Chouchou set to remain in Second Life – and there’s more

Chouchou – to be preserved

Back in May 2019, I was one of a number of SL bloggers who wrote about the possible closure of the Chouchou regions (see: A Farewell to Chouchou).

Designed by Japanese pianist Arabesque Choche and vocalist Juliet Heberle, who together form the successful musical duet of Chouchou and managed by 10223 Resident (aka Tofu), the regions are among some of the longest running, practically unchanged private island environments, to be found in Second Life, and are an absolute delight for all who encounter them.

Following the news breaking on the potential closure (apparently the result of idiots repeatedly being idiots within the regions), there were attempts to try to get the regions preserved via the Lab’s Second Life Region Preservation Society, run by Patch Linden’s land team (I will toot my own horn here, in that I played a very small role in this, helping to bring the potential closure of the regions to Patch Linden’s attention). Contact was also made with Juliet Heberle on the matter (regions can only be preserved through the SLRPS with the approval of the region holders), but at the time she indicated it was the Chouchou team’s preference that the regions close be allowed to close.

However, the regions remained open well past the originally indicated closure date – and as it turned out, talks did commence in the background between Chouchou and Linden Lab. Now, and, as reported by fellow arts blogger, Oema, an agreement in principle between Chouchou and Linden Lab has been reached, allowing the Chouchou regions to remain in Second Life under the remit of the SLRPS.

Oema obtained the news via a Facebook post from Chouchou, which reads in part:

Regarding the closure of the region Chouchou (Chouchou sim, Chouchou V sim) in Second Life, we’d like to report some progress. As a result of our discussion with Linden Lab, we made a decision to maintain our region by joining The Second Life Region Preservation Society provided by Linden Lab …

Right now, we’re in the middle of exchanging contracts with Linden Lab, and it’s taking time for the contract procedures. We’re very sorry for the late announcement.

Chouchou – Memento Mori

Within the post, Chouchou note that it was the outpouring of support for the regions to survive  – see this forum thread as an example – that caused the change of heart on closure and to seek the assistance of Patch and his team through the SLRPS in order for the regions to be maintained in SL.

According to the post, the regions will continue to operate with the support of Linden Lab, but with 10223 Resident managing them. Nor is that all: the arrangement with Linden Lab also means an additional Chouchou region has been returned to Second Life, as the Chouchou Facebook post also announces:

And it is also decided that one of our sims, Chouchou XVI – The Babel – which was closed in 2013 will be back in Second Life thanks to Linden Lab’s kind arrangements.

At the time of writing, Chouchou XVI has been returned to the grid, but was not open to the public.

The three Chouchou regions – including Chouchou XVI – The Babel, last seen in-world in 2013 – once again together on the grid

The decision to allow the regions to continue is exceptionally welcome. As noted, the Chouchou regions have long been a part of Second Life and the Memento Mori build over Chouchou V remains one of the most stunning prim builds to be found in-world. Hence why I again include a short film of it below.

If you have not previously visited Chouchou,  Islamey and Memento Mori – I strongly recommend you do, and take the time to savour them now they look set to remain in SL. Follow the links after the video.

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Exploring Kinglet Sound in Second Life

Kinglet Sound, September 2019 – click and image for full size

Designed by amberfff, Kinglet Sound is a recently opened Full region offering visitors the opportunity to escape to a late summer setting where there is a plenty to see – although a little effort in exploration is required order to reveal everything!

To me, the region’s name evokes a location in North America, a place in the wilder, perhaps more northerly aspects of the east or west coat of the United States, or perhaps – if at a slightly higher latitude – just over the 49th parallel north; although there is a fair mix to the region that suggest some of the inspiration for it may have been drawn from elsewhere. The setting is predominantly rugged in nature, with cliffs raising the land to the south and east and through the middle of the region, before allowing it to fall gently away to lower grasslands and sands in the north and the west.

Kinglet Sound, September 2019

A gorge cuts its way diagonally through the landscape from a set of falls to the north-east, slicing its way south and west to the coast. It has also managed to branched to the north, breaching the lower-lying land to form a large body of water, thwarted in its efforts to reach the sea on that side of the island by a low-lying wall of rock. This wall, in part natural, also in places has the look of being carefully built up by unseen hands to expressly prevent that side of the island from being completely overwhelmed by water.

Caught within the bounds of the rock, the lake forms a place for people to relax and enjoy themselves. Decks are built out over the water to offer places to sit, while boats and floats offering more intimate places to snuggle are watched over by swans. On the sands, picnic spots await company, while further places to sit and enjoy company are to be found on the seaward beaches on the far side of the low rocky divide. These face a small island tucked into the north-west corner of the region that holds an altogether more tropical look, and what appears to be a venue for music and dancing.

Kinglet Sound, September 2019

The landing point for the island sits on the uplands, close to the gorge that splits them almost into two. Here, on one side of the divide sits an octagonal pavilion in a field, horse grazing quietly around it, a track from the bridge linking it with the rest of the uplands snaking away down a gentle slope to the shaded lowlands alongside the lake. This trail, crossing the bridge, also runs by the landing point and into a little circle of commercial style properties surrounding a fountain.

Primarily places to eat and / or drink, these little properties are all complete with décor, and together with the seating and other touches outside of them, both welcome exploration and offer places to sit down or for photography. A little south of them, and visible beyond a curtain of trees from the landing point, the ruined wall of what might have once been a very large structure invites investigation. Reached via another path, it stands as a backdrop to another cuddle spot and overlooks a further music venue sitting on the headland that in turn offers an view across the gorge to the highest point of the island.

Kinglet Sound, September 2019

Reached by crossing the single bridge spanning the gorge, this high table of rock has paths curling around it, one rising to the low-slung ranch house occupying its flat peak. Fully furnished, the ranch house is open to the public and offers further seating both indoors and out – including a fine look-out point extending over the cliffs, and another right at their edge.

However, the ranch isn’t the only point of potential interest here. As well as going up, the path cutting into the cliffs also descends, offering a path down to a ribbon of sand and the base of the rocks. The sand curls around to the west and then north, offering further places for couples to slip away from the rest of those visiting the island. Follow it far enough and it will turn to a grassy path that passes under a rocky arch back to reach the north side beaches. When taking this path down and around the base of the cliffs, keep an eye out for a couple of burning torches; the inquisitive might find they betray a secret within the cliffs.

Kinglet Sound, September 2019

All of this is still only scratching the surface of the region’s richness; there are paths and trails around the landscape I’ve yet to mention, both coastal and inland. Follow the sound of a faint guitar as the tune of Greensleeves is played, and it might lead you by way of path and sand to where a little garden cosy sits amidst a copse of trees showing the first hints of autumn with their golden leaves.

Offering an entirely natural look, a rich environment to explore (although it’s a bit of a shame that the “secret” aspect of the region referenced above doesn’t offer one or two little snuggle spots / points of interest) and with multiple opportunities for photography (and a Flickr group through which to share images), Kinglet Sound comes wrapped in a perfect sound scape to present a setting well worth visiting – and supporting by way of a donation at the landing point.

Kinglet Sound, September 2019

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With thanks to Shawn for the LM!

Art and nature in Second Life

Club L.A. and Gallery – Sue Kass

Somewhat unusually for this blog, I’m covering three exhibitions of art split across two galleries – Club L.A. and Kiku Gallery  – that between them presents three very individual displays of art by Second Life artists, and which are each small enough to make a joint interesting and contrasting visit for those who enjoy art in Second Life.

Opening at L.A. Club and Gallery, curated by Wintergeist, on September 28th, 2019 and running for approximately two months are exhibitions by Maloe Vansant Sue Kass, two very different artists.

Club L.A. and Gallery – Maloe Vansant

Maloe is always a provocative in her work, and with A Glitch in Time, she again shows this to be the case, with a very mixed set of predominantly physical word photographs – and I have to be honest, I’m not entirely sure what to make of them. This is something I say without any intention to be dismissive towards the exhibition, but simply because the mix of images offered is so diverse, it really needs individual viewing and contemplation, rather than any attempt to understand them through the eyes of another.

Sue Kass, meanwhile, is an artist I’ve not previously encountered. She presents a selection of 16 avatar studies offered as a mix of photographs, paintings and drawings. I have to admit, they make an engaging collection; each one captivates the eye, offering a perfectly framed image complete with the strong suggestion of a surrounding story; so much so that again, they deserve an direct visit to view, rather than a second-hand interpretation here. However, I will say I found myself drawn to those pieces that suggest a drawing or watercolour – notably Fall, Hug and Flowers, seen below, and Ink.

Club L.A. and Gallery – Sue Kass

Running through until November 8th, 2019 at the Kiku Gallery curated by Suzanne Logan is an exhibition of photography by Ktahdn Vesuvino entitled A Closer Look, a series of marvellous close-up images from the physical world captured using a digital single-lens reflex camera with (for the most part) a 100mm macro lens. These are combined with a small series of photographs of the most astonishing series of sand sculptures.

When I go for walks, I see most people with heads down, looking at their telephones. The world presents beauty in great detail, everywhere one chooses to look. I know there is also ugliness. It’s part of our reality. I choose to focus on things I see as being beautiful, and attempt to make a photograph that will show some of the beauty to others… and be worth looking at again.

Ktahdn Vesuvino, describing A Closer Look

Kiku Gallery – Ktahdn Vesuvino

This is another captivating collection of images, Ktahdn’s macro pictures offering a fabulous series of portraits, while those taken on the beach marvellously underline his comment about people being so focused on their smartphones they can literally miss life passing them by.

Taken together, and as I said at the top of this review, all three exhibitions make for individually absorbing visits.

Kiku Gallery – Ktahdn Vesuvino

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A Hazardous return in Second Life

Hazardous, September 2019 – click any image for full size

We often lament the passing of an established Second Life region; when the news breaks, there are always questions of why and voices of regret. So when the reverse happens, and a long-time favourite returns to Second Life, it’s only right we should celebrate and give cheer – and that’s certainly the case with Hazardous, which re-opened its doors to the public on September 21st, 2019.

Designed and presented by Mandingo Quan, Hazardous was a unique region design when I first visited it far back in 2013, and it remains genuinely so with its re-opening in 2019.

Hazardous, September 2019

For those who remember the region of old, Hazardous still presents its familiar horseshoe plateau of an island rising on sheer cliffs and cut through to its heart by a deep gorge. It is a setting that intentionally sets itself aside from other regions in it looks, as travellers who perhaps have not had the opportunity to visit previously will quickly see.

I’ve been really blessed to have gotten so much positive feedback. Frankly I was one of those who would often talk about the older sims disappearing without realising that mine was one! What really surprised me is we opened up on around two hours notice and we had over 50 avatars arrive, it was really humbling; and the old faces I see now, it really is good to see people back.

– Mandingo Quan discussing the return of Hazardous

Hazardous, September 2019

Much within it remains true to the original: the minimalistic beauty of the U-shaped plateau; the novel means of reaching it from the landing point; the curving stone steps awaiting discovery as they curl down to the waters below. But there are subtle changes: while the landing point retains its novel “teleport” down to the island proper (left-click to stand on the flagstone and enjoy the animation!), the keen-eyed may notice the bathtub has vanished, whilst down on the ground, a new open-air event space sits a short walk from where incoming visitors land.

The latter, Mandingo informed me, is being looked after by Rara Destiny and Grace McDunnough, two talented live performers in their own right, and who will doubtless be holding sets at Hazardous (indeed, Rara sang at the opening on September 21st). For the coming weekend they have a very special performance taking place: ColorfulQuiet (aka CQ or CQ Bravin) is returning to Second Life after a 6-year hiatus and will be appearing at Hazardous on Saturday, September 28th, starting at 14:00 SLT, kicking-off his Love Tour.

Hazardous, September 2019

While the landscaping up on the plateau might be – as I’ve said – beautifully minimalistic, there is actually a lot to see in Hazardous; some of which might be easily missed if not looked for. The most obvious to be seen is the gorge and the board walk winding through it from open mouth to circular well and the river house that sits therein. A cross between café and artist’s studio, the house offers a quiet retreat from the world above – but it is not all that resides in the gorge.

Others, however, are a little harder to find. Take the steps down to the water I mentioned above. These might require a little more vigilance in order to be found. However, the care is worth it as what lies just beyond the gates at the foot of the stairs is worth the visit.

Hazardous, September 2019

In fact, camming over the sides of the cliffs is recommended during a visit, as there are a number of touches around the periphery of the island that might well otherwise be missed. Careful mousing over things is also advised. Doing so might well reveal a hidden spot within the island that awaits discovery – although getting back might also require a little careful camming.

With its subtle sound scape and ability to suit almost any windlight environment, Hazardous has always been a delight to visit and photograph, and it is an absolutely pleasure to see it back in Second Life once more and available for people to enjoy.

Hazardous, September 2019

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The Museum of Fine Arts in Second Life

Museum of Fine Arts

If you’re into fine and classical art, then you are going to want to drop in to the Museum of Fine Arts in Second Life. I confess, I knew little of the museum prior to recently receiving an invitation from Tonem, the museum’s curator to pay them a visit, so I was delighted to be able to accept the offer and learn about the gallery.

Originally founded in Twinity in 2013, the museum moved to Second Life in 2015, where it is located on the Mainland continent of Jeogeot, occupying a palatial and very fitting château (the work of Kaya Angel) that provides 20 rooms of exhibition space, with a further annex to the rear.

Museum of Fine Arts

The goal of the museum is to provide a non-profit educational facility displaying art from the physical world. Each piece presented in the exhibition spaces is a faithful photographic representation of the originating art, with care taken to ensure only pieces that reside in the public domain in their country of origin are reproduced, and that they free from known restrictions under copyright law, including all related and neighbouring rights.

When the group was founded [2013] there was a debate on the kind of art to include. And the conclusion to not exhibit user created art was for three reasons: the difficulty of establishing provenance; the lack of expertise [at the time] regarding modern art in our group; and the fact that there are many, many art galleries in Second life presents in-world artists and photographers with the ability to display their work, but only a handful available for exhibiting fine and classical art from the physical world.

– Tonem, describing the background to the Museum

As an advocate for the presentation of suitable physical-world art through Second Life, the museum’s focus is something I approve. SL provides the means to create exhibitions that can bring together a wealth of established art from around the globe and present it to an audience in a manner impossible win the physical world without the need for what could amount to a lot of globe-trotting; while for the modern artist in the physical world, it offers the means to reach a global audience in a more immersive and personal manner than images on a web page.

Museum of Fine Arts: German Art in the 19th Century – Caspar David Friedrich

This first point above is particularly true of the current exhibitions at the museum; there is no way on Earth the rich diversity of pieces offered could have been brought together by a single gallery in the physical world. Nor does it end there. Great lengths have been taken to ensure a visit to the Museum of Fine Art is as “real” as possible.

The two exhibitions currently in progress are German Art in the 19th Century, which represents the gallery’s main autumn / winter 2019 exhibit, and Marie Bracquemond One of the Grand Dames of Impressionism, running through until October 22nd, 2019. Each demonstrate the care taken in presenting the art in the museum: the images are correctly scaled one to the next, whilst each has its own information card, a-la a physical world museum. For those who prefer, images can also be left-clicked to have the information text displayed in local chat.

Museum of Fine Arts: German Art in the 19th Century – Adolph Menzel

German Art in the 19th Century includes a wealth of introductory information in the museum’s foyer, and I recommend viewing it before progressing through the gallery’s halls. In all, some 34 German painters are represented, with over 200 individual pieces of art faithfully reproduced. The exhibit follows the evolution of German art from the romantic period (late 18th and early 19th centuries) through to the period of German Expressionism in the early 20th century. There is no set path through the exhibit, But given the volume of art, I would recommend setting aside time to genuinely appreciate it, as it has taken a lot of time and effort to pull things together, as Tonem notes:

Of course, because we can use almost anything in the public domain also makes it more of a challenge! The museum did a lot of small exhibits focusing on particular parts of movements or periods, but the didactic value seemed minimal. Something sweeping like this should be much more valuable to people learning about art – but it was a tremendous amount of work to bring it all together!

Museum of Fine Arts: Marie Bracquemond

The exhibit celebrating the art of Marie Bracquemond can be found in the annex to the rear of the museum, on the Lindal Kidd terrace (Lindal is someone who over the years has leant support and assistance to the gallery).

Alongside Berthe Morisot and Mary Cassatt, Madame Bracquemond is regarded as one of les trois grandes dames of the French impressionist movement. This is a much smaller exhibit, as one might expect given the focus on a single artist, but the works offered within it are again presented with the same care to detail and scale. At the time of my visit, some finishing touches had yet to be made (including the introduction to the exhibition), but this shouldn’t put people off – should you want to find out about Marie Bracquemond, Google is your friend.

Museum of Fine Arts: Marie Bracquemond

The Museum of Fine Arts is a gem of a gallery museum in Second Life, and I thoroughly recommend it to all who have an interest in physical world fine and classical art. I’d also like to thank Tonem for her time with me during my visit, and I look forward to returning in the future and writing about further exhibitions at the gallery.

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Whimsies and Dreamscapes in Second Life

Whimsies and Dreamscapes, September 2019 – click any image for full size

We were drawn to Whimsies and Dreamscapes, a Full region using the additional 10K land capacity designed by TwinkleStarLight, on the recommendation of Shawn Shakespeare. And I have to admit, the region certainly lives up to its name and description: this is a setting that is intentionally an eclectic mix of offerings on land, on water and – if you’re prepared to take a dip – under the water. So much so that actually trying to formulate a description isn’t that easy – discovery is perhaps the best way to learn about the various elements. However, I’ll try to offer a little teaser.

First, up the land – which is split into a number of boxy, rocky islands, water channels and low-lying areas of grasslands – has no enforced landing point. The one I’m using here is the one provided (at the time of writing) in the About Land floater, but you can pretty much hope around quite freely. The landing point I’ve used sits on the lowlands of the region, toward the north-west corner. Backed by Whimsies Candy Shop – which might be regarded as a “gateway” to the underwater elements of the region – it offers a good starting point for explorations of the region’s lower grasslands.

Whimsies and Dreamscapes, September 2019

Bounded by water on all four sides, the shop and the lawn before it are connected to the rest of the lowlands be means of a simple wooden bridge passing under a high rocky arch. Beyond this sits a more curious landscape, a place filled with old ruins, a tumbledown retreat on the top of a small hill (looking for all the world like a wizard’s hideaway although it is a fact a cosy little snug), a stone henge, paths and trails and wild gardens stalked by flamingos and a unicorn, and both human and elven houses that again offer places to sit and relax and share time with others.

Scattered through these areas are a number of teleport mirrors. According to the about land description, these are apparently designed to assist in getting around. Unfortunately during our three visits, the mirrors were non-responsive; even joining the local group (there are approximately two inviters you may encounter whilst exploring) failed to wake them up for us. Fortunately, insofar as getting up to the highlands in the region is concerned, there are ways other than teleporting available (although I’ve no idea whether or not the teleports also provide access to places in the sky over the region).

Whimsies and Dreamscapes, September 2019

One of these routes can be found on the south side of the large inland island to the west of the region. Decorated in the form of a graveyard (for Halloween, perhaps?), it can be reached via a set of stepping stones located close to the elven house. Creepy though it might be, the upper part of the cemetery with to one of the region’s more whimsical elements: a mist-covered “sea” that tumbles down the sides of the island on which it sits to the waters below; it is home to the partially sunken and broken hulk of a galleon. That his ship might well be wrecked doesn’t appear to bother the chap floating on a modern life buoy within the wreck; perhaps that’s down to the rum his appears to be enjoying!

A further bridge, this one on southern coast of the cemetery island and a short walk from the stepping stones, gives access to the western extremes of the island. High and low, the land here offers a mix of more garden spaces, a floating house set out as both an artist’s retreat and a place for people to again enjoy time together, and beaches. Steps again lead up to the the tops of the cliffs where the further one travels northwards, the more eclectic and whimsical things get.

Whimsies and Dreamscapes, September 2019

The nature of the region means that I really don’t want to give too much more away in terms of outright description; as noted, this is a place that deserves exploration and discovery. However, when visiting I would suggest that you experiment with local windlight settings; the default offered by the region doesn’t entirely do it justice.

Also, don’t forget the underwater elements! These are perhaps best explored starting with a leap off the pier at the back of Whimsies Candy Shop, and offer a number on little garden spaces connected by narrow pathways between steep sandy slopes that could perhaps benefit from rocky cladding – but land Capacity is Land Capacity! The quirkiness in the scale of some of the items here makes these spaces a further curio of exploration, and I particularly liked the octopus’s garden – and what lies above it. For those who prefer time on the water rather than under it, the pier behind the shop is also one of the places where swan-headed boats can generally be obtained for cruising the region’s channels and bays.

Whimsies and Dreamscapes, September 2019

Unconventional in presentation, rich in detail and with plenty to see and plenty of places to pass the time, Whimsies and Dreamscapes can made for an engaging visit where there camera may well see a fair degree of use.

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