A visit to a hidden Library in Second Life

The Great Library of Eruanna, January 2023 – click any image for full size

Sam Rougefeu, by way of Twitter, alerted me to The Great Library of Eruanna, located close to the south-western coast of the northern continent of Gaeta. Occupying a quarter of a Full region, this is an imaginative build by Amara Shino, forming both her private home and a place open to exploration by visitors and  light role-play is welcome.

I say imaginative, as it takes the form of a stone castle sitting over a honeycomb of tunnels, caverns, halls and rooms – all of which is sitting on and within a giant floating island of rock. As such, despite the apparently small land area for the setting, it has – literally – a very real sense of depth to it.

The Great Library of Eruanna, January 2023

The landing point sits on one of the walls of the castle, immediately before one of the more notable of its towers (not that many are not noticeable!) and offering a view down into the main bailey.

The architecture is a curious mix, the design suggesting this is a place which has grown organically rather than any planned development. The tower immediately in front of the landing point perhaps offers the first curiosity, a tampering, angular finger topped by a single-story house extending beyond its narrow top on a wooden platform.

Across the grass sitting outside of the castle walls is another tall, angular tower, this one offering a sense of mystery to it, being the home of an apothecary / alchemist, the vapours from cauldrons within its the ground floor escaping under the front door. Stairs climb the inside of this tower, allowing an escape from the vapours to the upper levels – including an enclosed bridge spanning the gap between this tower and a great shoulder of rock rising over the bailey of the castle.

A Hobbit-like front down sits at the foot of this shoulder (one of two Hobbit houses backing their way into the rock, each furnished in a manner that should keep orc, dwarf hobbit or human in reasonable comfort), while the flat top is home to more spire-like towers with conical roofs of another castle awaiting exploration.

The Great Library of Eruanna, January 2023

This upper castle can be reached in one of two main ways: via the narrow tower rising from the keep of the lower castle, or via a path winding up the shoulder of rock itself. Both of the castles present multiple rooms to explore, one of the rooms in the lower keep hinting at the use of the building as a library, the walls lined with cabinets of scrolls.  But this is just the start.

The real secrets of this place  lie within the tunnels and caverns below the towers, keeps and little houses, together with the rooms they contain. These tunnels can be can be accessed from more than one point, but I’m not about to spoil things here by listing any of them; you’ll have to visit yourself to find them. All I will say is the majority – but not all – can be found within the castle.

The Great Library of Eruanna, January 2023

Once within the tunnels, you’ll again find there is much to explore, including the great library itself, tucked away in the depths of the rock. Spanning multiple levels and comprising several rooms, this is an ideal setting for casual role-play. Part of it even comprises a tower built within the living rock, its floors linked by wooden stairways and an open-sided elevator passing level after level of bookcases.

The lowest level of this “tower” accesses another larger hall; at one time, this may have also been a used to store books and scrolls, but it now stands empty, the upper floor broken, and only the side rooms remaining in use.  But books are not all that might be found here; some of the caverns have been turned into catacombs where mummified bodies lay at rest – those of past librarians perhaps? You decide

The Great Library of Eruanna, January 2023

I could write more here, but as noted above, this is a location thoroughly deserving of exploration – and as such, I’ll break off here and encourage you to do so!

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Banagher’s Whispering Sky in Second Life

Starborn Gallery, January 2023: Banagher Crisp – Whispering Sky

Whispering Sky is the title Banagher Crisp has selected for an exhibition of his Second Life photography, currently being hosted by Lizbeth Morningstar in the guest artist of her Starborn Gallery.

This is a selection of predominantly greyscale images with a focus on avatar studies, although they are interspersed with colour images and landscapes spread across the two levels of the hall. They are both evocative and personal pieces, each one focused to evoke a specific instant in time, intended to project an emotion and / or idea, as Banagher explains within his introduction to the exhibition:

We all remember certain moments in our lives where they makes us feel happy, sad, angry, grateful, or loved. My work focuses on “moments” a paused second in a certain place that reflects many different feelings. Each person sees that moment differently and that is what I find fascinating.

– Banagher Crisp

Starborn Gallery, January 2023: Banagher Crisp – Whispering Sky

Given this, these are all pieces that contain a richness of narrative that is quite extraordinary – made more so by the fact that Banagher has left each one untitled so as not to impose his thoughts or ideas onto our encounter with each image. Given this, I’m loathe to offer my own thoughts on individual pieces in this selection for the same reason; these are works that deserve to be seen fresh and unburdened by the interpretations of an intermediary.

What I will say is that the way they individually convey their emotional content: passion, regret, love, loneliness, joy, solitude, contemplation, honour, and more; is captivating, making each piece an image the eyes are drawn back to again and again. Even those without an avatar within them richly evocative in focus, colour (or tone) and content they naturally draw out an emotional response in which feelings and thought bubble.

This is, I believe, my first encounter with Banagher’s work; I’m not sure how long he has been producing pieces in-world, although I note his Flickr stream is no more than two years old – which might indicate the obsession which started as a hobby (to reverse Banagher’s own words) is recent. Be that as it may, both Whispering Sky and his Flickr speak to a depth of artistry I very much hope I will be expressed at more exhibitions in the future.

Starborn Gallery, January 2023: Banagher Crisp – Whispering Sky

Also, when visiting Whispering Sky, do be sure to step into the second hall within the gallery, where the latest exhibition of Lisbeth’s own work, How Many Faces Do We Have? can be appreciated.

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A wander through Gothbrooke Forest in Second Life

Gothbrooke Forest, January 2023 – click any image for full size

Sitting within one-eighth of a Full region (which utilises the Full Private region land capacity bonus) is Gothbrooke Forest, a public setting designed by Myka Winchester (Dremonawolfe) as, to quote the setting’s About Land description:

A gorgeous rustic themed forest complete with a serene pond and plenty of places to cuddle with your partner or simply take photos.

– Gothbrooke Forest

This is a gently relaxing setting, comprising a house – Cory Edo’s excellent Noa Ranch Cottage, which I’ve had my eyes on as a possible purchase for personal use (so get ready for a blog post on modding and using it that might be forthcoming) -, woodlands in autumnal colours, and a large body of water around which the trees have gathered.

Gothbrooke Forest, January 2023

The landing point sits close to the house at the eastern extreme of the parcel, alongside sign board offering group membership and / or a teleport up to the Mysteria store. At the time of my visit, I was not sure if the house was open to the public or not – while there were no signs to indicate it was not, I erred a little on the side of caution. However, Myka has since contacted me to let me know that it is indeed open for people to explore.

Running parallel to the front of the house is a gravel path leading to the first of the setting’s cuddle-spots: a small pergola among the trees. Here blessing can be had from the small figure of Buddha and which, under the shroud of Midnight, can be romantically lit by a parade of candles.

Gothbrooke Forest, January 2023

Before reaching it, a junction in the path leads west to the parcel’s waters (or back to the house if you prefer!). The waters are fed by tall waterfalls to the north, and as the path leaves the shade of the trees a wooden boardwalk stretches over them to what at first appears to be an island, but which is in fact a small headland jutting from the western extreme of the parcel. Steps can be found along the boardwalk allowing a descent into the waters, and rubber rings are available for floating around for those who wish to take a dip.

On the far side of the water, a mix of decks, gravel and log-supported paths climb up to a ring of trees and and an outdoor seating area beyond which sits a small café.

Gothbrooke Forest, January 2023

Prior to reaching the clearing, stone steps climb over the rocky headland and descend into a gravel-floored depression and another secluded spot for couples, this one furnished with a pallet table on which wine, cheese and crackers has been provided. It’s a cosy spot, but slightly spoiled by the fact that while the shrubs and logs ranged around the outer side of the depression give it a greater sense of privacy, they also block the view out over the water.

The latter extends two wet fingers into the land either side of the headland, both of them reach almost as far as where the café sits above them. Each is home to a water floater complete with its own sun shade. The café is a cosy place, two floors within a wood-framed building, and carrying with it hints of both Halloween and Christmas. As well as the outdoor seating, it offers comfortable armchairs downstairs and more traditional table-and-chairs seating upstairs.

Gothbrooke Forest, January 2023

The ribbons of land running along the north and south of the parcel to connect the eastern end with the house and the western end and the café offer no footpaths – which is not any loss to the setting. Instead they are rich in trees and rough ground, giving the entire setting a sense of being deep within a forest, as the parcel’s name suggests.

Small, rich in places to sit and pass the time, Gothbrooke Forest offers itself for a range of EEP settings (as well as its own – I actually used one of my custom settings in the images here), and multiple places to sit and relax. All of which makes for a pleasant and engaging visit for Second Life explorers.

Gothbrooke Forest, January 2023

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The many aspects of Jules Farigoule in Second Life

Nitroglobus Roof Gallery, January 2023: JuleJules Farigoule – The Farigoule Collection

Opening on Monday, January 16th, 2023 in the Annex at Nitroglobus Roof Gallery, curated by Dido Haas, is The Farigoule Collection, a series of images and settings by Jules Farigoule which – as always for Nitroglobus – offers a fascinating take on the art and expressionism of the artist involved.

The easiest way to introduce the collection is to use Dido’s own words:

A while ago when meeting with Jules in his loft, which is really a superb tastefully made place, I asked him if he was willing to exhibit his awesome art collection at Nitroglobus.  At first he hesitated and told me he was neither an artist nor was this a ‘collection’, just images which he likes to have around him; a very subjective and personal selection. .. a set of images, gathered from meetings, friendships and by chance, from the serendipity of Jules’s long Second Life.

Dido Haas

Nitroglobus Roof Gallery, January 2023: JuleJules Farigoule – The Farigoule Collection

Now, on the surface, this may not sound so unusual – serendipity often plays a role in art, be in painting, drawing or photography, and in Second Life, photographs tend to focus on our personal moods or on the friends we make, the people we encounter and the sights we come across in our explorations. So what makes this collection so special?

Simply because, while it may not have any intentional theme or narrative thread, it is nevertheless something of a story about Jules – who hails from France – and his self-expression both in the physical world and within Second Life.

Some of the latter is expressed through the two settings occupying the floorspace of the Annex, and which offer a glimpse into Jules’ loft home in-world. Their simplicity of form and minimalism, coupled with the placing of the art on their walls and the sculptures, speak to a mind and eye driven by thoughts of beauty and balance, and something of a reverence for the female body – as well as the simple joy of taking photos.

Nitroglobus Roof Gallery, January 2023: JuleJules Farigoule – The Farigoule Collection

More broadly – and intimately – the exhibition as a whole offers insight into the dual nature of Jules’ time in Second Life, where both a male and a female avatar – Gaia Republic – are used (with Jules now being the primary and Gaia – although older – the “Alt”). The images from Second Life – outside of those Jules has on display within the “loft” sets which originate with other artists (including Dido herself) – come from both the persona of Jules and that of Gaia, and examining the differences in style, tone and subject between the two.

Most of the images by Jules, meanwhile present fair more structured results in which the more technical aspects of each – style, focus, presentation, cropping and production. Thus, there is perhaps a femininity reflective of Gaia that naturally comes to the fore within Mes copines, whilst Jules’ piece might be seen as leaning towards a more “masculine” expressionism.

Nitroglobus Roof Gallery, January 2023: JuleJules Farigoule – The Farigoule Collection

It’s subjective to be sure, and also subjective, given the technical skills required to produce Mes copines are as great as those seen within, say, ExMachina 04. More importantly, the contrasts speak to a person as ease within the skins of both Jules and Gaia, and makes for a delight layer of observation when viewing these pieces.

Mixed with the Second Life images are several which appear to have been brought into SL from the physical world, and these again offer insight into Jules’ outlook as an artist and the richness of his imagination.

Yet another engaging exhibition from Nitroglobus – and full kudos to Dido for persuading Jules to display his work, and to Jules for doing so.

Nitroglobus Roof Gallery, January 2023: JuleJules Farigoule – The Farigoule Collection

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Haiku’s Portraits and venue in Second Life

Akiniwa: Haiku Quan – Just who do you think you are?

Now open at Akiniwa, a region within the Akipelago estate of arts regions founded and operated by Akiko Kinoshi (A Kiko), is an engaging exhibition of art by Haiku (Haiku Quan), one of Aki’s partners in organising and hosting art and music events within Akipelago, and who is herself both a photographer-artist and patron of the arts in Second Life.

In this latter regard, and as well as the work she carries out with Aki and Violet Boa at Akipelago, Haiku founded the Free Museum on 2021, giving away copies of works by some of SL’s most gifted artists (with their approval). In 2022 she sponsored the first annual Lyrics Prize and awarded over L$100,000 in prizes to the residents who wrote the best original lyrics to a dozen popular songs.

Akiniwa: Haiku Quan – Just who do you think you are?

Now at Akipelago, Haiku launches a new phase of her work in supports art in Second Life, a new complex of three gallery buildings of a unique neo-industrial design by Blue Tsuki, all of which are to be curated by Haiku and are ranged on three sides of an open air events area.  One of these units will eventually be home to additional works from the Free Museum, and the other will host rotating exhibitions by other Second Life artists. The fourth side of the venue is occupied by Nessuno Myoo’s As Mammoths In the Middle Of Butterflies, an installation I reviewed in April 2022.

As for the first unit, this is home to Haiku’s exhibition With Just who do you think you are? This is a collection of no fewer than 300 avatar portraits captured by Haiku. Many of the subjects are themselves artists and musicians using Second Life as their medium of expression, with one or two SLebrities mixes among them (see if you can spot Simon Linden for one…).

Akiniwa: Haiku Quan – Just who do you think you are?

However, rather than being offered as individual pieces, Haiku has opted to place up to 16 portraits in a single frame and then use a scripted timer to rotate through them, showing etc i turn for a period long enough for us to appreciate each one. This results in an exhibit in which the pieces are almost constantly in a state of flux  (or change), presenting visitors with the choice of observing the changes a picture frame at a time until all the portraits it contains, or to wander around the gallery floor, each circuit revealing different portraits, giving the sense of walking through a space much larger than the hall.

In terms of the portraits themselves, they are almost all head-and-shoulder shots, the subject looking directly at the camera and with a minimum of post-processing. Thus they present an honest view of each avatar, unburdened by the play of digital tools – and in doing so, perhaps allow us a glimpse one their eyes to the person who lies, so to speak, within them.

Akiniwa: Haiku Quan – Just who do you think you are?

Engaging and rich in content, Just who do you think you are? offers a noel manner in which to present avatar portraits – and I look forward to returning to Akiniwa and witnessing the development of Haiku’s new endeavour as the galleries all become occupied.

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A Lyrical visit in Second Life

Lyric, January 2023 – click any image for the full size

An entry in the Editor’s Picks section of the Destination Guide for Lyric recently piqued my curiosity, although I found it a struggle when it came to blogging about – not because there is anything wrong with the setting; it is simply that I’m cautious about writing-up locations that might public spaces and rentals, as is the case here. However, the setting is photogenic, so I decided to take some photos and offer a brief write-up.

Lyric is inspired by the Caribbean Islands of St Vincent and the Grenadines, where the architecture of different eras meet the uniqueness of the Island’s natural landscape. It is composed of three regions streamed together to offer its residents and visitors an opportunity to sail between them. Come live, love, and play!

Lyric estate About Land

Lyric, January 2023 – click any image for the full size

This is in fact a couple of regions within a small estate. The first is a Full region utilising the land capacity bonus. Split between public spaces and rentals; it is joined on its eastern side by a Homestead region, both of which have been designed by Algernon (Algernon Bamaisin). A further point to note – as indicated at the landing point via local chat – is that Group membership (free to join) is required to use some of the sit points, etc., found throughout the public spaces.

Speaking of the landing point, it sits on the main road circumnavigating the region. Sitting on the west side of the setting, it lies between an advertising board that repeats the greeting found in the About Land description and the local harbour, with the latter offering the the colourful mix of architecture referenced in that description can be found in the form of shops to rent. Above and behind these sits a small town square dominated by a church and, to one side by a nightclub space offering open-air dancing.

Lyric, January 2023

It is here where private and public spaces overlap: the loungers and seating at the club space are restricted to group access, whilst the east side of the square is dominated by two rental homes, the path between them leading to more rentals – these in the form of beach cabins – below, while steps climb the southern highlands to the region, where more rentals are located, public paths winding through them.

Between the raised town square and the waterfront shops sits a narrow alley with a north-south orientation. Accessed where the road runs along the region’s west side, the alley is called, appropriately enough, Gloomy Alley, it is home to some of the seedier aspects which might be found in holiday / vacation spots.

Lyric, January 2023

To the east, a terrace with a large pool offers a view over the water to the Homestead region, on which more beach huts are arranged – although at the time of our visit, they did not appear to be for rent. Two smaller island lie off shore, again with seating set to Group. A rezzer down on the beach can provide boats to group members so that they can reach the eastern islands and land mass.

The latter forms long finger of land with the cabins to the south and a ribbon of sand to the north, home to a large pier. Beyond this lies a further full region which appeared to offer a mix of rental and private homes; however, whilst designed by Algernon, it appeared to be under a separate group ownership, so our explorations didn’t extend into it.

Lyric, January 2023

Open to a range of EEP settings which lend it to photography, Lyric presents an opportunity for gentle exploration and, perhaps for those looking for it, a home with a Caribbean vibe to it.

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