Category: Second Life

2018 SL UG updates #31/1: Simulator User Group

Posted on by Inara Pey

[Smash]; Inara Pey, July 2018, on Flickr[Smash] – blog post

This is a short SUG meeting update, because there was no SUG meeting on Tuesday, July 31st. Presumably Lindens are still recovering from the Linden Summer of Love Palooza Extravaganza Fête Conference Thingy (aka “SL summit”) held last week 🙂 .

Server Deployments

as always, please refer to the server deployment thread for the latest update.

  • There was no Main (SLS) channel roll on Tuesday, July 31st. However, those regions on the channel that were on their 14-day cycle were restarted.
  • On Wednesday, August 1st, at least the BlueSteel RC channels should be updated as follows:
    • BlueSteel should update to server maintenance package 18#18.07.20.518086, containing internal fixes.
    • LeTigre and Magnum  should be updated to a new server maintenance package, 18#18.07.20.518082, comprising Animesh and logging tweaks (note that at the time of writing, this update was not correctly chronologically listed for  LeTigre).

SL Viewer

The Quinquina RC updated on Monday, July 30th to version 5.1.7.517973. At the time of writing, there have been no other updates, leaving the official viewer pipelines as:

  • Current Release version 5.1.6.516459 and dated June 15, promoted June 21 – formerly the Pálinka Maintenance Release Candidate – No Change
  • Release channel cohorts:
    • BugSplat RC viewer, version 5.1.7.518003, released July 20. This viewer is functionally identical to the current release viewer, but uses BugSplat for crash reporting, rather than the Lab’s own Breakpad based crash reporting tools.
  • Project viewers:
  • Linux Spur viewer, version 5.0.9.329906, dated November 17, 2017 and promoted to release status 29 November – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version 3.7.28.300847, May 8, 2015 – provided for users on Windows XP and OS X versions below 10.7. This viewer will remain available for as long as reasonable, but will not be updated with new features or bug fixes.

Content Creation User Group Meetings

The schedule for the Content Creation Meetings has been updated for August 2018:

  • No meetings on Thursday August 2nd (week #31) and Thursday August 16th (week #33).
  • Meetings on Thursday, August 9th (week #32), Thursday, August 23rd (week #34) and Thursday, August 30th (week #35).

 

A Farewell to a Pandora Box of magical Dreams

Posted on by Inara Pey

Pandora Resort; Inara Pey, October 2017, on FlickrNamaste – click any image for full size

I’ve written about the region designs of Lokhe Angel Verlack (Jackson Verlack) since April 2015, when I first discovered one of his first iterations of Pandora Box of Dreams – the name he has largely used to denote the regions he has designed and run with his SL partner, Miza Cupcake Verlack (Mizaki).

Over the years, these designs have grown in complexity and vision, he and Miza have also moved from the Pandora Box of Dreams approach to design role-play regions inspired by the World of Darkness universe (see here and here) before returning once more to the Pandora Box of Dreams “brand” with region designs that have mixed rental accommodation with stunning places for visit and spend time, such as the former Pandora Resort, and more recently Namaste and Kamigami, both of which I visited in 2017 (see here and here).

Pandora Resort; Inara Pey, October 2017, on FlickrNamaste

Sadly, word came from Miza that Namaste and Kamigami will be closing on August 1st, 2018. In fact, Jackson has already started dismantling Kamigami. What’s more, it’s likely to be the last public region design we might be seeing from Jackson for a while.

The reason for the closure isn’t the hoary old devil of tier per-se – whilst offering rentals for people, Jackson and Miza have largely covered the cost of the region out of their own pocket. Rather, its a lack of footfall through the region. Despite frequent events, the opportunity to enjoy two very well-designed and captivating locales, the region has seen a steady decline in traffic which, sadly, has reached a point where Jackson and Miza feel they’d rather focus on more personal projects and things that give them enjoyment.

Pandora Resort; Inara Pey, October 2017, on FlickrNamaste

In this, they are far from alone: the truth is that such is the vastness of Second life and the constant popping-up of new regions and new places to visit, those places that offer a sense of longevity and comforting familiarity, unless located on the mainland, do become harder and harder to maintain when it comes to drawing a steady flow of traffic. Even with things like tier reduction (and depending on how that is passed on through land companies when it comes to rented regions), a point can so easily be reached  where the effort in trying to maintain that flow and meeting the cost of keeping a region has to be put into perspective and a decision sometimes made.

I admit, I feel a little guilt here; as a Second Life travel blogger, I’m all too keen to hop to the “new” places and write about them, or hop back to those that are given a make-over every few months. It becomes all too easy to forget about those that are there, month-on-month and never overly changing, but offering a consistent beauty for all to enjoy. Perhaps this is something all of us who write about Second Life need to keep in mind, and consider looking back at some of the regions we’ve visited in the previous year that might not have changed in the intervening time, and just dropping a “reminder” note about them for readers who may not have had the chance to visit, or might be unaware of their presence.

Kamigami, Pandora Resort Town; Inara Pey, February 2018, on Flickr Kamigami, Pandora Resort

In the meantime, the gradually disappearing Kamigami notwithstanding, there is still a little time before the region closes on August 1st, 2018, to visit Namaste and say farewell, and perhaps drop a note of thanks via IM or notecard to Lokhe and Miza for sharing their vision with us.

For my part, I hope this is not the last we’ve seen of Lokhe’s designs; he has amazing vision in creating special places, and my thanks to him and Miza for allowing us to share in them.

Pandora Resort; Inara Pey, October 2017, on FlickrNamaste

SLurl Details

2018 SL UG updates #30/3: TPV Developer meeting

Posted on by Inara Pey

Strawberry Lake; Inara Pey, July 2018, on FlickrStrawberry Lake – blog post

The majority of the following notes are taken from the TPV Developer meeting held on Friday, July 27th 2018. A video of the meeting is embedded below, my thanks as always to North for recording and providing it. This was a short meeting – 24  minutes on the video, which includes some lengthy silences.

My apologies for the tardiness in posting this – I wrote it up on Saturday, then got distracted by RL before posting and forgot about it!

SL Viewer

No updates during the week, leaving the viewer pipelines as:

  • Current Release version 5.1.6.516459 and dated June 15, promoted June 21 – formerly the Pálinka Maintenance Release Candidate – No Change
  • Release channel cohorts:
    • BugSplat RC viewer, version 5.1.7.518003, released July 20. This viewer is functionally identical to the current release viewer, but uses BugSplat for crash reporting, rather than the Lab’s own Breakpad based crash reporting tools.
    • Quinquina Maintenance RC viewer updated to version 5.1.7.517594, on July 12.
  • Project viewers:
  • Linux Spur viewer, version 5.0.9.329906, dated November 17, 2017 and promoted to release status 29 November – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version 3.7.28.300847, May 8, 2015 – provided for users on Windows XP and OS X versions below 10.7. This viewer will remain available for as long as reasonable, but will not be updated with new features or bug fixes.

The Bugsplat viewer has some issues logged against it, notably BUG-225112 -[Bugsplat-RC] Bugsplat viewer appears to misreport viewer crashes as freezes & other assorted annoyances. This is being looked into.

Upcoming Projects

  • For Animesh Bakes on Mesh and EEP, please refer to my week #30 CCUG report.
    • In addition to the above notes, the Advanced Inventory System (AIS) is currently being updated, and this work is delaying both Bakes on Mesh and EEP, both of which make changes to the inventory system as well.
  • A viewer with the updated estate management tools is in the process of being polished, and should be appearing “pretty soon”.
  • Texture cache project viewer: this has been on hold recently while Graham Linden works on another project, however, he’ll be returning to it in the very near future.

Other Items

  • Noted in my CCUG summary, BUG-225157 “[RC BlueSteel 18.07.17.517953] Adjusting specular horizontal offset also adjusts specular vertical offset on BlueSteel regions only” should be getting both server-side a viewer updates to correct. These updates were with the Lab’s QA team at the time of TPVD meeting.
  • There are reports of a media issue arising from the Firestorm 5.1.7.55786 release (reviewed here), but the root cause appears to be with the Lab’s code – a JIRA is to be raised.
  • Group Notices: the new capability to use HTTP rather than UDP for receiving off-line notices when logging in had a couple of issues relating to group notices and friend requests. The fixes for this are both server-side and in the viewer, and should both see the light of day soon.
    • Note that the HTTP capability is only for received messages held while off-line. IMs, group notices, etc., sent while you are actually logged-in to Second Life are still delivered via UDP.

Ponto Cabana, Lemon Beach, in Second Life

Posted on by Inara Pey

Ponto Cabana; Inara Pey, July 2018, on FlickrPonto Cabana – click any image for full size

Lemon Beach is a place we’ve frequently visited in Second Life. From at least 2015 through until early 2017, it was held by Silvermoon Fairey under the name It’s A New Dawn (see here and here for more). More recently, it has been held by Iska (sablina), who initially gave it the name La Virevolte (The Twirl), occasioning us to visit on two occasions in the winter of 2017 and the spring of 2018.

Iska, working with working with Chimkama, and Toxx Genest (ToXxicShadow). has now give Lemon Beach a further makeover, and a new name, Ponto Cabana, presenting a reason to make a further visit as July drew to a close.

Ponto Cabana; Inara Pey, July 2018, on FlickrPonto Cabana

In its new guise, the region offers a curious mix of settings. On the one hand, there is a feeling that perhaps this is in part an old Spanish colonial plantation somewhere in the tropics. A grand house sits on the highest point on an island, steps descending down through what might have once been cultivated terraces to where the old road runs past the foot of the hill before snaking its way up to the house. In doing so, the road turns sharply past the single remaining wall of an old chapel. This may have once been a part of the estate, but time has not been kind, the lone wall with its forlorn bell sitting above the sea.

Some of the terraces below the house are still being cultivated, although these now appear to be more for personal use than for growing produce destined for market or export. The rest, sitting before the house and cut by both winding road and grassy footpath, are given over to an informal garden. Meanwhile, the house with its white, adobe-like finish cracked and broken in places and clearly roughly patched in others, has a sense of stately age about it, perhaps just a little at odds with the furnishings within and around it, which suggest the current occupants lean towards a more bohemian lifestyle than one focused on the cultivation of local plants and fruits.

Ponto Cabana; Inara Pey, July 2018, on FlickrPonto Cabana

Across the water, on another rocky-sided island, there is a slightly different look and feel. The structures here are mostly more modern in style – if a lot more run-down than the adobe fronted house. A paved road, leading to and from nowhere, arcs past a large house – or about what’s left of it, given its broken form is now subject to nature’s claim. Across the short sweep of road sits an old swimming pool, a pelican perched on the rusting frame of a diving board perhaps wondering just what happened to the water.

Up on a headland, beyond the ruin of an old fort, sit a raised wooden hut with evidence of some occupancy scattered about it, but on the whole the feeling here is of a place now deserted; or at least in the process of being deserted. A car piled high with luggage sitting incongruously on the road outside of the ruined house as if ready to forever depart, a stubborn donkey standing before it, determined to stare it down. The road itself ends just behind the donkey, a set of steps leading down to another pat of the setting that again has a feeling of age about its occupancy in the form of the ruins of a stone chapel.

Ponto Cabana; Inara Pey, July 2018, on FlickrPonto Cabana

Of grander stature than the lone, bell-carrying wall near the old plantation house, this ruin speaks of a once proud centre of worship with something of a medieval bent in its design. The way to it has long since been flooded, but stepping-stones offer a way across the water to the foot of the steps leading up to its stone flagged floors even as a wooden bridge offers access to the lands around it. Flamingos wade through the water, while humming birds flitter busily around the flowers growing from it and – in another incongruous, but oddly acceptable touch – two little hippos stand knee-deep in the water.

All-in-all, Ponto Cabana is a strange and eclectic mix. However, it is an eclectic mix that works, and works delightfully well. With places to sit and relax – notably around the old plantation house, surrounded by off-sim islands heightening the tropical feel for the setting, and even a couple of off-shore perches to enjoy, Ponto Cabana makes for an ideal and photogenic visit.

Ponto Cabana; Inara Pey, July 2018, on FlickrPonto Cabana

SLurl Details

2018 viewer release summaries, week #30

Posted on by Inara Pey
Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, July 29th

This summary is generally published on every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that test viewers, preview / beta viewers / nightly builds are not recorded in these summaries.

Official LL Viewers

  • Current Release version 5.1.6.516459 and dated June 15th, promoted June 21st – formerly the Pálinka Maintenance Release Candidate – No Change
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • No updates.
  • Project viewers:
    • Animesh project viewer updated to version 6.0.0.518080 on July 25th.

LL Viewer Resources

Third-party Viewers

V5-style

V1-style

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

From the sketchbook of Kayly Iali in Second Life

Posted on by Inara Pey
Visions of Beauty Gallery 2: Kayly Iali

Open now on the upper floor of the Visions of Beauty Gallery 2 is an exhibition of physical world art by Kayly Iali, featuring pieces from her sketchbook as well as paintings. Untitled, so far as I could tell, the exhibition includes 11 pen-and-ink architectural sketches, together with a selection of what appear to be pen-and-watercolour paintings, to offer a total of 28 images (including what might be regarded as the “title” image to be appreciated.

I’ve long admired the skill of those who can draw or paint – I lack any such abilities in either sphere – and I also have a love of architecture, so this exhibition really appeals to me. The pen-and-ink drawing, showing specific elements of buildings, coupled with the angle from which they have been captured, are marvellous exercises in art and perspective. They present not just the form of their building subject, but also its very nature; there is a wonderful beauty in the aspects Kayly has chosen to capture, the lines, materials, angles, that each of the buildings see offer here seems to be very much alive.

Visions of Beauty Gallery 2: Kayly Iali

The breath of life is very much in evidence in the paintings facing the sketches from across the gallery space. These comprise a range of subjects, from people through to architecture by way of nature. Most of these – perhaps because of their use of colour – offer not some much standalone images, as might be said of the pen-and-ink sketches, but vignettes; scenes of broader stories caught within their  frames. Just what are Heather and Lucy sketching? What is the raptor trainer telling us about the bird perched on his glove? Where will the story of the woman nursing her child take us?

Capped by a set of four painted architectural pieces that form a natural link between paintings and sketches (which particularly work if visitors follow the tendency to turn to the right at the top of the stairs to the display space), this is a genuinely delightful exhibit. My congratulations, also, to Kayly on her selection to be part of the 2018 (?) Crocker/Kingsley Art Competition – one of 75 artists to be selected out of 1,200 applicants!

Visions of Beauty Gallery 2: Kayly Iali

When visiting Kayly’s work, do take time as well to enjoy the exhibition of digital geometric art by Giselle Seeker on the ground floor of the gallery building, and more of Sisi Biedermann’s wildlife and fantasy art, some of which I wrote about recently, and which lies on the mid-level of the gallery building.

SLurl Details