and soft browns, offering a feeling of warmth one might associate with love. However, even where colder colours – blue, white, grey and harder greens – are used, there is a sense of memory that suggests a recollection of intimate times.

Some of the places within these pictures may be easily familiar (perhaps most notably in the case of Calas Galadhon’s Santorini and also with Mandingo Quan’s Hazardous); other may tug at the seasoned SL’s traveller’s memory, although a right-click and examine might be required to bring the place properly to mind. However, wherever they were taken is really secondary to the emotional essence each contains. Meanwhile, there are two pieces that sit perhaps a little apart from the rest: Waiting for My Real Life to Begin and Autumn Wings. In comparison to the other images presented, Waiting… has undergone far less post-processing and retains the look and feel of a photograph while Autumn Wings has a soft, abstracted look to it. Different to the others they may seem to be, but again, there is no escaping their emotional power.

The Lovers Art Gallery: Carelyna

These are two engaging exhibitions, well presented, and with pieces that are fascinating to see and appreciate.

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Fleur: a region with a Dutch flavour in Second Life

Fleur Nederland [Dutch], October 2019 – click any image for full size

Magisch en kleurrijk dat is herfst op Fleur welkom op Fleur. Onze muziek is altijd goed.

“Magical and colourful, autumn is welcome at Fleur. Our music is always good” – so reads the About Land greeting for Fleur Nederland (allowing for my translation!). A Homestead region designed by Sammy Recreant and that has – as the welcome and name indicate – a Dutch flavour to it, we were led to visit on the suggestion of Shawn and Max

While the Dutch have a traditional Halloween-style celebration, Saint Martin’s Day on November 11th; although like many parts of the world they have perhaps absorbed more of what is regarded as the “American” approach to All Hallows Eve – pumpkin jack-o’-lanterns, trick-or-treating (rather than singing songs), and so on; and this is reflected within Fleur’s décor at the time of our visit. Thus, for the next few weeks visitors are liable to find a haunted house, witches, scuttling pumpkins (yes, scuttling), giant spider webs and more.

Fleur Nederland [Dutch], October 2019

Fleur’s landscape is now in the most beautiful colours that autumn brings. Come and have a look, enjoy the peace and colour. Welcome to colourful Fleur!

– Sammy Recreant, describing Fleur

Cast under a dusk heavy sky, Fleur offers a largely rural setting, heavily wooded and with scatted houses and other structures to attract visitors. There was no enforced landing point as the time of our visit, although one can be found in About Land, and I’ve used it as a starting point for this look around the region.

Fleur Nederland, October 2019

It’s actually good place to start, as it sits close to three of the public structures on the region – a cosy little garden hideaway watched over by sheep; a waterside barn converted for fine dining, reach via two stone arched paths; and – a little further away – a delightfully furnished stone-built cottage protected by a wall and grass embankments. Alongside and between these locations are dance systems offering visitors a chance for romance and gentle dancing.

Beyond these lie several more points of interest, all edged with hints of Halloween. There’s the little coastal chapel for example, a lone shelter sitting out on a headland and, to the south-west, a little dockside setting with wharves boats and little commercial properties set around a courtyard, all decorated for the holiday season and with the Dutch flag flying overhead. This area also have a bit of a North American feel, with adverts for New England lobster together with someone of a New England feel to the buildings.

Fleur Nederland [Dutch], October 2019 – “When shall we three meet again? In thunder, lightning or in rain? (Macbeth Act I, Scene I)
In the square there are further opportunities for couples and visitors to enjoy dancing – with the local radio station sitting on one of the wharves helping to make the area have a further celebratory feel. Take a walk out to the little ferry terminal and you’ll find a teleport disk. Right-click on it and select Teleport, and you’ll be lifted into the sky to the beach of Fleur, a wide expanse of largely flat sands and coastline modelled after the Dutch coastline along the Wadden Sea.

Currently with an incidental hint of Shakespeare with its Halloween dressing, rich with places for visitors and couples to enjoy, and with nice touches in the wildlife, Fleur makes for a pleasing visit, and those who enjoy Halloween hoping are also likely to enjoy dropping in.

Fleur Nederland [Dutch], October 2019

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Calypso Applewhyte at Black Label in Second Life

Black Label Exhibition Centre: Calypso Applewhyte

Now open at Black Label Exhibition Corner is an exhibition by Calypso Applewhyte entitled Feelings, a selection of her distinctive self-portraits offering a mix of monochrome and colour images.

Self-taught with Photoshop, Calypso entered Second Life in 2010 with – as she describes it herself – “no specific goal”, but while exploring the grid, she found an outlet in Second Life photography. As her interest grew, so did a parallel interest in both her own avatar and the ability to use this virtual domain as a means to explore emotions and feelings.

Black Label Exhibition Centre: Calypso Applewhyte

This is powerfully reflected the selection of pictures displayed within this exhibition, as indicated by the title. Reached via teleport from the Black Label Exhibition Corner (please read the notes there about viewer settings), Feelings presents Twenty-one images by Caly (some of which are intentionally duplicated to offer a different means of presentation). Some of the pictures have appeared in selections of Caly’s work seen in other exhibitions, but which in their inclusion here certainly fit the theme.

Each piece captures Caly’s avatar in a variety of looks and poses, some with a science fiction edge to them, others leaning towards steampunk or fantasy and others more classical in nature. All of them are drawn together by the depth of emotion each conveys. In this, we often use the phrase “the eyes are the windows of the soul”, but Caly proves feelings and emotions can be conveyed through pose and / or look even when the eyes themselves are unseen: just take Romeo and Juliet, CA-418 and CA-395 as examples of this.

Black Label Exhibition Centre: Calypso Applewhyte

Although that said, there is no denying  those images that do show Caly’s eyes have a particular emotional attraction, as shown with the likes of Green Girl and a piece I’ve seen previously seen exhibited and have admired: La Tristesse.

When visiting – and as per the instructions at the landing point – it is essential you have Advanced Light Model active in your viewer (Preferences → Graphics), or what I’ll refer to as “The Mirror” mini-collection of four projected images within the main exhibition will not be visible.

Black Label Exhibition Centre: Calypso Applewhyte

Another engaging exhibition by Calypso, perfectly presented by the Black Label Exhibition Corner, managed by AnnaFrancesca Kira.

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Chouchou set to remain in Second Life – and there’s more

Chouchou – to be preserved

Back in May 2019, I was one of a number of SL bloggers who wrote about the possible closure of the Chouchou regions (see: A Farewell to Chouchou).

Designed by Japanese pianist Arabesque Choche and vocalist Juliet Heberle, who together form the successful musical duet of Chouchou and managed by 10223 Resident (aka Tofu), the regions are among some of the longest running, practically unchanged private island environments, to be found in Second Life, and are an absolute delight for all who encounter them.

Following the news breaking on the potential closure (apparently the result of idiots repeatedly being idiots within the regions), there were attempts to try to get the regions preserved via the Lab’s Second Life Region Preservation Society, run by Patch Linden’s land team (I will toot my own horn here, in that I played a very small role in this, helping to bring the potential closure of the regions to Patch Linden’s attention). Contact was also made with Juliet Heberle on the matter (regions can only be preserved through the SLRPS with the approval of the region holders), but at the time she indicated it was the Chouchou team’s preference that the regions close be allowed to close.

However, the regions remained open well past the originally indicated closure date – and as it turned out, talks did commence in the background between Chouchou and Linden Lab. Now, and, as reported by fellow arts blogger, Oema, an agreement in principle between Chouchou and Linden Lab has been reached, allowing the Chouchou regions to remain in Second Life under the remit of the SLRPS.

Oema obtained the news via a Facebook post from Chouchou, which reads in part:

Regarding the closure of the region Chouchou (Chouchou sim, Chouchou V sim) in Second Life, we’d like to report some progress. As a result of our discussion with Linden Lab, we made a decision to maintain our region by joining The Second Life Region Preservation Society provided by Linden Lab …

Right now, we’re in the middle of exchanging contracts with Linden Lab, and it’s taking time for the contract procedures. We’re very sorry for the late announcement.

Chouchou – Memento Mori

Within the post, Chouchou note that it was the outpouring of support for the regions to survive  – see this forum thread as an example – that caused the change of heart on closure and to seek the assistance of Patch and his team through the SLRPS in order for the regions to be maintained in SL.

According to the post, the regions will continue to operate with the support of Linden Lab, but with 10223 Resident managing them. Nor is that all: the arrangement with Linden Lab also means an additional Chouchou region has been returned to Second Life, as the Chouchou Facebook post also announces:

And it is also decided that one of our sims, Chouchou XVI – The Babel – which was closed in 2013 will be back in Second Life thanks to Linden Lab’s kind arrangements.

At the time of writing, Chouchou XVI has been returned to the grid, but was not open to the public.

The three Chouchou regions – including Chouchou XVI – The Babel, last seen in-world in 2013 – once again together on the grid

The decision to allow the regions to continue is exceptionally welcome. As noted, the Chouchou regions have long been a part of Second Life and the Memento Mori build over Chouchou V remains one of the most stunning prim builds to be found in-world. Hence why I again include a short film of it below.

If you have not previously visited Chouchou,  Islamey and Memento Mori – I strongly recommend you do, and take the time to savour them now they look set to remain in SL. Follow the links after the video.

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Exploring Kinglet Sound in Second Life

Kinglet Sound, September 2019 – click and image for full size

Designed by amberfff, Kinglet Sound is a recently opened Full region offering visitors the opportunity to escape to a late summer setting where there is a plenty to see – although a little effort in exploration is required order to reveal everything!

To me, the region’s name evokes a location in North America, a place in the wilder, perhaps more northerly aspects of the east or west coat of the United States, or perhaps – if at a slightly higher latitude – just over the 49th parallel north; although there is a fair mix to the region that suggest some of the inspiration for it may have been drawn from elsewhere. The setting is predominantly rugged in nature, with cliffs raising the land to the south and east and through the middle of the region, before allowing it to fall gently away to lower grasslands and sands in the north and the west.

Kinglet Sound, September 2019

A gorge cuts its way diagonally through the landscape from a set of falls to the north-east, slicing its way south and west to the coast. It has also managed to branched to the north, breaching the lower-lying land to form a large body of water, thwarted in its efforts to reach the sea on that side of the island by a low-lying wall of rock. This wall, in part natural, also in places has the look of being carefully built up by unseen hands to expressly prevent that side of the island from being completely overwhelmed by water.

Caught within the bounds of the rock, the lake forms a place for people to relax and enjoy themselves. Decks are built out over the water to offer places to sit, while boats and floats offering more intimate places to snuggle are watched over by swans. On the sands, picnic spots await company, while further places to sit and enjoy company are to be found on the seaward beaches on the far side of the low rocky divide. These face a small island tucked into the north-west corner of the region that holds an altogether more tropical look, and what appears to be a venue for music and dancing.

Kinglet Sound, September 2019

The landing point for the island sits on the uplands, close to the gorge that splits them almost into two. Here, on one side of the divide sits an octagonal pavilion in a field, horse grazing quietly around it, a track from the bridge linking it with the rest of the uplands snaking away down a gentle slope to the shaded lowlands alongside the lake. This trail, crossing the bridge, also runs by the landing point and into a little circle of commercial style properties surrounding a fountain.

Primarily places to eat and / or drink, these little properties are all complete with décor, and together with the seating and other touches outside of them, both welcome exploration and offer places to sit down or for photography. A little south of them, and visible beyond a curtain of trees from the landing point, the ruined wall of what might have once been a very large structure invites investigation. Reached via another path, it stands as a backdrop to another cuddle spot and overlooks a further music venue sitting on the headland that in turn offers an view across the gorge to the highest point of the island.

Kinglet Sound, September 2019

Reached by crossing the single bridge spanning the gorge, this high table of rock has paths curling around it, one rising to the low-slung ranch house occupying its flat peak. Fully furnished, the ranch house is open to the public and offers further seating both indoors and out – including a fine look-out point extending over the cliffs, and another right at their edge.

However, the ranch isn’t the only point of potential interest here. As well as going up, the path cutting into the cliffs also descends, offering a path down to a ribbon of sand and the base of the rocks. The sand curls around to the west and then north, offering further places for couples to slip away from the rest of those visiting the island. Follow it far enough and it will turn to a grassy path that passes under a rocky arch back to reach the north side beaches. When taking this path down and around the base of the cliffs, keep an eye out for a couple of burning torches; the inquisitive might find they betray a secret within the cliffs.

Kinglet Sound, September 2019

All of this is still only scratching the surface of the region’s richness; there are paths and trails around the landscape I’ve yet to mention, both coastal and inland. Follow the sound of a faint guitar as the tune of Greensleeves is played, and it might lead you by way of path and sand to where a little garden cosy sits amidst a copse of trees showing the first hints of autumn with their golden leaves.

Offering an entirely natural look, a rich environment to explore (although it’s a bit of a shame that the “secret” aspect of the region referenced above doesn’t offer one or two little snuggle spots / points of interest) and with multiple opportunities for photography (and a Flickr group through which to share images), Kinglet Sound comes wrapped in a perfect sound scape to present a setting well worth visiting – and supporting by way of a donation at the landing point.

Kinglet Sound, September 2019

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With thanks to Shawn for the LM!