The following notes are taken from the TPV Developer meeting held on Friday, June 11th,, 2021.
These meetings are generally held every other week. They are recorded by Pantera Północy, and her video of the meeting is embedded at the end of this report – my thanks to her for allowing me to do so – and it is used with a transcript of the chat log from the meeting and my own audio recording to produce these notes.
Wednesday, June 9th saw issues occur with in-viewer Linden Dollar and land purchases. Whilst resolved within hours, the issue was traced back to an overly aggressive series of checks the viewer was carrying on on the various software certificates used by Linden Lab. This caused the viewer to throw a wobbly when encountering a new certificate that did not quite meet the expected format.
The certificate involved was massaged so as not to get the viewer upset, fixing the issue; however, in order to avoid similar situations in the future, the Lab plan to implement a viewer-side change to the way the viewer carries out such checks. This change will be released as a part of the normal Maintenance RC viewer updates.
In Brief
There have been some questions raised about Vivox end-of-lifing the current Vivox 4 Voice system in favour of the more recent Vivox 5. Linden Lab is not aware of this happening any time in the future, but is aware that due to the way Vivox 5.x operates on different platforms, when such a change eventually comes to pass, it might required some significant changes in the manner in which SLvoice.EXE interacts with the viewer.
Currently underway until Sunday, June 13th, 2021 is the Kultivate’s Magazine 6th annual Spring Art Show in Second Life, featuring the work of some 32 artists, supported by daily music events.
Kultivate Magazine is a publication about the cultural aspects of Second Life, its goal is to support art, culture, photography, music, and fashion. The brand includes the magazine, The Windlight Art Gallery, The Edge Gallery, The Kultivate Loft Gallery, Signature Gallery, AIR Gallery, the Select Gallery and the satellite Dene Gallery located in Rosehaven. In addition, Kultivate Magazine is the media partner and primary sponsor of Team Diabetes of Second Life, an official and authorised fund-raising team for The American Diabetes Association.
Kultivate Spring Art Show 2021 – Vita Theas
The participating artists for the 2021 Spring Art Show comprise: 4pril Resident, Amanda, Angel Heartsong, Anouk Lefavre, Cutewillow Carlberg, Dandilyon Jinx, Dawnbeam Dreamscape, Deynira Yalin, Elise Sirnah, Eucalyptus Carroll, Eve Petlyakov, Jamee Sandalwood, Johannes Huntsman, Kacey Macbeth, Kapaan Resident, Klint Kord, Lena Kopiak, Matt Thomson, Myra Wildmist, Ohara Takamori, Phoenix, Roxcee REesident, Sabine Mortenwold, Sandor, Sevant Anatra, Sheba Blitz, Slatan Dryke, Tempest Rosca, Vanessa Jane, Veruca Tammas, Viktor Savior, and Vita Theas.
The setting for this year’s event is a formal garden rich in the colours of spring, the artists all occupying individual greenhouses around the edges of the gardens, a broad footpath offering the way around.
Kultivate Spring Art Show 2021 – Vanessa Jane
Entertainment for the rest of the show- my apologies to John and Tempest for only getting to it as it reaches its mid-point – is as follows (all times SLT):
Thursday, June 10th
Daily Giveaways: 10 gift cards.
13:00: live musician Ziggy Sixpence.
14:00: live vocalist Jackie Lefko
Friday, June 11th:
Daily Giveaways: 10 gift cards.
18:00: live musician Dee Timeless.
19:00: live musician Thunderfoot.
Saturday, June 12th:
Daily Giveaways: five skyboxes by Inverse.
17:00: live vocalist Aislen Sings.
18:00: live musician J Lively.
Sunday, June 13th:
Daily Giveaways: two 3D Environment 360 view skyboxes by Inverse.
13:00: awards ceremony.
14:00: live vocalist Sarita.
15:00: live vocalist Samm Quenda.
23:30: Art Show ends.
So be sure to hop along and enjoy the entertainment and appreciate the art!
Hazelnut’s Kingdom, June 2021 – click any image for full size
Hazelnut’s Kingdom is a 5-region estate held by Noubeil (noubeil Alpha) and landscaped by Dandy Warhlol (terry Fotherington) I was invited to tour some time ago – so my apologies to Noubeil for only now getting to write about it.
Drawing its name from Noubeillane – “Hazelnut” in Occitan – the estate presents a highly immersive interpretation of the Ariège Pyrenees, together with the coast of southern France, that is utterly breath-taking.
Hazelnut’s Kingdom, June 2021
Offered as a public / private estate, the estate can be enjoyed by anyone with a love of nature and natural settings, but those wish to avail themselves of all of its facilities: rezzing rights; the ability to set home within the the estate’s public spaces; the use of group-owned items in the estate (including horses and boats), should consider a visit to the group membership area and pay L$500 to join the estate group.
Some 12 locations are available for rent across the estate, featuring houses that are in keeping with the overall theme. Most are located either on the small islands to the east of the estate, or in the western uplands. They vary in rental price, and at the time of my last visit, all but four were occupied.
Hazelnut’s Kingdom, June 2021
The preferred landing point lies to the south-east, in a corner of the estate’s coastline alongside a small harbour. A greeter will supply various links to places such as the estate’s website and rentals page, etc., while a teleport board offers a quick way of reaching the two major public venues as well as some of the rentals (please be careful with the latter as the properties are likely occupied).
A pair of gates provide access to north running path that passes behind the local stables to come by way of river, wharves, and trail to the local town, fronted by a golden sanded beach and watched over by a medieval church with a commanding view across the estate’s northern lowlands from its perch up on a headland.
Hazelnut’s Kingdom, June 2021
Here there is much to see, with multiple trails offering routes around the headland and its church or that climb the slopes on which the town has been built and then roll into the lands beyond, with their mix of rocky foothills, sloping fields tumbling stream and waterfront and hillside villages. Backed by high mountains to the west that represent the Pyrenees, this northern aspect of the estate is quintessentially southern France with just a touch of northern Italy – something again totally in keeping with its Occitania roots.
More public spaces are to be found here, including a stage for open-air music performances – music is very much a part of Hazelnut’s Kingdom – and off to the western foothill, the high stone walls and stern towers of a high castle – one of the best integrations of the Fanatik design I’ve seen in a while; so good in fact, that I wouldn’t be surprised if it turned up in one of the many scenic aerial shots that grace television coverage of the Tour de France each year!
Hazelnut’s Kingdom, June 2021
The western highlands also offer a lot to explore, as the trails running to and from the castle and through the woodland below it are only too eager to reveal. Some of the large rental properties are to be found in these uplands, together with high lakes, tumbling streams, a cable ride up to to a high plateau, and even a walk up to snowy uplands – so take a coat and suitable walking gear!
The two most notable public spaces in the estate lie to the south, occupying another flat table of rock, one that rises from the landing point mentioned earlier, and connected to it by a winding path that connects to the great chateau that crowns the rock. This is home to grand rooms and a stables on the lower level and, on the upper, The Queen’s Bar.
Hazelnut’s Kingdom, June 2021
Sitting quite literally below the chateau, and reached via a path that hugs the foot of the plateau and which starts a little set back from the landing point, is The Owl Club, a venue hewn from the living rock, a little Tuscan-style setting located just outside to add some further atmosphere. Also, keep an eye out for the other caverns nearby!
Immersive and photogenic, Hazelnut’s Kingdom is an engaging visit, although time is required to do the estate proper justice. Also, even the depth of detail involved, some adjustment to the viewer will likely be required for those on mid-ot-lower-spec systems.
For June, Cica Ghost is offering us all a trip to the circus with her latest installation which opened on Tuesday, June 8th.
Called, appropriately enough, Circus, this is an engaging setting that brings to life all the brightness – and perhaps some of the edge – of its namesake for people to explore.
From the big top to cages to transport animal whilst on the road to the animals themselves – elephants, giraffe, seals, lions, bears – Circus presents all the elements that for so long made circuses a place of wonder for young and old. And not just the circus – rids and other interactive elements aware those who visit, giving the setting a slight funfair lean as well.
Cica’s Circus
Scattered throughout are Cica’s trademark dances lay hidden within various objects awaiting discovery – keep and eye out as well for the gifts that can make the dancing even sillier! Other items, when moused over, offer sit point for those who wish to observe all that is going on. for the more energetic, the trampolines offer the challenge of bouncing in place or trying to time bounces and movement to catapult yourself upwards and back and forth between them.
Of course, circuses can raise feelings of disquiet over the welfare of animals, whilst clowns are not everyone’s cup of tea when it comes to fun. These points are perhaps indirectly alluded to by Cica due to the clowns here keeping themselves to one side of the path through the circus, and the fact that the entire setting sits under a slightly gloomy twilight sky.
Cica’s Circus
But really, Circus is about freedom and escape, a recapturing of childhood innocence and wanting to “run away to the circus”. And in a time when there has been so much gloom and spectres of pandemics and political polarisation and more, taking time to escape is actually not a bad idea. So why not hop along to Cica’s Circus and have a little fun?
SLurl Details
Circus by Cica Ghost (Springville, rated Moderate)
The following notes were taken from the Tuesday, June 8th, 2021 Simulator User Group (SUG) meeting. These notes relate to the core points of discussion; other topics may have ben raised without specific feedback from LL as actionable items, so please refer to the video at the end of this report for the full meeting and all points covered.
Server Deployments
At the time of writing, there had (again) been no server deployment thread available for review. However:
Tuesday, June 8th saw servers on the SLS Main channel updated with simulator release 560108, previously deployed to the RC channels. It includes a new LSL function: llGetInventoryAcquireTime(), which returns the “Acquired” timestamp that inventory name was added to the object’s inventory.
There is no planned deployment to any of the RC channels planned for Wednesday, June 9th.
SL Viewer
The Love Me Render 5 (LMR 5) viewer, version 6.4.19.560171 and dated May 27th, was promoted to de facto release status.
The Project UI RC viewer updated to version 6.4.20.560422 on June 8th, bringing it to parity with the new de facto release viewer.
The rest of the official viewer pipelines remain as follows:
Release channel cohorts:
Maintenance 2 RC viewer – Fernet, version 6.4.19.559726, dated May 19.
Project viewers:
Legacy Profiles viewer, version 6.4.11.550519, dated October 26.
Copy / Paste viewer, version 6.3.5.533365, dated December 9, 2019.
Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, dated November 22, 2019.
360 Snapshot project viewer, version 6.2.4.529111, dated July 16, 2019.
In Brief
The core of the meeting focused on scripts: the need for large scripts, improved script management (including reducing the current cap on avatar scripts – particularly if large scripts are allowed), and generally improving script resources. There is currently no commitment from LL on any of the items raised in the text chat. Please refer to the meeting video for more.
Rider Linden indicated that his focus remains on updating the monitoring tools used by the lab to leverage those offered by AWS.
Video
The following video of the meeting is courtesy of Pantera Północy.
Friday brought the sad news that Ebbe Altberg, the CEO of Linden Research Inc., had passed away. And while it is perhaps too soon to be thinking about things as people are still coming to terms with the news, polls, comments and opinions have nevertheless already started circulating as to the kind of CEO the company should now look towards.
Chief among the opinions being expressed is that it should be “someone who has been in Second Life for a good amount of time and has plenty of experience.” But is this accurate?
Ebbe Altberg: perhaps linden Lab’s most successful CEO. Souce: Linden Lab
As I noted in my own tribute to Ebbe, while he did come to Linden Lab with a good degree of foreknowledge – his son Aleks had been very successful with the Teen Grid before transitioning to the Main grid, and Ebbe himself was a close friend of Jed Smith, the former chairman of the Lab’s board; as he readily admitted himself, he was not in any way either a long-term user of the platform or who had “plenty of experience” with it prior to joining the company.
And yet, as we’ve all noted over the pass several days since the news broke, Ebbe has been without a doubt, the most popular of CEOs at the Lab among users. His tenure was by no means perfect, but overall his presence strengthened both company and principal product enormously – up to and including spinning-off a revenue-generating subsidiary that in time might help both, in the form of Tilia Pay.
Thus, I would suggest that the qualities needs for CEO are not so much any deep / long-term exposure to or involvement in Second Life, but rather the qualities and skills needed to manage and lead a company and leverage the strengths inherent in its management team and staff. In this, I would say that long-time friend and commentator R.( R. Dismantled) has summed up the requirements of any incoming CEO the best:
Not a celebrity, but a manager of managers, making the good and difficult decisions. And not just talk and hype and making Second Life something it isn’t, but making it better…
… I hope that the next person entrusted to manage the managers of our weird little social soap bubble will be cut from the same cloth.
– R. (R. Dismantled) commenting on this blog
From the outset, Ebbe was “a manager of managers”. He trusted those reporting into him to run their departments in a manner that would best support the company, its core product and its users. At the same time, he was prepared to make the necessary hard choices to swing the company back onto a more solid course of product development – shutting down the Creatorverse, dio and Versu projects almost immediately (and later allowing the creators of Versu to spin it off into its own platform), winding down work on Patterns and selling Desura, whilst allowing Blocksworld to serve its community through until mid-2020. And – while it may not have entirely worked out as hoped – he set the company on paths that might seen the development of additional revenue-generating opportunities, through both the aforementioned Tilia Pay and through the development of Sansar.
Ebbe Linden, aka Ebbe Altberg. Credit; Strawberry Singh
There’s also the fact that the CEO’s brief is a broad one, encompassing skills and abilities far beyond general team leadership and product understanding.
While such skills can be acquired from within organisation, they do make promotion from within potentially more difficult even when – from an outside perspective, at least – there may appear to be “obvious” candidates, simply because they do take time to acquire and effectively wield.
As such, the “hire from without / promote from within” is a difficult path to tread – with the latter aspect further compounded by the fact that even if there are potential candidates within the organisation that could transition and acquire the skills of a CEO over time – they may not actually want to do so, simply because it means they must relinquish aspects of their work they actually enjoy the most.
In the specific case of Linden Research, things are perhaps further compounded by the fact that Ebbe Altberg was somewhat unique in his background. This spanned running large and small corporate entities, presenting him with the broadest base of skillsets, and was coupled with his own “left-brain / right brain” balance of technical and creative skills and knowledge that – even without a long-standing involvement in Second life – provided him with a solid foundation for quickly understanding the complexities of the platform and its communities of users with their needs once he was at his desk at the Lab.
There is also another factor to consider here: does the Lab actually need someone to take over directly as CEO?
Since the acquisition process closed-off at the end of 2020, incoming investor Brad Oberwager has been conspicuous in the degree to which he has been hands-on in his role as Executive Chair within the management team, as reported by the likes of Grumipty, Brett and Patch Linden at various in-world events. Mr. Oberwagerf has also brought long-term business partner/colleague Cammy Bergren into the LL fold as the company’s Chief of Staff.
Linden Lab’s Chief of Staff, Cammy Bergren (centre left) and Board member / Executive Chairman, Brad Oberwager (centre right) and their respective avatars. Both appear to have been very much at the helm of Linden Lab since Mr. Oberwager and his fellow investors acquired the company at the end of 2020.
Between them, they have considerable experience in running corporate entities, and as such are well-placed to steer Linden Lab through the next several months without the need for any immediate appointment from without or within, giving staff more time to deal with the loss of Ebbe whilst ensuring both the company and Second Life adjust and move forward under a broader management umbrella (I exclude Tilia Pay here as that entity appears to be almost entirely self-managing).
So, with all that being said, right now it is far too early to be considering “what ifs” and “who mights” in terms of the role of CEO at the Lab. Ebbe’s legacy is huge and something that we should all spend more time reflecting upon – and we should allow Linden Lab space to reflect on the loss of a man they knew better than the rest of us, rather than speculating on “who should be next”.