Gentle Breezes, October 2019 – click any image for full size
It’s been two years since our first visit to Rosy Highwater’s Gentle Breezes, and while I have a handful of region visits stacking up awaiting write-ups, I’m jumping ahead of some of the newer places we’ve visited (which are either getting a lot of attention right now, or may still be undergoing some further changes) to write about it once again as the colder months start to wrap their fingers around many of us as winter approaches.
Gentle Breezes, October 2019
A homestead region, Gentle Breezes offers a balmy, semi-tropical location of low lying beaches and palm trees backed by hills and temperate trees. Cut by a channel fed by waters tumbling from high falls, the region offers a restful setting where numerous places to watch the tide and the sea birds await visitors who want to spend time relaxing and enjoying their time together.
Gentle Breezes, October 2019
Up on the hills are more places to explore: cottages and cabins, outdoor seating areas, picnic spots, and more. Beaches and uplands are linked by a single path, one that passes between two blocks of rock a short distance from the landing point, wooden boards easing the way up the slope. North of these is a smaller beach facing a small island across a neck of water. Home to a cabin, this little island offer a place to get away from it all even while you’re getting away by visiting Gentle Breezes.
Gentle Breezes, October 2019
Wherever you wander on the region there is something to see or a place to sit and / or cuddle – while for those who fancy, the shallows can be waded and the local wildlife can be observed.
Spending a lot of time writing about Gentle Breezes isn’t really what counts here; the region is easy to visit and explore and offers more than enough to keep visitors engaged while exploring. So if you are missing summer already and want to have a sense of warmth and sunshine and hot sands beneath your feet, Gentle Breezes with all its little beauty spots and touches of detail, could be just the ticket.
Recently opened (October 3rd, 2019), at Diotima Art Gallery curated by Red Bikcin is Wandering Spirits, an immersive exhibition of 2D art with 3D elements by TerraMerhyem. It offers a fascinating trip into the artist’s imagination.
I started reading science fiction, fantasy and heroic fantasy at the age of ten and since then I have continued; this literature is one of the elements that has shaped me. It has taken me to live other lives, it has trained me to live in other worlds and I have always had a tendency to escape from what is called the “real world” – through writings and poetry, dreams, art, music, images and imaginations, trance…
– TerraMerhyem describing the inspiration for Wandering Spirits
Diotima Art Gallery: Wandering Spirits
Set behind an animated piece and against an ebony backdrop, Wandering Spirits presents visitors with glimpses into the worlds of fantasy to which TerraMerhyem’s imagination has carried her – most with her character prominent within them, a Barbarella-like figure rendered within intricate, fractal-like creations and hanging against backdrops of aliens skies and liquid forms.
I have spent a lot of time imagining – and I have the ability to feel, sometimes deeply, what I imagine … It has happened to me to be a wandering spirit: I have sailed in unfathomable places; I have brushed against the suns floating in icy spaces; I have met other spirits and entities, also wandering – always beautiful … I have screamed in the dark (but I think the universe has been deaf to my cries).
– TerraMerhyem describing the inspiration for Wandering Spirits
Diotima Art Gallery: Wandering Spirits
Along with these 2D elements are 3D pieces: the models use to give form to the spirits within each picture perhaps; but I confess it is the 2D pieces that most fascinated me in their composite execution. Two of the fractal-like forms that feature in them also appear alone in a pair of pieces towards the front of the exhibition, where they are set against backdrops of what might be the surface of Titan when cleared of its dense atmosphere. These serve to give the fractal forms a sense of life such that they might be considered alien organics, floating over their mother world(s), alive – and perhaps even aware.
By presenting these strange forms, with their reflective coatings an appearance of life, these two initial pieces convey the impression that the creations, other with the others like them that appear in the images with the human “spirits” are also living, and perhaps conscious. Thus, rather than simply being a “prop” or element around the figure sharing an image with them, they become a living part of it; a companion, if you will – perhaps, even the other spirits TerraMerhyem imagines in her thoughts and dreams.
Diotima Art Gallery: Wandering Spirits
Nuanced and layered, Wandering Spirits is engaging and – as noted – fascinating to witness, both for its art and narrative, and for its presentation.
Unconditional, October 2019 – click any image for full size
Unconditional, designed by Tomisnotaboy and Moonsoul, is a Homestead region that has been garnering attention since it opened to the public in the past week – and rightly so. It is a visually stunning region, one that appears to have been brought together in a remarkably short period of time: the About Land floater suggests it arrived on the Grid on Tuesday, October 1st, 2019, yet it was open to all before the weekend had started!
The above should not be taken to mean the region has been in any way rushed – far from it; what is presented (although in part still a work in progress during our visits) is well put together, and offers a visually engaging setting that is rich in charm and flows naturally throughout.
Unconditional, October 2019
Unconditional love — in its most simplest form — means appreciating someone else for who they truly are. It means loving them when they are unlovable, and in spite of their imperfections and mistakes.
– from the region’s About Land description
Split into a number of islands, most of them low-lying, Unconditional presents the kind of place I think many of us would like to escape to and set up home, were we able to do so. Two houses are to be found on the region, both towards its eastern extreme, and to the south and north respectively. These have been placed by Chavonne McAuley, whom I believe is the region holder. Unfurnished at the time of out visits, both houses appeared to be open to the public, although the one to the north-east, and sitting on the highest point within the region, is placed within its own parcel and so may eventually be intended for private use.
Unconditional, October 2019
The island this house sits upon is the largest is the group, sitting above the rest as a pair of table-like hills that are home to both the house and a windmill that sits as if guarding the steps leading up to the house. The pairing of house and and windmill suggest this may once of been a working environment – perhaps a small farm (there are still geese and goats to be found here), but which has now been re-purposed.
Paths of various sorts run across the land here, perhaps the most fetching of them being an avenue of bent trees, reached from the house and windmill by a trail of cut log sections, that points the way to the western end of the island, a rocky bluff on which sits a little table of rock complete with brazier and seating – just one of many places to rest scattered throughout the region. A wooden board walk that also starts close to the windmill to present an alternative route west, stepping out and around the island’s northern cliffs, where waters tumble in a series of falls from a humped hill (which is also cut into by the sealed mouth of an old tunnel or shaft).
Unconditional, October 2019
To the west, the land falls away sharply, a little stone bridge connecting it to a sandy isle. Such is the narrow channel between isle and island, the two might have one time been a single mass, the gap between them created by a partnership of time and tide. Now this western lowland encircles a pond of – presumably – fresh water, whilst itself is bounded by wetlands. The latter extend to the south and east in a haze of sun-bleached reeds and grasses through which winds a further board walk, this one offering the way to a stilted cabin standing above the reeds and water, a cosy deck – and at its end, a little sandy bar that almost forms the region’s centre.
The second house on the region looks, from a distance, to be a rather grand affair. It sits on its own island that has sea wall to one side and rocky shoulders on the other, allowing most of the island to offer a flat expanse of grass, rock and sand that forms a garden / yard space where, given the chairs and tables set out and the presence of a coffee / hot chocolate bar, visitors are more than welcome. Reached via a bridge connecting it to the larger island and its house, this is a place experiencing its own little pocket of weather: while the region as a whole sits in sunshine, here the rain falls lightly but persistently.
Unconditional, October 2019
The landing point for Unconditional sits on the long finger of a sand bar to the west of the region. Currently experiencing a low tide, the edge of this island has clearly been shaped by the action of tides rising and departing, as they have cut a low, but clear lip around much of the land in their back-and-forth passage. Linked to the rest of the region by yet another board walk (and rather novel tree trunk “tunnel”), this sand bar offers something of a different look and feel to the rest of the landscape, one that offers its own enticements and photographic appeal.
Rich in detail without ever feeling overcrowded, Unconditional really is a striking location for exploring, photographing and simply enjoying. Rezzing is open, but if you need props, etc., please remember to clean them up behind you.
Currently open at The Lovers Art Gallery are two exhibitions that recently caught my attention: The Colour of Love and Implied Horizons, by artists Carelyna and Etamae respectively. The two exhibitions are split between the ground and upper floors of the gallery, with Implied Horizons occupying the lower of the two.
Active within Second Life photography and art since 2018, Etamae has established a reputation for presenting transformational images: captures from around Second Life that she has then edited and post-processed to create something quite different and striking to the eye. She has also, in some of her exhibitions, has presented pieces that have been of an organic, abstracted nature (see A late summer exhibition at the Rose Gallery, August 2018) that are as equally as captivating.
The Lovers Art Gallery: Etamae
With Implied Horizons, the focus is very much on the former of Etamae’s approaches: images from around Second Life that have undergone post-processing to give us something very different to the location or item that gave rise to them. The result is a baker’s dozen of images that are bold in tone, colour and presentation, some of which include perhaps a lean towards abstract in their finish (take Ferris, located on one of the easel at the front of the gallery space, for example), while one Ikea, has an almost surrealist aspect within it. All are richly engaging, demonstrating a marvellous eye for colour that gives several of the pieces – Two Stags and Town Limits, for example – a captivating sense of vitality.
On the upper floor, The Colour of Love presents 15 of Carelyna’s pieces. These offer something of a complimentary connection to the ground floor exhibition in that the majority of the pieces offered have also been post-processed, this time to give them the look and feel of paintings.
The Lovers Art Gallery: Carelyna
Given the title of the exhibition, it’s no surprise that several of the pieces in this selection are presented in warm reds, yellows, oranges, greens and soft browns, offering a feeling of warmth one might associate with love. However, even where colder colours – blue, white, grey and harder greens – are used, there is a sense of memory that suggests a recollection of intimate times.
Some of the places within these pictures may be easily familiar (perhaps most notably in the case of Calas Galadhon’s Santorini and also with Mandingo Quan’s Hazardous); other may tug at the seasoned SL’s traveller’s memory, although a right-click and examine might be required to bring the place properly to mind. However, wherever they were taken is really secondary to the emotional essence each contains. Meanwhile, there are two pieces that sit perhaps a little apart from the rest: Waiting for My Real Life to Begin and Autumn Wings. In comparison to the other images presented, Waiting… has undergone far less post-processing and retains the look and feel of a photograph while Autumn Wings has a soft, abstracted look to it. Different to the others they may seem to be, but again, there is no escaping their emotional power.
The Lovers Art Gallery: Carelyna
These are two engaging exhibitions, well presented, and with pieces that are fascinating to see and appreciate.
Magisch en kleurrijk dat is herfst op Fleur welkom op Fleur. Onze muziek is altijd goed.
“Magical and colourful, autumn is welcome at Fleur.Our music is always good” – so reads the About Land greeting for Fleur Nederland (allowing for my translation!). A Homestead region designed by Sammy Recreant and that has – as the welcome and name indicate – a Dutch flavour to it, we were led to visit on the suggestion of Shawn and Max.
While the Dutch have a traditional Halloween-style celebration, Saint Martin’s Day on November 11th; although like many parts of the world they have perhaps absorbed more of what is regarded as the “American” approach to All Hallows Eve – pumpkin jack-o’-lanterns, trick-or-treating (rather than singing songs), and so on; and this is reflected within Fleur’s décor at the time of our visit. Thus, for the next few weeks visitors are liable to find a haunted house, witches, scuttling pumpkins (yes, scuttling), giant spider webs and more.
Fleur Nederland [Dutch], October 2019
Fleur’s landscapeis now in the most beautiful colours that autumn brings. Come and have a look, enjoy the peace and colour. Welcome to colourful Fleur!
– Sammy Recreant, describing Fleur
Cast under a dusk heavy sky, Fleur offers a largely rural setting, heavily wooded and with scatted houses and other structures to attract visitors. There was no enforced landing point as the time of our visit, although one can be found in About Land, and I’ve used it as a starting point for this look around the region.
Fleur Nederland, October 2019
It’s actually good place to start, as it sits close to three of the public structures on the region – a cosy little garden hideaway watched over by sheep; a waterside barn converted for fine dining, reach via two stone arched paths; and – a little further away – a delightfully furnished stone-built cottage protected by a wall and grass embankments. Alongside and between these locations are dance systems offering visitors a chance for romance and gentle dancing.
Beyond these lie several more points of interest, all edged with hints of Halloween. There’s the little coastal chapel for example, a lone shelter sitting out on a headland and, to the south-west, a little dockside setting with wharves boats and little commercial properties set around a courtyard, all decorated for the holiday season and with the Dutch flag flying overhead. This area also have a bit of a North American feel, with adverts for New England lobster together with someone of a New England feel to the buildings.
Fleur Nederland [Dutch], October 2019 – “When shall we three meet again? In thunder, lightning or in rain? (Macbeth Act I, Scene I) In the square there are further opportunities for couples and visitors to enjoy dancing – with the local radio station sitting on one of the wharves helping to make the area have a further celebratory feel. Take a walk out to the little ferry terminal and you’ll find a teleport disk. Right-click on it and select Teleport, and you’ll be lifted into the sky to the beach of Fleur, a wide expanse of largely flat sands and coastline modelled after the Dutch coastline along the Wadden Sea.
Currently with an incidental hint of Shakespeare with its Halloween dressing, rich with places for visitors and couples to enjoy, and with nice touches in the wildlife, Fleur makes for a pleasing visit, and those who enjoy Halloween hoping are also likely to enjoy dropping in.
Now open at Black Label Exhibition Corner is an exhibition by Calypso Applewhyte entitled Feelings, a selection of her distinctive self-portraits offering a mix of monochrome and colour images.
Self-taught with Photoshop, Calypso entered Second Life in 2010 with – as she describes it herself – “no specific goal”, but while exploring the grid, she found an outlet in Second Life photography. As her interest grew, so did a parallel interest in both her own avatar and the ability to use this virtual domain as a means to explore emotions and feelings.
Black Label Exhibition Centre: Calypso Applewhyte
This is powerfully reflected the selection of pictures displayed within this exhibition, as indicated by the title. Reached via teleport from the Black Label Exhibition Corner (please read the notes there about viewer settings), Feelings presents Twenty-one images by Caly (some of which are intentionally duplicated to offer a different means of presentation). Some of the pictures have appeared in selections of Caly’s work seen in other exhibitions, but which in their inclusion here certainly fit the theme.
Each piece captures Caly’s avatar in a variety of looks and poses, some with a science fiction edge to them, others leaning towards steampunk or fantasy and others more classical in nature. All of them are drawn together by the depth of emotion each conveys. In this, we often use the phrase “the eyes are the windows of the soul”, but Caly proves feelings and emotions can be conveyed through pose and / or look even when the eyes themselves are unseen: just take Romeo and Juliet, CA-418 and CA-395 as examples of this.
Black Label Exhibition Centre: Calypso Applewhyte
Although that said, there is no denying those images that do show Caly’s eyes have a particular emotional attraction, as shown with the likes of Green Girl and a piece I’ve seen previously seen exhibited and have admired: La Tristesse.
When visiting – and as per the instructions at the landing point – it is essential you have Advanced Light Model active in your viewer (Preferences → Graphics), or what I’ll refer to as “The Mirror” mini-collection of four projected images within the main exhibition will not be visible.
Black Label Exhibition Centre: Calypso Applewhyte
Another engaging exhibition by Calypso, perfectly presented by the Black Label Exhibition Corner, managed by AnnaFrancesca Kira.