ZackHerrMann at Raging Graphix

Raging Graphix Sky Gallery: Zack Herr Mann

LIV (Raging Bellls) recently expanding her Raging Graphix Gallery with a new skybox exhibition area featuring a special exhibition by the master of psychedelic art, ZackHerrMann.

Hailing from France, Zack has a passion for art that dates back to his early years, and which has been influenced in a wide variety of ways – including by the likes of Marvel comics, the performance artistry oft found within LGBTQ communities and within the rock music scene. He studies art of a number of years, and had hoped to specialism, but freely admits higher  education in art (as with all subjects) can be prohibitively expensive.

Raging Graphix Sky Gallery: Zack Herr Mann

As a result, he became very much self-taught in terms of developing his own style and approach to art, as he also notes with disarming candour, touching on some of the influences on his work as noted above:

So, I started to discover night life, especially in the LGBT Community, touching on the worlds of drag queens and other creatures of the universe. Then I discovered the power of creation using a computer and graphics tablet, using PhotoShop. with these tools I felt reborn, free to recreate a persona based on a childhood character I made called Linda Cluster. This persona is a celebration of all that I love about the rock music culture, and is a nod to the musical artists I admire: Nina Hagen, Kate Bush, Cyndi Lauper, Bjork, and so on.
It is Linda Cluster’s work that I focus on presenting in SL, because its probably the more advanced works that I’ve done in RL.

ZackHerrMan discussing his work

The result of all of this are pieces that are rich and vibrant, frequently animated and carry a wonderful depth and life. wtached over by a figure whom I assume is a representation of Linda Cluster.

Raging Graphix Sky Gallery: Zack Herr Mann

Within the skybox at Raging Graphix, all of this is marvellously brought into focus. The two-roomed are is not large  but it perfect for housing the selection of art Zack displays.

These are pieces which – while “psychedelic” might be the term he uses to describe himself and which are vital in their colour and depth – also carry within then themes that might also be considered spiritual and / or cosmic. Within them are pieces that suggest living mandalas, whilst other perhaps suggest the tree of life, whilst other contain heavenly (as in cosmic rather than religious) themes.

An important not to keep in mind when visiting is that Zack makes extensive use of projectors to give some of his pieces their depth. As such, if you are to fully appreciate attending this exhibition, it is essential you have Preferences → Graphics → Advanced Lighting Model enabled (you do not need to enabled shadow rendering as well, so the performance hit shouldn’t be too great).

Raging Graphix Sky Gallery: Zack Herr Mann

A visually impressive and and engaging exhibition.

SLurl Details

A Panacea for those who miss snow in Second Life

Panacea, January 2021

As is often the way, the changing of the year sees a lot of people in the northern hemisphere turn their thoughts away from winter and towards the promise of spring. With region designers, this often means moving to replace the snowy looks they may have set out on their regions for the holiday period with something with more colour and the promise of warmth.

Of course, this doesn’t happen overnight – some regions can continue to offer snowy scenes well into February and perhaps March. However, as January does move to February and thoughts of spring bubble up even more, it can mean that those who do like walking through a snowy white blanket or celebrating falling snow or taking to ice skates or sleds and are starting to miss opportunities to do so – or who simply like to witness / photograph the scarecrow form of trees without leaves, standing with arms upraised -, MoonStone (Hecatolite) and Louise (Sallielouise) may have just the right Panacea.

Panacea, January 2021

Occupying a Homestead region, this is a setting that – for now – remains caught in the grip of winter, although the thaw is showing signs from gradually breaking through.

Laid out along an east-west orientation (don’t be fooled by the map tile, that is still awaiting post-Uplift update at the time of writing), this is a rugged place. The highlands sit predominantly to the west:  hills that while not high, are already showing signs of greening as the days lengthen and the air warms. The lower slopes, however, are still wreathed in snow, some of which are are under curtains of snow that is falling gently, testament to the fact that winds across the island are low.

Panacea, January 2021

As the land rolls down towards the eastern coast, so it is cut by water that almost splits it in two, it extends as far as the green-topped hills that form an open-ended ring around it. But is this a river that is flowing out from the hills – or an inlet of water that, having forcing its way around a little eastern island, found the line of least resistance to cut its way deep into the landscape?, as suggested by the water’s direction of flow within the semi-iced channel.

The land is also cut by a second channel reaching to the west side hills; however, it is still largely frozen, with two large tables of ice sitting against the step slopes of the hills holding it in. One of these appears thick enough to withstand a complete thaw: is is home to a wooden bench that would not be any fun to try and haul by up the precipitous slopes.

Panacea, January 2021

Scattered across the island are a number of buildings and structures. These include two cabins – a blocky one sitting up among the hills, and a more traditional steep-roofed one encompassing a single room, sitting on the north-east headland, close to the rocky coast  and accompanied by a small folly. A lighthouse sits on the little eastern island guarding the river mouth / inlet, and beyond it, on the south-east headland, a gazebo provides a covering for the local ice rink.

Elsewhere, cafés offer places to enjoy a warm drink, while paths and trails winding through the land and the hills, watched over by the local wildlife. Most of the latter are birds, waterfowl, turkeys, squirrels and deer – although you might want to keep a wary eye on the wolves and polar bears that reside here. None of them appear to be aggressive, but you never can tell!

Panacea, January 2021
A simple yet carefully detailed winter setting, with sleds available for those wanted to have a little fun whilst a box at the ice rink will provide skates, Panacea offers a photogenic visit, and is also suitable for those who have a wearable horse and would like a winter’s ride. In this it’s name might also be taken as a pointer to the region offering a chance to sooth whatever stresses you might be facing.

With thanks to Shawn Shakespeare for the tip.

SLurl Details

  • Pancea (Ember Vale, rated Adult)

 

Art from a lockdown in Second Life

The Glinka Gallery: Lockdown Botanica

Idrial Difference (Idrial Ghost) is the owner of, and creator for, _-FAS-_, the store of plants & fantasy avatar attachments inspired by nature. He is also a 2D and 3D artist, and his most recent exhibition recently opened at The Glinka Gallery, operated and curated by Wolfgang Glinka.

Lockdown Botanica is a series of images from the physical world he produced during 2020’s first pandemic lockdown period, mixed with some of his 3D mesh creations.

As the title of the exhibition might suggest, the images presented within the exhibit are all of plants, flowers, leaves, fruit and  – with one piece – birds. All are beautifully presented in soft watercolours, with the majority of the pieces focused on a single fruit or flower that is presented against a pure white background that encourages the eye to  focus purely on the shape and colour of the subject without any distraction.

The Glinka Gallery: Lockdown Botanica

This approach elevates each piece from being a simple painting of a fruit or flower to being akin to a portrait as engaging as any portrait of a person or avatar, with the subtleties of form and colour playing as important a part in defining each subject as readily as the lines and expression on a face in a human portrait.

The two exceptions to this approach are Grapes Portrait, and Garden Tales. Both are again offered with plain white backgrounds, directing the eye and mind to focus on their subjects, the small grouping of the former giving a suggestion of life through its familiar depiction of grapes, the latter clearly suggestive of life and vitality through the presence of the two Cyanistes caeruleus.

Whwn viewing these pieces, with their lone focus on a specific item, rather than depicting each as sprays of flowers in a vase or a selection of fruits in a bowl, that brings to mind thoughts of the lockdown in which they were created. There is a sense of isolation and separation about each piece that is reflective of the sense of being separated from friends and family. Again, in this, both Grapes Portrait and Garden Tales stand a little apart, offering a view of times in the future when we will again be able to gather together with friends (Grapes Portrait) or spend time with someone we hold particularly close, but have been unable to see (Garden Tales).

The Glinka Gallery: Lockdown Botanica

Rounded out by 3D cacti, water lilies, tree stumps and more (make sure you touch the eggplant for a gift), Lockdown Botanica is an engaging exhibition by a creator and artist.

SLurl Details

A return to Armum in Second Life

Amrum, January 2021

In 2019,  we made our first visit to Amrum, the Homestead region presented for public enjoyment by Sunrise (Sunrise Avalanche) – see Amrum in Second Life. A lot has happened since then – most notably the fact that Armum has relocated, and has undergone at least one makeover. Back in 2019, our first visit to the region came at the suggestion of Shawn Shakespeare  (SkinnyNilla), so there is a certain serendipity in the fact a return visit in January 2021 also came after Shawn nudged me about it.

Sympathetic, charming, cosy and photogenic island…with many hideaways…time for feelings…dancing…time for two…waves..lonely beaches…riding….dreaming…meeting with friends…talking….

– from Arum’s About Land description

Amrum, January 2021

The current iteration of Armum contains a number of echoes of the version we visited just under two years ago: it retains its Adult region rating and the hint of BDSM activities (although not in a manner liable to put people off visiting), whilst the overall look of the setting retains the idyllic feel of a near-tropical region. Its open spaces means it remains welcoming to those who want to wear a horse and take a ride around the island.

The landing point lies towards the middle of the region and immediately reveals its sandy, open nature. The entire island is low-lying, the sand broken by scrub grasses, shrubs and relatively young Terminalia catappa, aka sea (or beach) almond. From the landing point, visitors are free to roam where they will.

Amrum, January 2021

The two main buildings on the island make for obvious destinations, each being a short walk from the landing point. The nerarer (and larger) is clearly visible to the north, and forms a large blockhouse style building. Flat-roofed and relatively high-ceilinged, its interior offers a cool relief from the outdoor warmth, the three rooms it provides simply furnished whilst still presenting a cosy retreat in which to enjoy the company of others, with further seating available on the outside deck that separates the house from a rectangular outdoor swimming pool.

To the south-east, the second house sits partially screened from the landing point by a line of sea almonds. It occupies roughly the same footprint as the first house, but offers more interior space that, thanks to the interior windows between the rooms, has a very open, airy feel. It is also somewhat more cosily furnished – although BDSM items form a more obvious part of is décor together with noticeably items and images.

Amrum, January 2021

This second house additionally shares the south-eastern end of the island with  a single-room cabin that sits as a sauna / bath house, whilst the shallow cove they both face makes for a little private beach bracketed by rocky outcrops extending into the water.

Further around the west side of the island, and again a short walk from the landing point, sits a trio of little beach houses that each offer a place to relax, while further still along the sweep of coastal sands and facing due west, sits another single-room cabin with an open deck for music and dancing sitting alongside it.

Amrum, January 2021

The buildings and decks are not the only places to sit;  there are numerous outdoor opportunities as well – beach chairs, hammocks, and off-shore folly on its own sand bank, blankets, and so on, some of which are watched over by the local sheep. All offer opportunities for people to relax and unwind within the island’s boundaries. There are also various details to be found, indoors and out, that further help retain Amrum’s reputation as a photogenic spot, with the entire setting nicely rounded-out by a suitable sound scape.

SLurl Details

  • Amrum (Secret Love, rated Adult)

An Edge for art in Second Life

Kultivate The Edge: Tempest Rosca

The Edge is Kultivate Magazine’s gallery space specialising in black-and-white photography exhibitions, generally hosting ensemble art displays by artists responding to calls for artists that are periodically announced by the Kultivate team.

Sunday, January 17th marks the first such exhibition at the gallery for 2021, featuring artists Jessamine2108, Maaddi, Eucalyptus Carroll, Johannes Huntsman, Moora McMillan, Blues Rocker, Tempest Rosca, Jamee Sandalwood, Veruca Tammas, Vita Theas and Myra Wildmist.

Kultivate The Edge: Veruca Tammas
As tends to be the case with ensemble exhibitions, the art is wide-ranging in subject matter, featuring avatar studies, reflections on SL art, landscapes, and more. The majority of the artists are familiar to me, and and individuals whose work I always appreciate seeing – although I admit that both Maaddi and Moora are two artists whose work I cannot recall having previously witnessed – and I admit that I found the three pieces presented by Moora attractive in both their subject matter and presentation; Path Near the Sea in particular.

One of the aspects of monochrome photography I particularly like is the matter in which it can add a depth of life to  a image, often more so than if the image had been produced in colour. In the latter the subtleties within an image can sometimes be overlooked as the eye is drawn to admire the way colours have been used or blended; within a monochrome piece, the use of light and dark, whilst obviously presenting contrasts, tends to allow those subtleties to be gently teased to the fore.

Kultivate The Edge: Jamee Sandalwood

This is certainly the case with the majority of the images here, so much so that singling any out is a little unfair, however, I do admit to fining Jamee’s and Tempest’s pieces to particularly demonstrate this. The central image of Tempest’s trio for example, appears to have been pulled from the physical world; had it been in colour, there is a genuine possibility that even allowing for post-processing, its avatarian origins would be apparent.

The one exception to the general themes offered through this exhibition is from Johannes Huntsman.  John is an artist who never fails to impress as he constantly seeks to broaden both his art and his technique. Here he presents four pieces that he has simply called his Geometric Collection, but which carry within them a strong vein of cubism with a measure of abstraction, making them an engaging selection which – and in difference to my comments above regarding the power of monochrome images – would be as engaging were they in colour; so much so, that I look forward to seeing more of John’s experiments in this style of art.

Kultivate The Edge: Johannes Huntsman

But really, all the artists in this ensemble deserve recognition for the pieces they have selected for this exhibition – as you’ll be able to see for yourself in the coming month, or indeed at the formal opening of the exhibition, which takes place at 13:00 SLT on Sunday, January 17th, within the gallery.

SLurl Details

An adventure in a Mad Wonderland in Second Life

Adventures In Mad Wonderland January 2021

It’s taken me a while to get to write about Adventures In Mad Wonderland, Jayden Mercury’s twist on Charles Lutwidge Dodgson’s (aka Lewis Carroll) tales of Alice’s adventures. This is because, despite being a modest parcel covering just over 6,300 square metres, it is a setting that packs an awful lot into it – so much so that it is very easy to miss things in a simple walk through.

Using the theme of Alice’s adventures on which to build a setting within Second Life is not new; however, with Mad Wonderland, Jayden – assisted by Valarie Muffin Meow (Zalindah) – has created a unique take on things, as indicated by the location’s About Land description,  which invites us to follow the Adventure through the Storybook of an artist.

Adventures In Mad Wonderland January 2021

Thus, what we have here is a take on Dodgson / Carroll’s timeless tale is a series of scenes from the tales – and more – that frame the tale of an artist – perhaps someone charged with illustrating a version of the story – with “chapters” waiting to be found at various points within the parcel (mouseover and left-click to read them).

The story commences at the landing point, and the artist’s studio that resides there. This takes the form of a small shack sitting on a narrow stretch of coast.  Paintings are hanging on lines strung outside of the shack, whilst inside stands the artist’s easel and materials – although oddly, some of the latter appear to be paints for house decoration  rather than conventional oil or water colours. Subtle use of a sofa with a cascade of colour in its covering and a corner gathering of lights adds to the impression that this is an artist’s retreat. There is more here as a well, so be prepared to mouseover the objects you find within the shack and be prepared to  click on them.

Adventures In Mad Wonderland January 2021

The shack sets the tone for a visit: whilst walking the trail and exploring what it reveals, be sure to hover your mouse over anything that catches your eye, as it may contain the next chapter in the unfolding story of the artist. Such items vary in form, from a pen and notepad to the likes of multi-hued mushrooms – and some might be unexpected (“she said with a grin” – hint, hint!).

Also waiting to be found are obvious extracts from Alice’s journeys and other little vignettes. Chief among the former is a familiar tea party featuring a very Deppian Mad Hatter; one of the latter sits an an old piano, its wood faded by the Sun, a truncated quote from Alice In Wonderland chalked or painted onto the inside of its raised lid.

Adventures In Mad Wonderland January 2021

The end of the path is marked by wooden steps that rise to a white-walled castle that, with its angled towers, looks like something the Mad Hatter might build – or to look at it another way, a partially0inflated bouncy castle. Card guards outside of its gate suggest the Queen of Hearts may be waiting inside, as does the huge red heart on the wall above the gate. But is she? You’ll have to go inside and find out for yourself – particularly if you want to keep up with the unfolding story, as a chapter awaits discovery.

The castle may mark the end of the path from the artist’s studio – but it is not the end of the adventure. Those willing to look around carefully after exploring it might spot a little makeshift bridge leading to a shaded portal. Touch it, and it will carry you onward to the next stage of the story: a maze where more items await the touch of visitors, including one that will carry you even further, should you follow the familiar instruction to Drink Me when you find it.

Adventures In Mad Wonderland January 2021

I’m not going to give away all of the location’s secrets, but I will say that Mad Wonderland is a surprising and fun place to explore that taxes neither viewer nor mind, but does keep you engaged throughout. It is also one of those places I particularly appreciate within Second Life – the kind that demonstrate that you don’t actually need a full-sized region in  order to create something special either for yourself, or to share with others.

SLurl Details