Month: May 2020

Update, June 3rd: It appears Woods of Whimsy has closed.

Gilfalma Ashbourne recently invited us to visit her recently opened Mainland parcel, Woods of Whimsy. Within it, she has created a garden setting with something of a Middle Earth setting that stirs in one or two other influences to create a space of natural beauty ripe for exploration and photography.

The Woods of Whimsy, a Tolkien inspired land, mixes virtual gardening with a love of magic and the divine. Here paths meander through waterfalls, threading ancient ruins with a verdant splendour.

– Woods of Whimsy description

Bordered by water on two sides and high cliffs on the other two, this is a place that blends the space between these borders to create an environment that is richly evocative. Fronting the high cliffs, the parcel’s uplands step gently down to the lowlands then in turn eases into a cypress-laden swampland that is fed by a stream that also tumbles from the uplands. To the east, the boundary to the parcel is marked by a river-like body of water which, together with a curtain of trees. makes for a natural border between the woods and the neighbouring region.

Sitting within the lowlands and nestled between stream and river, are the ruins of a church, an overgrown graveyard beside it. Forming the parcel’s landing point, the ruins don’t immediately feel particularly Tolkien-esque – but first looks can be deceptive when taken as a part of the whole.

Beyond the walls of this ruin, a number of grassy paths run outwards through the trees, one to a riverside conservatory, another passing along the curtain of trees and river border to reach an ancient rotunda by way of a camp site. The third points the way towards the inland corner of the parcel, and it is here that things become more Middle-Earth in nature.

This last path itself further splits in to three a short walk from the old church, the rightmost arm of which climbs by way of slope and stair to reach arches and gardens that might be taken for outlying areas of Rivendell.

Rich in statues (one of which is very Entish in nature)  and the remnants of statues, the climb gives the setting a feeling of great age, so much so, that the presence of these gardens and structures perfectly enfolds the old church and the gazebos below, making them very much a part of the landscape; even the Roman temple located at the end of a further branching of the path sits within the elvish nature of the climb.

Waterfalls tumble from numerous points in the cliffs, filling pools. These are again fully in keeping with the elvish feel to the region  – the elvish love of water being well established in Tolkien’s lore.  Follow two of the upper reaches of the paths climbing and winding over the highlands, and it is possible to find your way down to one of the most iconic elements of Middle Earth, and the starting point for his published tales: a hole in the ground, one dressed entirely in keeping with the opening of The Hobbit.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hold, and that means comfort.

– J.R.R. Tolkien, The Hobbit, 1937

This is not the only hole in the ground within the parcel; another of the ground-level paths offers a route to where a tunnel leads into the roots of the high cliffs, and a realm that brings forth a more dwarfish feel to the setting – one that at its entrance has an echo of Middle Earth: a cobweb and a spider.

True, it’s not a spider to match those found in Mirkwood, but it’s hard not to see it and think of that part of Bilbo Baggins’ journey to the lonely Mountain. Connected by these tunnels are a number of chambers, one of which in particular carries a motif from another modern fantasy epic: G.R.R. Martin’s A Song of Ice and Fire.

All of this barely scratches the surface of all that is to be found within the Woods of Whimsy with its places to sit, blending of themes, multiplicity of paths and trails that give the parcel a sense of size beyond its boundaries – and the feeling that somewhere, perhaps, up in the hills and among the cliffs there just might be a path leading down into Rivendell proper. Most definitely a much-see destination for all virtual travellers.

SLurl Details

• Wood of Whimsy (Thirlmire, rated Moderate)

In April 2020, we visited SombreNyx’s latest design for Endless, her full region (see A journey to Orkney in Second Life). It’s a region we’ve often visited to appreciate Sombre’s work, and it has also been the home to at least one build  –  located in the sky over Sombre’s work – by Jackson Cruyff. It was Jackson’s work that drew us back to Endless, as he has recently completed another sky build.

Entitled Yes, this new build that keeps up with the rugged island feel of Endless 58-58N, albeit with a more mountainous look to it. It is also a most unusual setting, as Jackson explains:

A set of rickety structures, barely held together, creaky and possibly perilous. On the mountain top, optimism against all odds, and turkeys.

– Jackson Cruyff

From the landing point – a wooden deck built over an outcrop of rock sitting just off shore from the main island – a rope bridge points toward the route of exploration. Not that the latter is hard to miss; directly in front of any arrival, the island rises from grassy lowlands to the high rocky peak of it single mountain that tend to beckon to anyone on the landing point deck.

Trees and bushes are scattered over the lowlands, which undulate gently while rocky outcrops mark the coast. There are no beaches to be found here, and no distractions from the main features of the island.

These take the from a set of five wooden board walks, each raised on stilt-like legs. Each offers something different: a walk out over the waters of a small bay, a circular walk looping around a central deck, a figure-of-eight that offers an infinity walk over bushes and a camp site; a second circular walk that passes endlessly through a rocky arch in the mountain’s foothills; and the greatest of them all, a swirling climb offering the way up to the summit of the mountain.

From a distance it is possible to mistake the latter walk as perhaps part of an old-style roller coaster, or scaffolding designed to enclose some form of tower or similar structure. Only the long arms connecting it with the flank of the mountain suggesting it is in fact something else.

The impulse to climb this structure first is completely natural – but I’d urge you to leave it until last, and explore at least a couple of the other board walks first. I say this because this large structure makes for an interesting climb. Vertigo is not a common sensation people tend to experience in Second Life, and few things in-world tend to be a challenge to the senses. However, these are the feelings a climb around and up this walk can cause.

I say this not in any way negativity; rather it is to Jackson’s credit that a walk up the spiralling board walk can result in very real sensations of giddiness. In this I’d venture to say a walk up to the top of the structure is one of the more unique experiences found in Second Life.

Once there, a more sedate walk along the uppermost outstretched finger of the board walk will take you by stair, ramp and additional climb to the mountain top, where can be found a deck on which to appreciate the view and the aforementioned turkeys.

Rounded out by a subtle sound scape that is again in keeping with Endless 58-58N, Yes is a location well worth taking the time visit and appreciate.

SLurl Details

• Yes (Endless 58-58N, rated Adult)