2021 SUG meeting week #16 summary

The Redwoods, February 2021 – blog post

The following notes were taken from the Tuesday, April 20th, 2021 Simulator User Group (SUG) meeting. There’s not actually a lot to report, with most of the meeting taken up with general comments on “nice to have” ideas (e.g. improved IK for locating an avatar’s position / height, options to improve sitting on furniture, LSL access to map tile information, etc.), none of which is currently under consideration by LL as potential implementations.

Server Deployments

No server deployments have been planned for this week. There will, however, be a general “clean-up” of some of the Snack RC and experimental channels, but should not impact more than a couple dozen regions.

Regular deployments are expected to resume from week #17 (commencing Monday, 26th, April, 2021).

SL Viewer

There have been no updates to the current crop of official viewers to mark the start of the week.

  • Release viewer: Custom Key Mappings RC viewer, version, dated March 24, promoted March 27.
  • Release channel cohorts:
    • Love Me Render (LMR) 5 project viewer, version, dated April 7.
  • Project viewers:
    • Legacy Profiles viewer, version, dated October 26.
    • Copy / Paste viewer, version, dated December 9, 2019.
    • Project Muscadine (Animesh follow-on) project viewer, version, dated November 22, 2019.
    • 360 Snapshot project viewer, version, dated July 16, 2019.

In Brief

  • There is a “minor” update to be deployed to the back-end Soon™ that may help with the current problems.

Ambre Singh: artistic expressionism in Second Life

Ambre Singh Gallery, April 2021

Far back in January 2021, I received an invitation from Ambre Singh to visit her gallery spaces located overhead at Noir’WEN City – and I offer my apologies to her for only now getting around to doing so.

A Second Life resident for getting towards 14 years, Ambre is an artist who uses photography, art, a sense of humour and generally provocative in the manner it prods the grey matter between the ears to start churning thoughts.

Thematically, much of her work might be considered Adult, with images not suitable for the work environment; it mixes direct Second Life photography – notably her avatar, the characters she creates and her friends – with mixed media pieces that combine physical world at and images with elements created within Second Life mixed with classical works both to tell her own stories and / or in celebration of their original artists.

Ambre Singh Gallery, April 2021

Her gallery space at Noir’WEN offer two wings set within a warehouse environment, one of which is devoted to a permanent exhibition entitled The Pink Dildo, and the other offers a broader mix of Ambre’s work, including the opportunity to rez past exhibitions – a novel idea I’ve admittedly never come across before.

The Pink Dildo (you can take it from the title this is an exhibit that can be labelled NSFW!) is a clever, humour-filled but ultimately thought-provoking view “of the role of women in the development of human societies”.  Within it, Ambre presents a collection of images that combine original in-world art with clever re-workings of classical pieces of art to take us on a journey from pre-history through to modern times, each piece generally including a pink dildo in some fashion, together with a short descriptive text offered in English and French.

Ambre Singh: The Pink Dildo, April 2021

While it might be easy to dismiss these pieces as a means of simple titillation, to do so would be to miss the point. Whilst the entire exhibition includes adult themes wrapped in humour (just read the artist’s biography placed within the exhibit for evidence of the latter), there is a subtext within The Pink Dildo that might best be described as commentary on the (largely patriarchal) recording of history, whilst also offering personal views on modern society (notably on the upper floor of the hall), not all of which we may ascribe to or agree with, but which nevertheless give good pause for thought.

What is particularly – for me – engaging about this exhibition is the manner in which Ambre has taken classic pieces of art by Rembrandt, Poynter, da Vinci, Bouguereau, Jacques-Louis David, JW Waterhouse, Litovchenko and others and re-interpreted them as a part of her story. I also appreciate the topping and tailing of this exhibit through the use of a reference to 2001: A Space Odyssey at the start, and a sideways reference to Musk & SpaceX and their plans to colonise Mars. 

Ambre Singh, The Pink Dildo, April 2021

The interjection of her avatar into classical works of art can also be found in the second wing of Ambre’s gallery, although with art that is more nude in tone and adult in theme, so again should be considered NSFW. Here, within the upper floor rezzer area, one can appreciate her take on pieces by JW Waterhouse, Boucher, Courbet, Draper and more, as well as collections of her avatar portraiture work, a neat little musical quiz challenging people to match the images with the song titles and more.

Engaging, rich in content, story and sub-text, Ambre Singh’s art is well worth visiting – and extended to a current exhibition in Noir’WENs ground-level gallery as well – something I’ll be returning to in the future.

Ambre Singh Gallery, April 2021

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