A dish of Butter in Second Life

Butter, October 2019 – click any image for full size

Butter is the name of a charming Homestead region that opened to the public in August, and to which we were pointed by Miro Collas. Designed by Mona Molinaxil with a little help from jellomight, it’s a region of subtle contrasts and a welcoming look and feel, with plenty to discover and appreciate.

Described as a “forever a work in progress”, at the time of writing, the region offered a mix of beach front location, little working dock, and green hills dotted with signs of human habitation and with paths and trails winding through and over them.

Butter, October 2019

It is just above the beach that the landing point will deliver you; a broad board walk running west-to-east and sitting atop a wall separating it from the sands below, a stone balustrade guarding. the drop from board walk to beach. This is cut in three places by stairs that descend to the sand, while the western end of the board walk offers a why down to the working quayside.

The beach offers all that you might expect to find in such a place: sands (slightly grassy in looks) slipping gently into an azure sea and dotted with numerous places to sit, sunbathe and relax either out in the open or under the shade of parasols. A wooden deck floats just off shore, inviting people to swim / wade out to it, while for those wishing to stay dry while active, a dance floor sits back towards the sea wall, one of several points scattered around the region where people can partake of a dance or two.

Butter, October 2019

For those who might find all that messing around on a beach and in the Sun a little wearing, thirsts can be slaked and hungers abated up at the Butter Bistro and Bar that sits on the other side of the board walk. Bright yellow in colour, the adobe like walls of the bar, together with the palms of the beach and the odd sombrero or two give this part of Butter a slight Mexican feel – although that could simply be for the benefit of tourists!

A second bar can be found over at the quayside to the west of the region – but I’d been a little wary of the food here; the barman seems insistent that someone ordered a raw fish; although you can at least assume it is fresh, given the trawler sitting alongside. The bar is one of little row of establishments lining the quay, which appears to offer mooring space both in front and behind them.

Butter, October 2019

To the north, beyond the bistro and the docks, the land rises into a backbone of hills, whilst being split by a curving channel that slices the north-west corner of the region into an island of its own, a single bridge connecting it to the rest of the land. To the south-east, the hills form a rugged shoulder standing above bistro and beach, offering a camp site of trailer homes and glamping tents, the detritus of outdoor life – benches, barbecues and coolers for beer and drinks – scattered between them.

To the north, a windmill keeps an eye to the north, standing above cliffs that fall sharply to the sea, and looking past a smaller island. A cabin is perched on the latter, and while it didn’t offer clear signs of being private, it did sit within its own parcel, so perhaps it is best to treat it as not being open to the public.

Butter, October 2019

West of the windmill, the land drops gently down to a small beach at the north end of the channel splitting the land, while the hills themselves – the butterly hills – turn gently south and west. Within them is a rocky hollow, a “secret” place suitable for couples to enjoy. Across the channel, the north-west island offers a small farm, reached by a rough track and home to cattle, goats, geese and bees.

Finished with touches such as a sound scape, a little open market, a further place for music and dancing alongside the bistro bar, Butter offers a charming summer setting well worth exploring. Those taking photos can also submit them to the local Flickr group.

Butter, October 2019

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A conspiracy of ravens in Second Life

Ravenheart Museum: A Conspiracy of Ravens

From ancient times through to modern tales, by way of Poe and even the graphic novel, corvus corax, the common raven has held a special – if mixed – place in the tales and mythologies of the northern hemisphere.

For some, they are seen as the companions of deities, or even the embodiment of deities – a trait perhaps drawn from their intelligence: not only are ravens natural social in their nature, they have also been known to use other birds and animals to their advantage, such as calling wolves to strike down easy kills and then cleaning up what’s left once the wolves have had their fill.

For others, and perhaps more widely in more modern times and doubtless arising from the fact they are – like their cousins corvus corone, the carrion and hooded crows -, carrion scavengers (although they are also omnivores), they are associated closely with death, witchcraft and dark arts.

Ravenheart Museum: A Conspiracy of Ravens – CybeleMoon

In this latter regard, modern-era horror stories, poems (such as Poe’s famous The Raven) films and Halloween have also served to help make this time of year the one in which we perhaps think of ravens more than we might at other times of the year. Hence why the Ravenheart Museum, owned and curated by Talus Ravenheart, is currently hosting a mixed media exhibition A Conspiracy of Ravens.

Primarily located on the ground floor of the museum, A Conspiracy of Ravens offers an engaging look at the role of the raven through human history and mythology, with seven perched ravens acting as guides. Featuring photographs, drawings, paintings, illustrations and note cards, the exhibition includes a look at the realities of the raven and a bird, its interweaving into folklore a older mythology as a harbinger, familiar, deity and reputation for intelligence, as well as their roles in lore – notably that of the British Realm – and horror (Poe once again), and even their use in stamps around the world.

Ravenheart Museum: A Conspiracy of Ravens – Edgar Allen Poe

The art – reproductions of  illustrations from books through to sketches and photographs and including a trio of CybeleMoon’s beautiful multimedia pieces – is richly diverse and presented as a series of seven themes, each with one of the aforementioned  raven guides (you can find the last two upstairs). Click on each raven, and you’ll receive a note card on the theme presented by the accompanying images. Further, several of the items presented to support some of the displays, and even pieces of the art, will either also offer a note card when clicked, or take you to a web page where a story might be found.

Elegant in its presentation, A Conspiracy of Ravens offers engaging insight in our relationship with the raven, and for those who enjoy haunting and spooky tales that might include a raven or two, at 19:00 SLT on Tuesday, October 15th, the exhibition will be hosting Caledonia Skytower from Seanchai Library, who will be reading a series of short stories in The Spooky Classics.

And while visiting, do be sure to take in the magnificent (and I gather permanent) display of Libertine Eggs. Featuring the entire collection of these fabulous miniatures by Ali Baroque, each smaller than an average avatar’s head, this is also an exhibition that really requires first-hand viewing to truly appreciate the intricate beauty in each of the 60+ eggs on display.

Ravenheart Museum: The Libertine Egg Collection

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A trip along Fox Road in Second Life

Fox Road, October 2019 – click any image for full size

Writing about Fox Road has proven to be a little difficult, even after several visits to the region. Designed by Vertiline Colter, this Homestead region is both open to the public for exploration, and home to her Little Fox brand in-world store.

I say “difficult” in terms of writing about it for a couple of reasons. The first is that I’m not entirely sure it is finished: several details, large and small, have changed as I’ve hopped back and forth between the region and home; the most notable perhaps being further landscaping of the north-eastern arm of the larger of the two islands. The second is, that while Fox Road has a personality of its own, I cannot entirely escape feeling an echo of NevaCrystall’s design for Borneo, Gac Akina’s handsome region (which you can read about in  A trip to Borneo in Second Life).

Fox Road, October 2019

Now, don’t get me wrong, I’m not saying the one is intentionally modelled upon the other; as those of us who travel Second Life are only too aware (and as I’ve occasionally noted in these pages), there are certain things – be they houses, bridges, landscaping elements, board walks, animals, cars, décor pieces, furnishings, etc., that tend to suddenly being en vogue for region designs to the point where it can feel you’re constantly tripping over them. Thus, visiting a region can oft put one in mind of another, quite coincidentally.

Here, the sense of familiarity is perhaps down to the way both regions are laid out: both share a very similar orientation and divide between the larger L-shaped island and the smaller; both feature cove-like beaches of grey shingle, and each has a wild, rugged feel. But Fox Road has more than enough about it to offer its own uniqueness of character.

Fox Road, October 2019

Take, for example the small cluster of buildings just to the south-west of the beach landing point. These have the suggestion that perhaps they was once the location from which fishing boats once put out to sea (something very much enhanced by the presence of two large trawlers in the bay), the old rail lines perhaps used to carry iced catches away to market. However, time areas to have moved on: the main quay where boats may have once come alongside looks to be in a state of disrepair, while the water weed blanketing the surface of the water beneath it suggest any boat attempting a mooring would end up with its propellers fouled.

Meanwhile, the bay formed by the two islands seems to have suffered from at least one land slip that has pushed gravel and shingle out into the water to the point of making it impassable to vessels and leaving the two old trawlers trapped in place – their only other route of escape being blocked by the low-hanging, if also ramshackle, bridge linking the islands. Indeed, one of the trawlers appears to have been here so long, her old hull may have been holed by the rocks of the cliff that plunges into the waters behind her, leaving her waterlogged and listing heavily to one side.

Fox Road, October 2019

The flat top of the main island is reached via a wooden steps and platforms that climb upwards from a shoreline cottage. Decking has been laid  out across the scrub grass of the hilltop as if it might have been put there at some point in time to give vehicles better traction. Now ageing under the Sun and in places in need of repair, a part of it acts as a path pointing the way along the top of the island, while the rest of it almost suggests an outdoor space for music – or at least for splashing around in an old paddling pool that looks as if it might benefit for a little more air being pumped into its sides.

A greenhouse to one side of this deck area, along with one of the buildings down below, gives the impression these spaces are still being used, both having furnishings within. But who might be using them is up to visitor to decide; is it a hermit or hermits with a bohemian lean, or are the barn and greenhouse used as club meeting spaces? Whatever might be the case, it is clear their use is not sufficient to prevent nature slowly laying claim to them, just as it is with the other buildings to be found here.

Fox Road, October 2019

No sound scape was evident at the times of my visits, but those wishing to rez props for photography can do so by joining the Fox Road group – note that auto return is active, but do still please pick up your pieces after use should you opt to rez anything. Those who take photos in the region are invited to share them in the Fox Road Flickr group.

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Ani’s Gallery: new home, new exhibitions

Ani’s Gallery – Jeremynl, October 2019

In July, I had the opportunity to visit Ani’s Gallery, a new home for the art of Anibrm Jung, and for exhibitions of art by invited artists (see: Art, nature, and stories in Second Life). As is often the way with thing in Second Life, since that time Ani’s Gallery has relocated  – and in the process gained a new look. This being the case, I was delighted to be able to jump back and visit the latest exhibitions currently in progress.

As I have noted in previous reviews of her work, Ani is an award-winning photographer in the physical world who has been active in Second Life since 2006. Based in the Netherlands, she has specialised in photographing nature, many of her images captured from her own garden, and all of them recorded using only natural light, with everything framed directly through the viewfinder, and with no subsequent cropping or image manipulation.

Ani’s Gallery – Anibrm Jung, October 2019

More recently, Ani has broadened the scope of her exhibitions in Second Life to incorporate images taken in-world, and this is very much demonstrated with the portfolio of images she has on display in the Gallery’s lower level. Featuring two dozen images, it is an engaging selection that might be broadly split between landscape images and others more reflective of the art that can be found in Second Life.

In this latter regard, Ani is particularly drawn to the mesh sculptures of Mistero Hifeng, with five of the images representing his work. As an admirer of Mistero’s art, I can understand the attraction: his pieces always encompass a depth of narrative and powerful sense of emotion, and through her framing and composition, Ani adds to both as she presents pieces to be found on Mistero’s own region in a manner that invites further emotional and narrative translation.

Ani’s Gallery – Anibrm Jung, October 2019

Also evident in this particular exhibition is a talent for considered post-processing – something Ani avoids within her real life photography, as noted above. Here, she offers a lightness of touch and eye for balance and tone to present her work in a variety of finishes: watercolour and pen-and-ink; colour and monochrome. In doing so, she adds further depth to an engaging exhibition.

Located on the upper level of the gallery is an display of Second Life photography by Jeremynl. This is largely focused on avatar studies, which can perhaps be split into three groups: those featuring Jeremy on his own, those modelled by Dianna, and those featuring Jeremy and Dianna together. Sitting a little incongruously but nevertheless captivatingly among these are two pieces, each entitled Tree of Life Painting and which, I must confess, particularly held my attention due to the richness of expression each holds.

Ani’s Gallery – Jeremynl, October 2019

Which is not to say Jeremy’s portraiture fails to captivate; far from it. There are stories to be found within his studies, sometimes suggested by their titles – as with Tougher Than the Rest and I will be right here waiting for you, but more often simply by the image itself (particularly as some pieces appear to have all ended up with the same title).

I do confess to being more drawn to the images of Jeremy himself; no disrespect to Dianna (or indeed to Jeremy and Dianna where they appear together), but there is a more natural, less intentionally posed look and feel to several of those of Jeremy on his own – again, take the two pieces noted above, together with Playing and Who’s Got a Lighter?  – that offer an open invitation to frame a story around them.

Ani’s Gallery – Jeremynl, October 2019

Both of these exhibitions make for an engaging visit, and Jeremy’s work will remain on display at Ani’s gallery through until October 30th, 2019.

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More Gentle Breezes in Second Life

Gentle Breezes, October 2019 – click any image for full size

It’s been two years since our first visit to Rosy Highwater’s Gentle Breezes, and while I have a handful of region visits stacking up awaiting write-ups, I’m jumping ahead of some of the newer places we’ve visited (which are either getting a lot of attention right now, or may still be undergoing some further changes) to write about it once again as the colder months start to wrap their fingers around many of us as winter approaches.

Gentle Breezes, October 2019

A homestead region, Gentle Breezes offers a balmy, semi-tropical location of low lying beaches and palm trees backed by hills and temperate trees. Cut by a channel fed by waters tumbling from high falls, the region offers a restful setting where numerous places to watch the tide and the sea birds await visitors who want to spend time relaxing and enjoying their time together.

Gentle Breezes, October 2019

Up on the hills are more places to explore: cottages and cabins, outdoor seating areas, picnic spots, and more. Beaches and uplands are linked by a single path, one that passes between two blocks of rock a short distance from the landing point, wooden boards easing the way up the slope. North of these is a smaller beach facing a small island across a neck of water. Home to a cabin, this little island offer a place to get away from it all even while you’re getting away by visiting Gentle Breezes.

Gentle Breezes, October 2019

Wherever you wander on the region there is something to see or a place to sit and / or cuddle – while for those who fancy, the shallows can be waded and the local wildlife can be observed.

Spending a lot of time writing about Gentle Breezes isn’t really what counts here; the region is easy to visit and explore and offers more than enough to keep visitors engaged while exploring. So if you are missing summer already and want to have a sense of warmth and sunshine and hot sands beneath your feet, Gentle Breezes with all its little beauty spots and touches of detail, could be just the ticket.

Gentle Breezes, October 2019

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Wandering Spirits in Second Life

Diotima Art Gallery: Wandering Spirits

Recently opened (October 3rd, 2019), at Diotima Art Gallery curated by Red Bikcin is Wandering Spirits, an immersive exhibition of 2D art with 3D elements by TerraMerhyem. It offers a fascinating trip into the artist’s imagination.

I started reading science fiction, fantasy and heroic fantasy at the age of ten and since then I have continued; this literature is one of the elements that has shaped me. It has taken me to live other lives, it has trained me to live in other worlds and I have always had a tendency to escape from what is called the “real world” – through writings and poetry, dreams, art, music, images and imaginations, trance…

– TerraMerhyem describing the inspiration for Wandering Spirits

Diotima Art Gallery: Wandering Spirits

Set behind an animated piece and against an ebony backdrop, Wandering Spirits presents visitors with glimpses into the worlds of fantasy to which TerraMerhyem’s imagination has carried her – most with her character prominent within them, a Barbarella-like figure rendered within intricate, fractal-like creations and hanging against backdrops of aliens skies and liquid forms.

I have spent a lot of time imagining – and I have the ability to feel, sometimes deeply, what I imagine … It has happened to me to be a wandering spirit: I have sailed in unfathomable places; I have brushed against the suns floating in icy spaces; I have met other spirits and entities, also wandering – always beautiful … I have screamed in the dark (but I think the universe has been deaf to my cries).

– TerraMerhyem describing the inspiration for Wandering Spirits

Diotima Art Gallery: Wandering Spirits

Along with these 2D elements are 3D pieces: the models use to give form to the spirits within each picture perhaps; but I confess it is the 2D pieces that most fascinated me in their composite execution. Two of the fractal-like forms that feature in them also appear alone in a pair of pieces towards the front of the exhibition, where they are set against backdrops of what might be the surface of Titan when cleared of its dense atmosphere. These serve to give the fractal forms a sense of life such that they might be considered alien organics, floating over their mother world(s), alive – and perhaps even aware.

By presenting these strange forms, with their reflective coatings an appearance of life, these two initial pieces convey the impression that the creations, other with the others like them that appear in the images with the human “spirits” are also living, and perhaps conscious. Thus, rather than simply being a “prop” or element around the figure sharing an image with them, they become a living part of it; a companion, if you will – perhaps, even the other spirits TerraMerhyem imagines in her thoughts and dreams.

Diotima Art Gallery: Wandering Spirits

Nuanced and layered, Wandering Spirits is engaging and – as noted – fascinating to witness, both for its art and narrative, and for its presentation.

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