Tilia Inc., and forthcoming Second Life account changes

via Linden Lab

Update, July 12th: this article has been updated to reflect comments made at the July 12th ton hall meeting at which Tilia Inc., and its role with regards to Second Life. A summary of that event, with audio extracts and video will be available in this blog soon.

Update, July 2nd: Linden Lab have started a new forum thread designed to directly address questions. Answers to questions will be placed in the original post in the thread to save having to scroll through question. The new thread can be found here: Official Tilia Q&A Forum Thread.

Update: some 90 minutes after this article was published, Linden Lab issued a further forum post on the subject. Among other clarifications, this further reiterates that L$ purchases, L$ balances, use of L$ to pay tier or Premium fees will all not be affected by these changes. 

Also, as clarifications are still being given, some of the wording in this blog post may be revised to match LL’s feedback so as to maintain the accuracy of the information given here. However, do please keep an eye on Lab posts to the forum thread, as additional information, separate to the points I’ve highlighted below may also be given.

On Monday, July 1st, Linden Lab issued a blog post announcing important changes to how Second Life accounts are to be handled with regards to the Lab’s subsidiary, Tilia Inc (which the blog post officially introduces for the first time) and credit processing.

Tilia Inc is a wholly owned subsidiary of Linden Lab, which was established in 2014/15, and focused on payments and the compliance work associated with operating virtual economies. Since its formation, the company has been involved in becoming a registered Money Transmitter throughout the United States, and many SL and Sansar users may have had some awareness of its existence as the Tilia Inc., logo appears on both the SL and Sansar web pages related to L$ account purchases and Sansar account management.

The blog post issued by Linden Lab, Important Changes to your Second Life Account – Introducing Tilia, should in particular be read in full and carefully noted by anyone who currently withdraws funds from Second Life through the credit process mechanism. This following is merely a short summary of the key points:

  • On August 1st, 2019, Tilia Inc., will assume responsibility for managing users’ USD denominated accounts, which will be referred to as their Tilia Account.
  • This means that users with US Dollar accounts and / or who cash-out (“credit process”) money from Second Life, will be required to agree to the Tilia Terms of Service and Privacy Policy. Doing so will automatically create a Tilia Account that will be associated with the user’s Second life account and use the same user name and password.
  • Most importantly: users wishing to process a credit – that is, withdraw money from Second Life via their US dollar account – after August 1st, 2019 must be prepared to supply the following information directly to Tilia Inc: name, address, date of birth, and social security number (or government-issued identification for non-US citizen).
    • Note that if you have previously supplied this information to Linden Lab, you may still have to re-supply it to Tilia Inc.
    • This information should only need to be supplied once, and will be retained on file by Tilia Inc., (as is currently the case through Second Life at the moment)
    • Some users may be required to provide additional information to complete a transaction.
    • Again, only those cashing out of their USD balance are required to meet the ID verification requirements.
  • These changes should not impact the average time it takes for credit to be processed (around 3-5 working days) for most SL users, once the required identification documentation has been verified.
  • The fees for inactivity mentioned in the blog post, etc., are still TBD, but again, they only apply in cases where USD have been cashed out, but the account has been dormant (i.e. no cash-out / no logging-in) for 12+ months. They do not affect L$ balances.
  • These changes do not impact or change the purchase and use of Linden Dollars with Second Life or on the Marketplace. So you do not need to provide personal information in order to buy L$.
  • Additional information can be found in the Lab’s official Tilia Inc FAQ.
From August 1st, 2019, US dollar balances associated with Second Life will be handled by Tilia Inc.

The blog post has already led to a growing forum thread on the matter, which voices some genuine confusion on matters, coupled with no small amount of misunderstanding. This prompted the Lab to add further clarification, and additional replies many be forthcoming from LL over the next day or so to try to address additional concerns / answer further questions. Note that I cannot address specific concerns or answer questions posted to this blog, as I do not represent Linden Lab.

As an aide, I first wrote about Tilia Inc., almost five years ago. At that time, I lot of what I had to say was highly speculative. However, there is now more to say and consider – but to avoid conflating my commentary about Tilia Inc., with news of this announcement, I’ll leave that to a separate blog post.

Related Links

2019 viewer release summaries week #26

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, June 30th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Current Release version 6.2.3.527758, formerly the Rainbow RC viewer dated June 5, promoted June 18 – NEW.
  • Release channel cohorts:
    • Umeshu RC viewer updated to version 6.2.4.528492 on Thursday, June 27th.
    • Love Me Render RC updated to version 6.2.4.528505 on Wednesday, June 26th.
    • Bakes on Mesh RC updated to version 6.3.0.528495 on Tuesday, June 25th.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V5/V6-style

V1-style

  • Cool VL viewer Stable branch updated 1.26.22.52 to version and the Experimental branch updated to version 1.26.23.5, both on June 29th (release notes).

Mobile / Other Clients

Additional TPV Resources

Related Links

Kultivate AIR Gallery – July 2019

Kultivate AIR Gallery: Angyel Resident

It was back to Kultivate’s in-world base of operations for me once more at the start of July 2019, following the opening of the newly-named Kultivate AIR Gallery (formerly part of the Windlight Gallery).

Standing for Artist In Residence, the gallery brings together Angyel Resident, Anouk Lefavre, CalystiaMoonshadow, DreamMakerXDreamBreaker Resident, GlitterPrincess Destiny, Jamee Sandalwood, JolieElle Parfort, Kody Meyers, Maaddi Benazzi, Marcel Mosswood, Myra Wildmist, Pam Astonia, Sevant Anatra and Wintergeist in a broad-ranging art display occupying one wing of the galley’s lower floor.

Mixing Second Life landscapes with physical world art, monochrome with colour, paintings with drawings, abstracted pieces with experimentalist – and with just a hint of avatar-focused studies in the form of Pam Astonia’s eye-catching Profile portraits, this is a richly engaging exhibition that demonstrates the full roundness of Second Life as a medium for displaying art.

Kultivate AIR Gallery: Anouk Lefavre

As is always the case with ensemble exhibitions, limiting comments to just some of the artists can seem a little unfair; such is the depth and quality of art on show here, this is perhaps doubly so. However, I must admit that I did find myself particularly drawn to certain pieces.

The five photographs of SL landscapes by Anouk Lefavre, for example, framing marvellous horizon images with an opulent use of light and shadow contrasts or natural blending of haze to produce vistas that pull at the motions. Then there is Venice – Italy and England – Time of Henri VIII and Anne Boleyn (seen in the banner image for this article) by Angyel Resident. The latter of these, I believe, captures part of Tahiti Rae’s 2015 LEA installation, Love, Henry (read here for more), but both offer such a marvellous contrast of style and colour, they cannot fail to draw the eye and mind into them.

Kultivate AIR Gallery: Myra Wildmist

Myra Wildmist, meanwhile offers an experimental piece entitled Material Girl. You’ll need to have your viewer’s Advanced Lighting Model (ALM) enabled via Preferences > Graphics to see this piece correctly, as the nine tiles use various normal (bump) and specular (shine) maps to produce different finishes to the piece.

As a part-time builder / kitbasher, I’ve long enjoyed using materials in various builds, and normal maps in particular – if used correctly – can add depth to SL photos where post-processing has been used to make it appear as if they have been painted, sometime which is demonstrated (if on a slightly exaggerated scale, given it is designed to bring the materials to the fore) within Myra’s piece.

Kultivate AIR Gallery: Sevant Anatra

Then there are Sevant Anatra’s paintings of Native Americans. From portraits to capturing a part of the Anishinaabe creation story, these are marvellous, evocative studies with (again) a sense of depth and life that holds one’s attention and allows the imagination to unfold stories.

And that’s just my pick of four artists from what is a superb selection of art, so do take the time to hop over to the Kultivate AIR Gallery and take a look for yourselves.

SLurl Details

Second Life iOS companion app – mini update

Logos © and ™ Linden Lab and Apple Inc

As I’ve previously reported (see: Linden Lab confirm Second Life iOS client in the making), Linden Lab is developing a companion app for Second Life that will run on Apple’s iOS.

Recently, during a Meet the Lindens session held at SL16B and at a Third Party Viewer Developer meeting, Oz Linden, the Senior Director, Second Life Engineering, provided further information on the status of the app, and what the initial release of the application will include.

While there is a degree of overlaps between what was said at the two events, there were also some differences in the information provided, with the TPV Developer meeting in particular being used to give further information on the app.

This being the case, I thought I’d offer a mini-update on the status of the app’s development, combining the comments made from both meetings into a single bullet-point list, with the relevant audio extracts from both meetings also provided for reference.

Note that throughout, Oz is only talking about the initial releases of the app, and so these notes and the audio comments should not be taken to mean the app will be “feature complete” when it appears, but that it will be enhanced over time, hopefully developing features that will make it more client-like (e.g. Radegast, MetaChat, lumiya, etc.) in general capabilities.

Summary of the comments made:

  • The app should initially be regarded as more of a communicator / companion app than a fully-rounded client:
    • It will provide a log-in option, and chat options (IM, group chat). Local chat will not initially be supported.
    • It will not present you with an in-world location, nor will your avatar rez in-world.
    • Seen as being useful for merchants / business owners to maintain contact with customers when away from their viewer.
    • Over time it will be enhanced – but additional capabilities are still TBD.
  • In theory, the app should work with both iPhones and iPads, although there may be some configuration differences.
  • The Lab have started the work of getting the initial test versions through Apple’s acceptance process.
    • It is not clear how long this will take, as it is the first time the Lab have followed this route themselves. However, it is hoped the first test version should be available in the “not too terribly distant” future.
    • When the app does appear, those wishing to test it will need to have TestFlight installed on their iPhone (or iPad), as the app will be made available though Apple’s beta testing environment for apps.
  • The major reason for selecting iOS for building an app of this kind is that at the time the decision was made, Android was well represented by Lumiya.
  • Some of the back-end infrastructure the Lab is building is support of the app might be applicable for use with a web application at some point. However, doing so is not in the current plans.

Oz’s comments from Meet the Lindens, June 25th, 2019:

Comments from the TPV Developer Meeting, June 28th, 2019 (these also include a comment on the app and iPads from Vir Linden):

  Again: note there is some overlap between these two sets of comments.

North Brother Island, “the last unknown place”, in Second Life

North Brother Island; Inara Pey, June 2019, on FlickrNorth Brother Island, June 2019 – click and image for full size

Update: in keeping with Serene and Jade’s approach to offering their region builds for approximately a month before moving to a new location and project, North Brother Island has closed, and SLurls therefore removed from this article.

For their July 2019 region design, Serene Footman and Jade Koltai bring us their vision for what photographer Christopher Payne called The Last Unknown Place in New York City – North Brother Island; and like all of their builds, it is a true wonder to behold and explore.

North Brother Island is one of two small islands located on New York’s East River, its slightly smaller companion now being known as South Brother Island. Both were claimed in 1614 by the Dutch West India Company and originally called De Gesellen (“the companions”), which eventually became transposed to “the Brothers”. Both island have a fascinating history, with that of North Brother perhaps being the more complex – and the more tragic.

North Brother Island; Inara Pey, June 2019, on FlickrNorth Brother Island, June 2019

In 1904, it was the final resting place of the General Slocum, a massive side-wheel paddle steamer built in the 1890s, she caught fire whilst carrying 1,342 passengers and through a combination of neglect by the owners, foolhardiness by the Captain (he failed to use opportunities to either make a safe landing or run the ship aground before the fire overwhelmed the vessel), 1,021 of those souls perished either aboard the ship or as a result of drowning in the East River – many of their bodies washing up on North Brother Island in addition to as the vessel running aground there.

In addition, Serene goes on to note the island was the home to:

Riverside Hospital, which moved here from Roosevelt Island in 1885 … Following World War II North Brother Island was inhabited by war veterans during the nationwide housing shortage, before being abandoned again in the early 1950s. It was then was used as the site of a treatment centre for adolescent drug addicts, but the centre closed amidst controversy – it was said that heroin addicts were held against their will and locked in rooms until ‘clean’ – in the 1960s.

– Serene Footman, writing about North Brother Island

North Brother Island; Inara Pey, June 2019, on FlickrNorth Brother Island, June 2019

Riverside Hospital, originally founded in the 1850s, was designed to isolate and treat victims of smallpox, with its mission expanding to cover other diseases requiring quarantine. In this role – as Serene also notes – it took in those stricken with typhoid, including “Typhoid Mary”, Mary Mallon. An Irish-American cook, she was the first person in the United States identified as an asymptomatic carrier of the pathogen associated with typhoid fever. It is believed she infected between 47 and 51 people during her career as a cook, and was twice forcibly isolated by public health authorities, the second time finally passing away in Riverside Hospital in 1938, after a total of nearly three decades in isolation.

In 1943, a large tuberculosis pavilion was constructed on the island but was never used for that purpose, already being obsolete by the time it opened. Instead, it was used as a dormitory by a number of New York City’s colleges, students transported to and from the island via the East 134th Street Ferry Terminal.

North Brother Island; Inara Pey, June 2019, on FlickrNorth Brother Island, June 2019

In the late 1950s  / early 1960s, the same ferries were used to transport adolescents to the island to be “treated” for drug abuse. The idea had been to provide care for up to 100 males and 50 females away from jails where drugs could still be obtained, with stays at the pavilion being for up to six months. But the hospital gained a reputation for keeping adolescent addicts against their will – it merely required their parents to place them there, with or without the agreement of the courts. Once there, the young people were frequently locked away and left to go cold turkey as a means to break their addiction.

The hospital finally closed in the 1960s, and North Brother Island abandoned, its many building and facilities – including the ferry wharves and giant gantry crane, many of the hospital buildings and facilities, left to rot. However, many of them have now been captured in this interpretation of the island by Serene and Jade.

For our reconstruction of North Brother Island, we have relied on maps which contain details of where specific buildings – the hospital itself, staff quarters, the physician’s house, the morgue, tennis courts, and so on – were located. (For reference, we have labelled and dated the island’s buildings in-world.)

– Serene Footman, writing about North Brother Island

North Brother Island; Inara Pey, June 2019, on FlickrNorth Brother Island, June 2019

In addition they have called upon the resources of Christopher Payne’s catalogue of photos of the island: North Brother Island The Last Unknown Place in New York City. The result of five years of being allowed to visit the island  – today both North and South Brother islands are designated wildlife sanctuaries, and so protected (North Island is additionally regarded as being too dangerous for the public given the state of its buildings) – Payne carefully constructed a visual history of the island. This, together with their own extensive research, have allowed Jade and Serene have produced a region that powerfully captures North Island as it stands today, its past history, and the pathos and pain of that history.

The latter is particularly well captured in the small details to be found throughout the region. Take, for example, the bed frame converted to a seat and that sits on a little dock. A suitcase  sits behind it, while a short distance away, a little motor boat sits on the water; the entire scene brings to mind the longing of the young people held on the island to return home.

North Brother Island; Inara Pey, June 2019, on FlickrNorth Brother Island, June 2019

To say North Brother Island is visually stunning is to do it a disservice. As with all of Serene and Jade’s builds, it must be seen to be appreciated and understood – and there are plenty of places within it that allow visitors to contemplate on the history of the island – or whatever else might be on their minds.

Related Link

Jeeves with ice and a little poetry

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Sunday, June 30th 13:00: Tea Time with Jeeves

A new series just for summer, featuring Reginald Jeeves, a well-educated, intelligent valets of indeterminate age who is employed by the amiable young man-about-town, Bertie Wooster, whom Jeeves routinely has to benignly rescue from the consequences of his idiocy.

Created by author, humorist, and lyricist (working with Guy Bolton and Jerome Kern) Pelham Grenville Wodehouse (October 1881 – February 1975), Jeeves and Wooster are perhaps his most iconic characters, although they didn’t arrive until he was into his “second” period as a writer, which commenced in 1915 (the first having ended in 1908). They appeared as Wodehouse turned his hand to a more farcical style of writing through what would become his other popular series of stories that documented the goings-on at the fiction English stately home of Blandings Castle.

Jeeves and Wooster had their first outing in the short story Extricating Young Gussie, published by the Saturday Evening Post in September 1915. However, it was arguably not until Leave It to Jeeves, published in 1916, that the pair were recognisably “themselves”.

Both the Blanding Castle and the Jeeves series came at a time when Wodehouse also enjoy Broadway success through his partnership with Bolton and Kern (1915-1919). However with the popularity of his stories increasing in both the US and back in the UK, Wodehouse started to focus more on his stories and novels. This allowed the Jeeves series to eventually grow to 35 short stories and 11 novels, the majority of which are first-person narrated from the perspective of Bertie Wooster.

As the popularity of the series grew, so too did it start to be translated to film, radio and, later, to television. In the latter regard, the comedy team of Hugh Laurie (Wooster) and Stephen Fry (Jeeves) in Jeeves and Wooster, is perhaps the quintessential representation of the pair. Airing from 1990 through 1993 in the UK, the series set all the stories in a period spanning the 1920-1930s, with each 50-minute episode taking its title from a Jeeves story, but often combining two or more of the tales into its plot. It is not unfair to say the series introduced Wodehouse, Jeeves and Wooster to a new generation of fans.

For their outing in Jeeves’ world, Seanchai Library delve into My Man Jeeves. Published in 1919, it draws together four early outings for the series, all originally published in the Saturday Evening Post:

  • Leave It to Jeeves, first published in February 1916.
  • The Aunt and the Sluggard, first published in April 1916.
  • Jeeves and the Unbidden Guest, first published in December 1916.
  • Jeeves and the Hard-boiled Egg, first published in March 1917.

Join Da5id Abbot, Kayden Oconnell, and Caledonia Skytower as the read this delightful series at Ceiliuradh Glen.

Monday, July 1st 19:00: The Ice is Coming

Gyro Muggins reads Patricia Wrightson’s 1977 novel.

Frost is seen in summer and ice patches form in spite of the hot Australian sun. To the Happy Folk, living on the continent’s green edges live the Happy Folk. For the Inlanders (Wrightson’s fantasy view of the Australian Aboriginals), however, the frost was once seen as a warning that an ancient foe, the ice-bearded Ninya, were on the rise – and so it might be that they are again.

The first to recognise the rise of the old threat is young Wirrun of the People. He leaves his job and sets out to meet the Ninya, taking with him as a sidekick, the petulant Mimi, and for protection, the Power bestowed by the first of the creatures in their path.

To assist in his quest, Wirrun sends for the men from Mount Conner to sing the Ninya down and keep them in their caves. But he must also beat the Ninya to the Eldest Nargun, source of fire, and use it to hold the Ninya until the men from Mount Conner arrive. And so his adventure begins.

Tuesday, July 2nd 19:00: The Penderwicks in Spring

Springtime is finally arriving on Gardam Street, and there are surprises in store for each member of the family. Some surprises are just wonderful, like neighbour Nick Geiger coming home from war. And some are ridiculous, like Batty’s new dog-walking business. Batty is saving up her dog-walking money for an extra-special surprise for her family, which she plans to present on her upcoming birthday. But when some unwelcome surprises make themselves known, the best-laid plans fall apart.

Filled with all the heart, hilarity, and charm that has come to define this beloved clan, The Penderwicks in Spring is about fun and family and friends (and dogs), and what happens when you bring what’s hidden into the bright light of the spring sun.

With Caledonia Skytower.

Wednesday, July 3rd 19:00: Poems For America

With Caledonia Skytower.

Thursday, July 4th 19:00: Closed

The Library is dark as people mark July 4th.