The remarkable art of Tucker Stilley in Second Life

Cape Able Art Gallery: Tucker Stilley – Palimpsessed

Commencing on Wednesday, April 7th, and running through until the end of May at the Cape Able Art Gallery is a most extraordinary exhibition of art from the physical world. Entitled Palimpsessed, it features the work of Tucker Stilley.

The exhibition is being hosted by Virtual Ability, who have worked in partnership with Tucker and his sister, filmmaker, editor, and producer Kate Stilley Steiner to bring the exhibition to Second Life, and I was invited by Gentle Heron of Virtual Ability to a preview of the exhibition ahead of the first of a series of special events that will accompany it.

Born in Santa Ana,  California in 1961, Tucker Stilley is a veteran intermedia artist and distinguished alumni of the Massachusetts College of Art and Design, where he was a member of the Studio for Interrelated Media. A leading member of the Boston arts community throughout the 1980s and 1990s, he has worked the MIT Media Lab, and with his partner Lindsay Mofford, in a range of environments – academia, technology , corporate, public – producing a broad range of art exhibited at the likes of the Museum of Fine Art, Boston, the Boston Film Foundation and Harvard University, as well as continuing to work with the “arts underground”.

Cape Able Art Gallery: Tucker Stilley – Palimpsessed

Now residing in Los Angeles, California, Tucker Stilley is now completely paralysed, the result of ALS/MND (Lou Gehrig’s Disease), with which he was first diagnosed in 2005. Nevertheless, he continues to create the most incredible art that is rich is substance.

He does so using his one means of communications, a hybrid computer he controls with his eyes and which allows him to essentially “live” within the world wide wide, remaining in contact with friends, colleagues and artistic collaborators, seeking inspiration and engaging in research.

Through this computer, and most recently using ophisticated generative software, Stilley literally pains with his eyes. The pieces he creates bring together a host of genres and styles – abstraction, post-modernism, conceptualism, touches of surrealism, collage, etching, and perhaps in places a hint of fauvism – in the most remarkable and fascinating of ways, all of which is demonstrated in the exhibition at Cape Able.  Within these pieces can be found simplicity and complexity of expression, hints of irony or whimsy.

Cape Able Art Gallery: Tucker Stilley – Palimpsessed

Palimpsessed can be further enjoyed every Wednesday through April and May 2021, when Cape Able Gallery will be hosting guided tours between 17:00and 19:00 SLT.

This is a genuinely extraordinary exhibition that is compact enough so as not to overwhelm, but rich enough to provide a look into the life and creativity of a most amazing artist and visionary.

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A return to the Butterfly Conservatory in Second Life

Butterfly Conservatory, April 2021

In  2017 I visited the Butterfly Conservatory, the work of Ry Heslop. I found it to be an engaging visit – one you can read about in Of lepidopterans, owls, bugs and honey in Second Life. I actually lost track of the conservatory a little while after that visit, so was pleased to learn via the Destination Guide that it has made a return to Second life and has a new home and it went on the list for places to (re)check out.

Butterfly Conservatory, April 2021

Once again occupying a sky garden, the conservatory shares the space with the Merge Club, also operated by Ry. A mover is in operation at the landing point, so don’t be surprised if you find yourself being shuffled away on teleporting – this is presumably to keep those arriving for events at the club from stacking up on one another’s heads.

A  crossway on the footpath points the way to the three primary locations on the platform: a dining area under a pergola, the club, and the Conservatory – the latter unmissable in its impressive new building.

Butterfly Conservatory, April 2021

Within the building is a lush semi-tropical environment, home to a wide variety of flora and  – more importantly in this context – butterflies. These can be found circling the plants, while nearby signs offer information on the species you are seeing.

Butterfly Conservatory, April 2021

Following my initial visit to the Conservatory, I noted that it might be easier for those who have a hard time reading in-world text if the signs also acted as note card givers. As a result of that comment, Ry contacted me to say that’s exactly what would be done in the next update to the gardens – and it is an approach that has been continued through to this iteration; so do be sure to touch them as you follow the paths around to learn more about the butterflies that are to be found here.

Butterfly Conservatory, April 2021

The indoor gardens are beautifully laid out, with split level path leading visitors around them, a café, sculptures, water features and more. In addition, a branch of the path directs visitors to a wing of the building containing the Birds of Paradise aviary – a part of the Conservatory that I think is new to it; at least, I don’t recall it from my 2017 visit.

Butterfly Conservatory, April 2021

Outside of the main building are two further areas to be explored, one providing information on a number of species of beetles and bugs, the other on bees, and their importance to the world as a whole. With the latter – and again tooting my horn a moment – Ry has also followed through on my 2017 suggestion and provided more information on exactly why bees are such a vital part of the ecosystem.

Butterfly Conservatory, April 2021

What I found particularly pleasing about my original visit to the Butterfly Conservatory was its simple elegance in being both an informative and charming visit one can appreciate for both its content and the thought and care that has been put into its design and layout. This remains very much the case with this iteration as well; so if you’ve not been to the Butterfly Conservatory before – make sure to add it to your list of places to visit and enjoy; you won’t be disappointed.

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Bare Skin in Second Life (NSFW)

Nitroglobus Roof Gallery: Bare Skin – Traci Ultsch and Dido Haas

This is the first of planned two visits to Dido Haas’ Nitroglobus Roof Gallery for April – the second will come in about a week and feature the gallery’s April 2021 main exhibition. However, I wanted to jump over to see a new exhibition by Dido herself, together with Tracy Ultsch.

The images in Bare Skin – as noted in the title of this article – may not all be suitable for work viewing, dealing as they do with the subject of female nudity. However, this are not “simple” or “gratuitous” nudity; rather the pieces presented are a genuine celebration of the art and beauty to be found within the female form by two of Second Life’s most accomplished photo portrait artists.

Nitroglobus Roof Gallery: Bare Skin – Dido Haas

Located in the smaller gallery space at Nitroglobus, Bare Skin presents a total of eight monochrome images by Dido and Traci, who display four pieces each.  The two sets of pictures are most clearly differentiated by the fact that Traci’s work utilised a white background, and Dido’s a black backdrop. Both artists approach their work in a similar manner – none of the images feature any background elements distraction to clutter up each image, although props are used in some (notably a cat with some of Traci’s images) that add a sense of focus / narrative.

Whilst breasts and/or nether regions can be seen in some of the images, these are not – again as noted above – pictures intended to titillate in any way. Rather, through framing, pose and focus they encourage the observer to initially consider the inherent grace and lines of the female body,  be it is the rise and sweep of a breast, the arch of a foot, and gentle valley of waist between upper torso and hips – or even as a canvas on which to reflect creativity and expression through the wearing of jewellery or the inking of tattoos. But after this first inspection, there is more to be found.

Nitroglobus Roof Gallery: Bare Skin – Traci Ultsch

These are images that are both intrinsically feminine and beautiful layers in interpretation. Take Traci’s pieces for example. The use of the cat subliminally reminds of of female grace a poise – and also of a woman’s power. Just look at Cat Cat Cat; the kitty may well be stretching and yawning, but the entire image carries a marvellous subtext of I Am Woman, Hear Me Roar. Similarly, the use of tattoos speak both to the ideas of creativity and expressionism / individuality mentioned above, and also to ideas of tribalism –  and with it humanity’s long history; a history in which all successive generations have all be born of Woman.

Similarly, Dido’s images speak to grace and beauty – and also to confidence and power.  Within them lies a statement that women need not fear that their only value lies in their looks and figure, nor do they need to compete through trappings of power dressing in order to demonstrate male-like assertiveness. A woman’s power comes from within; it matters not whether she is dressed or naked – it is simply there, as natural and admirable as any line of mouth or curve of breast.

Nitroglobus Roof Gallery: Bare Skin – Traci Ultsch and Dido Haas

An engaging and visual mini-exhibition well worth taking the time to see.

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2021 SUG meeting week #14 summary

Wythburn Village and Arts Community – blog post

The following notes were taken from the Tuesday, April 6th, 2021 Simulator User Group (SUG) meeting.

Server Deployments

Please refer to the server deployment thread for the latest news and updates.

  • There are no planned SLS Main channel deployments.
  • Wednesday, April 7th: the SLS RC channels should all be updated with simulator release 557694, defined as containing “internal fixes an tweaks”.
Last week we ran into an unanticipated glitch and had to push the RC roll back to this week. So, this week we’ll be pushing out the next Maintenance simulator to all the RC channels.

– Rider Linden on the upcoming deployment

SL Viewer

There have been no official viewer updates to mark the start of the week, leaving the pipelines as:

  • Release viewer: Custom Key Mappings RC viewer, version 6.4.17.557391, dated March 24, promoted March 27 – NEW.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • Maintenance RC viewer – Eau de Vie, version 6.4.17.557412, dated March 25.
    • Love Me Render (LMR) 5 project viewer, version 6.4.14.556118, dated 23, 2021.
  • Project viewers:
    • Legacy Profiles viewer, version 6.4.11.550519, dated October 26.
    • Copy / Paste viewer, version 6.3.5.533365, dated December 9, 2019.
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, dated November 22, 2019.
    • 360 Snapshot project viewer, version 6.2.4.529111, dated July 16, 2019.

Group Chat

On Monday, April 5th, Maestro Linden posted on changes made to Group Chat to try to improve overall message handling. The change appears to have met with with mixed results, with some seeing no real change in how their group chat sessions are affected. There may also been some related unintended consequences, some some reporting the following:

  • Some people are finding they have to make multiple posts for group chat to finally open and their chat to be seen by everyone, otherwise their group chat remains silent. It is not clear if this happens across all their groups, or just some.
  • Messages for some still appear to be failing with a degree of measurable regularity.

Commenting on the situation, and in lieu of Jira reports, Rider Linden commented:

As far as group chat. We know that it is a problem and we’re going to continue to work on it from our end.

New LSL Capabilities?

This from Rider Linden:

I’m proposing the following three LSL functions llOrd, llChar and llHash. llOrd() will return the ordinal of the first character in a string, llChar() given an integer will return a single character string, and llHash() is a non-cryptographic 32 bit hash. I was looking for a way to just have an integer that had a reasonable change of being unique for an arbitrary string.
Use case I can see: Given an owner of two objects I want to select a chat channel with a low probability of colliding with other agents in the area.
This approach wouldn’t be cryptographically secure, but would be convenient.

This many be the start of ongoing work to provide new  / improved LSL capabilities, with it being indicated that feature requests BUG-227663 “[Feature Request] llGetInventoryAcquireTime()” and BUG-227641 “Play/Loop/Stop sounds in linked primitives other than the primitive where the script exists” may also be considered  for implementation.

In Brief

  • Some people are reporting Voice issues – Voice failing to start, or Voice simply not working in a region unless others are already there and using it. It’s not clear have widespread these issues are, or whether bug reports have been raised.
  • BUG-229871 “Unable to re-enter or teleport to a region that I’ve been to during same session” – Linden Lab is still trying to consistently reproduce this issue. In discussing the problem, Maestro Linden noted:
One interesting case was somebody reporting that they were able to reproduce the issue 100% of the time until they replaced a faulty coaxial cable  – which makes me think that packet loss could somehow be to blame (disconnecting from the simulator the first time in some unclean manner due to time-out?).
  • Getting inventory syncing between Agni and Aditi working once more is also being worked on, with the hope that the fix will be available Soon™.
  • Work on Map tiles is progressing, but still no ETA on when the remaining fixes are liable to be deployed. Again, in lieu of a fix, people can use the following alternatives, each with its own functionality:

Lab provides update on Group Chat

via Linden Lab

As many people are aware, Group Chat has had some problems of late, particularly with group chats failing, messages being dropped, etc.

One of the major causes of this has been known to be the manner in which the Group Chat member list updates – people in a group coming on-line, those going off-line and making the necessary updates to the group members list, then sending those updates to all the members of a group.

As you can imagine, all of this can take up a lot of time – in fact at a TPV Developer meeting before his departure, Oz Linden indicated that the service can spend more time managing these updates than in actually handling group chat messages. At the time, he indicated that Linden Lab was considering various ways in which the number of updates could be reduced to ease the load.

On Monday, April 5th, 2021, Maestro Linden provided an update via the Technology → Second Life Server forum on what has now been done to the Group member list updates  – and what the viewer will display as a result. In it, he describes the changes thus:

What changed, exactly?
Second Life has historically listed all the people on-line in a group or ad-hoc chat session.  In an effort to improve overall chat performance, we have limited when these updates are sent.
The Second Life group chat servers has been modified so that large group (over 10 on-line at once) will work so that only moderators get the full list of everyone on-line. Non-moderators now only see on-line moderators listed in the group chat participants list, for large groups.   Groups with 10 or fewer users on-line should not be affected by this change.
How does this change appear in the viewer?
The list of visible group chat participants shown in the Conversations panel, when the drop-down menu is expanded.  Before this change, the participants list would show all on-line members who were currently subscribed to the group’s chat session.  With this change, updates to list is limited for large groups, as described above, unless the “Moderate Group Chat” ability is enabled for the agent.
Will this change affect who can send or receive a group chat message?
No, regular chat messages are unaffected by this change – any group member with the “Join Group Chat” ability will be able to participate in group chat just as before.

– Maestro Linden in Group Chat member list updates, April 5th

While this change means general members of a group many not always be able to seen the full member’s list for the group, the change has been made in the belief that it is more important to be able to send and receive messages in a chat session rather than view the full group list.

How well the change works in practice remains to be seen; there have been response on the thread that indicate some are seeing no significant changes to their group chat sessions – although it’s not clear from the forum post quite when the change to the service was made, and whether or not it is something that will take time to propagate out sufficient for all all users to see benefits.

As well as indicating that additional back-end updates to monitoring tools have been made to allow Lab staff to better monitor SL systems and services, Maestro commented on whether or not this change will be “permanent”:

I would expect this change to remain in place in medium term – there are currently no plans to revert it. That said, I would not declare the change as “permanent” – group chat will continue to evolve as Linden Lab evaluates its performance and tweaks the design.

– Maestro Linden in Group Chat member list updates, April 5th.

For further information, please refer to the forum post, as linked to above.

Letting off steam with Zany Zen Railway in Second Life

Riding Zany Zen’s Railway – April 2021

Back in April 2020, I wrote about Rydia Lacombe’s work in mapping all of Second Life’s railway networks (see: Mapping Second Life’s mainland railways). I ended the article by musing the idea of doing an occasional series about the Second Life Railroad (SLRR) network, even going so far at to contemplate a title for the series: From the Footplate. However, in June of 2020 the Lab launched a video series on the subject, prompting me to put the idea onto the back burner.

However, had I gone ahead with that series, I would have started with the Zany Zen Railway (ZZR), located in the heart of Jeogeot.

Riding Zany Zen’s Railway – April 2021

Created and operated by fellow “Brit” Zen Swords-Galway (ZenriaCo), it’s one of the most unique lines to be found in Second Life, being a) almost entirely scratch-built by Zen (with rolling stock scripting by Dizzi Sternberg, Janet Rossini and NightShade Fugu) and b) it is and narrow-gauge service, something of a rarity in SL. There’s also the fact it offers something of a celebration of UK in the most subtle of ways.

This last point can be seen on arrival at one of the two terminus points for the railway, Little Coverston, located in Gaori. Here, above a small Welsh coastal hamlet (complete with RNLI station) sits a stone built station, the entranceway to which is lined by posters advertising places to Ely, Whitby and the famous Rheilffordd Talyllyn – Talyllyn Railway, itself a narrow-gauge railway and Welsh tourist attraction that runs along the line that original carried slate from the quarries to the port of Tywyn. Incidentally, it was also the first narrow-gauge railway in the UK to be authorised by Act of Parliament for the transport of passengers.

Riding Zany Zen’s Railway – April 2021

It’s very much a passion project that grew into something I could never imagine. I’ve been lucky over the last few years to have some help with a few bits and bobs; the passenger carriage update last year couldn’t of been done with out a friend.

Zen discussing her Zany Zen Railway

Roughly three passenger trains an hour run along the ZZR, so if you arrive between services, you can take a wander along the street below and maybe pop into the Welsh Dragon to refresh yourself or, if it is open, the local corner shop to grab a sandwich or snack to enjoy on the train.

The rolling stock on the ZZR is all designed and built by Zen herself, and is incredibly well detailed

One of the reasons the service may appear slow is that – like many narrow gauge lines – the ZZR is predominantly a single track, one that is shared with goods trains. This means that passenger services often have to wait at the one double section of track to allow the freight service to pass. Not that this should be a problem; it simply gives passengers more time to appreciate their surroundings.

From Little Coverston the line runs east and then south, with a station at Seogyeo where that double section of line can be found, allowing trains to pass one another. The station is also home to the ZZR museum, offering a history of the line’s development that is very much worth hopping off the train to see – you can always catch the train once it has been down and back along the line to resume your journey. Also at Seogyeo is the chance to wander the streets of the local Welsh-themed village that is fully in keeping with the railway, and designed and built by RoaryCymru.

Seogyeo station, April 2021

After Seogyeo, the line continues south, passing over an extensive viaduct and then through a cutting to arrive at Ahndang, a little country station typical of a bygone era here in the UK, before continuing on to Somdari – actually the point where the line originally started. The ZZR’s engine sheds are here, giving visitors the chance to see more of the engines – all of which are beautifully designed (and there may well be a couple in the sidings along the line).

Another of an aspects of the ZZR that make it so engaging is the level of scripted automation and detail: station signs neatly display arriving services, levers shift as points change, carriage doors opening as closing as the trains sit alongside platforms, and so on. The ride can admittedly be a little rickety – but anyone who has ridden a narrow gauge knows that can be the case – as can be the tightness of the curves.

Looking back along the tracks on the Zany Zen Railway, April 2021

Zany Zen’s isn’t the longest or the fastest railway, nor does it have the biggest trains;  but that’s precisely the point. ZZR isn’t supposed to be big and bold and charging along; rather, it is an accurate interpretation of an English narrow gauge line that has been re-purposed from its original use to provide an engaging excursion people can enjoy – and one  I recommend you try if you haven’t already.

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