Getting some :oxygen: in Second Life

:oxygen:, October 2019 – click any image for full size

:Oxygen: is the name of a new Full region that has opened its doors to the public and makes for a superb visit for Second Life explorers, with plenty of opportunity for fun and photography.

Designed by Justice Vought and SixDigital, the region offers an engaging mix of beaches, rugged hills and a small town awaiting exploration, while those looking for a little romance or quite times will also find things to do, be it sitting quietly or catching a film at the beach-side drive-in. Those who enjoy thrills might also find things to do as well.

:oxygen:, October 2019

We’ve been working on this sim for the last couple of months and it’s finally finished and open to the public.

You will find lots of spots for your photography, a train station and quaint street, a lodge with board games as well as pool and shuffle board, surfing, bumper boats, a harbour, a watermill and small gallery, and a drive-in movie theatre as well as tons of places to chill and hang out. There are also some hidden surprises so be sure to explore.

– SixDigital, introducing Oxygen

:oxygen:, October 2019

There is no set landing point for the region, so I’ve simply followed the suggestion offered by Shawn Shakespeare and selected the little town’s railway station platform (given a familiar number of 9 3/4!) as a starting point for explorations. From here, it is possible to walk west along the single street of the little town, passing cosy little houses and boutique shops while the grassy hills fall away northwards to a surf-fronted beach.

The beach runs south-to-north along one side of the region, offering numerous places to sit and the chance to go surfing. However, do keep in mind the houses that book-end it to the north and south are private – so please avoid trespassing into them. A path from the beach runs past he drive-in and behind the gardens behind the northern house to where a busy little waterfront wharf and piers are laid out.

:oxygen:, October 2019

Above this, and reached via sets of wooden stairs and platforms is The Mystic, the region’s public mountain lodge. This offers cosy places to sit and relax, play board games, enjoy views out over the region, or explore onwards and downwards into the rugged gorge separates the lodge from the little town.

This is where the gallery referred to in SixDigital’s description of the region can be found, nestled in a slightly careworn watermill and displaying some of SixDigital’s photography. Outside of the lodge are bull riding, bungee jumping and a zip-line for thrill seekers, while an open-air deck provides a home for live music events, the grass before it a nature dance floor.

:oxygen:, October 2019

Finished a full sound scape and surrounded by high peaks, :oxygen: is a picturesque setting deserving of photography. It is easy on the eye and on the viewer. The official opening for the region will take place on Sunday, October 27th, when DJ Apple Xevion will be spinning the records between 12:00 noon and 14:00 SLT, and a prize pool of L$10,000 is on offer in a Halloween costume contest – just go along dressed in your favourite Halloween outfit for a chance to win a prize!

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:oxygen: (Bora Lota, rated Moderate)

Berthe Morisot at the Museum of Fine Arts in Second Life

The Museum of Fine Arts: Berthe Morisot

In September 2019, I toured the Museum of Fine Arts with curator Tonem (see: The Museum of Fine Arts in Second Life), and was impressed with the care and attention that has been put into the gallery’s operation in making it as much akin to the experience of visiting a physical world art museum / gallery as possible.

Since that original article was posted, the team behind the Museum of Fine Arts have been continuing to develop the museum’s grounds, and also recently opened the second part of their exhibition of art by les trois grandes dames of French Impressionism, so this gave me a reason to pop back and spend time once more at the museum.

The Museum of Fine Arts: Berthe Morisot, self-portrait, 1882

Having featured the art of Marie Bracquemond in the first part of the grades dames exhibit, this second part features the work of Berthe Marie Pauline Morisot (1841- 1895), and it can be found in the Lindal Kidd terrace gallery space, which had now been increased to two side-by-side pavilions behind the main museum building (just enter the main building and past through the ground-floor exhibition spaces and exit through the rear doors to find the terrace).

Morisot was born into a family enmeshed in the arts: her father, while local administrator, was trained in architecture, while her mother was the great-niece of Jean-Honoré Fragonard, one of the most prolific Rococo painters of the ancien régime. So, even allowing for art being a natural part of her education, she and her sisters perhaps received additional encouragement in pursuing it. This encouragement continued through her early career, which brought her into contact with artists such as Édouard Manet and Oscar-Claude Monet and Jean-Baptiste-Camille Corot.

Her own work was not publicly exhibited for the first time until 1864 – largely because she was a hard self-critic, destroying a lot of her early pieces because she regarded them as not being good enough – particularly her early work in oil paints, a medium she particularly struggled with initially. However, from the early 1870s Morisot began to be exhibited more regularly, gained a patron – private art dealer Paul Durand-Ruel. By the late 1870s, she was regarded as the “one real Impressionist in this group”, and judged Morisot among the best of the impressionists by many art critics.

What is particularly engaging about the exhibition at the Museum of Fine Arts is that it amounts to perhaps the large single gathering of Morisot’s work to be seen in the world today outside of the Louvre in Paris. As such, it is a must-see for anyone with a love of classical art, whilst again demonstrating the uniqueness of SL itself as a means to present such a collection to what amounts to a global audience.

The Museum of Fine Arts: Berthe Morisot

In keeping with the Museum’s approach, individual pieces are offered to scale to one another and of a size equating to how they would appear in the physical world when standing before them. This can make individual paintings a little small when viewing them and call into use some steady Alt-camming, but the effort is worth it. In addition, each is displayed with an information card giving the title, date, medium and provenance of the piece – all of which can be viewed in local chat by clicking on a painting.

This is another engaging, engrossing exhibition of physical world art, offering a unique opportunity to appreciate the work of one of the great names of the French Impressionist movement.

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An autumn’s Nostalgia Falls in Second Life

Nostalgia Falls, October 2019 – click any image for full size

For those who enjoy a touch of Halloween without things going overboard in terms of pumpkins, witches, ghosts and so on, then the Homestead region of Nostalgia Falls designed by Noisette Haller could be just the ticket for a visit in the next couple of weeks.

Caught under an orange sky that is suitably atmospheric for the time of year, the region offers some touches of Halloween throughout, but also offers other opportunities for enjoyment and photography.

Nostalgia Falls, October 2019

Forming a rough L-shape, the lower arm running east-west and the vertical south-north and with a gentle westward curve, Nostalgia Falls is a region of roughly two parts. The southern arm of the island is defined by a railway line and little end-of-the-line country station, the tracks occupied by the familiar form of the DRD Arctic Express, this one pulling just the one carriage – which also forms the landing point.

To the east of the little station sit the ruins of houses, one of which appears to have suffered a gas explosion – a large propane tank is ablaze, as is the house. North of the station is a large plaza overlooking open water and a small wharf, a little coffee shop and a carousel offering distractions for visitors – or the opportunity to appreciate all the little touches within the space and along the waterfront.

Nostalgia Falls, October 2019

The Halloween influences are subtle but apparent – cobwebs a-plenty can be found, while a ghostly mist swirls around the locomotive while pumpkins are a little in evidence. There is also a nice touch of humour here as well, in the form of an old lady selling cats in an echo of the “mad cat” old ladies of legend (do catch the Schrödinger’s Cat poster on the stall!).

Beyond the plaza, the north-south arm of the island is home to a little group of houses, all of which appear to be open to the public and are also lightly decorated for Halloween, but again without anything being too excessive. This is another place where there are a lot of little touches to be found, while the track passing before the houses offers the way to a little headland and a pumpkin patch where things do get a little more fanciful, with some of the pumpkins having reached quite extraordinary sizes!

Nostalgia Falls, October 2019

The southern end of this track rises to the top of a little promontory that is home to a stables sitting with its back to the horseshoe of waterfalls that likely give the region its name. A paths and steps from here offer a way down to a meadow where the horses can roam – and which under a brighter sky offers a wonderful taste of autumn splendour.

For those who like more of a touch of Halloween, this can be found in the haunted house located in the south-east corner of the region, together with a little haunted ruin alongside. Here, and across the region can be found places for dancing for those so inclined while overhead – for those who look up, more of an air of mystery is await discovery as an off-shore Moon is at times given to impersonating some of the planets.

Nostalgia Falls, October 2019

Given the mist, particles and other items around the landing point, some might find their viewer / systems struggling with the load  – something that can be exacerbated if there are several visitors to the region. However, the north end of the region and the middle-area meadow did, on our visits, tend to be kinder to our systems. Other than this, Nostalgia falls makes for a photogenic visit and is happy to be seen under a variety of windlight settings.

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Art, science, and the future at Nitroglobus

Nitroglobus Roof Gallery

Two thematically related exhibitions opened at Nitroglobus Roof Gallery, curated by Dido Haas, on Monday, October 21st. Between them, they touch on subjects of concern to many, and which can be viewed as controversial. With CRISP, a single large 3D piece, Kaiju Kohime delves into the subject of CRISPR gene editing; in A Beautiful Collapse, Nevereux questions the decline of societal values.

Genetic manipulation in human beings has the potential foe enormous good: it could help cure / prevent cancers and viral infections, for example, while its use in pregnancy could prevent in vitro genetic depletion than can cause the creation / transfer of genetic illnesses in unborn babies.

Nitroglobus Roof Gallery: CRISP

However, it also potentially has a much darker side as well – which is why the November 2018 report that Chinese scientist, He Jiankuihad helped to make the world’s first genome-edited girls was greeted with no small degree of outrage among the global science community. The twins, called Lulu and Nana, reportedly had their genes modified before birth to make them immune to infection by HIV, through the removal of the CCR5 gene – a process that may also have boosted the twin’s intelligence and cognitive abilities and made them better able to recover from strokes.

Through his piece, Kaiju points a spotlight at the birth of these twins and the reactions He’s work has caused. At a time when many in genetic science had agreed to limit human gene manipulation to material extracted from embryos until such time as the ethics of such manipulation could be fully understood and safeguards enacted to prevent the misuse of such a capability (if at all possible), He is seen by some as irresponsibility throwing wide the doors of the science without regard for potential consequence.

Nitroglobus Roof Gallery: A Beautiful Collapse

Neveraux, meanwhile uses the format of the Polaroid snapshot to explore the decline of societal values, which appears to be occurring at an ever-increasing pace. The framing is the idea that these images are all that remain as a means of defining our society following our global demise – although in truth, these are intended to challenge us as their audience.

These are sharply conscience-pricking images, each one focusing on an aspect of our modern lives, framed within a picture and caption, covering as they do everything from the superficiality of our so-called “on-line lives” through to the collapse of established national norms (This is America) and the declining longevity / honesty found within our physical world relationships (Partnershit). Elsewhere, the images carry something of a double edge to them. Take Art Doesn’t Sell, for example. On the one side, it carries with it the message that unless it is intentionally commercial in nature, it is not worth consideration. On the other, it perhaps carries a message within it concerning our quickness to turn to violence to achieve an end  – or fame through notoriety rather than creative talent. Similarly, Stay Hidden both (again) critiques the shallowness of our need to share everything on-line and offers a reminder that there is sanctity (and safety) to be found in also keeping things to ourselves.

Nitroglobus Roof Gallery: A Beautiful Collapse

One of the functions of art is to provoke; to give us pause for thought and consideration. By challenging perceptions, it offers us an opportunity to re-evaluate our ideas and how we might view the world. Both CRISP and A Beautiful Collapse do just this, and I recommend both for your viewing.

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A taste of South-east Asia in Second Life

ChatuChak, October 2019 – click any images for full size

Update, December 1st: ChatuChak has been replaced by RioSisco Studio Pictures – see for more.

We visited ChatuChak, a relatively new region design by Lotus Mastroianni and frecoi (aka Fred Hamilton) earlier in October, but it has taken me a while to get around to writing it up. Lotus and frecoi are responsible for developing a number of regions I’ve covered in these pages, and so while it has taken a while to write about it, ChatuChak had been a place I was keen to see, a desire somewhat increased because of the region’s subject matter.

Welcome somewhere in Thailand … Turn on the sound and your graphics , let yourself be in immersion with the nature and elements….Enjoy your visit <3.

– ChatuChak About Land description

ChatuChak, October 2019

I’ve never really spent much time in Thailand, but I love the Far East (notably Hong Kong and China), and have had a fascination with Indo-China / South-east Asia, which encompasses Thailand, together with Myanmar (Burma), peninsular Malaysia, Laos, Cambodia and Vietnam, so was really keen to see what ChatuChak has to offer. And the truth is, it is a remarkably atmospheric region, well in keeping with the description, if a little reliant on some elements that perhaps lean towards a more Japanese style of environment (but which nevertheless fit well here).

The landing point sits on the west side of the region, within a small courtyard at the back of a riverside hamlet split by rail tracks that encircle the region. As it passes through the hamlet, the railway is the focus of a small market offering fresh garden produce, flowers, fish and – at one end and rather incongruously, good that might be considered more in keeping with the tourist industry.

ChatuChat, October 2019

This incongruity adds a level of authenticity to the market – the dresses, headsets, brightly-coloured bags and sun hats are exactly the kind of odd items that one can so often unexpectedly find in little off-the-beaten track villages and towns when exploring places like this in the east.

Down on the river banks below the village are all the signs that this is a place reliant on the river and the fertile soil of the area. Along the river banks are stone an wooden wharves where local fishermen bring their catches ashore for weighing, drying and filleting – and where local produce may well be packaged in preparation to be shipped out, going by the cases on one of the wharves. Behind one of the wharves, to the north, sits a rain forest through which paths wind, one of which slips through a narrow gorge to lead the way to a little beach.

ChatuChak, October 2019

On the south side of the river, the land has been cleared to form a series of terraces for growing crops and to provide space for cattle to graze. A path climbs the eastern  – and natural – steps here, allowing a little village of single-roomed houses to spring-up, a path climbing through them to the railway tracks beyond.

Rounded out by an immersive sound scape, ChatuChak offers a multitude of opportunities for photography as well as opportunities to explore. Those taking photos are welcome to submit them to the region’s Flickr group.

ChatuChak, October 2019

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The art of Serene Footman in Second Life

DiXmiX Gallery: Serene Footman

Now open at DiXmiX Gallery, curated by Dixmix Source, is Retrospective, a selection of images by Serene Footman – and it is one I thoroughly recommend for a number of reasons.

The first is that Serene is perhaps most famously known for his creation of Furillen, one of Second Life’s most atmospheric region designs that opened in December 2015 (see The beauty of a bleak midwinter in Second Life) and which became the first of a number of designs Serene developed, generally in partnership with Jade Koltai, and mostly inspired by physical world locations. Creating these regions demonstrated Serene’s eye for beauty, detail and presentation, as well as he creativity – and these are precisely the talents evidenced in the images presented through this exhibition.

DiXmiX Gallery: Serene Footman

The second reason is that until now, Serene has consistently refused invitations to display his in-world photography. Why he has changed his mind is explained in a blog post he published on the Furillen web site; I’m not going to cover the subject matter in that post, as it is personal to Serene, and as such deserves to be read first-hand and without the filter of any subjective interpretation on my part. Suffice it to say it is a personal, moving piece.

Given this is Serene’s first exhibition of photography, calling it a retrospective may seem to be a little strange. However, as some of the thirteen images present views of Serene’s own creations, the title is fitting.

DiXmiX Gallery: Serene Footman

Serene’s style, in keeping with his region designs, is marvellously focused and – as seen through the majority of the pieces offered in this exhibition – containing a wonderful sense of minimalism in which to frame a narrative. Also to be found in some is a quite delightful sense of humour that is evidenced without losing their ability to stir the imagination as well as raising a smile.

For me, the delight of this exhibition is that each piece has something to say on life and living, whether it is through the wonderful humour mentioned above, or in more subtle reflections offered through pieces like A Hen Is Just An Egg’s Way Of Making Another Egg and I Will Wade Out, or the marvellous and moving depth of pieces like Let’s Live Suddenly Without Thinking. All of which, coupled with Serene’s superb use of tone and texture, make this an exhibition that genuinely should not be missed.

DiXmiX Gallery: Serene Footman

And for those captivated with Serene’s work, I’ll also note that Furillen itself is once again back in Second Life for a time. This also should not be missed, whether or not it has been visited in the past, and again I recommend reading his blog post about its return.

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