Cars, boys and animals, and words on the Moon

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Sunday, June 9th, 18:30 Chitty Chitty Bang Bang

Caledonia continues Ian Flemming’s classic children’s tale Chitty-Chitty-Bang-Bang: the Magical Car from the Golden Horseshoe.

Monday, June 10th 19:00: Incident at Hawk’s Hill

Gyro Muggins reads naturalist and historian Allan W. Eckert’s popular novel.

In 1870, Manitoba became the fifth province of the (then) three-year-old Canadian Confederation. Over the previous 18 months, it had seen strife and rebellion, but for William MacDonald, his wife, Esther, and their family, the lands around what would eventually become the city of Winnipeg, are ideal for farming, and so they have settled and built Hawk’s Hill.

The open spaces are perfect for the MacDonald’s four children – or should have been; while the three elder children thrived, the youngest, six-year-old Ben, became increasingly introverted.

Small for his age, Ben was reserved and prefers being with animals, learning to imitate the sounds of many, and well as copying their movements and actions. In return, the local animals seem to respond well to him – although members of his family and the other locals consider him odd.

But then came the day when Ben, in seeking new animals to mimic, wandered further than was usual, venturing into unfamiliar territory – only to become hopelessly lost. When a storm breaks, he has no option but to hide in a badger hole – an occupied badger hole. And thus begins a relationship spanning several months between young boy and a female badger, to the benefit and comfort of both.

Tuesday, June 11th 19:00: Crenshaw

In her first novel after winning the Newbery Medal, Katherine Applegate delivers an unforgettable and magical story about family, friendship, and resilience.

Jackson’s parents are in serious financial trouble; their stressful circumstances are taking a toll on Jackson. Mum and dad remain cheerful and upbeat, putting on a happy face for their kids, but Jackson is not fooled. He knows times are bad and, whether he likes it or not, Crenshaw the giant cat is here to help him through the worst of it.

Crenshaw is not only very large, he’s both outspoken and imaginary. He has come back into Jackson’s life to help him. But is an imaginary feline enough to save Jackson and his family from losing everything?

Author Katherine Applegate proves in unexpected ways that friends matter, whether real or imaginary.

With Caledonia Skytower.

Wednesday, June 12th 19:00: TBA

Check the Seanchai Library website for update.

Thursday, June 13th 19:00: Howling at the Moon

Stories and Poetry of a Lunar Nature with Caledonia at A Midsummer Night’s Dream at LEA 2.

Touring Jilin in Second Life

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019 – click any image for full size

Jilin is the name of one of the provinces of north-east China that borders North Korea, whilst also sharing a border with Russia. It is a region rich in minerals (a total of 136) including gas, coal, iron, nickel, molybdenum, graphite, gypsum, gold and silver, and has China’s largest reserves of shale oil. As well as this, it is the garden of traditional Chinese medicine resources, with approximately 27,000 kinds of wild plants and 9,000 kinds of medicinal herbs.

A rugged place, with four major mountain ranges, Jilin is a richly diverse place. It also lends its name to a new, visually stunning residential Full region within Second Life operating under the title Jilin Estates. It’s a place that offers a considered balance between private rental properties and public spaces that are open to visitors to explore – a group joining fee of L$250 additionally gives visitors rezzing rights, if they desire.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

The work of Li Zhu (JamaicasianBaby) and Jin Zhu (KidDreamz), the region offers, in the words of the website, “pre-landscaped private residential and community residential spaces, where tenants can enjoy scenic views from all angles of their respective homes.”

The majority of the residential spaces are places around the outside of the region, each to its own island space offering views out over the ocean. In addition there are three “community cabins” offering smaller rental space, but which are more integrated with the public / community areas of the region. What is interesting about the rentals is the eclectic mix of houses that are supplied; there is no central theme, instead the houses ranging from a Tuscan villa through to converted industrial units going by way of wooden homes in what might be considered “traditional” looks and far more modern units of wood or cement construction.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

All of this makes for an interesting layout and visually appealing appearance those seeking a new Second Life home within a private estate might find appealing. The various style of home also make for an interesting and varied backdrop for photography. However, it is the public spaces that potentially offer greater interest to those who enjoy exploring second Life.

These occupy the large central land mass of the region, together with a couple of the outlying islands. With two large tables of rock rising from low-lying cinder-tracked roads and a rocky coastline, the primary landmass is rich in detail and finely laid out with much to discover and photograph. The landing point sits in the shadow of one of the rocky plateaus, a little garden / picnic space looking east to where the some of the private homes straddle their various islands.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

A track winds through the area, bordering the landing point as it does so. This connects to the trails leading up to the cliff-top tables, and to the other points of interest: the garage and “secret garden”, the old docks, a bridge spanning the water to one of the “community cabins” and the walled garden of a second “community cabin”.

A third rental place sits at the top of one of the rock plateaus, while the second plateau is home to one of the region’s public events spaces: a space for music and dancing. Reached via a winding rocky path, this rises above the community “games cabin” and open-air theatre space to the north. These are linked one to another via wooden platforms, one of which offers a public seating area, and via a rope bridge that spans a narrow channel of water to the region’s beach lounge and dining space.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

The latter is an impressive structure that sits astride a rocky waterway than tumbles to the sea channel, and which has an infinity pool fronting its ocean view. These public spots are the focus of special events within the region – DJ party nights up on the high plateau, movie nights at the cosy theatre and karaoke at the games cabin. In addition, the public spaces are available for hire with private events – contact the owners through the website for details.

Whether or not you’re looking for somewhere different to live in Second Life, or are looking for somewhere new to explore and photograph as part of your SL travels, Jilin Estates is an eye-catching, photogenic and enjoyable place in which to send time and explore (and there is more to discover than I’ve directly mentioned here: take the Games Mountain and the secret fishing spot for example). One that is as richly diverse as its Chinese namesake.

Jilin Estates; Inara Pey, June 2019, on FlickrJilin Estates, June 2019

Our thanks to Miro Collas for the tip-off and SLurl.

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Athazagoraphobia, Evolution and a touch of colour at Vibes Gallery

Vibes Gallery: Store’s Helendale – Athazagoraphobia

I confess that Vibes Gallery, curated (I believe) by Eviana Robbiani, is a place that I’d not come across until I received an invite from Storie’s Helendale (GlitterPrincess Destiny) to attend her latest exhibition there – one of three that can be experienced within the somewhat grunge-like gallery setting that offers an appeal of its own.

Storie’s often tends to take the more unusual / thought provoking as the theme for her exhibitions, and this – although brief in some respects – is no different. Entitled Athazagoraphobia, it takes its title from what is perhaps one of the least talked about human phobias: fear of being forgotten or of forgetting others.  It is often associated with the families / loved ones of Alzheimer’s/dementia patients, who fear their loved ones will forget them eventually, but can be encountered elsewhere, and in the form of a fear of being forgotten by those we love after we have passed.

Vibes Gallery: Store’s Helendale – Athazagoraphobia

In this, athazagoraphobia has a role to play in our digital lives. What happens if we leave SL, will those we have known be remembered? How long will our work / activities here help hold us in the minds of others? Even if our work remains, will it help people to recall us, as the people responsible for that work? What happens if someone we know decides to leave Second Life? will they continue to think of us, to recall our friendship, our company? Will we live on in their thoughts?

Through words and images, this appears to be the element of athazagoraphobia Storie’s explores in this small, but evocative exhibition. In it, she uses images to offer the suggestion of fading memories and words to question how we might be recalled, to bring in the focus the desire to be remembered, to be more than a fading memory or the name assigned to an image or object. It’s a dark subject – emphasised by Storie’s request that a dark windlight setting is used when visiting – but it is also one hauntingly brought to life through her images.

Vibes Gallery: Lexia Kohime – Evolution

I retained the same windlight setting – Phototools No Light, although Midnight will also work – to view Evolution, an exhibition by Lexia Kohime. In difference to many avatar study exhibitions, the focus of this exhibition is the male portrait: close-in head studies present in a range of finishes: colour, monochrome and sepia finishes, these are fascinating pieces, each rich with its own life, a capturing and framing of the nature of the subjects.

The exceptions to the pieces sit to one end of the gallery space, where a smaller selection of female avatar head studies can be found. I confess that, as engaging as the male studies are, I found several of these to be more coptivating. Not because they are of female avatars (I have no bias either way when it comes to avatar studies), but because I found four of them to be rich in the kind of narrative I love to discover within images.

Vibes Gallery: Lexia Kohime – Evolution

The final exhibition – which commenced in mid-May 2019, and so might not have much longer to run – is an ensemble selection featuring Aurora Donner, Zoota Manota, Petra Messioptra, Meilo Minotaur, Marina Munter, Armand Parks, Erika Xaron, Patrick of Ireland and Rodnoc.

Again entirely focused on avatars, perhaps the best way to describe the theme of this selection is “colour”; each piece contains a colour palette and / or tone that immediately draws the visitor into it.

Vibes Gallery: ensemble exhibition

With three engaging exhibitions offering a richness of art and avatar studies for May / June, I look forward to returning to Vibes Gallery to witness future exhibitions.

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RFL 2019: are you ready for the Weekend?

RFL of SL 2019: Relay Weekend

The Relay For Life of Second Life Relay Weekend for 2019 is upon us, and will feature everything one would expect from the event – walks, celebrations, remembrances, the luminaria ceremony, interviews, music, dance, and more, all in aid of the American Cancer Society in its efforts to eradicate cancer.

I’ve been fortunate enough to have a couple of sneak peeks around the regions that make up this year’s walk, together with the activities regions, and to say they are extraordinary would be an understatement. Spanning 36 regions, including the core American Cancer Society region, the Second Life RFL Relay Weekend promises to be spectacular.

RFL of SL 2019: recall RFL mega events, such as the SciFi Con

Activities will kick off at 10:00 SLT on Saturday, June 8th, and will feature 24 hours of themed laps, activities and entertainment. The weekend will wrap up 24 hours later, on Sunday, June 9th at 10:00 SLT. Featured events between those two times include:

Saturday, July 16th 2016

  • 10:00 SLT Opening Ceremony:  the weekend formally begins at the Ceremony Stage.
  • 11:00 SLT Celebrate: The first lap of Relay weekend begins with the celebrate ceremony.  A Survivor/Caregiver honour walk
  • 21:00 SLT Remember – The Luminaria Ceremony:  a solemn reflection with readings and inspirational music as the regions are darkened in remembrance of those and their loved ones who have lost their battles to cancer or are still battling it; all are invited to participate.  Please walk the track in silence

Sunday, July 17th 2016:

  • 06:00 SLT Fight Back: Collect your Fight Back Kits and Fight Back Flags available at the Relay Information Stations along the track, and pledge to save a life: your own, a friends, a family member, or someone you don’t even know yet
  • 10:00 SLT Closing Ceremony: a closing tribute to al that RFL of SL has accomplished at the Ceremony Stage.
RFL of SL 2019: witness art – with pieces like this, by Cica Ghost and Bryn Oh

Track Themed Laps

From 11:00 SLT on Saturday, June 8th through until 09:00 SLT on Sunday June 9th, relayers will be able to join in laps around the relay track that winds through all of the event regions will commence, each with its own focus / theme. The times mean that no matter where you are, if you believe in supporting efforts to reduce  / eliminate cancer in all its forms, there is likely a slot when you can spend time walking the track. You don’t have to go a whole hour – just hit the start line, walk – and make a donation!

All times below are SLT.

Saturday, June 8th
Sunday, June 9th
11:00: Survivor/Caregiver Lap sponsored by the Relay Rockers 00:00: Midnight Masquerade!
12:30: Teams Lap sponsored by Together We Are Mighty 01:00 Wear the Rainbow
14:00: Purple Hour 02:00: Demos!
15:00: Halloween Hour sponsored by River Park Club 03:00: Girl / Boy Next Door (library outfits)
16:00: All Aboard! Uniforms (conductors, pilots, flight attendants, ship captains, etc.) 04:00: Beachwear
17:00: All Aboard! 15th Anniversary Lap (wear any Relay shirt from year’s past) sponsored by the Relay Rockers 05:00: Crazy Hats
18:00: Animals, Prehistoric, Dinosaurs sponsored by Harmony of Hope – In loving memory of Kate 06:00: Fight Back Lap
19:00 Walk your pet / Shoulder pets 07:00: Pajama Party!
20:00: Formal Wear 08:00: Mother Earth sponsored by Harmony of Hope
21:00: Luminaria Ceremony 09:00: Black and White
22:00: Fantasy / Magical 10:00: Closing Ceremony & Victory Lap
23:00: Game of Thrones

Entertainment

Music will be provided throughout the weekend by the following DJs (all times SLT):

Saturday, June 8th:  09:00 Trader Whiplash; 11:00 Nuala Maracas; 12:30 Gem Sunkiller; 14:00 Fizban Underwood; 15:00 Anni Braveheart; 16:30 Tazzie Tuque; 18:00 BenVee; 19:30 Tril MacLeod; 22:00 Fuzzball Ortega

Sunday, June 9th: 00:00 Lia Vipera BrightFlame; 01:00 Madonna; 02:30 Elrik Merlin; 04:00 Luke Flywalker; 06:00 FIGHT BACK LAP with Nuala Maracas; 07:00 Madelyn Majestic; 08:30- 10:00 Trader Whiplash; 11:00 Nuala Maraca.

You can catch all the music both at the event or anywhere on the grid or on-line, by tuning into T1 Radio – including coverage of the ceremonies.

RFL of SL 2019: Relay Weekend

Where To Start

If you’re new to RFL of SL weekends, probably the best place to start is the ACS Welcome Area, or you can opt to drop in directly at main stage at RFL Unity. And don’t forget to visit the RFL Museum, and recall RFL events of the past!

So, are you ready to Relay?

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Return to Cherishville in Second Life

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019 – click any image for full size

When reader Miro Collas asked if we’d ever visited Cherishville, I was a little surprised to look back through my SL travelogue and see that the last time I wrote about Lam Erin’s region design had been back in November 2017, when things had been deep in the grip of winter. Snow lay deep on the ground and roof-tops while trees lay frosted in white, and visitors needed to he wrapped up against the cold.

A lot has changed since then. Our return to Cherishville in June 2019 not only took us to a new region design, but a new simulator location as well, that of Villa Baldeney. Sitting beneath a somewhat glowering sky when seen in the default windlight, the setting is as far removed from the winter of my last Cherishville write-up as it is possible to get, the design we visited positively tropical in its presentation.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

There is no defined  / enforced landing point, so I’m arbitrarily using one to deliver those following it to a stretch of old road lying on the region’s east side. This offers a route from nowhere to nowhere, bordered on one side by a row of commercial properties almost shanty in their shabby looks, and on the other by a bay that cuts deeply into the region via a narrow neck of water. The road ends at this neck, dipping gracefully down to the blue waters to offer a convenient ramp boats might be drawn up to keep them out of the tide that must pass back and forth.

The commercial properties along the road vary between bars and places to buy spirits – that latter a popular draw for vacationers, it would seem – and the odd place to eat. All of them have the look and feel of having once seen better days, albeit perhaps a long time ago; now they look out over the old road, itself little more than a pedestrian thoroughfare, despite the motor vehicles at its southern end, and out over the bay.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

This southern end of the road offers access to  a broad swath of sand that curves gently west and north to hold the bay within its arm, facing the wash of tide from the south whilst home to undisciplined ranks of palm trees that offer moments of shade cast across the fine sands. A path is staked out along part of this beach, running at right-angles to the old road, but such a formal marking of route is hardly necessary; perhaps some local resident here was trying to offer a little sense of order.

Dropped onto the beach, and facing the open seas to the south are a couple of building which are again perhaps a little way past their prime. One presents a swimming pool beneath its raised wooden roof, the other appears to be a holiday home complete with a pool of its own. Balancing these on the inward curve of the bay is a fishing shack which, together with the small trawler sitting in the shallow waters, suggests some see this island as a place of work and not a vacation destination.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

Walking the route from street along the sands tends to offer the suggestion that this is a place that, while clearly within the tropics, is perhaps located somewhere in the Caribbean. The western elements just seem to push it in that direction. But then, follow the sand as it turns northwards and passing a strange little A-frame structure sitting out on a small sandy headland along the way, and perceptions are challenged.

To the north, the sand abruptly ends, and rocky slopes rise upwards, cliffs forming around three sides. This is topped by a single-roomed building with an infinity pool alongside looking to the west. With an aged statue of Buddha out on the grass, this aspect of the island presents a strongly Asian feel to it, with thoughts turning away from the Caribbean and perhaps more towards Thailand.

Cherishville; Inara Pey, June 2019, on FlickrCherishville, June 2019

There are some rough elements within the build – the odd floating palm tree or boat floating over the water than on it and the lighthouse for the region is oddly canted – but overall, there is plenty here that the visitor can enjoy and photograph within the setting, making time spent their worthwhile. For those so-minded, there are also some poses to be found for photography – a couple leaning against the sea wall above the bay, a walking hand-in-hand pose for those leasing the local bar, while bicycles can be obtained from a couple of rezzer racks for those who fancy taking a ride around the island. As always, photographs are welcome at the Cherishville Flickr group.

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Livio’s retrospective at Nitroglobus in Second Life

Nitroglobus Roof Gallery: Livio Korobase

Livio Korobase is rightly known and admired for his 3D art installations in Second Life. Sometimes irreverent or with a rich vein of humour and sense of fun, other times thought provoking and challenging – but always fascinating and engaging, Livio’s work never fails to capture the eye and mind.

Given he frequently works on the scale of an entire region, any attempt at offering a look back on his work is going to be something of a challenge; just how do you bring together some much in the way of large-scale work in a space that could often be confined by the limitations of a gallery.

Nitroglobus Roof Gallery: Livio Korobase

Yet that is what he has done – and quite appealingly so – thanks to an invitation from Dido Haas, owner and curator of Nitroglobus Roof Gallery. With Post Factum (“after the fact” – or to put it another way, retrospectively) Livio presents a marvellous review of his work that  – in Dido’s own words (borrowed from Monty Python which, given Livio’s aforementioned sense of fun, is not entirely inappropriate) – present and exhibition that is quite “completely different” for Nitroglobus Roof Gallery.

Nitroglobus has always made a clever use of space: the gallery’s halls are high walled, allowing extremely large format images to be exhibited. More than this, however, its walls extend below the transparent floor  level, allowing mirrored copies of images exhibited to be placed “below” them, giving the impression the pictures are being reflected in the polished floors themselves.

Nitroglobus Roof Gallery: Livio Korobase

For Post Factum, Livio both continues this approach, placing 2D images of his art both above and below the floors to give the illusions of reflections. But at the same time, he presents different 3D pieces on the main and sub-floors of the gallery.

Not only does this allow for the display of more of Livio’s work than might otherwise be the case without making things crowded, thus making excellent use of the available space. More than this however, the use of the available space cleverly reflects Livio’s ability to challenge our perceptions: paintings and photos “reflected” in the floors – yet those same floors reveal completely different 3D figures below them than those sitting above them.

Nitroglobus Roof Gallery: Livio Korobase

To move between the two levels, visitors are invited to use the teleporter “hole”. Doing so is recommended, given that many of Livio pieces can be interactive so you’re going to want to get close enough to be able to mouse-over / touch them to find out what might happen.

As a retrospective, the exhibition offers pieces from many of Livio’s installations and exhibitions – Black Elk, Eidola, The Creature from the Black Lagoon, Musiclandia, and more. For those of us familiar with Livio’s work, Post Factum therefore offers a fascinating trip down memory lane. For those who might not be so familiar with his work, the exhibition still offers an inviting and immersive introduction.

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